King Wen sequence
{{Short description|Traditional arrangement of I Ching hexagrams}}
{{Distinguish|Wenwanggua}}
The King Wen sequence ({{zh|c=文王卦序}}) is an arrangement of the sixty-four divination figures in the I Ching (often translated as the Book of Changes). They are called hexagrams in English because each figure is composed of six 爻 yáo—broken or unbroken lines, that represent yin or yang respectively.
The King Wen sequence is also known as the "received" or "classical" sequence because it is the oldest surviving arrangement of the hexagrams. Its true age and authorship are unknown. Traditionally, it is said that King Wen of Zhou arranged the hexagrams in this sequence while imprisoned by King Zhou of Shang in the 12th century BC. A different arrangement, the "binary sequence" named in honor of the mythic culture hero Fu Xi, originated in the Song dynasty. It is believed to be the work of scholar Shao Yong (1011–1077 AD). As mirrored by the 先天 Earlier Heaven and 後天 Later Heaven arrangements of the eight trigrams, or bagua, it was customary to attribute authorship to these legendary figures. Of the two hexagram arrangements, the King Wen sequence is, however, of much greater antiquity than the Fu Xi sequence.Marshall, Steve [http://www.biroco.com/yijing/sequence.htm Yijing hexagram sequences]
Structure of the sequence
The 64 hexagrams are grouped into 32 pairs. For 28 of the pairs, the second hexagram is created by turning the first upside down (i.e. 180° rotation). The exception to this rule is for the 8 symmetrical hexagrams that are the same after rotation (1 & 2, 27 & 28, 29 & 30, 61 & 62). Partners for these are given by inverting each line: solid becomes broken and broken becomes solid. These are indicated with icons in the table below.
Given the mathematical constraints of these simple rules, the number of lines that change within pair partners will always be even (either 2, 4, or 6). Whereas the number of lines that change between pairs depends on how the pairs are arranged, and the King Wen sequence has notable characteristics in this regard. Of the 64 transitions, exactly 48 of them are even changes (32 within-pairs plus 16 between-pairs) and 16 are odd changes (all between-pairs). This is a precise 3 to 1 ratio of even to odd transitions. Of the odd transitions, 14 are changes of three lines and 2 are changes of one line. Changes of five are absent. Each transition within a pair appears to be the correlating opposite of the other transition within the pair.
border="0" cellpadding="3" style="font-size:80%; text-align:center; width: 100%; "
|+ |
title="U+4DC0 (䷀), U+4DC1 (䷁)" | 17px{{nbsp}}17px
| title="U+4DC2 (䷂), U+4DC3 (䷃)" | 17px{{nbsp}}17px | title="U+4DC4 (䷄), U+4DC5 (䷅)" | 17px{{nbsp}}17px | title="U+4DC6 (䷆), U+4DC7 (䷇)" | 17px{{nbsp}}17px | title="U+4DC8 (䷈), U+4DC9 (䷉)" | 17px{{nbsp}}17px | title="U+4DCA (䷊), U+4DCB (䷋)" | 17px{{nbsp}}17px |
1 ↕ 2 |
colspan="4" style="height:0.3em;" | |
title="U+4DD0 (䷐), U+4DD1 (䷑)" | 17px{{nbsp}}17px
| title="U+4DD2 (䷒), U+4DD3 (䷓)" | 17px{{nbsp}}17px | title="U+4DD4 (䷔), U+4DD5 (䷕)" | 17px{{nbsp}}17px | title="U+4DD6 (䷖), U+4DD7 (䷗)" | 17px{{nbsp}}17px | title="U+4DD8 (䷘), U+4DD9 (䷙)" | 17px{{nbsp}}17px | title="U+4DDA (䷚), U+4DDB (䷛)" | 17px{{nbsp}}17px |
17 ~ 18 |
colspan="4" style="height:0.3em;" | |
title="U+4DE0 (䷠), U+4DE1 (䷡)" | 17px{{nbsp}}17px
| title="U+4DE2 (䷢), U+4DE3 (䷣)" | 17px{{nbsp}}17px | title="U+4DE4 (䷤), U+4DE5 (䷥)" | 17px{{nbsp}}17px | title="U+4DE6 (䷦), U+4DE7 (䷧)" | 17px{{nbsp}}17px | title="U+4DE8 (䷨), U+4DE9 (䷩)" | 17px{{nbsp}}17px | title="U+4DEA (䷪), U+4DEB (䷫)" | 17px{{nbsp}}17px |
33 ~ 34 |
colspan="4" style="height:0.3em;" | |
title="U+4DF0 (䷰), U+4DF1 (䷱)" | 17px{{nbsp}}17px
| title="U+4DF2 (䷲), U+4DF3 (䷳)" | 17px{{nbsp}}17px | title="U+4DF4 (䷴), U+4DF5 (䷵)" | 17px{{nbsp}}17px | title="U+4DF6 (䷶), U+4DF7 (䷷)" | 17px{{nbsp}}17px | title="U+4DF8 (䷸), U+4DF9 (䷹)" | 17px{{nbsp}}17px | title="U+4DFA (䷺), U+4DFB (䷻)" | 17px{{nbsp}}17px |
49 ~ 50 |
= Dual hexagrams =
The I Ching book was traditionally split up in two parts with the first part covering the first 30 hexagrams of the King Wen sequence and the second part with the remaining 34.{{cite journal |last1=Hacker |first1=Edward A. |last2=Moore |first2=Steve |date= 6 May 2003 |title=A brief note on the two–part division of the received order of the hexagrams in the Zhouyi |journal=Journal of Chinese Philosophy |volume=30 |issue=2 |pages=219–221 |doi=10.1111/1540-6253.00115 |url=http://www.biroco.com/yijing/Hacker_Moore_Note_on_two_part_division.pdf |accessdate=31 May 2010 }}{{cite book|author=Bent Nielsen|title=A companion to Yi jing numerology and cosmology: Chinese studies of images and numbers from Han (202 BCE-220 CE) to Song (960-1279 CE)|url=https://books.google.com/books?id=mQ4im_ICmbYC&pg=PA83|accessdate=31 May 2010|year=2003|publisher=Routledge|isbn=978-0-7007-1608-1|page=83}} The reason for this was not mentioned in the classic commentaries but was explained in later Yuan dynasty commentaries: 8 hexagrams are the same when turned upside down and the other 56 present a different hexagram if inverted. This allows the hexagrams to be displayed succinctly in two equal columns or rows of 18 unique hexagrams each; half of the 56 invertible hexagrams plus the 8 non-invertible.{{cite web|url=http://www.biroco.com/yijing/scan.htm |title=Yijing Dao - Archive of Yijing-related scans from Chinese and other sources |date=20 February 2010 |accessdate=19 May 2010}}
style="width:47em; float:left;line-height:1.75em;" | ||||
style="width:20em;" | ䷀ 乾 qián The Creative, Heaven | style="width:3em;" | 1 → | style="width:1em;font-size:300%;" | {{Nowrap|1= | }}
| style="width:3em;" | | style="width:20em;" | | ||
䷁ 坤 kūn The Receptive, Earth | 2 → | style="font-size:300%;" | {{nowrap|¦¦¦¦¦¦}} | |||
䷂ 屯 chún Difficulty At The Beginning | 3 → | style="font-size:300%;" | {{Nowrap|1= | ← 4 | ䷃ 蒙 méng | |||
䷄ 需 xū Waiting | 5 → | style="font-size:300%;" | {{Nowrap|1= | |¦|¦}}
| ← 6 | ䷅ 訟 sòng | ||
䷆ 師 shī The Army | 7 → | style="font-size:300%;" | {{Nowrap|1= | ← 8 | ䷇ 比 bǐ | |||
䷈ 小畜 xiǎo chù The Taming Power of the Small | 9 → | style="font-size:300%;" | {{Nowrap|1= | |¦ | }}
| ← 10 | ䷉ 履 lǚ | |
䷊ 泰 tài Peace | 11 → | style="font-size:300%;" | {{Nowrap|1= | |¦¦¦}}
| ← 12 | ䷋ 否 pǐ | ||
䷌ 同人 tóng rén Fellowship with Men | 13 → | style="font-size:300%;" | {{Nowrap|1= | }}
| ← 14 | ䷍ 大有 dà yǒu | ||
䷎ 謙 qiān Modesty | 15 → | style="font-size:300%;" | {{Nowrap|1= | ← 16 | ䷏ 豫 yù | |||
䷐ 隨 suí Following | 17 → | style="font-size:300%;" | {{Nowrap|1= | ¦}}
| ← 18 | ||
䷒ 臨 lín Approach | 19 → | style="font-size:300%;" | {{Nowrap|1= | ¦¦¦¦}}
| ← 20 | ䷓ 觀 guān | ||
䷔ 噬嗑 shì kè Biting Through | 21 → | style="font-size:300%;" | {{Nowrap|1= | ← 22 | ䷕ 賁 bì | |||
䷖ 剝 bō Splitting Apart | 23 → | style="font-size:300%;" | {{Nowrap|1= | ← 24 | ䷗ 復 fù | |||
䷘ 无妄 wú wàng Innocence (The Unexpected) | 25 → | style="font-size:300%;" | {{Nowrap|1= | |}}
| ← 26 | ䷙ 大畜 dà chù | ||
䷚ 頤 yí The Corners of the Mouth (Providing Nourishment) | 27 → | style="font-size:300%;" | {{Nowrap|1= | | | |||
䷛ 大過 dà guò Preponderance Of The Great | 28 → | style="font-size:300%;" |{{Nowrap|1= | ¦}} | ||
䷜ 坎 kǎn The Abysmal (Water) | 29 → | style="font-size:300%;" | {{Nowrap|1= | | | |||
䷝ 離 lí The Clinging, Fire | 30 → | style="font-size:300%;" | {{Nowrap|1= | ¦|}} |
style="width:41em;line-height:1.75em;" | |||
style="width:17em;" | ䷞ 咸 xián Influence (Wooing) | style="width:3em;" | 31 → | style="width:1em;font-size:300%;" | {{Nowrap|1= | |¦}}
| style="width:3em;" | ← 32 | style="width:17em;" | ䷟ 恆 héng | ||
䷠ 遯 dùn Retreat | 33 → | style="font-size:300%;" | {{Nowrap|1= | }}
| ← 34 | ䷡ 大壯 dà zhuàng | |
䷢ 晉 jìn Progress | 35 → | style="font-size:300%;" | {{Nowrap|1= | ← 36 | ䷣ 明夷 míng yí | ||
䷤ 家人 jiā rén The Family (The Clan) | 37 → | style="font-size:300%;" | {{Nowrap|1= | }}
| ← 38 | ䷥ 睽 kuí | |
䷦ 蹇 jiǎn Obstruction | 39 → | style="font-size:300%;" | {{Nowrap|1= | ← 40 | ䷧ 解 xiè | ||
䷨ 損 sǔn Decrease | 41 → | style="font-size:300%;" | {{Nowrap|1= | ¦¦¦|}}
| ← 42 | ䷩ 益 yì | |
䷪ 夬 guài Break-Through (Resoluteness) | 43 → | style="font-size:300%;" | {{Nowrap|1= | |¦}}
| ← 44 | ䷫ 姤 gòu | |
䷬ 萃 cuì Gathering Together (Massing) | 45 → | style="font-size:300%;" | {{Nowrap|1= | ¦}}
| ← 46 | ䷭ 升 shēng | |
䷮ 困 kùn Oppression (Exhaustion) | 47 → | style="font-size:300%;" | {{Nowrap|1= | ¦}}
| ← 48 | ䷯ 井 jǐng | |
䷰ 革 gé Revolution (Molting) | 49 → | style="font-size:300%;" | {{Nowrap|1= | |¦}}
| ← 50 | ䷱ 鼎 dǐng | |
䷲ 震 zhèn The Arousing (Shock, Thunder) | 51 → | style="font-size:300%;" | {{Nowrap|1= | ← 52 | ䷳ 艮 gèn | ||
䷴ 漸 jiàn Development (Gradual Progress) | 53 → | style="font-size:300%;" | {{Nowrap|1= | }}
| ← 54 | ䷵ 歸妹 guī mèi | |
䷶ 豐 fēng Abundance | 55 → | style="font-size:300%;" | {{Nowrap|1= | ¦¦}}
| ← 56 | ䷷ 旅 lǚ | |
䷸ 巽 xùn The Gentle (The Penetrating, Wind) | 57 → | style="font-size:300%;" | {{Nowrap|1= | ¦ | }}
| ← 58 | ䷹ 兌 duì |
䷺ 渙 huàn Dispersion (Dissolution) | 59 → | style="font-size:300%;" | {{Nowrap|1= | }}
| ← 60 | ䷻ 節 jié | |
䷼ 中孚 zhōng fú Inner Truth | 61 → | style="font-size:300%;" | {{Nowrap|1= | ¦¦ | }}
| | |
䷽ 小過 xiǎo guò Preponderance of the Small | 62 → | style="font-size:300%;" | {{Nowrap|1= | ¦¦}} | |
䷾ 既濟 jì jì After Completion | 63 → | style="font-size:300%;" | {{Nowrap|1= | ← 64 | ䷿ 未濟 wèi jì |
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Explanation
Over the centuries there were many attempts to explain this sequence. Some basic elements are obvious: each symbol is paired with an "upside-down" neighbor, except for 1, 27, 29, and 61 which are "vertically" symmetrical and paired with "inversed" neighbors.
There have been recent attempts to apply mathematical combinatorics in explaining the logic behind the King Wen sequence, for example Richard S. Cook's proposal.{{cite web|url=http://www.biroco.com/yijing/images/kwscook.jpg |author=Cook, Richard S. |title=《周易》卦序詮解 (Zhou yi guaxu quanjie)|format=JPEG Image, 1024x793 |year=2006 |accessdate=22 May 2010 }} STEDT Monograph 5: [http://stedt.berkeley.edu/html/publications.html#mng5 Classical Chinese Combinatorics]: Derivation of the Book of Changes Hexagram Sequence. 660 pages. {{ISBN|0-944613-44-6}}. OCLC 77009740.
Other hexagram sequences
- Binary sequence, also known as Fu Xi sequence or Shao Yong sequence
- Mawangdui sequence
- Eight Palaces sequence (attributed to Jing Fang).
See also
References
External links
- {{OEIS el|sequencenumber=A102241|name=Hexagrams of the Yi Jing interpreted in base 10|formalname=Hexagrams of the Yi Jing [or I Ching] interpreted in base 10, with the top line = 2^5 (most significant bit) and the bottom line as 2^0 (least significant bit)}}
- [https://web.archive.org/web/20080125095543/http://www.levity.com/eschaton/waveexplain.html 'Derivation of the Timewave from the King Wen Sequence of Hexagrams'] -([https://web.archive.org/web/20080125095543/http://www.levity.com/eschaton/waveexplain.html Archive link])
- [https://www.saxofoon-studio.nl/yijing-modes/wp-content/uploads/2022/06/The-King-Wen-Sequence.pdf 'A numerological interpretation of the King Wen sequence ']
{{DEFAULTSORT:King Wen Sequence}}