Iranian National Ballet Company

{{Infobox ballet company

| name = Iranian National Ballet Company
سازمان باله ملی ایران

| logo =

| predecessor =

| successor = Les Ballets Persans
{{langx|fa|سازمان باله ایران}}

| founded = 1958

| founder = Nejad Ahmadzadeh

| founding_choreographers = William Dollar

| venue = Roudaki Hall Opera

| website = [http://www.balletspersans.org/ BalletsPersans.org]

| artistic_director = {{bulleted list

| Nejad Ahmadzadeh
(1958–1976)

| Ali Pourfarrokh
(1976–1979)

}}

| assistant_director = Haideh Ahmadzadeh

| music_director =

| choreographers = {{bulleted list

| William Dollar

| Miro Zolan

| Richard Brown

| Robert de Warren

| Jack Carter

| Anne Heaton

| Haideh Ahmadzadeh

| Robert Urazgildiev

| Birgit Cullberg

| Ali Pourfarrokh

| John Butler

}}

| sister_company = National and Folk Music, Song and Dance Ensemble

| orchestra = Tehran Symphony Orchestra

| official_school = National Ballet Academy of Iran

| formation = {{bulleted list

| Principal Dancer

| First Soloist

| Second Soloist

| Corps de Ballet

| Apprentice

}}

}}

The Iranian National Ballet Company ({{langx|fa|سازمان باله ملی ایران}}) was Iran's only state ballet institution until the Islamic revolution of 1979 and also the most known and recognized of all dance companies in the Middle East. It was founded in 1958 by the Iranian Ministry of Culture and existed for 21 years (1958–1979). The company, residing at Tehran's Roudaki Hall, was disbanded in the aftermath of the Islamic revolution and was re-established 23 years later in exile by Nima Kiann under the name of Les Ballets Persans ({{langx|fa|سازمان باله ایران}}) in Sweden.[http://www.balletspersans.org/ Official website of Les Ballets Persans (The New Iranian National Ballet)][http://www.artira.com/balletspersans/history.html Chronology of the Iranian National Ballet and Les Ballets Persans]

History

= Introduction of ballet in Iran =

File:Madame Yelena teaching.jpg

The history of ballet in Iran started in 1928 when Madame Cornelli, a Russian immigrant who fled the Bolshevik revolution of 1917, started giving dance lessons in Tehran. There was no methodical ballet training; the classes consisted of various exercises to make the body supple and to cultivate the students' awareness of rhythm and musicality. Part of each class was devoted to character or folk dances.From book: My Life as a Persian Ballerina by Haideh Ahmadzadeh, p. 5 A later dance teacher was Madame Yelena (Avedisian),Kiann, Nima (2000). Madame Yelena Avedisian. [http://www.artira.com/danceforum/articles/yelena/yelena_bio.html/ Eastern Dance Forum] {{Webarchive|url=https://web.archive.org/web/20141203012908/http://www.artira.com/danceforum/articles/yelena/yelena_bio.html |date=2014-12-03 }} (Retrieved 2 Dec. 2014) and Sarkis Djanbazian who respectively in 1933 and 1938 organized dance classes in the city of Tabriz and Qazvin. These newcomers expanded the European influenced dance scene in Iran by holding performances and dance classes of various style, including classical ballet, European folk dancing, the European partner dancing, etc.

= Iran’s pioneering ballet company =

In the early 1940s Nilla Cram Cook, who had vast knowledge in Eastern cultures and languages, was serving as the United States cultural attaché at the American Embassy in Tehran. During her time as the US culturаl attaché she became employed at the Ministry of Education and Propaganda, as director general of the Arts Department. Her endeavors and great interest in Persian culture, arts and literature resulted in the realization of the most extensive Iranian national dance project of the first half of the twentieth century. In 1946, Cram Cook founded the Studio of the Revival of the Iranian Ancient Arts (in {{langx|fa|استودیوی احیای هنرهای باستانی ایران}}), aiming to revive and restore the “forgotten” ancient Iranian performing arts. Most of the dances were based on Persian history or mythology. An important work by Cram Cook, The Caravan, was developed from a poem by Saadi and was later performed in 1958 by the Iranian National Ballet.From book: My Life as a Persian Ballerina by Haideh Ahmadzadeh; p. 21 The dance troupe performed at functions at the American Embassy in Tehran and toured nationally and internationally, remaining active until around 1953.

File:Times Roudaki Hall.jpg

= Establishment of the national ballet company =

In 1955, Mehrdad Pahlbod, the head of the Fine Arts department commissioned Nejad and Haideh Ahmadzadeh to start a ballet school on a professional basis aiming to raise native Iranian ballet dancers for a future national ballet company. The School was opened in 1956 in the premises of Tehran's Conservatory of Music. Two years later in 1958, the Iranian National Ballet Company was established with Nejad Ahmadzadeh as its founding director. When the Fine Arts Department of Iran eventually expanded and became The Ministry of Culture and Arts, Nejad Ahmadzadeh was appointed as director of the ballet academy, the ballet company and the National and Folk Music, Song and Dance Ensemble which was a sister company to the Iranian National Ballet Company using the same dancers to create and stage a nationally inspired repertoire.Ahmadzadeh, Haideh (2009). My life as a Persian Ballerina. Raleigh, NC: Lulu Enterprises Inc.

File:Roudaki Hall opening, Shah and R.E. Warren.jpg

File:Ninette de Valois in Tehran.png

As institutionalizing ballet and bringing about a professional national ballet ensemble comparable to the ballet companies in the West had become a serious concern for the government, the Iranian monarch Mohammad Reza Shah Pahlavi had personally asked Dame Ninette de Valois to council on the formation of a ballet company during one of his official visits to London and after a command performance in his honor at the Royal Opera House. In the summer of 1958, Dame Ninette de Valois was visiting Turkey where she had founded a ballet school. On the invitation of the Ministry of Culture and Arts, she prolonged her trip in order to visit the National Ballet Academy of Iran and budding company in Tehran. On her return to London, she sent Ann Cox followed by Miro Michael Zolan and his wife Sandra Vane. Later Nicholas Beriozoff, Marion English-Delanian, Richard Brown and finally Robert and Jacqueline de Warren were sent by de Valois to teach and stage dances and short ballets for the ballet academy and company.

The Iranian National Ballet Company developed to become the most renowned Iranian cultural institution during its tenure as the country's only ballet institution. Company productions were often performed at official events and functions in the presence of the Royal family and invited national and international dignitaries.{{cite web | last =Kiann | first =Nima | title =Persian Dance and Its Forgotten History | work =Eastern Dance Forum | url =http://www.artira.com/danceforum/history/history.html | access-date = 2014-08-20}} The company moved to the Roudaki Hall Opera upon its completion in 1967.Kiann, Nima (2015). History of Ballet in Iran. Wiesbaden: Reichert Publishing

Repertoire

File:Carmina Burana.jpg

The company repertoire included classical, neoclassical and contemporary ballets which were staged usually by invited guest choreographers and ballet masters from Europe and the United States. The company established a close collaboration with dance institutions in Soviet Union, United States and Europe. The Royal Ballet, Royal Academy of Dance, Bolshoi Ballet, American Ballet Theatre were parts of a vast exchanging cultural program between the companies.

Some early works of the company were those choreographed by Nilla Cram Cook for the Revival of the Iranian Ancient Arts Ensemble which were restaged by Cram Cook's former dancers, Nejad and Haideh Ahmadzadeh. Prominent and world-famous ballet dancers from renowned ballet companies of the world were often invited to dance the principal roles of all great classical ballets. In order to keep the high standard of the productions the company relied on guest artists from abroad to perform the leading roles in most work premieres.

= List of Iranian National Ballet Company productions =

border="1" class="wikitable"

! Year / Season

! Work

! Composer

! Chore / Staged by

! Principal dancers

1958

| The Caravan || Unknown || Nilla Cram Cook / Haideh Ahmadzadeh || Entire company |

1961

| The Classical Première || Gluck || Miro Zolan || Entire company |

1961

| 1+2=4 || Ravel || Miro Zolan || Avak Abrahamian

1961

| Don Quixote Pas de deux || Minkus || Miro Zolan || Haideh Ahmadzadeh & Miro Zolan

1961

| Rossiniada || Rossini || Miro Zolan || Entire company |

1961

| Fiesta || Kabalevsky || Sandra Vane / Miro Zolan ||

1962

| Libestraum || Strauss || Miro Zolan ||

1962

| The Entertainers || || Miro Zolan ||

1963

| The Nutcracker Pas de deux || Tchaikovsky || Marius Petipa / Miro Zolan || Haideh Ahmadzadeh & Leon Neshanian

1963

| Comedie a la Francaise || Ibert || Richard Brown || Entire company |

1963

| Slaughter on Tenth Avenue || Rogers || George Balanchine / Richard Brown || Clara Avanessian

1964

| La Péri || Paul Dukas || Ivan Clustine / Robert de Warren || Haideh Ahmadzadeh & Leon Neshanian

1965

| Love and the Clown || Verdi || John Cranko / Robert de Warren || Haideh Ahmadzadeh, Avak Abrahamian, Jamshid Saghabashi

1966

| Games || Ahmad Pejman || Robert de Warren ||

1966

| La Valse || Ravel || Robert de Warren ||

1966

| Symphony in C || Bizet || Robert de Warren ||

1966

| Tchaikovsky Suite || Tchaikovsky || Robert de Warren ||

1967

| Lady of the Camellias || || / Robert de Warren ||

1967

| The Firebird || Stravinsky || Michel Fokine / Robert de Warren ||

1968

| Phaedra || Auric || / Robert de Warren || Haideh Ahmadzadeh & Robert de Warren

1968-69

| Romeo and Juliet || Prokofiev || John Cranko / Robert de Warren || Sarvar Kaboli & Amin Taati

1968-69

| Cinderella || Prokofiev || / Robert de Warren || Sarvar Kaboli & Amin Taati

1969-70

| The Sleeping Beauty || Tchaikovsky || Marius Petipa / Robert de Warren || Lucette Aldous & Robert Bestonso {{efn|from Royal Ballet}}

1970-71

| Giselle || Adolphe Adam || Jean Coralli & Jules Perrot / Anne Heaton || Adele Oroz & Viktor Rohna, {{efn|from Budapest Opera Ballet followed by Irina Prokofyeva & Andrei Kondratoff from Bolshoi Ballet}} Haideh Ahmadzadeh & Jamshid Saghabashi

1971 - Autumn

| The Myth of Creation {{efn|on the occasion of the 2,500 year celebration of the Persian Empire}} || Melik Aslanian || Robert Thomas ||

1971-72

| Coppélia || Léo Delibes || Arthur Saint-Léon / Anne Heaton || Philippa Caire & Amin Taati, Haydeh Changizian & Jamshid Saghabashi

1971-72

| Swan Lake || Tchaikovsky || Marius Petipa / Vakhtang Chabukiani || Irina Prokofyeva & Andrei Kondratoff {{efn|followed by Mette Höningen & Pale Jacobson from Royal Danish Ballet}} |

1971-72

| The Nutcracker || Tchaikovsky || Marius Petipa / Jack Carter || Carol Grant & Jamshid Saghabashi, Haydeh Changizian & Amin Taati

1972-73

| Lieder eines fahrenden Gesellen || Gustav Mahler || Robert Thomas || Haydeh Changizian & Amin Taati / Marion English Delanian & Robert Thomas

1972-73

| La Bayadère || Ludwig Minkus || Marius Petipa / Natalie Conus{{efn|from Bolshoi Ballet in Moscow, even known as Natalia Konus}} || Malika Sabirova & Mozaffar Burkhanov{{efn|soloists of Bolshoi Ballet from Tajik origin}} /Haydeh Changizian & Amin Taati, Haideh Ahmadzadeh in role of Gamzatti

1972-73

| Unfinished Symphony (Pas de quatre) || Franz Schubert || Madjid Kashef || Haydeh Changizian & Riccardo Duse

1973-74

| Fountain of Bakhchisarai || Boris Asafyev || Rostislav Zakharov / Natalie Conus || Raisa Strouchkova & Nikolai Fadeyechev ,{{efn|from Bolshoi Ballet}} Maggie Burton Saghabashi & Amin Taati, Haydeh Changizian, Avak Abrahamian

1973-74

| La Fille Mal Gardée || Peter Ludwig Hertel || Dimitri Romanoff || Haydeh Changizian & Amin Taati, Haideh Ahmadzadeh as Widow Simone

1973-74

| Boléro || Maurice Ravel || Madame Tilda from Romania ||

1973-74

| Petrushka || Igor Stravinsky || Michel Fokine / Madame Tilda from Romania || Jamshid Saghabashi

1973-74

| Sinfonietta || Leoš Janáček || Miro Zolan || Haydeh Changizian

1973-74

| Jigsaw || Boris Blacher || Miro Zolan || Haydeh Changizian

1973-74

| The Scarecrow || Benjamin Britten || Miro Zolan || Marion English Delanian & Avak Abrahamian

1973-74

| The Witch Boy || Leonard Salzedo || Jack Carter || Haydeh Changizian & Jamshid Saghabashi

1975-76

| Les Sylphides || Frédéric Chopin || Michel Fokine / Anne Heaton ||

1975-76

| Schéhérazade || Rimsky-Korsakov || Michel Fokine / Anne Heaton (ballet dancer)|Anne Heaton || Haydeh Changizian as Zobeide,

Jamshid Saghabashi as the golden slave, Avak Abrahamian as Kalif

1975-76

| Bijan and Manijeh{{efn|The company’s first full-length classical ballet production based on Shahnameh of Ferdowsi}} || Hossein Dehlavi || Haideh Ahmadzadeh & Robert Urazgildiev || Haydeh Changizian & Jamshid Saghabashi

1976-77

| Serenade || Tchaikovsky || George Balanchine / Patricia Neary || Janet Popeleski & Michael Dane

1976-77

| Miss Julie || Rangström || Birgit Cullberg || Janet Popeleski & Chinko Rafique

1976-77

| Graduation Ball || Johann Strauss II || / Nicholas Beriosoff || Maggie Burton Saghabashi & Chinko Rafique

1976-77

| Swan Lake || Tchaikovsky || Marius Petipa & Lev Ivanov / Nicholas Beriosoff || Maggie Burton Saghabashi & Jamshid Sahabashi, Janet Popeleski

1977-78

| Romeo and Juliet || Prokofiev || / Nicholas Beriosoff || Janet Popeleski & Robert Craset / Nina Brzorad and Jamshid Saghabashi

1977-78

| The Nutcracker || Tchaikovsky || Marius Petipa / Nicholas Beriosoff || Janet Popeleski & Robert Craset / Nina Brzorad and Jamshid Saghabashi

1977-78

| Carmina Burana || Carl Orff || John Butler || Janet Popeleski, Nina Brzorad, Robert Craset, Jamshid Saghabashi

1977-78

| After Eden || Holby || John Butler || Janet Popeleski & Robert Crazet / Nina Brzorad and Jamshid Saghabashi

1977-78

| Polovetsian Dances || Borodin || / Nicholas Beriosoff ||

1978-79

| Sleeping Beauty || Tchaikovsky || Marius Petipa / Nicholas Beriosoff || Nina Brzorad, Patricia Rensetti, Jamshid Saghabashi

{{notelist}}

Artistic staff

File:Birgit Cullberg rehearsing dancers.jpg

The Iranian National Ballet Company started operating in 1958 with a dozen of dancers. The company grew to approximately 50 dancers, one third of them Iranian natives. The rest of the company members came mostly from Europe and the United States.[https://www.facebook.com/IranianNationalBallet/info?tab=page_info/ Community page of the Iranian National Ballets Company at Facebook. List of former members][https://www.facebook.com/IranianNationalBallet/timeline/ Community page of the Iranian National Ballets Company at Facebook. Timeline]Craine, Debra & Mackrell, Judith (2000). "Oxford Dictionary of Dance." New York: Oxford University Press

= Artistic directors =

{{Div col|colwidth=20em|rules=yes}}

  • Nejad Ahmadzadeh (1958–1976)
  • Ali Pourfarrokh (1976–1979)

{{Div col end}}

= Principal choreographers =

{{Div col|colwidth=20em|rules=yes}}

  • William Dollar (1958–1960)
  • Miro Zolan (1961–1963)
  • Richard Brown (1963–1964)
  • Jack Carter (1971)
  • Anne Heaton (1973)
  • Haideh Ahmadzadeh
  • Robert Urazgildiev (1975)
  • Birgit Cullberg (1975)
  • Nicholas Beriosoff (1976–1979)
  • John Butler

{{Div col end}}

= Ballet masters and mistresses =

{{Div col|colwidth=20em|rules=yes}}

  • William Dollar
  • Miro Zolan
  • Sandra Vane
  • Yvonne Patterson (1959–1960)
  • Marian English Delanian (1960 -1979)
  • Robert de Warren (1965-1970)
  • Jacqueline de Warren (1965–1970)
  • Dudley Davies (1977–1979)
  • Kenneth Mason (1976-1979)

{{Div col end}}

= Dancers =

{{Div col|colwidth=20em|rules=yes}}

  1. Ayda Abolian
  2. Avak Abrahamian (Salmasi) (? - 1979)
  3. Valerik Abrahamian (? - 1979)
  4. Ahmad Adjdadi
  5. Adeleh Afrand
  6. Haideh Ahmadzadeh (1958–1975)
  7. Parvin Al-Amin
  8. Ronald K. Alexander
  9. Anne Allen (1978–1979)
  10. Jeremy Allen (1976 - 1979)
  11. Avisa Amirshahi
  12. Jenous Amirshahi
  13. Mary Apick
  14. Ahita Ardalan
  15. Azita Arfa
  16. Wendy Arshamian (? - 1979)
  17. Minoo Atabaki
  18. Clara Avanessian
  19. Ophelia Azarnia
  20. Banafsheh Bahramian
  21. Georgina Bahramian Coleman (? - 1979)
  22. Nejdeh Bahramian (? - 1979)
  23. James Bailey (1977–1978)
  24. Evelyn Balassanian (? - 1979)
  25. Mitra Behrouz
  26. Diana Biggart
  27. Nina Brzorad (1976–1979)
  28. Pippa Buck Power
  29. Aban Budin
  30. Margaret Bull
  31. Judyth Casey
  32. Haydeh Changizian (1972–1978)
  33. Tina Christina
  34. Robert Craset (1977–1979)
  35. Michael Dane
  36. Belinda (Lindy) Davies (? - 1979)
  37. Rosamund Davies
  38. Otis Daye (1977–1978)
  39. Rostam Dehmohbed
  40. Missy Denman (? - 1978)
  41. Yerjanik Djambazian
  42. Mehdi Doagoo
  43. Gavin Dorrian (1978–1979)
  44. Tomas Edwards (Martini) (? - 1978)
  45. Magdy El-Lethy (? - 1979)
  46. Jonathan Ellingham (1977–1979)
  47. Bahman Sadr Orafai
  48. Hilda Estepanian
  49. Fereshteh Fakoor
  50. Fereshteh Farazmand
  51. Ivan Ionathan Feller
  52. Martin Fredmann
  53. Parviz Ghanei (? - 1979)
  54. Farihan (Fari) Gheissari Akbarian
  55. Diane Gray (? - 1979)
  56. Michael Hall
  57. Mark Hammond (1977–1978)
  58. Mary Heathcote
  59. Caroline Heming (1977 - 1978)
  60. Dariush Hirbodian
  61. Behrooz Honarbakhsh
  62. Sarah Inglis Fricker (1970-1974)
  63. David Jackson (1976 - 1978)
  64. Nader Jahanfard
  65. Sarvar (Sorur) Kaboli
  66. Nina Kavosi
  67. Nasser Kazemi
  68. Sudabeh Keshmirian
  69. Sholeh Katherina Kia
  70. Shideh Kia Nikkhoo (? - 1979)
  71. Ladan Kianpoor
  72. Jeremy Macdonald (1977–1978)
  73. Osama Maksood (1978–1979)
  74. Robert March (1976–1977)
  75. Debbie McGee (1978–1979)
  76. Sam McManus
  77. Terri Mills Tester
  78. Frieda Minassian
  79. Golriz Mirjahangiri
  80. Nader Mirzadeh
  81. Rima Moghadam
  82. Farnoosh Moshiri
  83. Abdollah Nazemi
  84. Leon Neshanian
  85. Jaleh Nikpay
  86. Judith (Judy) Odell (1976 - 1978)
  87. Karen Oram
  88. Gita Ostovani
  89. Gregory Pope (1977–1978)
  90. Mary Paranicas (1977–1978)
  91. Janet Popeleski (1976 - 1978)
  92. Virginia (Ginny) Portz
  93. Tibor Pusztai - Conductor
  94. Mina Rad
  95. Chinko Rafique (? - 1977)
  96. Jaleh Rahbar
  97. Soheyla Razavi (? - 1979)
  98. Patricia Renzetti (1978–1979)
  99. Helen Riddington (1976 - 1978)
  100. Amanda Rivera Bruell (?-1978)
  101. Vivien Rycroft Richards (? - 1979)
  102. Soheila Sadr
  103. Jamshid Saghabashi (1958–1979)
  104. Fereydoon Saghabashi Tork
  105. Maggie (Burton) Saghabashi (? - 1979)
  106. Pari Samar
  107. Bahareh Sardari (? - 1979)
  108. John (Jay) Seaman (1977–1979)
  109. Susan Sepehran
  110. Roberta Senn Minto (1977–1978)
  111. Karen Smith (1977–1978)
  112. Azar Snider
  113. Sacha Spencer-Moore
  114. Diane Spinelli
  115. Clair Symonds Josephs
  116. Amin Taati
  117. Mersedeh Tahvildari
  118. Mary Tarverdian
  119. Kent Taylor (1978)
  120. Peggy Tehran
  121. Catherine Terzian
  122. Mark Thibodeau (1977–1978)
  123. Peter Towse (? - 1978)
  124. Behrooz Vasseghi (? - 1978)
  125. Samuel Veal (1976 - 1978)
  126. Ali Aschar Vil
  127. Bethan Wiliams (1977–1978)
  128. Trevor Wood
  129. Wendy Woodbridge (1977–1978)
  130. Jennifer (Jenny) Wyatt (1974–1979)
  131. Nazila Zand-Karimi
  132. Vazgen Zarokian
  133. Pejman Parhami (1975-1977)

{{Div col end}}

Disbanding of the company

File:Sleeping Beauty performed by Iranian National Ballet Company.jpg

The civil unrest and political upheavals that caused the collapse of the Monarchy and establishment of a theocracy in Iran started in 1978 and was escalating rapidly. The last ballet production that was staged at the Roudaki Hall Opera was Sleeping Beauty during the fall season of 1978. By December 1978 and January 1979, the political situation of the country became more and more unstable. Almost all foreign members of the company left Iran during this period as soon as there was a flight available, before the complete collapse of the regime in February 1979. Employed dancers were informed that there were dismissed till the new government's further notice. Eventually, a meeting was arranged in Bāgh-e Manzariyeh in northern Tehran soon after the victorious revolution in the presence of Roudaki Hall's workforce and Ayatollah Mohammad Mofatteh. When he was asked about the fate of ballet in Iran, he replied irately and in no uncertain terms that Islamic Republic and ballet is paradoxical and self-contradictory. The Iranian National Ballet Company was thereafter formally declared as dissolved in 1979.Koegler, Horst (1987). The Concise Oxford Dictionary of Ballet. New York: Oxford University Press

Revival of the Iranian National Ballet Company in Les Ballets Persans

Twenty-three years after disbanding of the Iranian National Ballet, the Swedish-Iranian dancer, and choreographer Nima Kiann created a new company in Stockholm, Sweden with the support of the Swedish authorities. Inspired by Les Ballets Russes and Ballets suédois as exiled dance companies representing vastly the culture of their countries, he named the company Les Ballets Persans ({{langx|fa|سازمان باله ایران}}).’’Les Ballets Persans.’’ (2002). World Premiere souvenir program booklet. Stockholm: LBP PublicationsPatriot med mödosam mission. [Patriot with an arduous mission]. Article and interview in Göteborgs-Posten newspaper. 2000-01-26 The company repertory is entirely based on the Persian culture and heritage and does not include any works of the Western repertoire unless they are created based on Persian heritage. The project of revival of the Iranian National Ballet Company made an international impact and was regarded as the most extensive individual artistic project ever realized outside of Iran.

Notes

  • On the 35th anniversary of disbanding of the company, on August 29, 2014, around forty former members of the Iranian National Ballet, including Nejad and Haideh Ahmadzadeh and Ali Pourfarrokh, gathered together in Washington DC to celebrate and share the accomplishments of the company. This was the first reunion of company members after leaving Tehran thirty-five years ago. In a message sent to this reunion, Nima Kiann the founder of Les Ballets Persans, the successor company of the Iranian National Ballet, wrote: ...On behalf of the new generation of Iranian ballet artists, I salute all attending and even absent members of the company this evening. Your collective accomplishment of the past time is today’s fundament on which this new generation is standing on. It is a reason of pride for the new and future generations of Iranians and a reminder of a passed time of development and progress for the art form of dance in Iran.[https://www.facebook.com/photo.php?fbid=898282580186725&set=a.607254065956246.1073741825.100000149738879&type=1&theater/ Nima Kiann’s message to the reunion. August 29, 2014]

See also

References

{{reflist}}

; Bibliography

  • {{Cite book|last=Craine |first=Debra |title=The Ballets Russes and the Art of Design |year=2009 |publisher=The Monacelli Press |location=New York}}