J. K. Paasikivi Memorial

The sculpture consists of two black, smooth and convex stone slabs standing upright on a three-step pedestal. The sculpture is 5.5 metres tall and weighs 40 tonnes.[http://taidemuseo.hel.fi/suomi/veisto/veistossivu.html?id=88&sortby=statue Itä ja Länsi / J. K. Paasikiven muistomerkki] {{Webarchive|url=https://web.archive.org/web/20160411182704/http://taidemuseo.hel.fi/suomi/veisto/veistossivu.html?id=88&sortby=statue |date=11 April 2016 }}, Helsinki Art Museum. Accessed on 30 April 2018. The stones are made of black diorite mined from the Mustakivi Oy quarry in Kuokkala, Jyväskylä.[https://www.hel.fi/static/liv/2013/pyoraillen/ksp5.pdf Patsaskierros], city of Helsinki. Accessed on 1 May 2018.

The middle step of the pedestal bears an inscription with Paasikivi's name and the epitaph "The start of all wisdom is acknowledging the facts" in both Finnish and Swedish.Rautio, Antero: Pääkaupunkiseudun julkiset muistomerkit ja taideteokset – patsasbongarin opas, p. 182. Karisto, Hämeenlinna 1998. Paasikivi famously used this statement on his second term as Prime Minister of Finland in a speech he gave on the Finnish Independence Day in 1944, where he described the necessities of post-war politics in Finland. In his speech Paasikivi said the statement had originally been stated by "a certain historian-thinker".[http://www.kylmasota.fi/fi/index.php/65-2-toisen-maailmansodan-jalkeinen-aika-1944-1955/2-1-suomi-sodasta-rauhaan/2-1-8-sisapoliittinen-tilanne-syksylla-1944/2-1-8-sisapoliittinen-tilanne-syksylla-1944/117-paaministeri-paasikiven-puhe-itsenaisyyspaivana-6-12-1944 Pääministeri Paasikiven puhe itsenäisyyspäivänä 6.12.1944 (otteita puheesta)] {{Webarchive|url=https://web.archive.org/web/20180501092807/http://www.kylmasota.fi/fi/index.php/65-2-toisen-maailmansodan-jalkeinen-aika-1944-1955/2-1-suomi-sodasta-rauhaan/2-1-8-sisapoliittinen-tilanne-syksylla-1944/2-1-8-sisapoliittinen-tilanne-syksylla-1944/117-paaministeri-paasikiven-puhe-itsenaisyyspaivana-6-12-1944 |date=1 May 2018 }}, Suomi kylmässä sodassa. Accessed on 30 April 2018. The quote is probably originally from the 19th-century British historian Thomas Carlyle, but Paasikivi was quoting it via the texts of Johan Vilhelm Snellman.Immonen, Hannu: "Paasikivi ja historia", p. 315. In: J. K. Paasikivi – Valtiomiehen elämäntyö 5: 1948–1956 (Tuomo Polvinen), WSOY, Helsinki 2003.[https://www.doria.fi/bitstream/handle/10024/8951/TMP.objres.4177.html?sequence=1 Urho Kekkosen J.V. Snellmanin syntymän 185-vuotisjuhlassa 12.5.1981], Doria.fi. Accessed on 30 April 2018. Carlyle's contemporary Thomas Macaulay has sometimes been cited as the original author of the sentence instead of Carlyle himself.[https://www.doria.fi/bitstream/handle/10024/7911/TMP.objres.2134.html?sequence=1 Urho Kekkosen radiopuhe 10.12.1958], Doria.fi. Accessed on 30 April 2018.

The original contest for a memorial to J. K. Paasikivi was held in 1970. The first place was split between Harry Kivijärvi's design Rinnakkaiselo ("Living together") and Kain Tapper's design Paasikiven linja ("The Paasikivi doctrine").Harni, Heli: "Tuhansien vuosien ajalta", in: Harry Kivijärvi (2008), p. 119, 124, 127. This decision caused controversy, as both designs were seen to be modified versions of earlier works by their creators, contrary to the contest's rules. Tapper's design was said to resemble his earlier work Mustalaisen puukko ("The knife of the Romani"), while Kivijärvi's design was said to resemble several of his earlier works.Kruskopf, Erik: Veistosten kaupunki – Taidetta Helsingin katukuvassa (translated by Rauno Ekholm), pp. 75–78. Schildts, Helsinki 2000. Kivijärvi had made several minimalist sculptures based on black stone slabs since the 1960s, of which many feature a portal design created by two stones standing next to each other.Kuusamo, Altti: "Keveyden metaforat raskaassa kivessä", in: Harry Kivijärvi (2008), pp. 19–23. In actuality, the similarity was because of Kivijärvi's and Tapper's styles of sculptures instead of copying an individual earlier work. Nevertheless, the contest had to be held again. Kivijärvi won the new contest in 1976 with his changed design Itä ja Länsi, which lacked the horizontal architrave stone from the original design.

The city of Helsinki first offered the Hesperia esplanade in Töölö as the location of the memorial, but a better option was to place it at the Arkadianaukio square near the city centre and the Parliament House. The memorial was revealed on the 110th anniversary of Paasikivi's birth on 27 November 1980.

The Paasikivi memorial was the first abstract memorial in honour of a Finnish chief of state.Valjakka, Timo: [https://www.hs.fi/muistot/art-2000002627138.html Harry Kivijärvi], Helsingin Sanomat 15 April 2010. Accessed on 1 May 2018. A non-realistic memorial caused intense controversy at the time. A popular nickname for the sculpture was "Juho Kusti and Alli", as the two chubby stone slabs were said to resemble Paasikivi himself and his wife Alli.

As well as the memorial in Helsinki, a realistic statue of J. K. Paasikivi was built in Lahti in 1961 and busts of Paasikivi in Mukkula in the 1960s and in Kerava in 1974.[https://web.archive.org/web/20070929114954/http://www.ess.fi/Article.jsp?article=145820&category=1201&main=1160&days=3000&dept=0 Lahti – patsaiden kaupunki], Etelä-Suomen Sanomat 20 May 2007 (Internet Archive). Accessed on 1 May 2018.[http://www.sinkka.fi/wp-content/uploads/2012/05/Keravan-taiderastit.pdf Keravan taiderastit] {{Webarchive|url=https://web.archive.org/web/20171208180437/http://www.sinkka.fi/wp-content/uploads/2012/05/Keravan-taiderastit.pdf |date=8 December 2017 }}, Keravan taidemuseon ystävät ry 2015. Accessed on 1 May 2018.

• Harry Kivijärvi – ja se mitä taiteeksikin sanotaan, publications of the Wäinö Aaltonen museum issue #53, Turku 2008. {{ISBN|978-952-9565-53-5}}

{{coord|60|10|15.262|N|24|56|9.035|E|display=title}}

{{Helsinki Cityscape}}

Category:Outdoor sculptures in Helsinki

Category:Kamppi