Max von Widnmann

Max von Widnmann was born in Eichstätt, the youngest of three sons of Franz Amand Widnmann, who held the positions of court, town and regional physician, and his wife Maximiliana née Pöckhel, who also served as a town and local physician. After attending the gymnasium in Eichstätt, he entered the Academy of Fine Arts in Munich in 1825. There he studied with Ludwig Michael Schwanthaler among others. His teachers made it possible for him to go to Rome from 1836 to 1839, and there he befriended and studied with Bertel Thorvaldsen, who was already a well-known sculptor."Widnmann, Max", Friedrich Mueller, Die Künstler aller Zeiten und Völker oder, Leben und Werke der berühmtesten Baumeister, Bildhauer, Maler, Kupferstecher, etc., Volume 3, Stuttgart: Ebner & Seubert, 1864, {{oclc|680290293}}, [https://books.google.com/books?id=ZqMZAAAAYAAJ&pg=PA865 p. 865] {{in lang|de}} He was also a friend of the Cologne architect Sulpiz Boisserée, whose art collection was acquired by Ludwig I for the Alte Pinakothek in 1827.

After returning from Rome, Widnmann became an independent artist in Munich, where Ludwig I soon began to commission works from him, including portrait busts for the Walhalla memorial near Regensburg. Ferdinand von Miller cast many of his sculptures in bronze.See Angelika Mundorff and Eva von Seckendorff, eds., [https://books.google.com/books?id=dYtgjswZ5lUC Die Millers: Aufbruch einer Familie], Munich: Allitera, 2006, {{ISBN|9783865201874}} {{in lang|de}}, including list of works.

In 1849, Widnmann became a professor at the Academy of Fine Arts, succeeding Schwanthaler. His increasing recognition brought him many commissions from outside Bavaria. In 1849 he was made a member of the Order of St. Michael. In 1887, the Prince Regent, Luitpold of Bavaria, personally ennobled him as a Knight of the Bavarian Crown.

He retired in 1887 and died in Munich at 82.

Widnmann's statues projected an air of dignity that appealed to his contemporaries and brought him many commissions; however, his smaller works, such as the busts, have been regarded as more artistically successful."Widnmann, Max, Bildhauer", Meyers Konversations-Lexikon, 1897 ed., Volume 17, [https://books.google.com/books?id=YQgbAAAAYAAJ&pg=PA720 p. 720] {{in lang|de}}"Widnmann, Max", Encyclopedia Americana, 1920 ed., Volume 29, [https://books.google.com/books?id=4hbhBsRAOAoC&pg=PA296-IA2 p. 296]. Some of his work was destroyed in the bombing of Munich during World War II.

File:Akademie der Bildenden Kuenste Muenchen-2.jpg, at the Academy of Fine Arts, Munich (1886)]]

• Busts of Christian Amberger, Hans Holbein, Georg von Freundsberg, Mandl, Rottmann
• Leo von Klenze monument
• Friedrich von Gärtner monument
• Schiller and Goethe monuments in Munich
• Marble statue of Friedrich List (1847)
• Marble bust of General Carl Wilhelm von Heideck in Ingolstadt
• Monuments to bishops in Würzburg (bronze statue of Prince Bishop Julius Echter von Mespelbrunn, 1845),"Giesskunst", J.A. Romberg and Friedrich Faber, Conversations-Lexicon für bildende Kunst, volume 3, Leipzig: Romberg, 1850, {{oclc|1443119}}, [https://books.google.com/books?id=o8wFAAAAQAAJ&pg=PA74 p. 74] {{in lang|de}} Bamberg (statue of Prince Bishop Franz Ludwig von Erthal, cast in bronze by Ferdinand von Miller, 1865) and Regensburg (statue of Bishop Johann Michael Sailer)
• Monuments to August Wilhelm Iffland and Wolfgang Heribert von Dalberg in Mannheim (1864/66, both cast by Miller)
• Memorial to Mathilde of Hesse in St. Ludwig's Church, Darmstadt
• Statues of Orlando di LassoWilhelm Lübke, tr. F.E. Bunnett, History of Sculpture: From the Earliest Ages to the Present Time, London: Smith, Elder, 1872, {{oclc|2274613}}, Volume 2, [https://books.google.com/books?id=zZpmAAAAMAAJ&pg=PA465 p. 465]. and Lorenz von Westenrieder on the Promenadeplatz in Munich (1848, 1854)
• Statue of Christian Daniel Rauch in the Glyptothek (1856)
• Monument to Christoph von Schmid in Dinkelsbühl (1859, cast by Miller)
• Bust of Jakob Bauer in the Isar meadows (Flaucher) (1861)
• Equestrian statue of Ludwig I in the Odeonsplatz (1862, designed by Schwanthaler)[http://www.alchemia.de/downloads/spec_2.pdf "Ludwig 1. und sein Isar-Athen"] {{Webarchive|url=https://web.archive.org/web/20160304133806/http://www.alchemia.de/downloads/spec_2.pdf |date=2016-03-04 }}, Alchemia Spectrum 2, January 2000, pp. 5–9, p. 7 (pdf) {{in lang|de}}
• Equestrian statues of Castor and Pollux in front of the Academy of Fine Arts, Munich (1877)

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| caption1 = Monument to Wolfgang Heribert von Dalberg, Mannheim

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| caption4 = Monument to Christoph von Schmid, Dinkelsbühl (1859)

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{{Reflist}}

• Siegmund Freiherr von Pölnitz. "Max von Widnmann. Das Leben eines Künstlers unter König Ludwig I". Sammelblatt des Historischen Vereins Eichstätt 55 (1940) 3–19, 56/57 (1941/42) {{in lang|de}}
• Edwart Mager. "Max von Widnmann. Ein vergessener Eichstätter Künstler". Historische Blätter für Stadt und Landkreis Eichstätt 27.2 (1978) {{in lang|de}}

• {{Commonscat-inline|Max von Widnmann}}

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Category:1812 births

Category:1895 deaths

Category:People from Eichstätt

Category:Academic staff of the Academy of Fine Arts, Munich

Category:19th-century German sculptors

Category:German male sculptors