Midsommar (soundtrack)

{{Use mdy dates|date=June 2023}}

{{Infobox album

| name = Midsommar (Original Motion Picture Score)

| type = film

| artist = Bobby Krlic

| cover = Midsommar Bobby Krlic album cover.png

| released = July 5, 2019

| recorded = 2019

| genre = {{hlist|Electronic|industrial|experimental}}

| length = 40:32

| label = Milan

| producer = Bobby Krlic

| misc = {{Extra chronology

| artist = Bobby Krlic

| type = film

| prev_title = The Alienist

| prev_year = 2019

| title = Midsommar

| year = 2019

| next_title = Red Dead Redemption 2

| next_year = 2019

}}

}}

Midsommar (Original Motion Picture Score) is the soundtrack to the 2019 film of the same name. It contains the instrumental score for the film, written, composed and produced by electronic and industrial musician The Haxan Cloak, who was credited under his real name Bobby Krlic.{{Cite web |last=Barkan |first=Jonathan |date=May 21, 2019 |title=THE HAXAN CLOAK's Bobby Krlic Tapped as MIDSOMMAR Composer |url=https://www.dreadcentral.com/news/294530/the-haxan-cloaks-bobby-krlic-tapped-as-midsommar-composer/ |archive-url=https://web.archive.org/web/20190522005920/https://www.dreadcentral.com/news/294530/the-haxan-cloaks-bobby-krlic-tapped-as-midsommar-composer/ |archive-date=May 22, 2019 |access-date=June 8, 2023 |website=Dread Central |language=en-US}} Krlic researched various elements related to traditional folk from Nordic countries and experimented with various instrumentation, from traditional orchestra to electronic music.{{Cite web |date=June 19, 2019 |title=The Haxan Cloak Releasing Score for New Film Midsommar |url=https://pitchfork.com/news/the-haxan-cloak-releasing-score-for-new-film-midsommar/ |archive-url=https://web.archive.org/web/20200918170441/https://pitchfork.com/news/the-haxan-cloak-releasing-score-for-new-film-midsommar/ |archive-date=September 18, 2020 |access-date=June 8, 2023 |website=Pitchfork |language=en-US}}

The album was released by Milan Records on July 5, 2019, with a vinyl edition later followed on September.{{Cite web |date=July 8, 2019 |title=The Haxan Cloak's Beautiful, Terrifying Score Is 'Midsommar''s Secret Weapon |url=https://www.stereogum.com/2050382/haxan-cloak-midsommar-soundtrack/columns/sounding-board/ |access-date=June 8, 2023 |website=Stereogum |language=en}} It received critical acclaim and has been considered as one of the best soundtracks of the decade.{{Cite web |last=Ge |first=Linda |title=20 best movie and TV soundtracks of the decade, according to critics |url=https://www.insider.com/best-soundtracks-of-the-decade-according-to-critics-2019-11 |archive-url=https://web.archive.org/web/20230608164636/https://www.insider.com/best-soundtracks-of-the-decade-according-to-critics-2019-11 |archive-date=June 8, 2023 |access-date=June 8, 2023 |website=Insider |language=en-US}}{{Cite web |title=10 Essential Horror & Suspense Soundtracks: 'Vertigo,' 'Midsommar,' 'Halloween' & More |url=https://www.grammy.com/news/10-horror-suspense-soundtracks-film-scores-psycho-suspiria-halloween-midsommar |archive-url=https://web.archive.org/web/20221111053745/https://www.grammy.com/news/10-horror-suspense-soundtracks-film-scores-psycho-suspiria-halloween-midsommar |archive-date=November 11, 2022 |access-date=June 8, 2023 |website=Grammy.com |publisher=The Recording Academy}}

Development

Ari Aster wrote the script while listening to Krlic's 2013 album Excavation which "put him in a space that felt inextricable" and felt his contribution to the score would be apt for the film. He communicated to Krlic through emails, with the latter sending source music and thoughts through virtual communication but as the results were not satisfying, Aster went to Los Angeles to work on the score together in person.{{cite magazine|last=Tangcay|first=Jazz|date=May 19, 2023|title=Ari Aster and Bobby Krlic on the 'Long and Arduous' Process of Scoring 'Beau is Afraid'|url=https://variety.com/2023/artisans/news/beau-is-afraid-score-ari-aster-bobby-krlic-1235619116/|magazine=Variety|archive-url=https://web.archive.org/web/20230522012843/https://variety.com/2023/artisans/news/beau-is-afraid-score-ari-aster-bobby-krlic-1235619116/|archive-date=May 22, 2023|access-date=June 8, 2023}}{{Cite web |date=July 2, 2019 |title=The Haxan Cloak and Midsommar Director Ari Aster on Making the Year's Creepiest Film Score |url=https://pitchfork.com/thepitch/the-haxan-cloak-and-midsommar-director-ari-aster-interview-the-years-creepiest-film-score/ |archive-url=https://web.archive.org/web/20190801081604/https://pitchfork.com/thepitch/the-haxan-cloak-and-midsommar-director-ari-aster-interview-the-years-creepiest-film-score/ |archive-date=August 1, 2019 |access-date=June 8, 2023 |website=Pitchfork |language=en-US}} Aster felt that he and Krlic share similar sensibilities through the sonic nature of the film. He recorded the score within a week, eight hours per day and was supervised by Aster on the musical score and soundscape apt for the film.{{Cite web |title=Bobby Krlic aka The Haxan Cloak on scoring Midsommar |url=https://lwlies.com/articles/bobby-krlic-the-haxan-cloak-scoring-midsommar/ |archive-url=https://web.archive.org/web/20210802114600/https://lwlies.com/articles/bobby-krlic-the-haxan-cloak-scoring-midsommar/ |archive-date=August 2, 2021 |access-date=June 8, 2023 |website=Little White Lies |language=en}}{{Cite web |last=Dazed |date=July 4, 2019 |title=Midsommar composer Bobby Krlic selects his five favourite film soundtracks |url=https://www.dazeddigital.com/music/article/45130/1/haxan-cloak-bobby-krlic-favourite-film-soundtracks-midsommar-composer-interview |archive-url=https://web.archive.org/web/20200812132406/https://www.dazeddigital.com/music/article/45130/1/haxan-cloak-bobby-krlic-favourite-film-soundtracks-midsommar-composer-interview |archive-date=August 12, 2020 |access-date=June 8, 2023 |website=Dazed |language=en}}

The score for Midsommar contained numerous electronic textures which he wanted to imitate that of Musique concrète.{{Cite web |title=How the Haxan Cloak's Bobby Krlic brought unnerving beauty to Midsommar |url=https://www.thefader.com/2019/07/01/midsommar-score-bobby-krlic-haxan-cloak-interview |archive-url=https://web.archive.org/web/20190823150002/https://www.thefader.com/2019/07/01/midsommar-score-bobby-krlic-haxan-cloak-interview |archive-date=August 23, 2019 |access-date=June 8, 2023 |website=The Fader |language=en}} It would be followed by a 16-piece orchestra with double bass, cello and violins, all of them recorded at Air Studios, London.{{Cite web |title=On horror, inspiration, and taking your time |url=https://thecreativeindependent.com/people/musician-bobby-krlic-on-horror-inspiration-and-taking-your-time/ |archive-url=https://web.archive.org/web/20211231034508/https://thecreativeindependent.com/people/musician-bobby-krlic-on-horror-inspiration-and-taking-your-time/ |archive-date=December 31, 2021 |access-date=June 8, 2023 |website=The Creative Independent}} The musicians experimented Krlic's recordings in tape which consisted of slowed down beats of high strings, gongs, cymbals to create a "strange, unsettling feel" and from his home made strings, they would replay all of the electronic music done through strings. To fabricate ancient folk music, he further researched a lot of traditional Nordic, Scandinavian and Icelandic music through instrument libraries, which could he write for older instruments as most of them were rooted in Swedish folk music.{{Cite web |last=Lobenfeld |first=Claire |date=December 9, 2019 |title=The Haxan Cloak on the score and sound design of Midsommar |url=https://www.factmag.com/2019/12/09/the-haxan-cloak-midsommar-interview/ |archive-url=https://web.archive.org/web/20200417054411/https://www.factmag.com/2019/12/09/the-haxan-cloak-midsommar-interview/ |archive-date=April 17, 2020 |access-date=June 8, 2023 |website=Fact Magazine |language=en-US}}

The script had lot of diegetic music written with the Swedish members of the Hårgas providing vocals through wordless atonal singing. Jessika Kenney provided the same through her interpretation of sacred texts into song, and fabricated the vocal language for the characters to sing as it had been made out of different parts from ancient languages she put together.{{Cite web |last=Rojas |first=Morgan |date=December 23, 2019 |title=Bobby Krlic: "That pushed me in a direction I had not gone before in scoring" |url=https://cinemacy.com/bobby-krlic-that-pushed-me-in-a-direction-i-had-not-gone-before-in-scoring/ |archive-url=https://web.archive.org/web/20230407040847/https://cinemacy.com/bobby-krlic-that-pushed-me-in-a-direction-i-had-not-gone-before-in-scoring/ |archive-date=April 7, 2023 |access-date=June 8, 2023 |website=Cinemacy |language=en-US}}

Track listing

{{Track listing

| title1 = Prophesy

| length1 = 0:32

| title2 = Gassed

| length2 = 4:28

| title3 = Hålsingland

| length3 = 3:05

| title4 = The House that Hårga Built

| length4 = 3:33

| title5 = Attestupan

| length5 = 3:31

| title6 = Ritual In Transfigured Time

| length6 = 1:28

| title7 = Murder (Mystery)

| length7 = 6:15

| title8 = The Blessing

| length8 = 3:04

| title9 = Chorus of Sirens

| length9 = 1:38

| title10 = A Language of Sex

| length10 = 0:44

| title11 = Hårga, Collapsing

| length11 = 2:40

| title12 = Fire Temple

| length12 = 9:34

| total_length = 40:32

}}

Reception

{{Music ratings

| MC = 86/100{{cite web|url=https://www.metacritic.com/music/midsommar-original-motion-picture-soundtrack/bobby-krlic|title=Midsommar [Original Motion Picture Soundtrack] – Bobby Krlic|website=Metacritic|publisher=CBS Interactive|access-date=June 8, 2023|url-status=live|archive-url=https://web.archive.org/web/20200706113923/https://www.metacritic.com/music/midsommar-original-motion-picture-soundtrack/bobby-krlic|archive-date=July 6, 2020}}

| rev1 = AllMusic

| rev1score = {{rating|4.5|5}}{{cite web|url=https://www.allmusic.com/album/midsommar-original-motion-picture-soundtrack-mw0003285037|title=Bobby Krlic - Midsommar [Original Motion Picture Soundtrack] Album Reviews, Songs & More|last=Phares|first=Heather|website=AllMusic|access-date=August 22, 2023|url-status=live|archive-url=https://web.archive.org/web/20211103211937/https://www.allmusic.com/album/midsommar-original-motion-picture-soundtrack-mw0003285037|archive-date=November 3, 2021}}

| rev3 = Consequence

| rev3score = B+{{cite web|url=https://consequence.net/2019/07/album-review-bobby-krlic-midsommar-original-score/|title=Album Review: The Haxan Cloak's Bobby Krlic Brings an Ominous Gloom to the Midsommar Original Score|last=Melis|first=Matt|date=July 8, 2019|website=Consequence|access-date=June 8, 2023|url-status=live|archive-url=https://web.archive.org/web/20211207063150/https://consequence.net/2019/07/album-review-bobby-krlic-midsommar-original-score/|archive-date=December 7, 2021}}

| rev5 = The Line of Best Fit

| rev5score = 9/10{{cite web|url=https://www.thelineofbestfit.com/reviews/albums/bobby-krlic-midsommar-ost-the-haxan-cloak-album-review|title=Bobby Krlic's Midsommar OST matches the dreadful power of a truly masterful genre film|last=Coney|first=Brian|date=July 16, 2019|website=The Line of Best Fit|access-date=June 8, 2023|url-status=live|archive-url=https://web.archive.org/web/20220811080900/https://www.thelineofbestfit.com/reviews/albums/bobby-krlic-midsommar-ost-the-haxan-cloak-album-review|archive-date=August 11, 2022}}

| rev6 = Mojo

| rev6score = {{rating|5|5}}{{cite magazine|last=Male|first=Andrew|date=December 2019|title=Bobby Krlic – Midsommar|magazine=Mojo|issue=313|page=95}}

| rev7 = Pitchfork

| rev7score = 7.6/10{{cite web|url=https://pitchfork.com/reviews/albums/bobby-krlic-midsommar-original-score/|title=Bobby Krlic: Midsommar (Original Score) Album Review|last=Farrell|first=Margaret|date=July 10, 2023|website=Pitchfork|access-date=June 8, 2023|url-status=live|archive-url=https://web.archive.org/web/20200927072756/https://pitchfork.com/reviews/albums/bobby-krlic-midsommar-original-score/|archive-date=September 27, 2020}}

| rev8 = Uncut

| rev8score = 8/10{{cite magazine|last=Wray|first=Daniel Dylan|date=October 2019|title=Bobby Krlic – Midsommar|magazine=Uncut|issue=269|page=29}}

}}

The review aggregating website, Metacritic which uses a weighted average, assigned the album a score of 86 out of 100 based on 10 critics, indicating "universal acclaim".

A review from Mojo summarised that "Krlic has created a world in which the music of ancient tradition works like a sonic virus that simultaneously soothes and eats away at your very soul". Brian Coney of The Line of Best Fit gave the album 9/10 commenting "Running parallel with Aster's allegorical fetishism of interpersonal decay, Krlic's music - even at its most choking and hopeless - feels luminous, making for a perfectly-poised accompaniment to one of the most challenging genre films in recent years." David Sackllah of Consequence commented "Krlic's score continues the trend of engrossing compositions by experimental musicians accompanying some of the most daring movies in recent years, slotting nicely alongside works like Levi's, Stetson's, or Daniel Lopatin's already classic score for 2017's Good Time. Critics have debated about the originality and effectiveness of the film, but Krlic's score stands out as one of the most striking features, perfectly calibrated to portray the sense of enrapture that the film strives for. From the chaotic opening to the cathartic ending, Krlic's score works wonders, while engrossing enough to stand on its own outside of the film as well." Heather Phares of AllMusic wrote "Midsommar{{'}}s shadows would be nothing without its sunshine, and its balance of beauty and terror is an impressive achievement for both Aster and Krlic".

Lara C. Cory of The Quietus wrote "For Midsommar, Krlic and Aster turn their backs on the more obvious traditional elements typical of the folk horror genre, embracing instead a lighter touch; a more dramatic, dreamy orchestral sound which takes cues from old Disney films and the sentimental, easy-listening arrangements of Sinatra that might trigger a new generation's sense of nostalgia and comfort."{{Cite web |last=C Cory |first=Lara |title=The Horror Of Folk: Bobby Krlic's Midsommar Score |url=https://thequietus.com/articles/26781-midsommar-ost-bobby-krlic-haxan-cloak-review |archive-url=https://web.archive.org/web/20230608165330/https://thequietus.com/articles/26781-midsommar-ost-bobby-krlic-haxan-cloak-review |archive-date=June 8, 2023 |access-date=June 8, 2023 |website=The Quietus |language=en-us}} Margaret Farrell of Pitchfork wrote "At first, Krlic's soundtrack captures the instinctive panic that comes with the upset of environmental and cultural norms. But as Aster's characters grow acclimated to their new surroundings, he relieves us with symphonic moments of clarity and triumph. In life or death, none of these emotions are exclusive, and Krlic's work continually reminds us that it's all one tremendous grey area." Andrew Ryce of Resident Advisor wrote "the Midsommar score is a sometimes brilliant but limited affair that showcases both Krlic's genius and how that genius suffers under the constraints of a film".{{Cite web |title=Bobby Krlic {{ndash}} Midsommar (Original Score) {{ndash}} Album Review |url=https://ra.co/reviews/23991 |archive-url=https://web.archive.org/web/20210925012904/https://ra.co/reviews/23991 |archive-date=September 25, 2021 |access-date=June 8, 2023 |website=Resident Advisor |language=en}}

Richie Corelli of Horror DNA wrote "Listeners who aren't concerned with design and just want to spin the record will have something else to consider: This music is so tied to the film that it is a different experience without it. As the movie plays, the score effortlessly steers through the story, massaging the listener to ease and then betraying that comfort. Without the movie, the sounds feel jarring. This is especially true when certain songs blast changes in volume. The work is unpredictable, unstable, and altogether unnerving. Some listeners will appreciate the suspense. Others may be scared away."{{Cite web |title=Midsommar: Original Score |url=https://www.horrordna.com/music/midsommar-bobby-krlic-album-music-review |archive-url=https://web.archive.org/web/20210728230204/https://www.horrordna.com/music/midsommar-bobby-krlic-album-music-review |archive-date=July 28, 2021 |access-date=June 8, 2023 |website=Horror DNA}} Music critic Jonathan Broxton wrote "Contrary to all expectation, Midsommar makes for a quite fascinating film score, which suits the film absolutely perfectly, and makes for a challenging but engrossing listen".{{Cite web |date=July 23, 2019 |title=MIDSOMMAR – Bobby Krlic |url=https://moviemusicuk.us/2019/07/23/midsommar-bobby-krlic/ |archive-url=https://web.archive.org/web/20210730040938/https://moviemusicuk.us/2019/07/23/midsommar-bobby-krlic/ |archive-date=July 30, 2021 |access-date=June 8, 2023 |website=MOVIE MUSIC UK |language=en}}

Accolades

class="wikitable sortable plainrowheaders" style="width: 99%;"

! scope="col" |Award

! scope="col" |Date of ceremony

! scope="col" |Category

! scope="col" |Recipient(s)

! scope="col" |Result

! scope="col" class="unsortable" |{{Abbr|Ref(s)|Reference(s)}}

scope="row" |Fangoria Chainsaw Awards

|January 6, 2020

|Best Score

| rowspan="1" |Bobby Krlic

| {{Won}}

| rowspan="1" style="text-align:center;" |{{cite web |last=Conrad |first=Jeremy |date=January 6, 2020 |title=Fangoria's 2020 Chainsaw Awards Voting is Now Live! |url=https://www.bleedingcool.com/2020/01/06/fangoria-2020-chainsaw-awards-voting-is-now-live/ |archive-url=https://web.archive.org/web/20200311070947/https://www.bleedingcool.com/2020/01/06/fangoria-2020-chainsaw-awards-voting-is-now-live/ |archive-date=March 11, 2020 |access-date=January 7, 2020 |work=Bleeding Cool}}{{cite web |last=Nobile Jr |first=Phil |date=February 11, 2020 |title=Ari Aster (Again!) Dominates FANGORIA Chainsaw Awards |url=https://www.fangoria.com/original/ari-aster-again-dominates-fangoria-chainsaw-awards |url-status=dead |archive-url=https://web.archive.org/web/20200723202114/https://www.fangoria.com/original/ari-aster-again-dominates-fangoria-chainsaw-awards |archive-date=July 23, 2020 |access-date=February 12, 2020 |work=FANGORIA}}

scope="row" |International Film Music Critics Association

|January 9, 2020

|Best Original Score for a Fantasy/Science Fiction/Horror Film

| rowspan="1" |Bobby Krlic

| {{Nominated}}

| rowspan="1" style="text-align:center;" |{{cite web |author=Anderson, Erik |date=February 6, 2020 |title=Hildur Guðnadóttir leads International Film Music Critics Association (IMFCA) nominations |url=https://awardswatch.com/hildur-gudnadottir-leads-international-film-music-critics-association-imfca-nominations/ |archive-url=https://web.archive.org/web/20200311104202/https://awardswatch.com/hildur-gudnadottir-leads-international-film-music-critics-association-imfca-nominations/ |archive-date=March 11, 2020 |accessdate=May 2, 2020 |website=AwardsWatch }}{{cite web |author=IFMCA |date=February 20, 2020 |title=IFMCA Award Winners 2019 |url=http://filmmusiccritics.org/2020/02/ifmca-award-winners-2019/ |archive-url=https://web.archive.org/web/20200221025907/http://filmmusiccritics.org/2020/02/ifmca-award-winners-2019/ |archive-date=February 21, 2020 |accessdate=May 2, 2020 |website=IFMCA }}

scope="row" |Ivor Novello Awards

|September 2, 2020

|Best Original Score

|Bobby Krlic

| {{Won}}

| style="text-align:center;" |{{Cite web |date=September 2, 2020 |title=The Ivors 2020 Winners Announced |url=https://ivorsacademy.com/news/the-ivors-2020-winners-announced/ |archive-url=https://web.archive.org/web/20200923233059/https://ivorsacademy.com/news/the-ivors-2020-winners-announced/ |archive-date=September 23, 2020 |access-date=September 2, 2021 |website=The Ivors Academy |language=en-GB}}

References