Joseph Redding

File:Benjamin B. Redding (January 17, 1824 – August 21, 1882).webp

Joseph Deighn Redding was born on September 13, 1859, in Sacramento, California. He was the son of Mary P. and Benjamin Barnard Redding. His father, worked as a land agent for the Southern Pacific Transportation Company{{cite news|title=Joseph Redding, Famous Attorney and Writer, Dies|newspaper=San Francisco Examiner|date=November 22, 1932|pages=1, 11}} and the Central Pacific Railroad. The city of Redding, California, is named after Joseph Redding's father. His mother's side of the family had come to California from Massachusetts, and she was a descendant of American Revolutionary War veteran Israel Putnam.

In addition to his career working for railway companies, B. B. Redding was a prominent politician in California who held several different offices during his political career, among them California State Assemblyman (1853–1854), Mayor of Sacramento, California (1856–1857), and Secretary of State of California (1863–1867).Shuck, pp. 424–425 He also was a regent for California State University and served a term as president of the board of the California Academy of Sciences.Shuck, p. 425 At the time of Benjamin Redding's death in 1882 he was serving a term as commissioner of the California Department of Fish and Game (CDFG). B. B. Redding's ties to the CDFG dated back to its inception in 1852 and he was an active force in that agency until his death thirty years later.{{cite news|title=Death of B.B. Redding|work=The Pacific Bee|date= August 26, 1882|page=2}} Both Joseph Redding and his younger brother, Dr. George Herbert Huntington Redding (born December 16, 1860), would later serve terms as commissioner of the CDFG after the death of their father.{{cite web|url=http://alaskaweb.org/bios/reddingghh.html|title=Dr. George Herbert Huntington Redding|author= E. S. Harrison|publisher=The Metropolitan Press|year= 1905}}

In his youth, Joseph Redding studied with the California pianist Hugo L. Mansfeldt and gave his first public concerts playing piano duos with Mansfeldt at the age of 11.{{cite journal|journal=Journal of the American Liszt Society|volume=21–22|page= 50|publisher=American Liszt Society|year=1987|title=Hugo L. Mansfeldt}} He attended schools in the Sacramento City Unified School District before entering the California Military Academy (CMA) in Oakland, California, in 1871.Shuck, p. 427 He began playing chess seriously while attending this school. After graduating from the CMA in 1874, he entered Harvard Law School in 1877 where he graduated with a Juris Doctor degree in 1879. While at Harvard he directed the college's orchestra and won a tournament in billiards at the school.{{cite journal|title=The Untold Talent of Joseph Redding: Profiling a Polymathic Chess Expert|first=Jerry|last= Spinrad|date=April 2012|volume= 7|issue= 2|journal=Readex Report|url=https://www.readex.com/readex-report/issues/volume-7-issue-2/untold-talent-joseph-redding-profiling-polymathic-chess}}

File:Samuel Freeman Miller - Brady-Handy.jpg, author of the opinion for United States v. Kagama. ]]

After graduating from Harvard, Redding joined the San Francisco legal firm of Hall McAllister at the age of 21. Two years later he left that firm to become an attorney for the land departments of both the Southern Pacific Transportation Company and the Central Pacific Railroad; organizations for which his father had worked as a land agent. Around the time of this change, his father died on August 21, 1882. Ultimately Redding established his own law firm with offices in both San Francisco and New York City.

As a litigator Redding was involved in several important cases that impacted the railroad industry in the United States, among them Central Pacific Railroad v. Mudd (1881), Central Pacific Railroad v. Shackelford (1883), South Pacific Railroad Company v. Dull (1884), and South Pacific Railroad Company v. Poole (1887).Shuck, pp. 426–427 In 1886, at the age of 27, he argued an important case before the United States Supreme Court, United States v. Kagama, in which he represented Kagama, a Yurok Native American accused of murder. A landmark case, it upheld the constitutionality of the Major Crimes Act of 1885.Sidney L. Harring, The Story of United States v. Kagama, in [https://www.worldcat.org/oclc/690879136 {{smallcaps|Indian Law Stories}}] 150 (Carole Goldberg, Kevin K. Washburn, & Phillip P. Frickey, eds., 2011); {{smallcaps|Weiner}}

In 1886 Redding won another important case, Goldmark v. Kreling, before the United States District Court for the Northern District of California which was an early ruling protecting the rights of authors and composers.Shuck, p. 426 This ruling set an important legal precedent and was frequently cited as a protection for the copyright of sound recordings in California prior to the passage of the CLASSICS Act in 1972.{{cite journal|url=https://uclawreview.org/wp-content/uploads/2018/08/85-4-4-rosen-v2.pdf|title=Common-Law Copyright|page=1067-1069|journal=UCLA Law Review|first=Zvi S.|last= Rosen|volume=85|year=1972}}

Redding developed a reputation for his skill in court cases involving contested wills. One of his prominent cases in this area involved the will of American industrialist and railway magnate Collis Potter Huntington. Redding represented Clara von Hatzfeldt in a suit in which she claimed part of the inheritance under the argument that she was Huntington's adopted daughter. Redding was successful in earning her a judgement of six million dollars in that 1901 court case; and his fee of $300,000 was at that time the highest amount of money earned by a lawyer in a court case inclusive of only individual people as opposed to corporations.

File:Zuketort v. Steinitz.jpg (left) and Wilhelm Steinitz (right) at the world chess match final in January 1896 held at the City of London Chess Club. Joseph Redding played both chess masters in games, notably beating Zukertort twice.]]

Redding was a talented chess polymath who had some significant successes as an amateur player playing against recognized chess masters. He was an active member of the Mercantile Library Association of San Francisco's chess team in the 1880s. In 1884 he organized a chess exhibition in the city of San Francisco that featured visiting chess master Johannes Zukertort. Redding beat Zukertort in both a blindfold exhibition match in which Zukertort simultaneously played 12 different opponents, and later in an individual game between just the two men. However, Zukertort beat Redding in a third match in which Zukertort accepted the Evans Gambit.

Redding won a chess tournament in San Francisco in 1888 and was considered the Pacific Coast chess champion at that time. He later won a $50 prize for winning a tournament in San Francisco in which he beat chess master George H. D. Gossip. In 1889 he beat the entire team of the Sacramento Chess Club in a match played over the telegraph.

By 1893, Redding was less active in playing chess, although he went on to play games against Wilhelm Steinitz, Emanuel Lasker, and José Raúl Capablanca. In 1907 he was the guest speaker at the annual Manhattan Chess Club dinner.

Redding became a prominent figure in musical and social circles in San Francisco. In 1883, at a time when San Francisco had no resident orchestra, he was on the governing board of a music festival which brought conductor Theodore Thomas and his orchestra to the city.Miller, p. 33 In 1886 he was elected president of the San Francisco Arts Administration. A member of the Bohemian Club (BC), he participated in the Hi Jinx Extravaganzas put on by the club at their theatre located at Bohemian Grove. The club's 1902 extravaganza, The Man of the Forest, included a through-composed score created by Redding.Miller, pp. 38–39 He also served a term as president of the BC, and was active as a member of the Pacific-Union Club.

In 1909 Redding was one of the founding board members of the Musical Association (MA), an organization whose purpose was to establish a professional orchestra in San Francisco. The MA established the San Francisco Symphony which began operating in 1911, and continued to manage the orchestra until 1935.Miller, pp. 35–36 Redding was a friend of composer and conductor Henry Kimball Hadley, and it is largely through Redding's advocacy that Hadley was appointed the first music director of the San Francisco Symphony in 1911.Miller, p. 39 Hadley tasked Redding with finding the San Francisco Symphony's first concertmaster, and accordingly Dutch violinist Eduard Tak was hired following Redding's recommendation.Miller, pp. 39–41

Redding wrote the libretto for Hadley's 1912 musical The Atonement of Pan, another work created for performance by the BC.{{cite journal|title=The Bohemiam Club's New Grove Play|page=148|journal=The Theatre Magazine|date=November 1912|volume=XVI|url=https://books.google.com/books?id=jXoeAQAAMAAJ&dq=Joseph+Redding+the+atonement+of+pan&pg=RA4-PP24}} Henry A. Melvin, an associate justice of the Supreme Court of California, was a member of the BC and a talented amateur performer in the BC's musical entertainments. Buck, p. 425 Melvin recorded the song "Noon and night" from The Atonement of Pan for Victor Talking Machine Company ("Victor") in 1913.{{cite journal|journal=Discography of American Historical Recordings|title=Victor matrix B-13575. Noon and night / Henry A. Melvin|access-date=April 7, 2024|url= https://adp.library.ucsb.edu/index.php/matrix/detail/200013831/B-13575-Noon_and_night}}

{{main|Natoma (opera)}}

Image:Mary Garden in Victor Herbert's Natoma.jpg as Natoma (1911) in the original production]]

Redding wrote the libretto to the 1911 opera Natoma by composer Victor Herbert which starred Mary Garden in the title role at its premiere. The opera is set during the Spanish colonization and governance of the future state of California. Its story revolves around a love triangle in which Barbara, the daughter of the Spanish conquistador Don Fernando, competes with the Native-American woman Natoma for the affections of the naval officer Paul Merrill. The plot is complicated by Barbara's cousin, Alvardo, who wants to marry Barbara and inherit her father's position. Alvardo attempts to kidnap Barbara, but Natoma intervenes and saves Barbara by killing Alvardo. As penance for committing murder, she enters a Spanish convent and becomes a nun.Gould, pp. 407–409 The opera premiered at the Metropolitan Opera House in Philadelphia.{{cite news|title=American Opera, 'Natoma', Produced. Victor Herbert and Joseph D. Redding's Work Greeted by Big Audience in Philadelphia. Furore after First Act. Highly Colored Climaxes, but Opera Suffers from Amateurish Libretto—Conclusion is Conventional|work=The New York Times|date=February 26, 1911|page= 8|url=https://www.nytimes.com/1911/02/26/archives/american-opera-natoma-produced-victor-herbert-and-joseph-d-reddings.html}} This was followed by further performances at the Metropolitan Opera in New York.{{cite news|title='Natoma' Greeted By Great Audience|work=The New York Times|date= March 1, 1911|page= 8}} Andreas Dippel's opera company also toured the work nationally for performances in more than thirty American cities.Gould, pp. 414–418

Reviews for Redding's libretto were harsh, particularly by the New York press. However, this assessment has been questioned by some scholars, who have documented a trend of the unwillingness of American critics of that period to embrace both verismo opera and operas on American subjects, with Puccini's La fanciulla del West (1910) being another example of a verismo opera heavily criticized by New York critics for its American subject matter.Warburton pp. 149–157 Opera scholar Elise Kuhl Kirk dismissed criticisms of Redding's libretto, stating that "such harsh diatribe was unfounded and no doubt illustrated American critics' unwillingness to accept the new verismo literature as viable opera. Perhaps what they missed was operatic thunder, as in the work of Verdi, Wagner, and Puccini. What they got was closer to Viennese operetta with recitative."Kirk, pp. 147–148

Despite negative reviews, Natoma was more warmly received by audiences and had a better overall popular reception. Selective arias from Natoma were recorded in April 1912 by American soprano Agnes Kimball ("Spring Song"), baritone Reinald Werrenrath ("Serenade"), and tenor John McCormack ("Paul's address") for the Victor Talking Machine Company.Rust & Debus, p.346 The aria "Spring Song" proved popular enough that it was later recorded twice for Victor by sopranos Lucy Isabelle Marsh and Alma Gluck.Hummel, p. 398

File:A Song to Hawaii by Joseph D. Redding.webp

Redding composed the music to the 1917 musical The Land of Happiness. He also wrote the libretto for Hadley's 1923 opera Semper, Virens. His only opera as a composer, Fay Yen Fah,Wlaschin, p. 324 premiered at the Monte Carlo Opera in February 1925.{{cite news|url=https://www.nytimes.com/1925/02/26/archives/american-opera-a-monte-carlo-hit-fabyenfah-by-templeton-crocker-and.html|title=American Opera a Monte Carlo Hit; Fab-Yen-Fah, by Templeton Crocker and Joseph E. Redding, Pleases the Critics|newspaper=The New York Times|date=February 26, 1925|page=17}} It was the first grand opera composed by an American to have its premiere in Europe, and the first opera of any kind written by an American that was staged in France, an achievement for which he was awarded the Legion of Honour by the government of France. It was later staged by the San Francisco Opera. He was inducted into the French Société académique d'histoire internationale in 1919.

In addition to work for the theatre, Redding was also composer of songs and works for the piano. His barrel piano piece Hebe was recorded by Victor and released on record in 1900.{{citation|url=https://adp.library.ucsb.edu/index.php/mastertalent/detail/109932/Redding_Joseph_D|title=Joseph D. Redding|work=Discography of American Historical Recordings|publisher=University of California, Santa Barbara|year=2024}} Tenor John McCormack recorded his song "Sweet Peggy O'Neil" for Victor in 1920. He had a popular hit with his 1916 song "Song to Hawaii" (also known as "Aloha to Hawaii").Taylor, p. 308 Redding never visited the state of the Hawaii, and wrote this song during a time when Hawaiian music was peaking at a point of high popularity among the wider American public during the mid 1910s.{{cite news|url=https://www.civilbeat.org/2020/06/the-forgotten-story-of-how-hawaiians-transformed-american-music/#:~:text=By%201915%2C%20Hawaiian%20guitar%20music,early%20blues%20musicians%20were%20listening|title=The Forgotten Story Of How Hawaiians Transformed American Music|first= Jessica|last=Terrell|date=June 7, 2020|work=Honolulu Civil Beat}} In the year Redding published this song, Hawaiian-themed music dominated the market in sheet music sales by America's music publishing empire, Tin Pan Alley.Pretor-Pinney & Hodgkinson, p. 27

Despite Redding's lack of connection to the state, the music editor for "Song to Hawaii", Charles E. King, was from Hawaii,Kinkle, p. 2147 and the work was recorded by several musicians who were either Hawaiian or specialized in performing Hawaiian music. These included separate recordings made by the Hawaiian entertainers Johnny Noble (with the Olympic swimmer and musician Samuel Kahanamoku), Keaumoku Louis, Prince Lei Lani, and Frank Ferera; the latter of whom recorded the work with guitarist Anthony Franchini. Helen Louise Greenus recorded the work with Ferera for Victor. Helen and her sister Irene were ukulele players and singers who were originally from Seattle.Hoffmann, Cooper, Gracyk, pp. 124–125 The song was also recorded by vaudeville entertainers Wright & Dietrich (Horace Wright and Rene Dietrich), who later became more closely associated with jazz.Hoffmann, Cooper, Gracyk, p. 122 Johnny Noble also recorded Redding's song "The Winds from Over the Sea" in 1929.

Joseph Redding married Myra Cowles in 1882. Their marriage lasted until Redding's death fifty years later. Their daughter, Josephine Redding, received the Legion of Honor for her work as a nurse in France during World War I. She died at the age of twenty-two in New York.

Joseph Redding died on November 21, 1932, at the age of 73 after a seven-year-long illness. His death occurred in his sleep at his home at 1000 Mason St. San Francisco, California. His funeral occurred at Grace Cathedral, San Francisco, on November 23, 1932.

{{reflist}}

• {{cite book|title=Music and Musicians in Bohemia: The First One Hundred Years|first=Richard P.|last= Buck|publisher=Bohemian Club|year=2005}}
• {{cite book|title=Victor Herbert: A Theatrical Life|first=Neil|last= Gould|year=2009|isbn=9780823228737|publisher=Fordham University Press}}
• {{cite book|title=Popular American Recording Pioneers: 1895-1925|first1=Frank|last1= Hoffmann|first2= B Lee|last2= Cooper|first3=Tim |last3=Gracyk|year=2012|publisher=Taylor & Francis|isbn=9781136592294}}
• {{cite book|title=The Collector's Guide to the American Musical Theatre, Volume 1|publisher=Scarecrow Press|first=David|last= Hummel|year= 1984}}
• {{cite book |last=Kinkle |first=Roger D. |title=The Complete Encyclopedia of Popular Music and Jazz, 1900–1950: Music year by year, 1900–1950 |publisher=Arlington House |year=1974 |isbn=9780870002298}}
• {{cite book|title=American Opera (Music in American Life)|first=Elise Kuhl|last= Kirk|year= 2001|publisher=University of Illinois Press|isbn=9780252026232}}
• {{cite book|title=Music and Politics in San Francisco: From the 1906 Quake to the Second World War|first=Leta E.|last= Miller|year= 2012|publisher=University of California Press|isbn=9780520268913}}
• {{cite book|title=The Ukulele Handbook|first1=Gavin|last1= Pretor-Pinney|first2= Tom|last2=Hodgkinson|year= 2013|publisher=Bloomsbury USA|isbn=9781620402207}}
• {{cite book|title=The Complete Entertainment Discography, from the Mid-1890s to 1942|first1=Brian|last1= Rust|first2= Allen G.|last2= Debus|year= 1973|publisher=Arlington House Publishers|isbn=9780870001505}}
• {{cite book|title=Bench and Bar in California: History, Anecdotes, Reminiscences|first=Oscar Tully|last= Shuck|year= 1889|publisher=The Occident Printing House|location=San Francisco}}
• {{cite book|title=Under Hawaiian Skies: A Narrative of the Romance, Adventure and History of the Hawaiian Islands|first= Albert Pierce|last= Taylor|year= 1922|publisher=Advertiser Publishing Company}}
• {{cite book|chapter=Puccini's Fanciulla as Exemplar for American Composers|first=Thomas|last=Warburton|title=Opera and the Golden West: The Past, Present, and Future of Opera in the U.S.A.|date=May 6, 1994 |publisher=Fairleigh Dickinson University Press|isbn=9780838635193|editor-first1=John Louis|editor-last1= DiGaetani|editor-first2= Josef P.|editor-last2= Sirefman}}
• {{cite book|title=Encyclopedia of American Opera|chapter=Redding, Joseph|first=Ken|last= Wlaschin|year=2006|isbn=9780786421091|publisher=McFarland & Company }}

• {{cite book|url=https://books.google.com/books?id=DGUIAQAAMAAJ|title=Natoma: An Opera in Three Acts|publisher=G. Schirmer, Inc.|year=1911|first1=Victor|last1=Herbert|first2=Joseph D.|last2=Redding}}
• [https://www.loc.gov/item/jukebox-17788/ Recording of Song of Hawaii] at Library of Congress

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