List of compositions by Karol Szymanowski

Below is a sortable list of compositions by Karol Szymanowski. The works are categorized by genre, Michałowski catalogue{{sfn|Michałowski|1967}} number, opus number, date of composition, titles and scoring.

class="sortable wikitable" !width="95"\|Genre !width="40"\|M !width="40"\|Opus !width="75"\|Date !width=\|Polish title (Original title) !width=\|English title !width=150\|Scoring !width="300"\|Notes
valign="top" \| Piano	align=center\|M{{hs\|0}}1	align=center\|{{hs\|0}}1	align=center\|1899–1900	Dziewięć preludiów {{ordered list\| Andante ma non troppo \| Andante con moto \| Andantino \| Andantino con moto \| Allegro molto, impetuoso \| Lento, mesto \| Moderato \| Andante ma non troppo \| Lento, mesto }}	{{hs\|Preludes 9}}9 Preludes {{ordered list\| B minor \| D minor \| D{{music\|flat}} major \| B{{music\|flat}} minor \| D minor \| A minor \| C minor \| E{{music\|flat}} minor \| B{{music\|flat}} minor }}	for piano
valign="top" \| Vocal	align=center\|M{{hs\|0}}2	align=center\|{{hs\|0}}2	align=center\|1900–1902	Sześć pieśni {{ordered list\| Daleko został cały świat \| Tyś nie umarła \| We mgłach \| Czasem, gdy długo, na pół sennie marzę \| Słyszałem ciebie \| Pielgrzym }}	{{hs\|Songs 06}}6 Songs	for voice and piano	words by Kazimierz Przerwa-Tetmajer
valign="top" \| Piano	align=center\|M{{hs\|0}}5	align=center\|{{hs\|0}}3	align=center\|1901–1903	Wariacje fortepianowe b-moll	Variations in B{{music\|flat}} minor	for piano	theme and 12 variations; dedicated to Arthur Rubinstein
valign="top" \| Piano	align=center\|M{{hs\|0}}3	align=center\|{{hs\|0}}4	align=center\|1900–1902	Cztery etiudy {{ordered list\| Allegro moderato \| Allegro molto \| Andante in modo d'una canzona \| Allegro (ma non troppo) }}	{{hs\|Etudes 04}}4 Études (4 Studies) {{ordered list\| E{{music\|flat}} minor \| G{{music\|flat}} major \| B{{music\|flat}} minor \| C major }}	for piano
valign="top" \| Vocal	align=center\|M{{hs\|0}}4	align=center\|{{hs\|0}}5	align=center\|1902	Trzy fragmenty z poematów Jana Kasprowicza {{ordered list\| Święty Boże \| Jestem i płaczę \| Błogosławioną niech będzie ta chwila }}	{{hs\|Fragments from poems by Jan Kasprowicz}}3 Fragments from Poems by Jan Kasprowicz {{ordered list\| Holy God \| Blessed Be That Moment \| I Am and Cry }}	for voice and piano	words by Jan Kasprowicz
valign="top" \| Vocal	align=center\|M{{hs\|0}}6	align=center\|{{hs\|0}}6	align=center\|1904, 1912	Salome	Salome	for soprano and orchestra	lost; words by Jan Kasprowicz
valign="top" \| Vocal	align=center\|M{{hs\|0}}7	align=center\|{{hs\|0}}7	align=center\|1904	{{hs\|Labedz}}Łabędź	{{hs\|Swan}}The Swan	for voice and piano	words by Wacław Berent
valign="top" \| Piano	align=center\|M{{hs\|0}}8	align=center\|{{hs\|0}}8	align=center\|1903–1904	Sonata fortepianowa nr. 1 c-moll	Sonata No. 1 in C minor	for piano	dedicated to Stanisław Ignacy Witkiewicz
valign="top" \| Chamber music	align=center\|M{{hs\|0}}9	align=center\|{{hs\|0}}9	align=center\|1904	Sonata skrzypcowa d-moll	Sonata in D minor	for violin and piano	dedicated to Bronisław Gromadzki
valign="top" \| Piano	align=center\|M10	align=center\|10	align=center\|1900–1904	Wariacje na polski temat ludowy h-moll	Variations on a Polish Folk Theme in B minor	for piano	dedicated to Zygmunt Noskowski
valign="top" \| Vocal	align=center\|M11	align=center\|11	align=center\|1904–1905	Cztery pieśni {{ordered list\| Tak jestem smętny \| W zaczarowanym lesie \| Nademną leci w szafir morza \| Rycz burzo... }}	{{hs\|Songs 04}}4 Songs	for voice and piano	words by Tadeusz Miciński
valign="top" \| Orchestral	align=center\|M12	align=center\|12	align=center\|1904–1905	Uwertura koncertowa E-dur	Concert Overture in E major	for orchestra
valign="top" \| Vocal	align=center\|M14	align=center\|13	align=center\|1905–1907	{{hs\|Piec piesni}}Pięć pieśni {{ordered list\| Głos w mroku \| Kołysanka Dzieciątka Jezus \| Na morzu \| Zulejka \| Czarna lutnia }}	{{hs\|Songs 05}}5 Songs	for voice and piano	words by German poets in translation by Stanisław Barącz 1. words by Richard Dehmel 2. words by Clemens Brentano and Achim von Arnim 3. words by Richard Dehmel 4. words by Friedrich von Bodenstedt 5. words by Otto Julius Bierbaum
valign="top" \| Piano	align=center\|M13	align=center\|14	align=center\|1905	Fantazja C-dur	Fantasy in C major	for piano
valign="top" \| Piano	align=center\|M19	align=center\|	align=center\|1905, 1909	Preludium i fuga cis-moll	Prelude and Fugue in C{{music\|sharp}} minor	for piano
valign="top" \| Orchestral	align=center\|M15	align=center\|15	align=center\|1906–1907	Symfonia nr. 1 f-moll	Symphony No. 1 in F minor	for orchestra
valign="top" \| Chamber music	align=center\|	align=center\|16	align=center\|1907	Trio na fortepian, skrzypce i wiolonczelę	Piano Trio	for violin, cello and piano	withdrawn/destroyed by the composer
valign="top" \| Vocal	align=center\|M17	align=center\|17	align=center\|1907	Dwanaście pieśni {{ordered list\| Wczesnym rankiem \| Tajemnica \| Zaloty \| Nocą \| Refleksya \| Zwiastowanie \| Po burzy \| Zawód \| Kołysanka \| Dusza \| Fragment ("Płomienny") \| Noc miłosńa }}	{{hs\|Songs 12}}12 Songs	for voice and piano	words by German poets in translation by Stanisław Barącz 1.~8. words by Richard Dehmel 9. words by Alfred Mombert 10. words by Gustav Falke 11. words by Alfred Mombert 12. words by Martin Greif
valign="top" \| Vocal	align=center\|M18	align=center\|18	align=center\|1908, 1912	Penthezilea	Penthesilea	for soprano and orchestra	words by Stanisław Wyspiański
valign="top" \| Stage	align=center\|	align=center\|	align=center\|1908–1909	Loteria na mężów, czyli Narzeczony nr. 69	Lottery for Husbands or Fiancé No. 69		Operetta in 3 acts; libretto by Julian Krzewiński-Maszyński; premiered in 2007
valign="top" \| Orchestral	align=center\|M24	align=center\|19	align=center\|1909–1910	Symfonia nr. 2 B-dur	Symphony No. 2 (Szymanowski)	for orchestra
valign="top" \| Vocal	align=center\|M20	align=center\|20	align=center\|1909	Sześć pieśni {{ordered list\| Na księżycu czarnym \| Święty Franciszek mówi \| Pachną mi dziwnie twoje złote włosy \| W mem sercu \| Z maurytańskich śpiewnych sak \| Na pustej trzcinie }}	{{hs\|Songs 06}}6 Songs	for voice and piano	words by Tadeusz Miciński
valign="top" \| Piano	align=center\|M25	align=center\|21	align=center\|1910–1911	Sonata fortepianowa nr. 2 A-dur	Sonata No. 2 in A major	for piano
valign="top" \| Vocal	align=center\|M22	align=center\|22	align=center\|1910	Barwne pieśni (Bunte Lieder) {{ordered list\| Pustelnik (Einsiedel) \| Pieśń dziewczęcia u okna (Lied des Mädchens am Fenster) \| Dla małych dziewczynek (An kleine Mädchen) \| Nocy letniej srebrny cud (Das hat die Sommernacht getan) \| Przeznaczenie (Bestimmung) }}	Colourful Songs	for voice and piano	words by German poets in translation by Stanisław Barącz 1. words by Karl Bulcke 2. words by Alfons Paquet 3. words by Emil Faktor 4. words by Anna Ritter 5. words by Ricarda Huch
valign="top" \| Chamber music	align=center\|M23	align=center\|23	align=center\|1910	Romans D-dur	Romance in D major	for violin and piano	dedicated to violinist Paweł Kochański
valign="top" \| Vocal	align=center\|M26	align=center\|24	align=center\|1911	Pieśni miłosne Hafiza {{ordered list\| Życzenie \| Jedyne lekarstwo \| Płonące tulipany \| Taniec \| Zakochany wiatr \| Smutna wiosna }}	Love Songs of Hafiz, 6 Songs {{ordered list\| Desires \| The Only Medicine \| Flaming Tulips \| Dance \| The Infatuated East Wind \| Sad Spring }}	for voice and piano	words by Hafez in translation by Hans Bethge nos. 1, 4 and 5 orchestrated and incorporated into Op. 26
valign="top" \| Stage	align=center\|	align=center\|25	align=center\|1912–1913	Hagith	Hagith		Opera in 1 act; libretto by {{Interlanguage link multi\|Felix Dörmann\|de}}
valign="top" \| Vocal	align=center\|M28	align=center\|26	align=center\|1911, 1914	Pieśni miłosne Hafiza {{ordered list\| Grób Hafiza \| Serca mego perły \| Głos twój \| Wieczna młodość \| Pieśń pijacka \| Życzenie \| Zakochany wiatr \| Taniec }}	Love Songs of Hafiz, 8 Songs	for voice and orchestra	words by Hafez in translation by Hans Bethge 2. also for voice and piano 6.~8. orchestrations from Op. 24
valign="top" \| Choral	align=center\|M36	align=center\|27	align=center\|1914–1916	Symfonia nr. 3 "Pieśń o nocy"	Symphony No. 3 "Song of the Night"	for tenor (or soprano), mixed chorus and orchestra	words by Jalāl ad-Dīn Muḥammad Rūmī in translation by Tadeusz Miciński
valign="top" \| Chamber music	align=center\|M30	align=center\|28	align=center\|1915	Nokturn i tarantela	Nocturne and Tarantella	for violin and piano	dedicated to Monsieur Auguste Iwański
valign="top" \| Piano	align=center\|M31	align=center\|29	align=center\|1915	Metopy, Trzy poematy {{ordered list\| Wyspa syren \| Kalipso \| Nauzykaa }}	Métopes, 3 Poèms {{ordered list\| L'île des Sirènes (The Island of Sirens) \| Calypso \| Nausicaa }}	for piano
valign="top" \| Chamber music	align=center\|M29	align=center\|30	align=center\|1915	Mity {{ordered list\| Źródło Aretuzy \| Narcyz \| Driady i Pan }}	Mythes (Myths) {{ordered list\| La Fontaine d'Aréthuse (The Fountain of Arethusa) \| Narcisse (Narcissus) \| Dryades et Pan (Dryads and Pan) }}	for violin and piano
valign="top" \| Vocal	align=center\|M32	align=center\|31	align=center\|1915	Pieśni księżniczki {{ordered list\| Samotny księżyc \| Słowik \| Złote trzewiczki \| Taniec \| Pieśń o fali \| Uczta }}	Songs of a Fairy-Tale Princess	for voice and piano (or orchestra)	words by Zofia Szymanowska; nos. 1, 2 and 4 orchestrated in 1933
valign="top" \| Vocal	align=center\|M33	align=center\|32	align=center\|1915	Trzy pieśni do słów Dymitra Dawidowa {{ordered list\| Wschód słońca (Kaк тoлькo вocтoк) \| Bezgwiezdne niebo (Heбo бeз звëзд) \| Jesienne słońce (Oceнee coлнцe) }}	{{hs\|Songs 03}}3 Songs on Words by Dmitri Davydov	for voice and piano	words by Dmitri Pavlovich Davydov – Дмитрий Павлович Давыдов (1811–1888) in translation by Jarosław Iwaszkiewicz
valign="top" \| Piano	align=center\|M34	align=center\|33	align=center\|1916	Dwanaście etiud {{ordered list\| Presto \| Andantino soave \| Vivace assai (agitato) \| Presto. Delicatamente \| Andante espressivo \| Vivace (Agitato e marcato. Vigoroso) \| Allegro molto (Con brio. Burlesco) \| Lento assai mesto (espressivo) \| Animato (Capriccioso e fantastico) \| Presto (molto agitato). Tempestoso \| Andante soave (rubato) \| Presto (Energico) }}	{{hs\|Etudes 12}}12 Études (12 Studies)	for piano
valign="top" \| Piano	align=center\|M35	align=center\|34	align=center\|1915–1916	Maski {{ordered list\| Szecherezada \| Błazen Tantris \| Serenada Don Juana }}	Masques (Masks), 3 Pieces {{ordered list\| Shéhérazade (Scheherazade) \| Tantris le bouffon (Tantris the Fool) \| Sérénade de Don Juan (The Serenade of Don Juan) }}	for piano
valign="top" \| Concertante	align=center\|M37	align=center\|35	align=center\|1916	Koncert skrzypcowy nr. 1	Concerto No. 1	for violin and orchestra	in 1 movement; dedicated to violinist Paweł Kochański
valign="top" \| Piano	align=center\|M38	align=center\|36	align=center\|1917	Sonata fortepianowa nr. 3	Sonata No. 3	for piano
valign="top" \| Chamber music	align=center\|M41	align=center\|37	align=center\|1917	Kwartet smyczkowy nr. 1 C-dur	String Quartet No. 1 in C major	for {{hs\|violins 2}}2 violins, viola and cello
valign="top" \| Choral	align=center\|M39	align=center\|37b	align=center\|1917	Demeter	Demeter, Cantata	for alto, female chorus and orchestra	words by Zofia Szymanowska
valign="top" \| Choral	align=center\|	align=center\|38	align=center\|1917	Agawe	Agave, Cantata	for soprano, mixed chorus and orchestra	unfinished, words by Zofia Szymanowska after The Bacchae by Euripides
valign="top" \|	align=center\|	align=center\|39	align=center\|
valign="top" \| Chamber music	align=center\|M42	align=center\|40	align=center\|1918	Trzy kaprysy Paganiniego	{{hs\|Caprices de Paganini}}3 Caprices de Paganini (3 Paganini Caprices)	for violin and piano	transcription of Caprices Nos. 20, 21 and 24 by Niccolò Paganini; dedicated to Paweł Kochański and Józef Ozimiński
valign="top" \| Vocal	align=center\|	align=center\|41	align=center\|1918	Cztery pieśni do słów Rabindranatha Tagore {{ordered list\| Moje serca \| Młody królewicz I \| Młody królewicz II \| Ostatnia pieśń }}	{{hs\|Songs 04 to Lyrics by Rabindranath Tagore}}4 Songs to Lyrics by Rabindranath Tagore {{ordered list\| My Heart \| The Young Prince (I) \| The Young Prince (II) \| The Last Song }}	for voice and piano	words from The Gardener by Rabindranath Tagore in translation by Jarosław Iwaszkiewicz
valign="top" \| Vocal	align=center\|M44	align=center\|42	align=center\|1918	Pieśni muezina szalonego {{ordered list\| Allah, Allah, Akbar... \| O, ukochana ma... \| Ledwie blask słońca... \| W południe miasto białe od gorąca... \| O tej godzinie, w której miasto śpi... \| Odeszłaś na pustynię zachodnią... }}	Songs of the Infatuated Muezzin {{ordered list\| Allah, Allah, Akbar... \| Oh, my beloved... \| Barely the sun glistens on the tower's roof... \| At noon the city is white from the heat... \| At the hour when the city sleeps... \| You departed into the western desert... }}	for soprano and piano or orchestra	orchestrated in 1934
valign="top" \| Stage	align=center\|M45	align=center\|43	align=center\|1920	Mandragora	Mandragora	for orchestra	Pantomime in 3 scenes; scenario by Ryszard Bolesławski and Leon Schiller
valign="top" \| Orchestral	align=center\|	align=center\|	align=center\|1920	Marsz 3. Pułku Ułanów	March of the Third Regiment of Uhlans	for wind orchestra	lost
valign="top" \| Orchestral	align=center\|	align=center\|	align=center\|1920	Marsz uroczysty	Ceremonial March	for orchestra
valign="top" \| Vocal	align=center\|	align=center\|44	align=center\|1920	Dwie pieśni baskijskie {{ordered list\| Piękny księżyc \| Ukochana złote włosy }}	{{hs\|Basque Songs 2}}2 Basque Songs	for voice and piano	lost
valign="top" \| Vocal	align=center\| M48 M49 M50	align=center\|	align=center\|1920	Trzy piosenki (Piosenki żołnierskie) {{ordered list\| Do dziewczyny, Mazurek \| O zwiedzionym żołnierzu \| Wyszywała raz Hanka... }}	{{hs\|Songs 03}}3 Songs (3 Soldier's Songs) {{ordered list\| To the Sweetheart, Mazurka \| About a Deceived Soldier \| Hanka Was Once Embroidering... }}	for voice and piano	1.~2. words by Kornel Makuszyński 3. words by Kazimierz Andrzej Czyżowski
valign="top" \| Vocal	align=center\|	align=center\|	align=center\|1920	Wiedzie nas Haller	Haller Is Leading Us	for voice and piano
valign="top" \|	align=center\|	align=center\|45	align=center\|
valign="top" \| Stage	align=center\|M55	align=center\|46	align=center\|1918–1924	Król Roger	King Roger		Opera in 3 acts; libretto by Jarosław Iwaszkiewicz in collaboration with the composer
valign="top" \| Vocal	align=center\|M51	align=center\|46b	align=center\|1921	{{hs\|Slopiewnie}}Słopiewnie {{ordered list\| Słowisień \| Zielone słowa \| Święty Franciszek \| Kalinowe dwory \| Wanda }}	{{hs\|Slopiewnie}}Słopiewnie, 5 Songs	for voice and piano or chamber orchestra	words by Julian Tuwim; orchestrated in 1923–1924
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1921–1922	Berceuse	Berceuse	for violin and piano	co-composed with violinist Paweł Kochański
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1921–1922	Dance sauvage	Dance sauvage	for violin and piano	co-composed with violinist Paweł Kochański
valign="top" \|	align=center\|	align=center\|47	align=center\|
valign="top" \| Vocal	align=center\|M52	align=center\|48	align=center\|1922	Trzy kołysanki {{ordered list\| Pochyl się cicho nad kołyską \| Śpiewam morzu \| Biały krąg księżyca }}	{{hs\|Lullabies 3}}3 Lullabies	for voice and piano	words by Jarosław Iwaszkiewicz
valign="top" \| Vocal	align=center\|M53	align=center\|49	align=center\|1922–1923	Rymy dziecięce {{ordered list\| Przed zasnieciem \| Jak się najlepiej opędzać od szerszenia? \| Mieszkanie \| Prosię \| Gwaizdka \| Ślub królewny \| Trzmiel i żuk \| Święta Krystyna \| Wiosna \| Kolysanka Lalek \| Gil i sroka \| Smutek \| Wizyta u krowy \| Kołysanka Krysi \| Kot \| Kołysanka Lalki \| Myszy \| Zły Lejba \| Kołysanka gniadego konia \| Nikczemny szpak }}	Children's Rhymes, 20 Children's Songs {{ordered list\| Before Falling Asleep \| How Best to Get Rid of a Hornet \| Home \| Piglet \| Little Star \| Princess's Wedding \| Bumblebee and Beetle \| Saint Christina \| Spring \| Duckling's Lullaby \| Bullfinch and Magpie \| Sadness \| A Visit to Mrs. Crow \| Tina's Lullaby \| Wise Cat \| Duckling's Lullaby \| Mice \| Crafty Leiba \| Bay Horse's Lullaby \| Villainous Starling }}	for voice and piano	words by Kazimiera Iłłakowiczówna
valign="top" \| Piano	align=center\|M56	align=center\|50	align=center\|1924–1925	Dwadzieścia mazurków {{ordered list\| Sostenuto \| Allegramente \| Moderato \| Allegramente, risoluto \| Moderato \| Vivace \| Poco vivace \| Moderato (non troppo) \| Tempo moderato \| Allegramente. Vivace. Con brio \| Allegretto \| Allegro moderato \| Moderato \| Animato \| Allegretto dolce \| Allegramente. Vigoroso \| Moderato \| Vivace. Agitato \| Poco vivace \| Allegramente – Con brio }}	{{hs\|Mazurkas 20}}20 Mazurkas	for piano
valign="top" \| Stage	align=center\|	align=center\|51	align=center\|1925	Kniaź Patiomkin	Prince Potemkin	for orchestra	Incidental music to act 5 of the 1906 play by Tadeusz Miciński
valign="top" \| Chamber music	align=center\|M58	align=center\|52	align=center\|1925	Kołysanka	Lullaby (La berceuse d'Aitacho Enia)	for violin and piano
valign="top" \| Choral	align=center\|M60	align=center\|53	align=center\|1925–1926	Stabat Mater	Stabat Mater	for soprano, alto, baritone, mixed chorus and orchestra	Oratorio
valign="top" \| Vocal	align=center\|M63	align=center\|54	align=center\|1926	Siedem pieśni do słów Jamesa Joyce'a {{ordered list\| Droga moja \| Zaśnij \| Złocisty włos \| Turkawko moja \| Struny ziemi \| Po deszczu \| Majowe wiatry }}	{{hs\|Songs 07 on Words by James Joyce}}7 Songs on Words by James Joyce {{ordered list\| Gentle Lady, Do Not Sing \| Sleep Now \| Lean Out of the Window \| My Dove, My Beautiful One \| Strings in the Earth \| Winds of May \| Rain Has Fallen }}	for voice and piano	words by James Joyce in translation by Jarosław Iwaszkiewicz; nos. 5–7 left incomplete, completed by Adam Neuer
valign="top" \| Stage	align=center\|M68	align=center\|55	align=center\|1923–1931	Harnasie	Harnasie	for tenor, mixed chorus and orchestra	Ballet-Pantomime in 2 acts, 3 scenes with prologue and epilogue; scenario by Jerzy Mieczysław Rytard in collaboration with the composer
valign="top" \| Vocal	align=center\|	align=center\|	align=center\|1924	Idom se siuhaje dołu, śpiewajęcy... (Pieśń siuhajów)	Siuhaje Are Coming Down Singing... (Song of Siuhaje)	for voice and piano	Highlander Song from Harnasie, Op. 55
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1925	L'aube	L'aube	for violin and piano	co-composed with violinist Paweł Kochański
valign="top" \| Piano	align=center\|M59a	align=center\|	align=center\|1925	Walc romantyczny	Romantic Waltz (Valse romantique)	for piano
valign="top" \| Vocal	align=center\|	align=center\|	align=center\|1925–1926	Dziewięć pieśni polskich {{ordered list\| Idzie żołnierz borem, lasem \| Tam na błoniu błyszczy kwiecie \| Jak to na wojence ładnie \| Leci liście z drzewa \| Hej, strzelcy, wraz \| Ułani, ułani, malowane dzieci \| O mój rozmarynie \| I zabujały siwe łabędzie \| Gdzież to jedziesz, Jasiu }}	{{hs\|Polish Songs 9}}9 Polish Songs	for voice and piano
valign="top" \| Piano	align=center\|M60	align=center\|	align=center\|1926	Cztery tańce polskie {{ordered list\| Mazurek \| Krakowiak \| Oberek \| Polonez }}	{{hs\|Polish Dances 4}}4 Polish Dances {{ordered list\| Mazurka \| Krakowiak \| Oberek \| Polonaise }}	for piano
valign="top" \| Chamber music	align=center\|M64	align=center\|56	align=center\|1927	Kwartet smyczkowy nr. 2	String Quartet No. 2	for {{hs\|violins 2}}2 violins, viola and cello
valign="top" \| Vocal	align=center\|M65	align=center\|	align=center\|1928	Vocalise-Étude	Vocalise-Étude	for voice and piano
valign="top" \| Choral	align=center\|	align=center\|	align=center\|1928–1929	Sześć pieśni kurpiowskich {{ordered list\| Hej, wółki moje \| A chtóz tam puka \| Niech Jezus Chrystus \| Bzicem kunia \| Wyrzundzaj się, dziwce moje \| Panie muzykancie, prosim zagrać walca }}	{{hs\|Songs 06 from Kurpie}}6 Songs from Kurpie	for mixed chorus a cappella
valign="top" \| Choral	align=center\|M67	align=center\|57	align=center\|1930	Veni Creator	Veni Creator	for soprano, mixed chorus, organ and orchestra	words by Stanisław Wyspiański
valign="top" \| Vocal	align=center\|M69	align=center\|58	align=center\|1930–1932	Pieśni kurpiowskie {{ordered list\| Lecioły zurazie \| Wysła burzycka \| Uwoz, mamo \| U jeziorecka \| A pod borem \| Bzicem kunia \| Sciani dumbek \| Leć, głosie, po rosie \| Zarżyjzę kuniu \| Ciamna nocka \| Wysły rybki \| Wsycy przyjechali }}	{{hs\|Songs 12 from Kurpie}}12 Songs from Kurpie	for voice and piano	No. 9 Zarzyjze kuniu also for violin and piano (1931)
valign="top" \| Choral	align=center\|M72	align=center\|59	align=center\|1930–1933	Litania do Marii Panny {{ordered list\| Dwunastodźwięczna cytaro... \| Jak krzew skarlały }}	Litany to the Virgin Mary, 2 Fragments {{ordered list\| Twelve-toned cithara... \| Like a Dwarf Bush }}	for soprano, female chorus and orchestra	words by Jerzy Liebert
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1931	Pieśń Roksany	Roxana's Song (Chant de Roxane)	for violin and piano	transcription by the composer and Paweł Kochański from act 2 of King Roger, Op. 46; adapted for viola and piano by Lionel Tertis and published in 1953
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1931	Taniec z "Harnasiów"	Dance from "Harnasie"	for violin and piano	transcription by the composer and Paweł Kochański from Harnasie, Op. 55
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1931	Zarżyjzę kuniu	Zarżyjzę kuniu	for violin and piano	transcription by the composer and Paweł Kochański of No. 9 from 12 Songs from Kurpie, Op. 58
valign="top" \| Concertante	align=center\|M70	align=center\|60	align=center\|1932	Symfonia nr. 4 (Symphonie concertante)	Symphony No. 4 (Symphonie Concertante)	for piano and orchestra	dedicated to Arthur Rubinstein
valign="top" \| Concertante	align=center\|M71	align=center\|61	align=center\|1932–1933	Koncert skrzypcowy nr. 2	Concerto No. 2	for violin and orchestra	A la memoire du Grand Musicien, mon cher et inoubliable Ami, Paweł Kochański
valign="top" \| Piano	align=center\|M73	align=center\|62	align=center\|1933–1934	Dwa mazurki {{ordered list\| Allegretto grazioso \| Moderato }}	{{hs\|Mazurkas 02}}2 Mazurkas	for piano

References

=Sources=

{{Citation | last1 =Gołubiew | first1 =Zofia | translator-last = Chrzanowska-Kluczewska | translator-first = Elżbieta | title = Muzeum Karola Szymanowskiego w willi "Atma" w Zakopanem (Przewodnik)|trans-title=Karol Szymanowski's Museum in the Chalet "Atma" in Zakopane (Guide)| place = Kraków | publisher = Muzeum Narodowe w Krakowie [The National Museum of Cracow] | year = 1997 | pages = 26–29|ref=none}}
{{cite book|last=Michałowski|first=Kornel|title=Karol Szymanowski, 1882–1937. Katalog tematyczny dzieł i bibliografia|trans-title=Karol Szymanowski, 1882–1937. Thematic Catalogue of Works and Bibliography|location=Kraków|publisher=Polskie Wydawnictwo Muzyczne|year=1967}}

Szymanowski, Karol

class="sortable wikitable" !width="95"\|Genre !width="40"\|M !width="40"\|Opus !width="75"\|Date !width=\|Polish title (Original title) !width=\|English title !width=150\|Scoring !width="300"\|Notes
valign="top" \| Piano	align=center\|M{{hs\|0}}1	align=center\|{{hs\|0}}1	align=center\|1899–1900	Dziewięć preludiów {{ordered list\| Andante ma non troppo \| Andante con moto \| Andantino \| Andantino con moto \| Allegro molto, impetuoso \| Lento, mesto \| Moderato \| Andante ma non troppo \| Lento, mesto }}	{{hs\|Preludes 9}}9 Preludes {{ordered list\| B minor \| D minor \| D{{music\|flat}} major \| B{{music\|flat}} minor \| D minor \| A minor \| C minor \| E{{music\|flat}} minor \| B{{music\|flat}} minor }}	for piano
valign="top" \| Vocal	align=center\|M{{hs\|0}}2	align=center\|{{hs\|0}}2	align=center\|1900–1902	Sześć pieśni {{ordered list\| Daleko został cały świat \| Tyś nie umarła \| We mgłach \| Czasem, gdy długo, na pół sennie marzę \| Słyszałem ciebie \| Pielgrzym }}	{{hs\|Songs 06}}6 Songs	for voice and piano	words by Kazimierz Przerwa-Tetmajer
valign="top" \| Piano	align=center\|M{{hs\|0}}5	align=center\|{{hs\|0}}3	align=center\|1901–1903	Wariacje fortepianowe b-moll	Variations in B{{music\|flat}} minor	for piano	theme and 12 variations; dedicated to Arthur Rubinstein
valign="top" \| Piano	align=center\|M{{hs\|0}}3	align=center\|{{hs\|0}}4	align=center\|1900–1902	Cztery etiudy {{ordered list\| Allegro moderato \| Allegro molto \| Andante in modo d'una canzona \| Allegro (ma non troppo) }}	{{hs\|Etudes 04}}4 Études (4 Studies) {{ordered list\| E{{music\|flat}} minor \| G{{music\|flat}} major \| B{{music\|flat}} minor \| C major }}	for piano
valign="top" \| Vocal	align=center\|M{{hs\|0}}4	align=center\|{{hs\|0}}5	align=center\|1902	Trzy fragmenty z poematów Jana Kasprowicza {{ordered list\| Święty Boże \| Jestem i płaczę \| Błogosławioną niech będzie ta chwila }}	{{hs\|Fragments from poems by Jan Kasprowicz}}3 Fragments from Poems by Jan Kasprowicz {{ordered list\| Holy God \| Blessed Be That Moment \| I Am and Cry }}	for voice and piano	words by Jan Kasprowicz
valign="top" \| Vocal	align=center\|M{{hs\|0}}6	align=center\|{{hs\|0}}6	align=center\|1904, 1912	Salome	Salome	for soprano and orchestra	lost; words by Jan Kasprowicz
valign="top" \| Vocal	align=center\|M{{hs\|0}}7	align=center\|{{hs\|0}}7	align=center\|1904	{{hs\|Labedz}}Łabędź	{{hs\|Swan}}The Swan	for voice and piano	words by Wacław Berent
valign="top" \| Piano	align=center\|M{{hs\|0}}8	align=center\|{{hs\|0}}8	align=center\|1903–1904	Sonata fortepianowa nr. 1 c-moll	Sonata No. 1 in C minor	for piano	dedicated to Stanisław Ignacy Witkiewicz
valign="top" \| Chamber music	align=center\|M{{hs\|0}}9	align=center\|{{hs\|0}}9	align=center\|1904	Sonata skrzypcowa d-moll	Sonata in D minor	for violin and piano	dedicated to Bronisław Gromadzki
valign="top" \| Piano	align=center\|M10	align=center\|10	align=center\|1900–1904	Wariacje na polski temat ludowy h-moll	Variations on a Polish Folk Theme in B minor	for piano	dedicated to Zygmunt Noskowski
valign="top" \| Vocal	align=center\|M11	align=center\|11	align=center\|1904–1905	Cztery pieśni {{ordered list\| Tak jestem smętny \| W zaczarowanym lesie \| Nademną leci w szafir morza \| Rycz burzo... }}	{{hs\|Songs 04}}4 Songs	for voice and piano	words by Tadeusz Miciński
valign="top" \| Orchestral	align=center\|M12	align=center\|12	align=center\|1904–1905	Uwertura koncertowa E-dur	Concert Overture in E major	for orchestra
valign="top" \| Vocal	align=center\|M14	align=center\|13	align=center\|1905–1907	{{hs\|Piec piesni}}Pięć pieśni {{ordered list\| Głos w mroku \| Kołysanka Dzieciątka Jezus \| Na morzu \| Zulejka \| Czarna lutnia }}	{{hs\|Songs 05}}5 Songs	for voice and piano	words by German poets in translation by Stanisław Barącz 1. words by Richard Dehmel 2. words by Clemens Brentano and Achim von Arnim 3. words by Richard Dehmel 4. words by Friedrich von Bodenstedt 5. words by Otto Julius Bierbaum
valign="top" \| Piano	align=center\|M13	align=center\|14	align=center\|1905	Fantazja C-dur	Fantasy in C major	for piano
valign="top" \| Piano	align=center\|M19	align=center\|	align=center\|1905, 1909	Preludium i fuga cis-moll	Prelude and Fugue in C{{music\|sharp}} minor	for piano
valign="top" \| Orchestral	align=center\|M15	align=center\|15	align=center\|1906–1907	Symfonia nr. 1 f-moll	Symphony No. 1 in F minor	for orchestra
valign="top" \| Chamber music	align=center\|	align=center\|16	align=center\|1907	Trio na fortepian, skrzypce i wiolonczelę	Piano Trio	for violin, cello and piano	withdrawn/destroyed by the composer
valign="top" \| Vocal	align=center\|M17	align=center\|17	align=center\|1907	Dwanaście pieśni {{ordered list\| Wczesnym rankiem \| Tajemnica \| Zaloty \| Nocą \| Refleksya \| Zwiastowanie \| Po burzy \| Zawód \| Kołysanka \| Dusza \| Fragment ("Płomienny") \| Noc miłosńa }}	{{hs\|Songs 12}}12 Songs	for voice and piano	words by German poets in translation by Stanisław Barącz 1.~8. words by Richard Dehmel 9. words by Alfred Mombert 10. words by Gustav Falke 11. words by Alfred Mombert 12. words by Martin Greif
valign="top" \| Vocal	align=center\|M18	align=center\|18	align=center\|1908, 1912	Penthezilea	Penthesilea	for soprano and orchestra	words by Stanisław Wyspiański
valign="top" \| Stage	align=center\|	align=center\|	align=center\|1908–1909	Loteria na mężów, czyli Narzeczony nr. 69	Lottery for Husbands or Fiancé No. 69		Operetta in 3 acts; libretto by Julian Krzewiński-Maszyński; premiered in 2007
valign="top" \| Orchestral	align=center\|M24	align=center\|19	align=center\|1909–1910	Symfonia nr. 2 B-dur	Symphony No. 2 (Szymanowski)	for orchestra
valign="top" \| Vocal	align=center\|M20	align=center\|20	align=center\|1909	Sześć pieśni {{ordered list\| Na księżycu czarnym \| Święty Franciszek mówi \| Pachną mi dziwnie twoje złote włosy \| W mem sercu \| Z maurytańskich śpiewnych sak \| Na pustej trzcinie }}	{{hs\|Songs 06}}6 Songs	for voice and piano	words by Tadeusz Miciński
valign="top" \| Piano	align=center\|M25	align=center\|21	align=center\|1910–1911	Sonata fortepianowa nr. 2 A-dur	Sonata No. 2 in A major	for piano
valign="top" \| Vocal	align=center\|M22	align=center\|22	align=center\|1910	Barwne pieśni (Bunte Lieder) {{ordered list\| Pustelnik (Einsiedel) \| Pieśń dziewczęcia u okna (Lied des Mädchens am Fenster) \| Dla małych dziewczynek (An kleine Mädchen) \| Nocy letniej srebrny cud (Das hat die Sommernacht getan) \| Przeznaczenie (Bestimmung) }}	Colourful Songs	for voice and piano	words by German poets in translation by Stanisław Barącz 1. words by Karl Bulcke 2. words by Alfons Paquet 3. words by Emil Faktor 4. words by Anna Ritter 5. words by Ricarda Huch
valign="top" \| Chamber music	align=center\|M23	align=center\|23	align=center\|1910	Romans D-dur	Romance in D major	for violin and piano	dedicated to violinist Paweł Kochański
valign="top" \| Vocal	align=center\|M26	align=center\|24	align=center\|1911	Pieśni miłosne Hafiza {{ordered list\| Życzenie \| Jedyne lekarstwo \| Płonące tulipany \| Taniec \| Zakochany wiatr \| Smutna wiosna }}	Love Songs of Hafiz, 6 Songs {{ordered list\| Desires \| The Only Medicine \| Flaming Tulips \| Dance \| The Infatuated East Wind \| Sad Spring }}	for voice and piano	words by Hafez in translation by Hans Bethge nos. 1, 4 and 5 orchestrated and incorporated into Op. 26
valign="top" \| Stage	align=center\|	align=center\|25	align=center\|1912–1913	Hagith	Hagith		Opera in 1 act; libretto by {{Interlanguage link multi\|Felix Dörmann\|de}}
valign="top" \| Vocal	align=center\|M28	align=center\|26	align=center\|1911, 1914	Pieśni miłosne Hafiza {{ordered list\| Grób Hafiza \| Serca mego perły \| Głos twój \| Wieczna młodość \| Pieśń pijacka \| Życzenie \| Zakochany wiatr \| Taniec }}	Love Songs of Hafiz, 8 Songs	for voice and orchestra	words by Hafez in translation by Hans Bethge 2. also for voice and piano 6.~8. orchestrations from Op. 24
valign="top" \| Choral	align=center\|M36	align=center\|27	align=center\|1914–1916	Symfonia nr. 3 "Pieśń o nocy"	Symphony No. 3 "Song of the Night"	for tenor (or soprano), mixed chorus and orchestra	words by Jalāl ad-Dīn Muḥammad Rūmī in translation by Tadeusz Miciński
valign="top" \| Chamber music	align=center\|M30	align=center\|28	align=center\|1915	Nokturn i tarantela	Nocturne and Tarantella	for violin and piano	dedicated to Monsieur Auguste Iwański
valign="top" \| Piano	align=center\|M31	align=center\|29	align=center\|1915	Metopy, Trzy poematy {{ordered list\| Wyspa syren \| Kalipso \| Nauzykaa }}	Métopes, 3 Poèms {{ordered list\| L'île des Sirènes (The Island of Sirens) \| Calypso \| Nausicaa }}	for piano
valign="top" \| Chamber music	align=center\|M29	align=center\|30	align=center\|1915	Mity {{ordered list\| Źródło Aretuzy \| Narcyz \| Driady i Pan }}	Mythes (Myths) {{ordered list\| La Fontaine d'Aréthuse (The Fountain of Arethusa) \| Narcisse (Narcissus) \| Dryades et Pan (Dryads and Pan) }}	for violin and piano
valign="top" \| Vocal	align=center\|M32	align=center\|31	align=center\|1915	Pieśni księżniczki {{ordered list\| Samotny księżyc \| Słowik \| Złote trzewiczki \| Taniec \| Pieśń o fali \| Uczta }}	Songs of a Fairy-Tale Princess	for voice and piano (or orchestra)	words by Zofia Szymanowska; nos. 1, 2 and 4 orchestrated in 1933
valign="top" \| Vocal	align=center\|M33	align=center\|32	align=center\|1915	Trzy pieśni do słów Dymitra Dawidowa {{ordered list\| Wschód słońca (Kaк тoлькo вocтoк) \| Bezgwiezdne niebo (Heбo бeз звëзд) \| Jesienne słońce (Oceнee coлнцe) }}	{{hs\|Songs 03}}3 Songs on Words by Dmitri Davydov	for voice and piano	words by Dmitri Pavlovich Davydov – Дмитрий Павлович Давыдов (1811–1888) in translation by Jarosław Iwaszkiewicz
valign="top" \| Piano	align=center\|M34	align=center\|33	align=center\|1916	Dwanaście etiud {{ordered list\| Presto \| Andantino soave \| Vivace assai (agitato) \| Presto. Delicatamente \| Andante espressivo \| Vivace (Agitato e marcato. Vigoroso) \| Allegro molto (Con brio. Burlesco) \| Lento assai mesto (espressivo) \| Animato (Capriccioso e fantastico) \| Presto (molto agitato). Tempestoso \| Andante soave (rubato) \| Presto (Energico) }}	{{hs\|Etudes 12}}12 Études (12 Studies)	for piano
valign="top" \| Piano	align=center\|M35	align=center\|34	align=center\|1915–1916	Maski {{ordered list\| Szecherezada \| Błazen Tantris \| Serenada Don Juana }}	Masques (Masks), 3 Pieces {{ordered list\| Shéhérazade (Scheherazade) \| Tantris le bouffon (Tantris the Fool) \| Sérénade de Don Juan (The Serenade of Don Juan) }}	for piano
valign="top" \| Concertante	align=center\|M37	align=center\|35	align=center\|1916	Koncert skrzypcowy nr. 1	Concerto No. 1	for violin and orchestra	in 1 movement; dedicated to violinist Paweł Kochański
valign="top" \| Piano	align=center\|M38	align=center\|36	align=center\|1917	Sonata fortepianowa nr. 3	Sonata No. 3	for piano
valign="top" \| Chamber music	align=center\|M41	align=center\|37	align=center\|1917	Kwartet smyczkowy nr. 1 C-dur	String Quartet No. 1 in C major	for {{hs\|violins 2}}2 violins, viola and cello
valign="top" \| Choral	align=center\|M39	align=center\|37b	align=center\|1917	Demeter	Demeter, Cantata	for alto, female chorus and orchestra	words by Zofia Szymanowska
valign="top" \| Choral	align=center\|	align=center\|38	align=center\|1917	Agawe	Agave, Cantata	for soprano, mixed chorus and orchestra	unfinished, words by Zofia Szymanowska after The Bacchae by Euripides
valign="top" \|	align=center\|	align=center\|39	align=center\|
valign="top" \| Chamber music	align=center\|M42	align=center\|40	align=center\|1918	Trzy kaprysy Paganiniego	{{hs\|Caprices de Paganini}}3 Caprices de Paganini (3 Paganini Caprices)	for violin and piano	transcription of Caprices Nos. 20, 21 and 24 by Niccolò Paganini; dedicated to Paweł Kochański and Józef Ozimiński
valign="top" \| Vocal	align=center\|	align=center\|41	align=center\|1918	Cztery pieśni do słów Rabindranatha Tagore {{ordered list\| Moje serca \| Młody królewicz I \| Młody królewicz II \| Ostatnia pieśń }}	{{hs\|Songs 04 to Lyrics by Rabindranath Tagore}}4 Songs to Lyrics by Rabindranath Tagore {{ordered list\| My Heart \| The Young Prince (I) \| The Young Prince (II) \| The Last Song }}	for voice and piano	words from The Gardener by Rabindranath Tagore in translation by Jarosław Iwaszkiewicz
valign="top" \| Vocal	align=center\|M44	align=center\|42	align=center\|1918	Pieśni muezina szalonego {{ordered list\| Allah, Allah, Akbar... \| O, ukochana ma... \| Ledwie blask słońca... \| W południe miasto białe od gorąca... \| O tej godzinie, w której miasto śpi... \| Odeszłaś na pustynię zachodnią... }}	Songs of the Infatuated Muezzin {{ordered list\| Allah, Allah, Akbar... \| Oh, my beloved... \| Barely the sun glistens on the tower's roof... \| At noon the city is white from the heat... \| At the hour when the city sleeps... \| You departed into the western desert... }}	for soprano and piano or orchestra	orchestrated in 1934
valign="top" \| Stage	align=center\|M45	align=center\|43	align=center\|1920	Mandragora	Mandragora	for orchestra	Pantomime in 3 scenes; scenario by Ryszard Bolesławski and Leon Schiller
valign="top" \| Orchestral	align=center\|	align=center\|	align=center\|1920	Marsz 3. Pułku Ułanów	March of the Third Regiment of Uhlans	for wind orchestra	lost
valign="top" \| Orchestral	align=center\|	align=center\|	align=center\|1920	Marsz uroczysty	Ceremonial March	for orchestra
valign="top" \| Vocal	align=center\|	align=center\|44	align=center\|1920	Dwie pieśni baskijskie {{ordered list\| Piękny księżyc \| Ukochana złote włosy }}	{{hs\|Basque Songs 2}}2 Basque Songs	for voice and piano	lost
valign="top" \| Vocal	align=center\| M48 M49 M50	align=center\|	align=center\|1920	Trzy piosenki (Piosenki żołnierskie) {{ordered list\| Do dziewczyny, Mazurek \| O zwiedzionym żołnierzu \| Wyszywała raz Hanka... }}	{{hs\|Songs 03}}3 Songs (3 Soldier's Songs) {{ordered list\| To the Sweetheart, Mazurka \| About a Deceived Soldier \| Hanka Was Once Embroidering... }}	for voice and piano	1.~2. words by Kornel Makuszyński 3. words by Kazimierz Andrzej Czyżowski
valign="top" \| Vocal	align=center\|	align=center\|	align=center\|1920	Wiedzie nas Haller	Haller Is Leading Us	for voice and piano
valign="top" \|	align=center\|	align=center\|45	align=center\|
valign="top" \| Stage	align=center\|M55	align=center\|46	align=center\|1918–1924	Król Roger	King Roger		Opera in 3 acts; libretto by Jarosław Iwaszkiewicz in collaboration with the composer
valign="top" \| Vocal	align=center\|M51	align=center\|46b	align=center\|1921	{{hs\|Slopiewnie}}Słopiewnie {{ordered list\| Słowisień \| Zielone słowa \| Święty Franciszek \| Kalinowe dwory \| Wanda }}	{{hs\|Slopiewnie}}Słopiewnie, 5 Songs	for voice and piano or chamber orchestra	words by Julian Tuwim; orchestrated in 1923–1924
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1921–1922	Berceuse	Berceuse	for violin and piano	co-composed with violinist Paweł Kochański
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1921–1922	Dance sauvage	Dance sauvage	for violin and piano	co-composed with violinist Paweł Kochański
valign="top" \|	align=center\|	align=center\|47	align=center\|
valign="top" \| Vocal	align=center\|M52	align=center\|48	align=center\|1922	Trzy kołysanki {{ordered list\| Pochyl się cicho nad kołyską \| Śpiewam morzu \| Biały krąg księżyca }}	{{hs\|Lullabies 3}}3 Lullabies	for voice and piano	words by Jarosław Iwaszkiewicz
valign="top" \| Vocal	align=center\|M53	align=center\|49	align=center\|1922–1923	Rymy dziecięce {{ordered list\| Przed zasnieciem \| Jak się najlepiej opędzać od szerszenia? \| Mieszkanie \| Prosię \| Gwaizdka \| Ślub królewny \| Trzmiel i żuk \| Święta Krystyna \| Wiosna \| Kolysanka Lalek \| Gil i sroka \| Smutek \| Wizyta u krowy \| Kołysanka Krysi \| Kot \| Kołysanka Lalki \| Myszy \| Zły Lejba \| Kołysanka gniadego konia \| Nikczemny szpak }}	Children's Rhymes, 20 Children's Songs {{ordered list\| Before Falling Asleep \| How Best to Get Rid of a Hornet \| Home \| Piglet \| Little Star \| Princess's Wedding \| Bumblebee and Beetle \| Saint Christina \| Spring \| Duckling's Lullaby \| Bullfinch and Magpie \| Sadness \| A Visit to Mrs. Crow \| Tina's Lullaby \| Wise Cat \| Duckling's Lullaby \| Mice \| Crafty Leiba \| Bay Horse's Lullaby \| Villainous Starling }}	for voice and piano	words by Kazimiera Iłłakowiczówna
valign="top" \| Piano	align=center\|M56	align=center\|50	align=center\|1924–1925	Dwadzieścia mazurków {{ordered list\| Sostenuto \| Allegramente \| Moderato \| Allegramente, risoluto \| Moderato \| Vivace \| Poco vivace \| Moderato (non troppo) \| Tempo moderato \| Allegramente. Vivace. Con brio \| Allegretto \| Allegro moderato \| Moderato \| Animato \| Allegretto dolce \| Allegramente. Vigoroso \| Moderato \| Vivace. Agitato \| Poco vivace \| Allegramente – Con brio }}	{{hs\|Mazurkas 20}}20 Mazurkas	for piano
valign="top" \| Stage	align=center\|	align=center\|51	align=center\|1925	Kniaź Patiomkin	Prince Potemkin	for orchestra	Incidental music to act 5 of the 1906 play by Tadeusz Miciński
valign="top" \| Chamber music	align=center\|M58	align=center\|52	align=center\|1925	Kołysanka	Lullaby (La berceuse d'Aitacho Enia)	for violin and piano
valign="top" \| Choral	align=center\|M60	align=center\|53	align=center\|1925–1926	Stabat Mater	Stabat Mater	for soprano, alto, baritone, mixed chorus and orchestra	Oratorio
valign="top" \| Vocal	align=center\|M63	align=center\|54	align=center\|1926	Siedem pieśni do słów Jamesa Joyce'a {{ordered list\| Droga moja \| Zaśnij \| Złocisty włos \| Turkawko moja \| Struny ziemi \| Po deszczu \| Majowe wiatry }}	{{hs\|Songs 07 on Words by James Joyce}}7 Songs on Words by James Joyce {{ordered list\| Gentle Lady, Do Not Sing \| Sleep Now \| Lean Out of the Window \| My Dove, My Beautiful One \| Strings in the Earth \| Winds of May \| Rain Has Fallen }}	for voice and piano	words by James Joyce in translation by Jarosław Iwaszkiewicz; nos. 5–7 left incomplete, completed by Adam Neuer
valign="top" \| Stage	align=center\|M68	align=center\|55	align=center\|1923–1931	Harnasie	Harnasie	for tenor, mixed chorus and orchestra	Ballet-Pantomime in 2 acts, 3 scenes with prologue and epilogue; scenario by Jerzy Mieczysław Rytard in collaboration with the composer
valign="top" \| Vocal	align=center\|	align=center\|	align=center\|1924	Idom se siuhaje dołu, śpiewajęcy... (Pieśń siuhajów)	Siuhaje Are Coming Down Singing... (Song of Siuhaje)	for voice and piano	Highlander Song from Harnasie, Op. 55
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1925	L'aube	L'aube	for violin and piano	co-composed with violinist Paweł Kochański
valign="top" \| Piano	align=center\|M59a	align=center\|	align=center\|1925	Walc romantyczny	Romantic Waltz (Valse romantique)	for piano
valign="top" \| Vocal	align=center\|	align=center\|	align=center\|1925–1926	Dziewięć pieśni polskich {{ordered list\| Idzie żołnierz borem, lasem \| Tam na błoniu błyszczy kwiecie \| Jak to na wojence ładnie \| Leci liście z drzewa \| Hej, strzelcy, wraz \| Ułani, ułani, malowane dzieci \| O mój rozmarynie \| I zabujały siwe łabędzie \| Gdzież to jedziesz, Jasiu }}	{{hs\|Polish Songs 9}}9 Polish Songs	for voice and piano
valign="top" \| Piano	align=center\|M60	align=center\|	align=center\|1926	Cztery tańce polskie {{ordered list\| Mazurek \| Krakowiak \| Oberek \| Polonez }}	{{hs\|Polish Dances 4}}4 Polish Dances {{ordered list\| Mazurka \| Krakowiak \| Oberek \| Polonaise }}	for piano
valign="top" \| Chamber music	align=center\|M64	align=center\|56	align=center\|1927	Kwartet smyczkowy nr. 2	String Quartet No. 2	for {{hs\|violins 2}}2 violins, viola and cello
valign="top" \| Vocal	align=center\|M65	align=center\|	align=center\|1928	Vocalise-Étude	Vocalise-Étude	for voice and piano
valign="top" \| Choral	align=center\|	align=center\|	align=center\|1928–1929	Sześć pieśni kurpiowskich {{ordered list\| Hej, wółki moje \| A chtóz tam puka \| Niech Jezus Chrystus \| Bzicem kunia \| Wyrzundzaj się, dziwce moje \| Panie muzykancie, prosim zagrać walca }}	{{hs\|Songs 06 from Kurpie}}6 Songs from Kurpie	for mixed chorus a cappella
valign="top" \| Choral	align=center\|M67	align=center\|57	align=center\|1930	Veni Creator	Veni Creator	for soprano, mixed chorus, organ and orchestra	words by Stanisław Wyspiański
valign="top" \| Vocal	align=center\|M69	align=center\|58	align=center\|1930–1932	Pieśni kurpiowskie {{ordered list\| Lecioły zurazie \| Wysła burzycka \| Uwoz, mamo \| U jeziorecka \| A pod borem \| Bzicem kunia \| Sciani dumbek \| Leć, głosie, po rosie \| Zarżyjzę kuniu \| Ciamna nocka \| Wysły rybki \| Wsycy przyjechali }}	{{hs\|Songs 12 from Kurpie}}12 Songs from Kurpie	for voice and piano	No. 9 Zarzyjze kuniu also for violin and piano (1931)
valign="top" \| Choral	align=center\|M72	align=center\|59	align=center\|1930–1933	Litania do Marii Panny {{ordered list\| Dwunastodźwięczna cytaro... \| Jak krzew skarlały }}	Litany to the Virgin Mary, 2 Fragments {{ordered list\| Twelve-toned cithara... \| Like a Dwarf Bush }}	for soprano, female chorus and orchestra	words by Jerzy Liebert
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1931	Pieśń Roksany	Roxana's Song (Chant de Roxane)	for violin and piano	transcription by the composer and Paweł Kochański from act 2 of King Roger, Op. 46; adapted for viola and piano by Lionel Tertis and published in 1953
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1931	Taniec z "Harnasiów"	Dance from "Harnasie"	for violin and piano	transcription by the composer and Paweł Kochański from Harnasie, Op. 55
valign="top" \| Chamber music	align=center\|	align=center\|	align=center\|1931	Zarżyjzę kuniu	Zarżyjzę kuniu	for violin and piano	transcription by the composer and Paweł Kochański of No. 9 from 12 Songs from Kurpie, Op. 58
valign="top" \| Concertante	align=center\|M70	align=center\|60	align=center\|1932	Symfonia nr. 4 (Symphonie concertante)	Symphony No. 4 (Symphonie Concertante)	for piano and orchestra	dedicated to Arthur Rubinstein
valign="top" \| Concertante	align=center\|M71	align=center\|61	align=center\|1932–1933	Koncert skrzypcowy nr. 2	Concerto No. 2	for violin and orchestra	A la memoire du Grand Musicien, mon cher et inoubliable Ami, Paweł Kochański
valign="top" \| Piano	align=center\|M73	align=center\|62	align=center\|1933–1934	Dwa mazurki {{ordered list\| Allegretto grazioso \| Moderato }}	{{hs\|Mazurkas 02}}2 Mazurkas	for piano