Mariangela Melato

Melato was born in Milan to Triestine traffic policeman Alfredo Melato and Milanese seamstress Lina. Her father, born Alfred Hönig, was originally of Austrian descent and later Italianised his name by translating its meaning of "honeyed". While still attending school, she worked as a window dresser, attended painting courses and enrolled at the Accademia dei Filodrammatici, studying acting under {{ill|Esperia Sperani|it}}.{{cite news|author-link=Curzio Maltese |first=Curzio |last=Maltese |title=Melato – Siate esagerate |newspaper=La Stampa |date=30 August 1995}}{{cite news|author-link=Lietta Tornabuoni |first=Lietta |last=Tornabuoni |title=Il bell'inferno della Melato |newspaper=La Stampa |date=18 May 1972}}

In the early 1960s, she entered the stage company of Fantasio Piccoli in Bolzano, giving her first performances in 1963 in plays like Binario cieco by {{ill|Carlo Terron|it}}, Our Town by Thornton Wilder and O di uno o di niente by Luigi Pirandello. Upon her return to Milan, she worked with Dario Fo in Settimo: ruba un po' meno and La colpa è sempre del diavolo in 1964 and 1965.{{cite book|title=Mariangela Melato tra cinema, teatro e televisione |editor-first=Cristina |editor-last=Formenti |publisher=Mimesis |year=2016 |isbn=9788857532486}} After her engagement with Fo's company ended, she left Milan again, working with directors such as {{ill|Giuseppe Maffioli|it}}, Damiano Damiani and Giovanni Poli. In 1967, she appeared in Luchino Visconti's The Nun of Monza, but censors shut down the play. She worked with Visconti again in 1969 in The Advertisement by Natalia Ginzburg. The same and the following year, she starred in Ludovico Ariosto's Orlando Furioso and The Revenger's Tragedy, both directed by Luca Ronconi.

File:Mariangela Melato 1975.jpg (1975)]]

In 1970, Melato moved to Rome and made her film debut in Pupi Avati's Thomas e gli indemoniati, which never saw a cinematic release.{{cite book|title=Historical Dictionary of Italian Cinema |first=Gino |last=Moliterno |year=2020 |publisher=Rowman & Littlefield |page=52 |isbn=9781538119471}} Subsequent roles followed in Nino Manfredi's Between Miracles (1971), Elio Petri's The Working Class Goes to Heaven (1971) and Vittorio De Sica's Lo chiameremo Andrea (1972).

In 1972, Melato starred alongside Giancarlo Giannini in The Seduction of Mimi, directed by Lina Wertmüller. For this film, she had to abandon Pietro Garinei's and Alessandro Giovannini's popular musical show Alleluja brava gente, which led to a dispute with the producers. The Seduction of Mimi was the start of a successful relationship between Wertmüller, Melato and Giannini that continued with Love and Anarchy (1973), in which Melato played a communist prostitute, and Swept Away (1974). Melato's critically acclaimed comedic performance in this film as a spoiled aristocrat is one of her internationally best-remembered roles.

For the remainder of the 1970s, Melato worked with some of Europe's most renowned directors, including Claude Chabrol in Nada (1974), Elio Petri in Todo modo (1976), and Luigi Comencini in Il gatto (1978). She also appeared on television, playing the role of Princess Bithiah in the miniseries Moses the Lawgiver, and in two episodes of the serialised TV adaptation of Ariosto's Orlando Furioso (both 1974). During the 1970s and 1980s, she only sporadically returned to the stage in productions like Aeschylus' Oresteia in 1972{{cite book|title=Who's Who in Contemporary World Theatre |last=Meyer-Dinkgrafe |first=Daniel |publisher=Routledge |year=2002 |page=200 |isbn=9780415141628}} and Carlo Bertolazzi's El nost Milan in 1979, the latter directed by Giorgio Strehler.

In the 1980s, Melato starred in two American productions, as the villainess General Kala in Flash Gordon and in the comedy So Fine (1981) alongside Ryan O'Neal. In the Pope's Eye (1980), directed by Renzo Arbore, was heavily attacked by the Catholic press and even seized from the cinemas.{{cite news|title=Cinema: 'Pap'occhio' in dvd, Arbore "oggi non farei film sul Papa |url=http://www.agi.it/spettacolo/notizie/201004191646-spe-rt10261-cinema_pap_occhio_in_dvd_arbore_oggi_non_farei_film_sul_papa |access-date=12 July 2015 |work=Agenzia Giornalistica Italia |date=19 April 2010 |archive-url=https://web.archive.org/web/20100425070742/http://www.agi.it/spettacolo/notizie/201004191646-spe-rt10261-cinema_pap_occhio_in_dvd_arbore_oggi_non_farei_film_sul_papa |archive-date=25 April 2010 |language=it}}{{cite news|first=Irene |last=Bignardi |title=Musical stravagante per niente blasfemo |url=http://www.repubblica.it/online/cinema/papocchio/papocchio/papocchio.html |access-date=12 July 2015 |work=La Repubblica|date=19 October 1998 |language=it}} Melato and Lina Wertmüller eventually reunited for the filming of Summer Night (1986), a variation on Swept Away.{{Cite news |title=Film: Wertmuller 'Night' |first=Vincent |last=Canby |authorlink=Vincent Canby |url=https://www.nytimes.com/1987/06/19/movies/film-wertmuller-night.html |access-date=13 January 2024 |date=19 June 1987 |newspaper=The New York Times}} Notable theatre appearances of this decade include Euripides' Medea (1986) and William Gibson's The Miracle Worker (1988), both directed by {{ill|Giancarlo Sepe|it}}.

In the early 1990s, Melato returned permanently to the stage, reducing her presence on the screen and on television. She signed a long-term contract with the Teatro Stabile di Genova (now {{ill|Teatro Nazionale di Genova|it}}), where she appeared in productions such as Karel Čapek's The Makropulos Affair (1993), Copi's Tango barbaro (1995) and Eugene O'Neill's Mourning Becomes Electra (1997). One of the rare film appearances during this time was the 1993 The End Is Known. Due to increasing health issues, she ended her career in 2010.

Melato had long-term relationships with actor and director Renzo Arbore and with musician and actor Giorgio Gaber.{{cite web |title=Mariangela Melato |url=https://www.libero.it/magazine/personaggi/mariangela-melato-21926 |website=Libero |access-date=12 January 2024 |language=it}}

She died from pancreatic cancer in Rome on 11 January 2013, at age 71.{{Cite news |last=Slotnik |first=Daniel E. |date=2013-01-12 |title=Mariangela Melato, Italian Actress, Dies at 71 |newspaper=The New York Times |url=https://www.nytimes.com/2013/01/12/arts/mariangela-melato-italian-actress-dies-at-71.html |access-date=2023-10-14}}

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• Thomas e gli indemoniati (1970) – Zoe
• Let's Have a Riot (1970)
• L'Invasion (1970) – Valentina
• Io non scappo... fuggo (1970)
• The Swinging Confessors (1970) – Prostitute
• Basta guardarla (1971) – Marisa do Sol
• Between Miracles (1971) – Maestrina
• The Working Class Goes to Heaven (1971) – Lidia
• Cometogether (1971)
• Incontro (1971)
• The Sicilian Checkmate (1972) – Rosaria Licata
• The Seduction of Mimi (1972) – Fiorella Meneghini
• Execution Squad (1972) – Sandra
• Lo chiameremo Andrea (1972) – Maria Antonazzi
• Il generale dorme in piedi (1972) – Lola Pigna
• Love and Anarchy (1973) – Salomè
• Nada (1974) – Veronique Cash
• Moses the Lawgiver (1974) – La fille du maire
• Policewoman (1974) – Giovanna 'Gianna' Abbastanzi
• Swept Away (1974) – Raffaella Pavone Lanzetti
• Par le sang des autres (1974)
• Faccia di spia (1975) – Tania
• Di che segno sei? (1975) – Marietta 'Claquette'
• The Guernica Tree (1975) – Vandale
• Eye of the Cat (1975) – Giulia
• Todo modo (1976) – Giacinta
• Caro Michele (1976) – Mara Castorelli
• Beach House (1977) – Giulia
• The Cat (1977) – Ofelia Pegoraro
• La presidentessa (1977) – Yvette Jolifleur
• Saxofone (1978) – Fiorenza
• To Forget Venice (1979) – Anna
• I giorni cantati (1979) – Angela
• Oggetti smarriti (1979) – Marta
• Flash Gordon (1980) – Kala
• In the Pope's Eye (1980) – Unchosen actress
• Help Me Dream (1981) – Francesca
• So Fine (1981) – Lira
• Tomorrow We Dance (1982) – Mariangela
• Il buon soldato (1982) – Marta
• My Darling, My Dearest (1982) – Armida
• Petomaniac (1983) – Catherine Dumurier
• Secrets Secrets (1985) – Giuliana, the judge
• My Dearest Son (1986) – Stefania
• Summer Night (1986) – Fulvia Bolk
• Dancers (1987) – Contessa
• Mortacci (1988) – Jolanda
• The End Is Known (1993) – Elena Malva
• Dirty Linen (1999) – Cinzia
• A Respectable Man (1999) – Anna Tortora
• Probably Love (2001) – Mariangela Melato
• Love Returns (2004) – Federica
• Vieni via con me (2005) – Maria Grande

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Melato received numerous stage and film awards.

David di Donatello Award:{{cite web |title=Accademia del Cinema Italiano - Premi David di Donatello |url=https://www.daviddidonatello.it/storia/cronologia.php |website=daviddidonatello.it |access-date=5 June 2023 |language=it}}

• 1972: Special David
• 1975: David di Donatello for Best Actress for Policewoman
• 1977: David di Donatello for Best Actress for Caro Michele
• 1978: David di Donatello for Best Actress for The Cat
• 1981: David di Donatello for Best Actress for Help Me Dream
• 1984: Special Plaque

Nastro d'Argento Award for Best Leading Actress:

• 1972: The Working Class Goes to Heaven
• 1973: The Seduction of Mimi
• 1977: Caro Michele
• 1979: To Forget Venice
• 1981: Help Me Dream

• Anna Melato, actress and sister of Mariangela

{{Reflist}}

• {{IMDb name|id=0577423|name=Mariangela Melato}}
• [http://www.fandango.com/mariangelamelato/biographies/p48278 Allmovie biography]

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Category:1941 births

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Category:Italian film actresses

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Category:Actresses from Milan

Category:David di Donatello winners

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Category:20th-century Italian actresses

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Category:Deaths from pancreatic cancer in Italy

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Category:Brera Academy alumni