Mary Harron

Born in Bracebridge, Ontario, Canada, Harron grew up with a family with numerous connections to the arts. She is the daughter of Gloria Fisher and Don Harron, a Canadian actor, comedian, author and director. Her parents divorced when she was six years old.{{Cite web|url=http://www.macleans.ca/culture/films/article.jsp?content=33146.|title=Canadian Cool Meets American Psycho.|last=Johnson|first=Brian D.|date=April 10, 2000|website=Maclean's}} Harron spent her early life residing between Toronto and Los Angeles. Harron's first stepmother, Virginia Leith, was discovered by Stanley Kubrick and acted in his first film Fear and Desire and was also featured in the 1962 cult classic The Brain That Wouldn't Die. Leith's brief acting career partly inspired Harron's interest in making The Notorious Bettie Page.{{citation needed|date=March 2024}} Harron's stepfather is the novelist Stephen Vizinczey. Harron's second stepmother is the Canadian singer Catherine McKinnon.

Harron moved to England when she was thirteen and later attended St Anne's College, Oxford University, where she received a Bachelors in English.{{cite book | title=Michaelmas Term 1974 | publisher=Oxford University Press | series=Complete Alphabetical List of the Resident Members of the University of Oxford | year=1974 | page=137 }} While in England, she dated Tony Blair, later the Prime Minister of the United Kingdom and Chris Huhne, another Oxford student who later became a prominent politician. She then moved to New York City and was part of its 1970s punk scene.

During her adolescence, Harron was exposed to many different forms of art and film. In a 2020 interview with The New School, Harron states: "My parents took us to whatever films they wanted to see so I saw a lot of art films that would not be considered suitable for a child." She goes on to explain that her largest influences, especially as a child around the age of ten, were Alfred Hitchcock, Bergman, and Satyajit Ray. After she had moved to London in her teen years she began attending the National Film Theatre where she was exposed to other international filmmakers like Fritz Lang, Howard Hawks, Claude Chabrol, and Roman Polanski. She was also exposed to noir films, namely Double Indemnity.

As an adult she was inspired by the films Blue Velvet, Drugstore Cowboy and The Piano, directed by Jane Campion. While she said that she had plenty of exposure to Hollywood films, she was enticed by these types of films because they were, in her words, the "forerunners of independent film."{{Cite web|last1=York|first1=The New School 66 West 12th Street New|last2=Ny 10011|date=June 11, 2020|title=American Psycho Director Mary Harron Discusses her New School Residence and Film Career|url=https://blogs.newschool.edu/news/2020/06/american-psycho-director-mary-harron-discusses-her-new-school-residence-and-film-career/|access-date=December 2, 2021|website=New School News|language=en-US}}

In New York, Harron helped start and write for Punk magazine as a music journalist; she was the first journalist to interview the Sex Pistols for an American publication. She grew up in the early punk scene of America. She found the culture easy for her to fit into and was constantly evolving and spreading into new demographics. During the 1980s, she was a drama critic for The Observer in London for a time, as well as working as a music critic for The Guardian and the New Statesman. In the late 1980s, Harron participated and began her film career writing and directing BBC Documentaries.

During the 1990s, Harron moved back to New York where she worked as a producer for PBS's Edge, a program dedicated to exploring American pop culture. It was at this time that Harron became interested in the life of Valerie Solanas, the woman who attempted to kill Andy Warhol. Harron suggested making a documentary about Solanas to her producers, who in turn encouraged her to develop the project into what would be her first feature film.Hurd, Mary. Women Directors and Their Films. Westport: Praeger Publishers, 2007. Print. Harron says she owes her success with her first film to Andy who helped to sell the controversial focus on the attempted murderess, Solanas.

Harron's feature film directorial debut, I Shot Andy Warhol, released in 1996, is the partially imagined story of Valerie Solanas' failed assassination attempt on Andy Warhol.{{sfn|Heller|2008|p=151}} She explains her interest in Solanas' life:

{{blockquote|For Solanas, there was this fierce, outsider quality to her unhappiness and frustration. That was a time in my life when I was frustrated myself in my work. I wanted to direct. I had the idea years before I got to direct myself. So I think there were elements of my own frustration and elements of what it was like growing up with an unfair attitude towards women ... and Valerie was an extreme example of that. There was also the intellectual interest of how someone can be so brilliant and her life goes so wrong, and also, that she was so forgotten and misunderstood. In both cases, I felt like Valerie had been consigned to history as this lunatic, almost nothing written about her.Kaufman, Anthony (December 3, 2009). [http://www.indiewire.com/article/decade_mary_harron_on_american_psycho "Decade: Mary Harron on 'American Psycho'"]. indieWire. Retrieved November 29, 2011.}}

In an interview Harron did for CBC’s Newsworld’s On the Arts in 1996, she told film critic Christopher Heard that "It was Valerie that really impelled [her] to make this film, because of the mystery of her story. [...] Not knowing who she was ... the lack of information about her."“Why Director Mary Harron Made a Movie about the Woman Who Shot Andy Warhol | CBC.” CBCnews, CBC/Radio Canada, 5 Aug. 2021, www.cbc.ca/archives/mary-harron-director-movie-valerie-solanas-1.6124201. Solanas's existence was "a real piece of lost history" and an "unknown story" that she sought to explore deeper.

As far as Harron's amusement with Warhol went, she stated "As I was growing up, Warhol was the most famous artist in the world, apart from Picasso [...] My mother [disapproved] of him, so that made him even more interesting." Also regarding her interest in Warhol’s story, she felt that he, before and after the shooting, were two vastly different people. This is her reason for viewing Warhol’s shooting as a “turning point” in his life.”

The film opened the “Un Certain Regard” section of the Cannes Film Festival and received an Independent Spirit Award nomination for best first feature film.“Mary Harron.” Film Fatales, www.filmfatales.org/directors/maryharron. Accessed Mar. 2024. It also won the sole acting award at that year's Sundance Film Festival for Lili Taylor's performance as Solanas.[https://ew.com/article/1996/02/09/1996-sundance-film-festival/ The 1996 Sundance Film Festival|EW.com]

Harron's second film, American Psycho, released in 2000, is based on the book of the same title by Bret Easton Ellis, which is notorious for its graphic descriptions of torture and murder.{{Cite news |date=2000-03-24 |title=American Psycho: the story behind the film |language=en-GB |work=The Guardian |url=https://www.theguardian.com/film/2000/mar/24/fiction.breteastonellis |access-date=2023-08-14 |issn=0261-3077}}{{Cite web |last=Miska |first=Brad |date=2009-12-28 |title=The Perfect Billboard Erected for 'American Psycho' |url=https://bloody-disgusting.com/news/18522/the-perfect-billboard-erected-for-american-psycho/ |access-date=2023-08-14 |website=Bloody Disgusting! |language=en-US}} The protagonist, Patrick Bateman (Christian Bale), is an investment banker who goes on a killing spree. The New York Times{{'}} Stephen Holden wrote of the film:

{{blockquote|From the opening credits, in which drops of blood are confused with red berry sauce drizzled on an exquisitely arranged plate of nouvelle cuisine, the movie establishes its insidious balance of humor and aestheticized gore.Holden, Stephen (April 14, 2000). [https://movies.nytimes.com/movie/review?res=9B05E6DC113EF937A25757C0A9669C8B63 "Film Review; Murderer! Fiend! (But Well Dressed)"]. The New York Times. Retrieved November 29, 2011.}}

The film was mired in controversy before production began,{{Cite news |date=2000-04-14 |title=The further trials and tribulations of American Psycho |language=en-GB |work=The Guardian |url=https://www.theguardian.com/film/2000/apr/14/news |access-date=2023-08-14 |issn=0261-3077}}{{Cite magazine |last=Lane |first=Anthony |date=2000-04-09 |title=To the Limit |language=en-US |magazine=The New Yorker |url=https://www.newyorker.com/magazine/2000/04/17/to-the-limit |access-date=2023-08-14 |issn=0028-792X}}{{Cite news |date=2000-04-23 |title='AMERICAN PSYCHO'; Blame for Violence? (Published 2000) |work=The New York Times |language=en |url=https://www.nytimes.com/2000/04/23/movies/l-american-psycho-blame-for-violence-877824.html |access-date=2023-08-14}} due in large part to the legacy of the book's release.Marcus, Lydia. "The Pent Up and the Pinup." Lesbian News. April 2006: p. 43. Print. Harron has a liking for darker and more controversial topics, such as Valerie Solanas, but it was the satirical nature of the book that "inspired her film about perfunctory violence and obsessive consumption." As Harron began production, the crew had to contend with threats of protest, as the issue of violence in the media became crystallized by the Columbine shootings. Campaigns against the film continued throughout production, the Feminist Majority Foundation condemning the film as misogynist, and the Canadians Concerned About Violence in Entertainment (C-CAVE) convincing restaurant owners to deny Harron permission to film in their establishments.Harron, Mary. "[https://www.nytimes.com/2000/04/09/movies/film-the-risky-territory-of-american-psycho.html?pagewanted=2&src=pm The Risky Territory of 'American Psycho']". The New York Times April 9, 2000, late ed.: section 2. Print. When returning to work with co-writer Guinevere Turner, Harron felt they were best suited for the job of American Psycho as they needed no hesitation on feminist values, especially after Turner's successful lesbian film Go Fish.{{cite news|url= https://www.theglobeandmail.com/arts/the-monday-qa-mary-harron/article600379/|last=Punter|first=Jennie|date= September 5, 2011|access-date=May 19, 2019|title= The Monday Q&A: Mary Harron|work=The Globe and Mail|location= Toronto|page= R3|archive-date=March 5, 2016|archive-url= https://web.archive.org/web/20160305005638/https://www.theglobeandmail.com/arts/the-monday-qa-mary-harron/article600379/|url-status=live}}

Although some criticized American Psycho for its violence against women, Harron and Turner made conscious decisions that project the female influence on this adaption. Harron's adaptation of this film changes the focus from purely Bateman's perspective to showcase the faces of the women as "the perspective in those murder scenes wasn't through Patrick Bateman but the women."Bussmann, Kate. "Cutting Edge". The Guardian. March 5, 2009. p. 16. Print.

The Notorious Bettie Page, released in 2005, starred Gretchen Mol as Bettie Page, the 1950s pinup model who became a sexual icon. The film shows Page as the daughter of religious and conservative parents, as well as the fetish symbol who became a target of a Senate investigation of pornography. About the film, Harron said in 2006:

{{blockquote|Clearly Bettie is a very inspiring figure to young women because she had a strong independent streak. She did what she wanted to do and she wasn't just doing it for men ... But I think it's a huge mistake to think of her as a conscious feminist heroine. As far as I can see, she didn't have an agenda, ever. She just followed her own path unconsciously. I don't think she thought of herself as a rebel in any way. She was kind of in her own world of dress-up.{{cite web|url=http://www.nerve.com/screeningroom/film/bettiepage/ |title=Bad Girls Go Everywhere: A Q&A with Mary Harron, director of The Notorious Bettie Page|work=Nerve|date=April 14, 2006| access-date=November 29, 2011}}}}

Harron later stated that the film suffered from false expectations, in that many male critics and male viewers expected and wanted the film to be "sexy", but that the film instead portrayed "what it's like to be Bettie", and Page herself did not get a "sexual charge" out of her modelling.

The Moth Diaries (2011), Harron's fourth feature film, is another adaption of an American novel, being based on Rachel Klein's 2002 novel of the same name. The film follows a group of girls living together at Brangwyn, a boarding school. A new student arrives, Ernessa (Lily Cole) and the girls begin to suspect that she is a vampire. Harron has described the film as a "gothic coming-of-age story"King, Randall. "The Notorious Mary Harron." Winnipeg Free Press. March 1, 2012. Print. that explores the nuanced friendships of teenage girls as they are repeatedly confronted with the prospect of adulthood.

Harron directed the 2018 independent film Charlie Says, with a screenplay by Turner, which tells the real-life story of how three of Charles Manson's female followers (Susan Atkins, Patricia Krenwinkel, and Leslie Van Houten) came to terms with the magnitude of their crimes while incarcerated in the 1970s. Matt Smith played Manson in flashbacks. The film had initially been intended for another director, but when that director was no longer available Harron took over. Harron stated that she was fascinated by the psychological aspects of how the women ended up committing murder as a result of both manipulation by Manson and feelings of solidarity with one another.{{cite news |url=https://www.hollywoodreporter.com/news/charlie-says-director-mary-harron-interview-1209251 |title='Charlie Says' Director Mary Harron Talks Depicting the "Tiny Choices" of the Manson Women |work=Hollywood Reporter |first=Abbey |last=White |date=May 13, 2019 }}

Dalíland is a 2022 film directed by Harron, from a screenplay by her husband John Walsh. The film, set in the 1970s, follows the marriage between painter Salvador Dalí and his wife Gala Dalí, played by Ben Kingsley and Barbara Sukowa.{{cite web |last=Wiseman |first=Andreas |date=May 4, 2021 |title='Dalíland': First Look At Ben Kingsley As Salvador Dalí In Mary Harron Drama; Ezra Miller, Barbara Sukowa & Andreja Pejić Among Co-Stars |url=https://deadline.com/2021/05/ezra-miller-ben-kingsley-daliland-first-look-salvador-dali-1234749506/ |access-date=May 4, 2021 |website=Deadline Hollywood}} The film was shot in Liverpool and released at the 2022 Toronto International Film Festival.{{Cite web |last=Liverpool Film Office |title='Dalíland' was filmed largely in Liverpool, doubling as New York |url=https://twitter.com/FilmLiverpool/status/1389614555639304194 |url-status=live |archive-url=https://web.archive.org/web/20210504164159/https://twitter.com/FilmLiverpool/status/1389614555639304194 |archive-date=May 4, 2021 |website=Twitter}}{{cite web |last=Kay |first=Jeremy |date=August 9, 2022 |title=TIFF unveils world premiere of 'Daliland' as closing night selection |url=https://www.screendaily.com/news/tiff-unveils-world-premiere-of-daliland-as-closing-night-selection/5173290.article |access-date=August 9, 2022 |website=Screen Daily}}

In addition to her films, Harron was also the executive producer of The Weather Underground, a documentary looking at the Weathermen (political activists and extremists of the 1970s). She has also worked in television, directing episodes of Oz, Six Feet Under, Homicide: Life on the Street, The L Word and Big Love. Working on the episode of Six Feet Under "The Rainbow of Her Reasons", Harron was brought back together with I Shot Andy Warhol actress, Lili Taylor.

Harron has been at times labelled a feminist filmmaker, in part due to her film on lesbian feminist Valerie Solanas, I Shot Andy Warhol, as well as a lesbian storyline within her 2011 teenage Gothic horror film The Moth Diaries (2011).{{Cite web|url=https://www.afterellen.com/tv/211980-mary-harron-is-a-feminist-queer-friendly-director-we-can-believe-in#Qc2RJgICbulyHrlf.99|title=Mary Harron is a Feminist, Queer-friendly Director We Can Believe In.|last=Bendix|first=Trish|date=March 24, 2014|website=After Ellen}} She has consistently denied this label, although she considers herself a feminist. In a 2006 interview, and then again during an interview in 2012,{{Citation|title=FULL INTERVIEW: Mary Harron|url=https://www.youtube.com/watch?v=IwrDz6gEQa0|language=en|access-date=December 2, 2021}} she stated:

{{blockquote|I feel that without feminism, I wouldn't be doing this. So I feel very grateful. Without it, God knows what my life would be. I don't make feminist films in the sense that I don't make anything ideological. But I do find that women get my films better. Women and gay men. Maybe because they're less threatened by it, or they see what I'm trying to say better.Hornaday, Ann (April 16, 2006). "Women of Independent Miens: Nicole Holofcener and Mary Harron Prove a Woman's Place Is in the Director's Chair". Washington Post, N01.}}

She is a member of Film Fatales, a women's independent filmmaker collective.

Asked about her Canadian identity in a 2014 interview, Harron stated that she mostly felt "just not American". She stated that, to her, being Canadian meant "You don't think you're at the center of things." She also felt that, unlike American directors, she was not "a moralistic filmmaker. I'm not trying to tell people what to do, and I'm not trying to lead... I'm interested in ambiguity."{{cite web |title=An Interview with Mary Harron |url=https://believermag.com/an-interview-with-mary-harron/ |work=Believer Magazine |date=March 1, 2014 |first=Anisse |last=Gross}}

Although her films deal with controversial materials, like American Psycho, in the opinion of director Buffy Childerhose, she does not put emphasis on gore and violence.{{Cite news|title=There's Something about Mary [Filmmaker Mary Harron has a Penchant for Controversial Material: American Psycho.]|last=Childerhose|first=Buffy|date=2000|work=Chatelaine|issue=5|volume=73|pages=40}}

Harron lives in New York with her husband, filmmaker John C. Walsh and their two daughters.{{cite journal |last1=Hankin |first1=Kelly |title=And Introducing… The Female Director: Documentaries about Women Filmmakers as Feminist Activism |journal=NWSA Journal |date=April 2007 |volume=19 |issue=1 |pages=59–88 |id={{Gale|A161981504}} {{Project MUSE|212922}} {{ProQuest|233235683}} |jstor=4317231 |s2cid=144360794 |citeseerx=10.1.1.693.8429 }}

Executive producer

• The Weather Underground (2002) (Documentary)
• The Notorious Bettie Page (2005)

Researcher

• BBC documentary on Andy Warhol{{sfn|Heller|2008|p=151}}

• List of female film and television directors
• List of LGBT-related films directed by women

{{Reflist|refs=

{{cite news

| url = https://uk.reuters.com/article/uk-palestinians-israel-blair-factbox/factbox-tony-blairs-new-job-idUKL1072433520070627

| archive-url = https://web.archive.org/web/20171201042137/https://uk.reuters.com/article/uk-palestinians-israel-blair-factbox/factbox-tony-blairs-new-job-idUKL1072433520070627

| url-status = dead

| archive-date = December 1, 2017

| title = FACTBOX - Tony Blair's new job

| work = Reuters

| date = June 27, 2007

| access-date = October 29, 2018

| quote = At university, Blair played guitar and sang in a rock band called the Ugly Rumours. He also dated Canadian film director Mary Harron, who went on to make the movie {{'}}American Psycho{{'}}.

}}

{{cite news

| url = https://www.theguardian.com/lifeandstyle/2009/mar/06/mary-harron-film

| title = Cutting edge

| work = The Guardian (UK)

| author = Kate Bussman

| date = March 6, 2009

| access-date = October 29, 2018

| quote = {{'}}Please don't ask me about Tony Blair,{{'}} she pleads with a laugh, as the subject of the man she once described as {{'}}the only nice person I ever went out with at Oxford{{'}} is broached. {{'}}I only ever gave one interview about it, before he became prime minister, but somehow after American Psycho came out, this one interview suddenly appeared in all the British newspapers as if I'd just given a press conference. I've learned it's best not to talk about it at all,{{'}} she says, her voice full of humour, but her demeanour firm.

}}

{{cite news

| url = https://www.independent.co.uk/news/uk/politics/when-tony-met-mary-met-chris-6108799.html

| title = When Tony met Mary met Chris ...

| work = The Independent

| author = Marie Woolf, Francis Elliott

| date = February 19, 2006

| access-date = October 29, 2018

| quote = But Tony Blair was not the only budding political leader Ms Harron - a flamboyant undergraduate who went on to direct American Psycho - dated as a carefree student. By remarkable coincidence, she also went out with Chris Huhne, an Oxford contemporary of Blair, who last week was tipped in the polls as the most likely contender to take over from Charles Kennedy as Liberal Democrat leader.

}}

{{cite news

| url = https://www.oxfordstudent.com/2015/05/10/mary-harron-directing-the-undirectable/

| title = Mary Harron: Directing The Undirectable

| work = Oxford Student

| author = Beth Lambert

| date = May 10, 2015

| access-date = October 29, 2018

| quote = Incidentally, one of those men was Tony Blair, who she went out with as an undergraduate; something which once again I can't reconcile with her wild child image, but Blair must have been more into his New York Dolls than New Labour while he was at St John's.

}}

{{cite news

| url = https://www.avclub.com/mary-harron-breaks-down-the-art-of-terror-in-an-exclusi-1821132560

| title = Mary Harron breaks down the art of terror in an exclusive clip from Shudder's The Core

| work = The A.V. Club

| author = Katie Rife

| date = December 8, 2017

| access-date = October 29, 2018

| quote = Mary Harron didn't start her career as a film director until her 40s, after a wild and fascinating early life that included a stint as one of the first writers of Punk magazine and a brief romance with future British Prime Minister Tony Blair when the two were students at Oxford.

}}

}}

• Bussmann, Kate. "Cutting Edge."The Guardian. [https://www.theguardian.com/lifeandstyle/2009/mar/06/mary-harron-film] March 5, 2009. p. 16. Print.
• {{cite book

| last = Heller

| first = Dana

| editor1-first = Victoria

| editor1-last = Hesford

| editor2-first = Lisa

| editor2-last = Diedrich

| title = Feminist Time Against Nation Time: Gender, Politics, and the Nation-State in an Age of Permanent War

| publisher = Lexington Books

| location = Lanham, MD

| year = 2008

| chapter = Shooting Solanas: Radical Feminist History and the Technology of Failure

| isbn = 978-0-7391-1123-9

}}

• Harron, Mary. "The Risky Territory of 'American Psycho.'" The New York Times April 9, 2000, late ed.: section 2. Print.
• Harron, Mary; "The Notorious Bettie Page" MovieNet. [https://web.archive.org/web/20071012083005/http://www.movienet.com/nobetpage.html]
• Hernandez, Eugene (January 18, 2000) [http://www.indiewire.com/article/park_city_2000_buzz_american_psycho_nc-17_next_wave_nabs_sundance_doc "PARK CITY 2000 BUZZ: "American Psycho" NC-17; Next Wave Nabs Sundance Doc"]. indieWire. Retrieved November 29, 2011.
• Hurd, Mary. Women Directors and Their Films. Westport: Praeger Publishers, 2007. Print.
• King, Randall. "The Notorious Mary Harron." Winnipeg Free Press. [http://www.winnipegfreepress.com/arts-and-life/entertainment/movies/the-notorious-mary-harron-141004003.html] March 1, 2012. Print.
• Marcus, Lydia. "The Pent Up and the Pinup." Lesbian News. April 2006: p. 43. Print.
• Murray, Rebecca. [http://movies.about.com/od/thenotoriousbettiepage/a/bettiepge041906.htm "Interview with Mary Harron, the Writer/Director of The Notorious Bettie Page: Harron Continues to Tackle Edgy Subject Matter in Her Latest Film"] {{Webarchive|url=https://web.archive.org/web/20160304065221/http://movies.about.com/od/thenotoriousbettiepage/a/bettiepge041906.htm |date=March 4, 2016 }}. About.com. Retrieved November 29, 2011.

• {{IMDb name|366004|Mary Harron}}
• {{discogs artist|Mary Harron}}
• [https://www.thecanadianencyclopedia.ca/en/article/mary-harron-profile Entry at thecanadianencyclopedia.ca]
• [https://www.npr.org/templates/story/story.php?storyId=5342546 Marry Harron interview] at NPR

{{Mary Harron}}

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{{DEFAULTSORT:Harron, Mary}}

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