Jane Harrison (playwright)

Jane Harrison is a descendant of the Muruwari people of New South Wales, from the area around Bourke and Brewarrina.{{cite web|title= Austlit — Jane Harrison |publisher= Austlit|url=https://www.austlit.edu.au/austlit/page/A34457|access-date= 6 November 2024}}

She grew up in the Dandenong Ranges in Victoria with her mother and sister, and began her career as an advertising copywriter.

{{main|Stolen (play)}}

Stolen premièred in 1998 at Playbox (now Malthouse Theatre) in Melbourne, directed by Wesley Enoch.{{cn|date=June 2025}} It was followed by seven annual seasons in Melbourne, plus tours to Sydney, Adelaide, regional Victoria, Tasmania, the United Kingdom (twice), Hong Kong and Tokyo, with readings in Canada, New York City, and Los Angeles.{{cn|date=June 2025}} In Sydney, it was performed at the Sydney Theatre Company, directed by Wayne Blair.{{cn|date=June 2025}}

Stolen is a play about the lives of five Indigenous Australian people from the Stolen Generations.J. Harrison (2000) Stolen. Strawberry Hills (NSW): Currency Press (Author's biography on 1st page) For Stolen Harrison was awarded the Australian Writers' Guild AWGIE Nomination, was co-winner of the Kate Challis RAKA Award, and received an Honourable Mention in the CACS National Awards Individual Category for An Outstanding Contribution to Australian Culture.{{cn|date=June 2025}} Stolen has been studied on the Victorian Certificate of Education and New South Wales Higher School Certificate English and drama syllabi.{{cn|date=June 2025}} Australian Book Review called the play "a contemporary classic".{{Cite web |date=2024-06-14 |title=Stolen - A stirring revival of Jane Harrison's play. |url=https://www.australianbookreview.com.au/abr-arts/101-arts-update/12635-stolen-a-stirring-revival-of-jane-harrison-s-play-by-ian-maxwell |access-date=2024-07-15 |publisher=Australian Book Review}}

Sydney Theatre Company staged a new production of Stolen in its 2024 season, directed by Ian Michael.{{cite web|title="Stolen" |publisher= Sydney Theatre Company|url=https://www.sydneytheatre.com.au/whats-on/productions/2024/stolen|access-date= 6 November 2024}}

Rainbow's End premiered in 2005, and toured Melbourne, Sydney, regional Australia, and Japan in 2007, and has had numerous subsequent productions.{{cn|date=June 2025}} Harrison was awarded the Drover Award (Tour of the Year) and a Helpmann Awards nomination for Best Regional Touring Production.{{cn|date=June 2025}} It has been studied on the New South Wales Higher School Certificate and is currently on the Victorian Certificate of Education English syllabus.{{cn|date=June 2025}} Rainbow's End tells the simple, yet convoluted story of three generations of First Nations women; young Dolly, her mother the happy-go-lucky Gladys, and the wise and stern Nan Dear, living in their shanty perched on the flats of the Goulburn River in 1950s regional Victoria. The play was initially directed by Wesley Enoch.J. Harrison (2007) Rainbow's End published in Contemporary Indigenous Plays Currency Press (Author's biography)

On a Park Bench was created through workshops at Playbox and the Banff playRites Colony in 2002. The play was a finalist in the Lake Macquarie Drama Prize.

Blakvelvet won the 2006 Theatrelab Indigenous Award.

The Visitors was initially workshopped at the Yellamundie Festival in 2013, before a development at the Melbourne Theatre Company Cybec Electric series / Melbourne Indigenous Festival in 2014, directed by Leah Purcell.{{cite web|title="MTC - The Visitors" |publisher= Melbourne Theatre Company|url=https://www.mtc.com.au/plays-and-tickets/whats-on/production-archive/2010-2014/cybec-electric-2014/the-visitors/|access-date= 6 November 2024}} The Visitors re-imagines the arrival of the First Fleet on Gadigal country from the perspective of seven elders meeting on the shores of the harbour.{{cite web|title= The Visitors by Jane Harrison|publisher= Austlit|url=https://www.austlit.edu.au/austlit/page/26929448|access-date= 6 November 2024}}

The Visitors premiered as a full production in January 2020 as part of the Sydney Festival. It was awarded the prize for Best New Australian Work, 2022 Sydney Theatre Awards, and was shortlisted for the Nick Enright Prize for Playwriting at the 2021 New South Wales Premier's Literary Awards.{{Cite web|last=|date=2021-03-24|title=NSW Premier's Literary Awards 2021 shortlists announced|url=https://www.booksandpublishing.com.au/articles/2021/03/24/183931/nsw-premiers-literary-awards-2021-shortlists-announced/|access-date=2021-03-25|website=Books+Publishing|language=en-AU}}

Sydney Theatre Company and Moogahlin Performing Arts produced a second production of The Visitors at the Sydney Opera House in September / October 2023, directed by Wesley Enoch.{{cite web|title="The Visitors" |publisher= Sydney Theatre Company|url=https://www.sydneytheatre.com.au/whats-on/productions/2023/the-visitors|access-date= 6 November 2024}} This production won the 2023 Sydney Theatre Awards for Best Mainstage Production, and Best Ensemble, and went on to tour regional Australia in 2024.{{cite web|title="The Visitors by Jane Harrison 2024 National Tour" |publisher= Moogahlin Perfomriong Arts Inc.|url=https://www.moogahlin.org/thevisitors2024tour|access-date= 6 November 2024}}

Victorian Opera commissioned Harrison to collaborate with composer Christopher Sainsbury to develop an operatic version of The Visitors, staged at Arts Centre Melbourne in October 2023.{{cite web|title="The Visitors" |publisher= Victorian Opera|url=https://www.victorianopera.com.au/production/the-visitors/|access-date= 6 November 2024}}

The opera was listed on the Victorian Certificate of Education 2023 curriculum.{{cite web|title="New opera brings composer Chris a full circle" |publisher= Canberra City News, 10 October 2023|url=https://citynews.com.au/2023/new-opera-brings-composer-chris-a-full-circle/|access-date= 6 November 2024}}

The narrative arc presented in Harrison's play The Visitors is reconceptualized as a literary novel, also called The Visitors, published by HarperCollins in 2023.{{cn|date=June 2025}} The novel was named Debut Fiction book of the year in the 2024 Indie Book Awards.{{cn|date=June 2025}}

Harrison's novel, Becoming Kirrali Lewis, won the State Library of Queensland 2014 black&write! Indigenous Writing Fellowship, was shortlisted in the Prime Minister's Literary Awards 2016, and was Highly Commended in the Victorian Premier's Literary Awards 2016.{{cn|date=June 2025}} Becoming Kirrali Lewis is a coming-of-age teen fiction novel about the search by Stolen Generations member Kirrali Lewis for her biological parents, which turns stereotypes on their heads. Becoming Kirrali Lewis was published by Magabala Books in 2015.{{cn|date=June 2025}}

Short story, Born, Still, was published by the State Library of Queensland in Writing Black: New Indigenous Writing from Australia, launched in May 2014, and in the anthology Flock published by University of Queensland Press in 2021.{{cn|date=June 2025}} Born, Still is a gentle reflection on the death of a daughter before birth.{{cn|date=June 2025}}

Born, Still was subsequently re-worked as a play, workshopped at the National Play Conference in 2018 with a reading at the Melbourne Writers Festival also in 2018.{{cn|date=June 2025}}

First Nations Monologues (edited by Harrison) is an anthology of 30 contemporary First Nations playwrights’ most notable theatrical monologues. Published by Currency Press in 2023, it pays homage to the diverse perspectives that resonate throughout Australia.{{cn|date=June 2025}}

Harrison has written for Little J & Big Cuz, an Australian First Nations animated television series first screened on the NITV network and subsequently on ABC television. The series won the 2018 Logie Award for Most Outstanding Children's Program.{{cite news |title=Logies awards 2018: Here's the full list of winners and nominees |url=http://www.abc.net.au/news/2018-06-29/the-60th-tv-week-logie-awards-2018-nominee-list/9914478 |accessdate=18 July 2024 |work=ABC News |date=2 July 2018}}

Harrison confessed in 2010 to her own struggles with mental health in an essay published in the Medical Journal of Australia. At a time when mental health was a career-ending stigma, she did so as a platform for talking about First Nations' mental health more broadly. Harrison's essay Healing Our Communities, Healing OurselvesMedical Journal of Australia 2010; 192 (10): 556-557. argued that First Nations people faced the dual challenge of transgenerational trauma and its associated impact on mental health, in parallel with the more widely acknowledged structural barriers. She argued "a healthy First Nations person and community represents best practice" but that "we First Nations workers travel a parallel journey, working to improve our community's wellbeing, while sometimes struggling with our own".{{cn|date=June 2025}} In recognition of her contribution to mental health awareness the Medical Journal of Australia awarded Harrison the Dr Ross Ingram Essay Prize.{{cn|date=June 2025}}

Harrison created and led Blak & Bright - First Nations Literary Festival{{Cite web |date=2024-03-14 |title=Blak & Bright First Nations Literary Festival |url=https://blakandbright.com.au/ |access-date=2024-07-15}} in Naarm (Melbourne) from its inception in 2015 in the role of artistic director / CEO until August 2024.{{cn|date=June 2025}} Blak & Bright is a bi-annual four-day festival celebrating the diverse expressions of First Nations story-tellers, the only major First Nations literary festival in Australia.{{cn|date=June 2025}}

"Indig-curious; Who can play Aboriginal roles?" (2012) explores the issues raised by Aboriginal identity in theatre. The essay was derived from Harrison's University of Queensland Masters Exegesis.{{cn|date=June 2025}}

Harrison contributed a chapter to Many Voices, Reflections on experiences of Indigenous child separation, which was published in 2002 by the National Library of Australia, Canberra. This work was also related to the theme of the Stolen Generations.

{{Reflist}}

• [https://australianplays.org/script/CP-441] Stolen
• [https://web.archive.org/web/20140222135919/https://australianplays.org/script/CP-1491/] Contemporary Indigenous Plays Rainbow's End
• [https://www.mja.com.au/journal/2010/192/10/healing-our-communities-healing-ourselves/] Medical Journal of Australia Healing our communities, healing ourselves
• [https://web.archive.org/web/20140213100231/https://currencyhouse.org.au/node/219] Currency House Indig-curious; Who can play Aboriginal roles?
• [http://www.childhoodinstitute.org.au/Assets/226/1/NotOneSizeFitsAllreportfinalNov2012.pdf] La Trobe University Not one size fits all: Understanding the social and emotional wellbeing of Aboriginal children
• [http://bookshop.nla.gov.au/book/many-voices-reflections-on-experiences-of-indigenous-child-seperation.do] National Library of Australia Many Voices: Reflections on Experiences of Indigenous Child Separation

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Category:1960 births

Category:Australian non-fiction writers

Category:20th-century Australian dramatists and playwrights

Category:Indigenous Australian writers

Category:Living people

Category:Australian women dramatists and playwrights

Category:21st-century Australian dramatists and playwrights

Category:21st-century Australian women writers

Category:20th-century Australian women writers