Marribank

In 1905, the Western Australian government approved an act that deemed all Aboriginal or part-Aboriginal children to be wards of the state, with the Chief Protector of Aborigines (now considered their legal guardian) granted the legal power to take them from their parents' care and put them into institutions.{{Cite web|url=http://nla.gov.au/nla.obj-55208686/view?partId=nla.obj-55209481#|title=The Acts of the Parliament of Western Australia: Aborigines Act 1905|last=|first=|date=|website=National Library of Australia|archive-url=|archive-date=|access-date=18 November 2019}}{{Citation|author1=Rutter, Florence|title=Little black fingers : the story of Carrolup Native Settlement children, Western Australia|url=http://trove.nla.gov.au/work/12365215|date=1951|publisher=s.n|accessdate=3 November 2014|author2=Carrolup Native Settlement (W.A.)}} Aboriginal children were taken from their parents, especially if they had a European or part-European ancestry, in order to break the possibility of being socialised within traditional Aboriginal language and culture, as a part of a government policy which has become known as the Stolen Generations. It was hoped by the Protector of Aborigines that boys would be trained as agricultural labourers, and girls would obtain work as domestic servants.

Children living at Carrolup of marriageable age had to obtain official government permission to marry. As the official policy was acknowledged as "smoothing the pillow of a dying race", the "breeding out" of Aboriginal racial characteristics was encouraged. The officials took little or no action in cases of sexual abuse of girls by those officially in charge of them.

Carrolup was established in 1915 as a government-run "native settlement", with a Superintendent from the Australian Aborigines Mission, which also provided volunteer staff.{{Cite web|url=https://www.findandconnect.gov.au/guide/wa/WE00932|title=Carrolup|last=|first=|date=|website=Find & Connect Support Services|archive-url=|archive-date=|access-date=18 November 2019}} It lay not far from the Western Australian town of Katanning, after complaints by white farmers and settlers about the Aboriginal fringe dwellers living north of the town, who were attending school to the south. Together with settlements at Moore River, Roelands and Gnowangerup, at one stage it formed part of a number of institutions that housed most of the Noongar people of the South West of Western Australia.

The Carrolup facility was closed in 1922, with all residents transferred to the Moore River Settlement.

The settlement was re-opened by the Department of Native Affairs in 1939, and by 1944 it housed 129 boys, girls and older children.{{Cite web|url=https://www.findandconnect.gov.au/guide/wa/WE01142|title=Carrolup Native Settlement|last=|first=|date=|website=Find & Connect Support Services|archive-url=|archive-date=|access-date=18 November 2019}} In the late 1940s artworks made by some of the children gained international attention.

In 1949 the school at Carrolup was closed down, and the school-age children were transferred to other sites. In 1951 the native settlement was closed and the adults living there were 'dispersed'; teenage boys were kept back in order to establish Marribank Farm Training School.

The short-lived farm training school for Aboriginal boys was handed over to the Baptist Church in 1952.

The settlement was run by the Baptist Union of Western Australia as an Aboriginal mission between 1952 and 1988.{{Cite web|url=https://www.findandconnect.gov.au/guide/wa/WE00136|title=Marribank|last=|first=|date=|website=Find & Connect Support Services|archive-url=|archive-date=|access-date=18 November 2019}}

In the late 1940s and early 1950s, as Carrolup Native Settlement, the site became the setting of a Noongar (South-West Aboriginal) Art movement among the children resident there,{{Citation | author1=Laurie, Victoria | title=The lost prodigies: [More than 50 years ago, Aboriginal children in WA produced art that stunned the world. Now the Carrolup paintings are back on show] | journal=Weekend Australian Magazine | date=2006 | issue=21-22 Jan 2006 | pages=28–31 | issn=1038-8761 }} famous for its portrayals of local Western Australian scenes at sunset.{{Citation | author1=Morrison, Noel | title=Carrolup inspired | date=2008 | publisher=Matilda Pub | isbn=978-1-921036-51-4 }}

The Carrolup artists included Revel Cooper, Reynold Hart, Mervyn Hill, Parnell Dempster, Claude Kelly, Micky Jackson and Barry Loo.

An exhibition of Carrolup artists was organised in Perth and in a number of Australian towns and cities. With the assistance of Florence Rutter, exhibitions also took place in London, Manchester, Edinburgh and Glasgow. The closure of Carrolup Native Settlement in 1951 put an end to the international exhibitions.

The "lost" collection of Carrolup children's art was made by Florence Rutter, principally to exhibit and sell on behalf of the children, in the United Kingdom and the Netherlands, through the Aboriginal Children's Trust that she set up in London. The collection includes a personal selection that Florence made for both herself and her family. However, she lost all her own money, together with that held by the Trust, to a con man. Destitute, she advertised its availability and was able to sell it to Herbert Mayer of New York city.

Rutter died in 1958, her dreams shattered. Some{{who|date=April 2019}} say she died of a broken heart. Herbert Mayer gifted the collection to his old university, Colgate, in upstate New York in 1966. This is the collection that Howard Morphy "found" at the Picker Gallery at Colgate University in 2004.{{cite news|last1=Lee|first1=Felecia|title=From Aboriginal children, painful and poignant art|url=https://www.nytimes.com/2005/08/20/arts/from-aboriginal-children-painful-and-poignant-art.html?mtrref=www.google.com&gwh=488AF7A5E22887965D7019FD090283D7&gwt=pay|accessdate=7 February 2019|work=New York Times|date=20 August 2005 }} A year later, Athol Farmer, Ezzard Flowers and John Stanton travelled to the United States to inspect the collection and to select items for inclusion in the 2006 "Koorah Coolingah" exhibition at Katanning, with a parallel exhibition at the Western Australian Museum in Perth, which were part of the Perth International Arts Festival.{{cite book|last1=Pushman|first1=Tracie|title=Koora Coolingah (Children Long Ago)|date=2006|publisher=The University of Western Australia Berndt Museum of Anthropology|isbn=978-1-74052-127-7|location=Perth|pages=107}}{{Citation|author1=Martin, Kelrick, (presenter,)|title=Carrolup found|date=2006|url=http://trove.nla.gov.au/work/32209045|publisher=ABC|accessdate=3 November 2014|author2=ABC-TV (Australia)}}

The Curtin University, John Curtin Gallery is custodian of 125 works bought back to Noongar Boodja from the Colgate University and are in development of a Centre for Truth Telling, a home for the Carrolup Child artist works to enable them to be shared with the community and help inform of the past injustices imposed under Colonial Settlement.

A number of prominent Western Australian Aboriginal Artists started their work at Marribank, and were the subject of two national travelling benchmark exhibitions curated by the Director of the Berndt Museum of Anthropology at The University of Western Australia, "Nyungar Landscapes" containing elements of the extensive Melvie, Stan and Gael Phillips Collection donated to the Berndt Museum and (with Noongar artist Sandra Hill) "Aboriginal Artists of the South-West", containing items from the Noel and Lily White Collection presented to the Museum by Noelene and Ross White.{{Citation | author1=Stanton, J. E. (John Edward) | author2=Stanton, J. E. (John Edward), 1950- | author3=Berndt Museum of Anthropology | title=Nyungar landscapes : Aboriginal artists of the South-West : the heritage of Carrolup, Western Australia | date=1992 | publisher=University of Western Australia, Berndt Museum of Anthropology | isbn=978-0-86422-180-3 }}{{cite book |last1=Stanton |first1=John |title=Aboriginal Artists of the South-West: past and present |date=2000 |publisher=The University of Western Australia Berndt Museum of Anthropology |location=Perth |isbn=1-74052-0173 |pages=36}}

As part of a community initiated project began in 1987, two Noongar trainees participated in a teaching program in museology at the Anthropology Research Museum, as the Berndt Museum of Anthropology was then known. Tina Hansen and Cora Farmer were funded by the Aboriginal Arts Board of the Australia Council to work towards establishing a Cultural Centre at Marribank/Carrolup.{{cite web |last1=Clark |first1=David |title=Noongar Trainees: Marribank Cultural Centre Project |url=http://www.carrolup.info/noongar-trainees-marribank-cultural-centre-project/ |website=The Carrolup Story |accessdate=7 February 2019}} Members of the community had sought assistance from John Stanton after they heard of his interest in the Carrolup children's drawings produced in the 1946-50 period. The Museum had been actively acquiring examples of these drawings for several years. Copies of these and related materials, including photographs, manuscripts and press clippings, were lodged with the Cultural Centre, which was funded by the Australian Bicentennial Authority, and opened in 1988. Tina Hansen and Cora Farmer learnt, while they were on placement with the Museum, collections management skills, display techniques, and photographic and videographic processes. They both spent the following year refining documentation on historical photographs. The first exhibition, in one room of the Old Boys' Dormitory, traced the history of Carrolup Native Settlement, as it was known, and the emergence of the "bush landscape" school of art there. Another room displayed contemporary Noongar works. A further gallery, which focussed on the Marribank years, opened in 1992.

After the settlement was abandoned, many of the buildings fell into disrepair. In 2016 a project was launched to transform the site into a cultural healing centre for Stolen Generations survivors and their communities.{{Cite news|url=https://www.abc.net.au/news/2016-10-09/christian-missions-to-be-turned-into-cultural-healing-centres/7913122?pfmredir=sm|title=Christian Missions to be Turned Into Cultural Healing Centres|last=Moodie|first=Claire|date=8 October 2016|work=ABC News|access-date=18 November 2019}}

{{reflist}}

• [http://www.carrolup.info/project/project-summary/ The Carrolup Story]
• [https://www.sbs.com.au/nitv/video/1339320899560/Heart-Coming-Home Heart Coming Home (NITV documentary)]

Category:Noongar

Category:Australian Aboriginal missions

Category:Australian Aboriginal art

Category:History of Western Australia

Category:Stolen Generations institutions

Category:Katanning, Western Australia

Category:1915 establishments in Australia

Category:Shire of Kojonup

Category:State Register of Heritage Places in the Great Southern (Western Australia)