Jutta Koether
{{Short description|German artist and musician}}
{{Infobox artist
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| birth_date = {{birth year and age|1958}}
| birth_place = Cologne, West Germany
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| alma_mater = University of Cologne
| known_for = painting
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Jutta Koether (born 1958) is a German artist, musician and critic based in New York City and Berlin[http://www.dca.org.uk/whats-on/exhibitions/jutta-koether.html Jutta Koether: Seasons and Sacraments, 9 February 2013 - 21 April 2013] {{webarchive|url=https://web.archive.org/web/20130525011659/http://www.dca.org.uk/whats-on/exhibitions/jutta-koether.html |date=25 May 2013 }} Dundee Contemporary Arts, Dundee. since the early 1990s.
Early life and education
Koether was born in Cologne and studied art and philosophy at the University of Cologne.{{Cite book|title=Interviews, conversations, and chit-chat, 1986-2004|author=Kelley, Mike|date=2005|publisher=JRP/Ringier|others=Edited and Introductions by John C. Welchman|isbn=3905701006|location=Zürich|pages=95–117|oclc=269434700}} She relocated to New York City in 1991.Roberta Smith (June 4, 1993), [https://www.nytimes.com/1993/06/04/arts/art-in-review-720893.html Art Review: Jutta Koether] New York Times.
Career
Koether's paintings are exercises in color, line, form and pattern and often feature text. Her style has precedent in the work of Sigmar Polke and Kenny Scharf. She is also inspired by artists and intellectuals who have created an alternative to mainstream culture, including underground filmmaker Kenneth Anger and musician Patti Smith.[http://www.modernamuseet.se/en/Moderna-Museet/PressRoom/Press-releases/Stockholm1/Jutta-Koether--painter-performer-participant/ Jutta Koether – The Thirst, 5 March, 2011 - 24 April, 2011] {{webarchive|url=https://web.archive.org/web/20131214115351/http://www.modernamuseet.se/en/Moderna-Museet/PressRoom/Press-releases/Stockholm1/Jutta-Koether--painter-performer-participant/ |date=2013-12-14 }} Moderna Museet, Stockholm. She has collaborated with Sonic Youth’s Kim Gordon on a number of projects, for example Her Noise at Tate Modern in 2005.Tate.org.ukHolly Myers (August 18, 2006), [https://www.latimes.com/archives/la-xpm-2006-aug-18-et-galleries18-story.html A message in the starkness] Los Angeles Times. Koether's work is also affiliated with Martin Kippenberger. Their relationship began in Cologne when she interviewed him for Spex magazine.{{Cite web|url=https://www.flashartonline.com/article/jutta-koether/|title=Jutta Koether: The Inside Job|last=Gordon|first=Kim|date=February 2011|website=Flash Art|accessdate=September 7, 2017|archive-date=September 8, 2017|archive-url=https://web.archive.org/web/20170908064857/https://www.flashartonline.com/article/jutta-koether/|url-status=dead}} Although her work is not as grandiose as Kippenberger, both their works engage with the dense history of European, and more specifically, German painting.
For much of the 1990s, she mixed graffiti-inspired brushwork, fluorescent colors (especially bright pink), fragmented images and assorted quotations on surfaces that had a vibrant, all-over undergrowth.Roberta Smith (April 15, 2005), [https://query.nytimes.com/gst/fullpage.html?res=9B07E6DD113EF936A25757C0A9639C8B63 Art in Review; Jutta Koether] New York Times. Her solo show at Pat Hearn Gallery, New York, in 1997 featured a soundtrack by the artist, accompanied by Tom Verlaine.William McCollum, [http://www.artnet.com/magazine_pre2000/reviews/mccollum/mccollum11-3-97.asp ArtNet.com] Her visionary work, according to The New York Times art critic Roberta Smith, sees painting as multipurpose.[https://query.nytimes.com/gst/fullpage.html?res=9B07E6DD113EF936A25757C0A9639C8B63 Roberta Smith, "Art in Review; Jutta Koether," NY Times]
Koether’s 2009 show entitled Lux Exterior at Reena Spaulings further explored a common thematic in her work, the relation of painting with other aspects of theoretical and counter culture. Koether’s 2009 show was discussed in David Joselit’s essay entitled Painting Beside Itself.{{Cite journal|last=Joselit|first=David|date=2009-10-01|title=Painting Beside Itself|journal=October|volume=-|pages=125–134|doi=10.1162/octo.2009.130.1.125|s2cid=57570958|issn=0162-2870}} The exhibition, which included a painting entitled Hot Rod (after Poussin) (2009) along with sculptural found objects and a series of three performances, was noted by Joselit as a “sophisticated response to the question which I began [this essay]: How does a painting belong to a network?”
In spring 2012, Koether took part in the three-month exposition of Whitney Biennial.{{cite web | url=https://www.nytimes.com/2012/03/02/arts/design/2012-whitney-biennial.html?pagewanted=all | title=A Survey of a Different Color 2012 Whitney Biennial | publisher=NY Times | date=March 1, 2012 | accessdate=March 5, 2012 | author=Roberta Smith}} Around that time, she conceived two large series of works that respond directly to the French artist Nicolas Poussin, a reinterpretation of his The Seven Sacraments reimagined as a series of installations, and Seasons (2012), a response to Poussin’s The Four Seasons.[http://www.arnolfini.org.uk/whatson/jutta-koether-seasons-and-sacraments Jutta Koether: Seasons and Sacraments, 4 May 2013 to 7 July 2013] Arnolfini, Bristol.
Since 1985, Koether has also worked as a reviewer and editor for many magazines and journals such as Spex, Texte zur Kunst, Flash Art and Artscribe.
Koether has taught at many institutions, including Columbia University, the Academy of Fine Arts in Berlin, Yale University, and Bard College. From 2010 until 2024 she was a professor at the Hochschule für bildende Künste Hamburg.
Selected exhibitions
2024
- [https://www.galeriebuchholz.de/exhibitions/jutta-koether-galerie-buchholz-new-york-2024#?_ec=announcement||start 1982,1983,1984], Galerie Buchholz, New York
2022
- Black Place, Artium Museoa, Museum of Contemporary Art of the Basque Country, Spain{{Cite web |title=Black Place. Jutta Koether |url=https://artium.eus/en/exhibitions/item/61477-black-place-jutta-koether |access-date=2025-01-22 |website=artium.eus |language=es-es}}
2014
- Maquis, Galerie Francesca Pia, Zürich
- A Moveable Feast - Part XV, [https://web.archive.org/web/20150122201541/http://www.campolipresti.com/jutta-koether-@/artists.html?artist=3&page=images Campoli Presti], Paris
- Champrovement, Reena Spaulings, New York
2013
- Un établissement aux Folies-Koethère, Établissement d'en face projects, Brussels
- Cycle 1. Jutta Koether. Viktoria, Luise, Isabelle, Praxes, Berlin
- The Double Session, Campoli Presti, London
- Seasons and Sacraments, Arnolfini, Bristol, United Kingdom
- Seasons and Sacraments, Dundee Contemporary Arts, Dundee, United Kingdom
2012
- The Fifth Season, Bortolami Gallery, New York
2011
- Mad Garland, Campoli Presti, Paris
- The Thirst, Moderna Museet, Stockholm
- Berliner Schlussel, Galerie Daniel Buchholz, Berlin
2009
- Van Abbemuseum, Eindhoven
- Lux Interior, Reena Spaulings Fine Art, New York
- Sovereign Women in Painting, Susanne Vielmetter Los Angeles Projects, Los Angeles
2008
- New Yorker Fenster, Galerie Daniel Buchholz, Köln
- No.5, Kunsthall Landmark, Bergen
- JXXXA LEIBHAFTIGE MALEREI, Sutton Lane, Paris
- Touch and Resist, Song Song, Wien
- Galerie Francesca Pia, Zürich
2007
- Anderungen aller Art, Kunsthalle Bern, Bern
2006
- Love In a Void, Akademie der Bildenden Künste, Vienna
- Metalist Moment, Performance, Herald St, London
2005
- Very Lost Highway, Simultanhalle, Köln
- extreme harsh, Ausstellungsraum Ursula Werz, Tübingen
- I Is Had Gone, Thomas Erben Gallery, New York
- Her Noise, South London Gallery, London
- Blankness is not a Void, Standard Oslo, Oslo
- Kim Gordon and Jutta Koether, Talk and Performance at Tate Modern, London
2004
- Curious Crystals of Unusual Purity, P.S.1 Institute for Contemporary Art, New York City
- Fresh Aufhebung - Künstlerisches Interesse am philosophische verneinten Wunderglauben, Kölnischer Kunstverein, Köln
- Galerie Meerrettich, Berlin
- Fresh Aufhebung, 271 Grand Street, New York
2003
- Desire Is War, Galerie Meerrettich, Berlin
- The Club in the Shadow, in collaboration with Kim Gordon, Kenny Schachter conTEMPorary, New York
2002
- Black Bonds, Jutta Koether and Steven Parrino, Swiss Institute, New York
- Galerie Daniel Buchholz, Köln
2000
- Galerie Daniel Buchholz, Köln
- zur grünen schenke-fünf uhr nachmittags. die geheimen Bilder, Galerie Freund, Wien
1999
1998
Brushholder Value, Westfälischer Kunstverein, Münster
1994
Dysfunction USA, Arthur Rogers Gallery, New Orleans
1993
Parralax View: Cologne-New York, P.S. 1 Institute for Contemporary Art, New York
1987
Werkschau Jutta Koether, Kunstraum Stuttgart, Stuttgart
References
{{Reflist|2}}
External links
- Jutta Koether on [http://www.artfacts.net/index.php/pageType/artistInfo/artist/2887 ArtFacts.Net]
- Images, biography and texts from the [http://www.saatchi-gallery.co.uk/artists/jutta_koether.htm Saatchi Gallery]
- [http://vielmetter.com/index.php?site=artists&fromlink=&a_id=58&detail=selectedworks&showmode=thumbnail&artistname=jutta_koether Susanne Vielmetter Los Angeles Projects; Jutta Koether Biographie, Pressemitteilungen und Arbeiten] General information on Jutta Koether
- Martin Pesch: [https://web.archive.org/web/20081201160123/http://www.frieze.com/issue/review/jutta_koether/ Jutta Koether at Galerie Daniel Bucholz] (Review)
- [https://www.campolipresti.com/artists/jutta-koether/ Jutta Koether at Campoli Presti]
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Category:German women in electronic music
Category:German contemporary artists
Category:University of Cologne alumni
Category:Academic staff of the University of Fine Arts of Hamburg