Mo Yan
{{Short description|Chinese novelist, author, and Nobel laureate (born 1955)}}
{{Family name hatnote|Guan|lang=Chinese}}{{None}}{{Use dmy dates|date=December 2016}}
{{Criticism section|date=October 2024}}
{{Infobox writer
| name = Mo Yan
| image = MoYan Hamburg 2008.jpg
| image_size =
| alt =
| caption = Mo Yan in 2008
| native_name = 莫言
| pseudonym = Mo Yan
| birth_name = Guan Moye (管谟业)
| birth_date = {{Birth date and age|df=yes|1955|2|17}}
| birth_place = Gaomi, Shandong, China
| death_date =
| death_place =
| resting_place =
| occupation = Writer, teacher
| language = Chinese
| nationality = Chinese
| ethnicity =
| citizenship =
| education = Beijing Normal University
People's Liberation Army Arts College
| alma_mater =
| period = Contemporary
| years_active = 1981–present
| genre =
| subject =
| movement = Magical realism
| notableworks = Red Sorghum,
The Republic of Wine,
Life and Death Are Wearing Me Out
| spouse = {{marriage|Du Qinlan (杜勤兰)|1979}}
| partner =
| children = Guan Xiaoxiao (管笑笑) (Born in 1981)
| relatives =
| awards = {{awards|Nobel Prize in Literature|2012}}
| signature =
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}}
Guan Moye ({{zh|t=管謨業|s=管谟业|p=Guǎn Móyè}}; born 5 March 1955{{Cite web |date=2024-03-01 |title=Mo Yan |url=https://www.britannica.com/biography/Mo-Yan |access-date=2024-03-03 |website=Britannica |language=en}}), better known by the pen name Mo Yan ({{IPAc-en|m|oʊ|_|j|ɛ|n}}, {{zh|c=莫言|p=Mò Yán}}), is a Chinese novelist and short story writer. Donald Morrison of U.S. news magazine TIME referred to him as "one of the most famous, oft-banned and widely pirated of all Chinese writers", and Jim Leach called him the Chinese answer to Franz Kafka or Joseph Heller. He is best known to Western readers for his 1986 novel Red Sorghum, the first two parts of which were adapted into the Golden Bear-winning film Red Sorghum (1988).{{Cite journal |last=Inge |first=M. Thomas |date=1990 |title=Mo Yan and William Faulkner: Influences and Confluences |url=https://www.jstor.org/stable/24907667 |journal=Faulkner Journal |volume=6 |issue=1 |pages=15–24 |jstor=24907667 |issn=0884-2949}}
Mo won the 2005 International Nonino Prize in Italy. In 2009, he was the first recipient of the University of Oklahoma's Newman Prize for Chinese Literature.{{Cite journal|last1=Ding|first1=Rongrong|last2=Wang|first2=Lixun|date=2017-05-04|title=Mo Yan's style in using colour expressions and Goldblatt's translation strategies: a corpus-based study|url=https://doi.org/10.1080/23306343.2017.1331389|journal=Asia Pacific Translation and Intercultural Studies|volume=4|issue=2|pages=117–131|doi=10.1080/23306343.2017.1331389|issn=2330-6343}} In 2012, Mo was awarded the Nobel Prize in Literature for his work as a writer "who with hallucinatory realism merges folk tales, history and the contemporary".
Early life
Mo Yan was born in February 1955 into a peasant family in Ping'an Village, Gaomi Township, northeast of Shandong Province, the People's Republic of China. He is the youngest of four children with two older brothers and an older sister.{{Cite web |title=The Nobel Prize in Literature 2012 |url=https://www.nobelprize.org/prizes/literature/2012/yan/biographical/ |access-date=2022-05-31 |website=NobelPrize.org |language=en-US}} His family was of an upper-middle peasant class background.{{Cite book|last=Leung|first=Laifong|title=Contemporary Chinese Fiction Writers: Biography, Bibliography, and Critical Assessment|publisher=Taylor & Francis Group|year=2016|pages=197|language=en}} Mo was 11 years old when the Cultural Revolution was launched, at which time he left school to work as a farmer. In the autumn of 1973, he began work at the cotton oil processing factory. During this period, which coincided with a succession of political campaigns from the Great Leap Forward to the Cultural Revolution, his access to literature was largely limited to novels in the socialist realist style under Mao Zedong, which centred largely on the themes of class struggle and conflict.Anna Sun. [http://www.kenyonreview.org/kr-online-issue/2012-fall/selections/anna-sun-656342/ "The Diseased Language of Mo Yan"], The Kenyon Review, Fall 2012.
At the close of the Cultural Revolution in 1976, Mo enlisted in the People's Liberation Army (PLA), and began writing while he was still a soldier. During this post-Revolution era when he emerged as a writer, both the lyrical and epic works of Chinese literature, as well as translations of foreign authors such as William Faulkner and Gabriel García Márquez, would make an impact on his works.{{cite news|url=http://cn.nytimes.com/article/culture-arts/2012/12/17/c17moyan/en/?pagemode=print|archive-url=https://archive.today/20130130074940/http://cn.nytimes.com/article/culture-arts/2012/12/17/c17moyan/en/?pagemode=print|url-status=dead|archive-date=30 January 2013|title=What Mo Yan's Detractors Get Wrong|first=Charles|last=Laughlin|date=17 December 2012|access-date=17 December 2012|work=The New York Times}}
In 1984, he received a literary award from the PLA Magazine, and the same year began attending the People's Liberation Army Arts College, where he first adopted the pen name of Mo Yan. He published his first novella, A Transparent Radish, in 1984, and released Red Sorghum in 1986, launching his career as a nationally recognized novelist. In 1991, he graduated from the joint master's program in literature by the Lu Xun School of Literature and Beijing Normal University.
Pen name
"Mo Yan" – "don't speak" in Chinese – is his pen name. Mo Yan has explained on occasion that the name comes from a warning from his father and mother not to speak his mind while outside, because of China's revolutionary political situation from the 1950s, when he grew up. It also relates to the subject matter of Mo Yan's writings, which reinterpret Chinese political and sexual history.
In an interview with Professor David Wang, Mo Yan stated that he changed his "official name" to Mo Yan because he could not receive royalties under the pen name.{{cite web|url=https://www.youtube.com/watch?v=dXhJwiWebZE&t=296 |archive-url=https://ghostarchive.org/varchive/youtube/20211222/dXhJwiWebZE |archive-date=2021-12-22 |url-status=live|title=ChinaX: Introducing Mo Yan|last=SW12X - ChinaX|date=18 February 2015|access-date=7 November 2018|via=YouTube}}{{cbignore}}
Works
Mo Yan began his career as a writer in the reform and opening up period, publishing dozens of short stories and novels in Chinese. His first published short story was "Falling Rain on a Spring Night", published in September 1981.{{Cite web |title=The Nobel Prize in Literature 2012 |url=https://www.nobelprize.org/prizes/literature/2012/yan/biographical/ |access-date=2022-05-10 |website=NobelPrize.org |language=en-US}}
In 1986, the five parts that formed his first novel, Red Sorghum (1987), were published serially. It is a non-chronological novel about the generations of a Shandong family between 1923 and 1976. The author deals with upheavals in Chinese history such as the Second Sino-Japanese War, the 1949 Communist Revolution, and the Cultural Revolution, but in an unconventional way; for example from the point of view of the invading Japanese soldiers.
His second novel, The Garlic Ballads, is based on a true story of when the farmers of Gaomi Township rioted against a government that would not buy its crops. The Republic of Wine is a satire around gastronomy and alcohol, which uses cannibalism as a metaphor for Chinese self-destruction, following Lu Xun. Big Breasts & Wide Hips deals with female bodies, from a grandmother whose breasts are shattered by Japanese bullets, to a festival where one of the child characters, Shangguan Jintong, blesses each woman of his town by stroking her breasts. The book was controversial in China because some leftist critics objected to Big Breasts' perceived negative portrayal of Communist soldiers.
Extremely prolific, Mo Yan wrote Life and Death Are Wearing Me Out in only 42 days. He composed the more than 500,000 characters contained in the original manuscript on traditional Chinese paper using only ink and a writing brush. He prefers writing his novels by hand rather than by typing using a pinyin input method, because the latter method "limits your vocabulary". Life and Death Are Wearing Me Out is a meta-fiction about the story of a landlord who is reincarnated in the form of various animals during the Chinese land reform movement. The landlord observes and satirizes Communist society, such as when he (as a donkey) forces two mules to share food with him, because "[in] the age of communism ... mine is yours and yours is mine."
Pow!, Mo Yan's first work to be translated into English after receiving the Nobel Prize, is about a young storytelling boy named Luo who was famous in his village for eating so much meat.{{Cite web|date=2013-01-18|title=Pow! by Mo Yan – review|url=http://www.theguardian.com/books/2013/jan/18/pow-mo-yan-review|access-date=2021-12-07|website=the Guardian|language=en}} His village is so carnivorous it is an obsession that leads to corruption.{{Cite news|last=Garner|first=Dwight|date=2013-01-01|title=A Meaty Tale, Carnivorous and Twisted|language=en-US|work=The New York Times|url=https://www.nytimes.com/2013/01/02/books/pow-by-mo-yan.html|access-date=2021-12-07|issn=0362-4331}} Pow! cemented his writing style as “hallucinatory realism”.{{Cite web|title=The Nobel Prize in Literature 2012|url=https://www.nobelprize.org/prizes/literature/2012/press-release/|access-date=2021-12-07|website=NobelPrize.org|language=en-US}} Another one of his works, Frog, Yan's latest novel published, focuses on the cause and consequences of China's one-child policy. Set in a small rural Chinese town called Gaomi, the narrator Tadpole tells the story of his aunt Gugu, who once was a hero for delivering life into the world as a midwife, and now takes away life as an abortion provider.{{Cite journal|last=Hogensen|first=Brooke Ann|date=2015-11-01|title=Mo Yan, Frog: A Novel|url=http://dspace.flinders.edu.au/xmlui/bitstream/2328/35657/1/bitstream|journal=Transnational Literature|language=en|volume=8|issue=1|issn=1836-4845}} Steven Moore from the Washington Post wrote, "another display of Mo Yan's attractively daring approach to fiction. The Nobel committee chose wisely."{{Cite news|last=Moore|first=Steven|date=23 March 2015|title=Book review: 'Frog,' by Mo Yan|url=https://www.washingtonpost.com/entertainment/books/book-world-frog-by-mo-yan/2015/03/23/cc5e8834-cc01-11e4-8a46-b1dc9be5a8ff_story.html|access-date=6 December 2021|newspaper=Washington Post}}
Style
Mo Yan's works are epic historical novels characterized by hallucinatory realism and containing elements of black humour. His language is distinguished by his imaginative use of colour expressions. A major theme in Mo Yan's works is the constancy of human greed and corruption, despite the influence of ideology. Using dazzling, complex, and often graphically violent images, he sets many of his stories near his hometown, Northeast Gaomi Township in Shandong province.
Mo Yan's works are also predominantly social commentary, and he is strongly influenced by the social realism of Lu Xun and the magical realism of Gabriel García Márquez. Mo Yan says he realised that he could make "[my] family, [the] people I'm familiar with, the villagers" his characters after reading William Faulkner's The Sound and the Fury. He satirizes the genre of socialist realism by placing workers and bureaucrats into absurd situations. In terms of traditional Chinese literature, he is deeply inspired by the folklore-based classical epic novel Water Margin. He cites Journey to the West and Dream of the Red Chamber as formative influences. Mo Yan's writing style has also been influenced by the Six Dynasties, chuanqi, notebook novels of the Ming and Qing dynasties and especially by [http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CF%5CO%5CFolkoralliterature.htm folk oral literature]. His creation combines all of these inspirations into one of the most distinctive voices in world literature.{{Cite journal |last=Goldblatt |first=Howard |date=2013-09-01 |title=Mo Yan in Translation: One Voice among Many |url=https://doi.org/10.1080/21514399.2013.11833989 |journal=Chinese Literature Today |volume=3 |issue=1–2 |pages=6–9 |doi=10.1080/21514399.2013.11833989 |issn=2151-4399 |s2cid=64496433}}
Mo Yan's ability to convey traditionalist values inside of his mythical realism writing style in The Old Gun has allowed insight and view into the swift modernization of China. This short story by Mo Yan was an exemplary example of the "Xungen movement" Chinese literary movement and influenced many to turn back to traditional values. This movement portrayed the fear of loss of cultural identity due to the swift modernization of China in the 1980s. Mo Yan reads foreign authors in translation and strongly advocates the reading of world literature. At a speech to open the 2009 Frankfurt Book Fair, he discussed Goethe's idea of "world literature", stating that "literature can overcome the barriers that separate countries and nations".
Mo Yan's writing is characterised by the blurring of distinctions between "past and present, dead and living, as well as good and bad". Mo Yan appears in his novels as a semi-autobiographical character who retells and modifies the author's other stories. His female characters often fail to observe traditional gender roles, such as the mother of the Shangguan family in Big Breasts & Wide Hips, who, failing to bear her husband any sons, instead is an adulterer, becoming pregnant with girls by a Swedish missionary and a Japanese soldier, among others. Male power is also portrayed cynically in Big Breasts & Wide Hips, and there is only one male hero in the novel.
Mo Yan's masterpieces have been translated into English by translator Howard Goldblatt. Goldblatt has effectively transmitted Chinese culture to target audiences by using a domestication technique augmented with foreignization.
Controversy
Mo Yan was among a group of 100 artists who celebrated the 75th Anniversary of the Yan'an Talks in 2012 by hand copying the text of the talks.{{Rp|page=58}} Upon his receipt of the Nobel Prize later that year, some Chinese writers and artists{{Who|date=July 2024}} criticized him for being subservient to the Chinese government.{{Cite news |last=York |first=Josh Chin and Paul Mozur in Beijing and Jeffrey A. Trachtenberg in New |title=Chinese Writer Wins Literature Nobel |url=https://www.wsj.com/articles/SB10000872396390444799904578050120766714576?mod=article_inline |access-date=2024-03-21 |work=WSJ |language=en-US}} Mo stated that he had no regrets for participating in the Yan'an Talks celebration.{{Rp|page=58}}
Mo was also criticised by the author Salman Rushdie in 2012 after the announcement of the Nobel win, who called him a "patsy of the regime", after he refused to sign a petition calling for the freedom of Liu Xiaobo,{{Cite web |last=Daley |first=David |date=2012-12-07 |title=Rushdie: Mo Yan is a "patsy of the regime" |url=https://www.salon.com/2012/12/07/rushdie_mo_yan_is_a_patsy_of_the_regime/ |access-date=2024-09-19 |website=Salon |language=en}} a dissident involved in campaigns to end one party rule in China and the first Chinese citizen to be awarded the Nobel Peace Prize in 2010.{{Cite web |title=Liu Xiaobo {{!}} Facts, Biography, & Nobel Prize {{!}} Britannica |url=https://www.britannica.com/biography/Liu-Xiaobo |access-date=2024-09-19 |website=www.britannica.com |language=en}}
Mo had later suggested in a press conference in Stockholm, Sweden, that he would not join the appeal calling for the release of Liu Xiaobo from jail, although he hoped that Liu would be set free soon and had defended censorship as something equivalent to airport security checks.{{Cite news |agency=Associated Press |date=2012-12-07 |title=Censorship is a must, says China's Nobel winner |url=https://www.theguardian.com/world/2012/dec/07/mo-yan-censorship-nobel |access-date=2024-09-19 |work=The Guardian |language=en-GB |issn=0261-3077}}
List of works
Mo Yan has written 11 novels, and several novellas and short story collections.
This is a complete list of Mo Yan's works published as a collection in 2012 in China (after Mo Yan received the Nobel Prize).
=Novels=
- 《红高粱家族》 Red Sorghum (1986)
- 《天堂蒜薹之歌》 The Garlic Ballads (1988)
- 《十三步》 Thirteen Steps (1988)
- 《食草家族》 The Herbivorous Family (1993)
- 《酒国》 The Republic of Wine: A Novel (1993)
- 《丰乳肥臀》 Big Breasts & Wide Hips (1995)
- 《红树林》 Red Forest (1999)
- 《檀香刑》 Sandalwood Death (2001)
- 《四十一炮》 Pow! (2003)
- 《生死疲劳》 Life and Death Are Wearing Me Out (2006)
- 《蛙》 Frog (2009)
=Short story and novella collections=
- 《白狗秋千架》 White Dog and the Swing (30 short stories, 1981–1989)
- 《与大师约会》 Meeting the Masters (45 short stories, 1990–2005)
- 《欢乐》 Joy (8 novellas; six of them are published in English as Explosions and Other Stories)
- 《怀抱鲜花的女人》 The Woman with Flowers (8 novellas, 2012[https://www.worldcat.org/oclc/1030888805 The Woman with Flowers] - WorldCat)
- 《师傅越来越幽默》Shifu, You'll Do Anything for a Laugh (9 novellas, 2001; one of them, Change, is published independently in English)
- 《晚熟的人》A Late Bloomer (12 novellas and short stories, 2020{{cite news |title=Mo Yan releases 1st body of new works since Nobel win |url=http://www.chinadaily.com.cn/a/202007/31/WS5f23bb68a31083481725d6f2.html |access-date=26 September 2020 |work=China Daily |date=31 July 2020}})
=Other works=
- 《会唱歌的墙》 The Wall Can Sing (60 essays, 1981–2011)
- 《我们的荆轲》 Our Jing Ke (play)
- 《碎语文学》 Broken Philosophy (interviews, only available in Chinese)
- 《用耳朵阅读》 Ears to Read (speeches, only available in Chinese)
- 《盛典:诺奖之行》 Grand Ceremony
Awards and honours
- 1998: Neustadt International Prize for Literature, candidate
- 2005: Kiriyama Prize, Notable Books, Big Breasts and Wide Hips
- 2005: International Nonino Prize
- 2005: Doctor of Letters, Open University of Hong Kong
- 2006: Fukuoka Asian Culture Prize XVII
- 2007: Man Asian Literary Prize, nominee, Big Breasts and Wide Hips
- 2009: Newman Prize for Chinese Literature, winner, Life and Death Are Wearing Me Out
- 2010: Honorary Fellow, Modern Language Association
- 2011: Mao Dun Literature Prize, winner, Frog
- 2012: Nobel Prize in Literature{{Cite book |last=Yi |first=Guolin |title=China under Xi Jinping: A New Assessment |publisher=Leiden University Press |year=2024 |isbn=9789087284411 |editor-last=Fang |editor-first=Qiang |chapter=From "Seven Speak-Nots" to "Media Surnamed Party": Media in China from 2012 to 2022 |editor-last2=Li |editor-first2=Xiaobing}}{{Rp|page=58}}
Honorary doctorate
- 2013: The City University of New York, United States{{cite web|url=http://policy.cuny.edu/policyimport/board_committee_documents/academic_policy,_programs_and_research/agendas/2013/04-08/i-b-03_city_college_-_resolution_to_award_honorary_degrees/document.pdf|title=I.B.3 –CITY COLLEGE - HONORARY DEGREES TO BE AWARDED AT THE COLLEGE'S ANNUAL COMMENCEMENT CEREMONY ON MAY 31, 2013|access-date=7 November 2018}}
- 2013: Fo Guang University, Taiwan{{Cite web|url=https://www.cna.com.tw/postwrite/detail/133692|title=佛光大學頒授莫言榮譽文學博士學位|website=www.cna.com.tw|access-date=8 January 2022|archive-date=8 January 2022|archive-url=https://web.archive.org/web/20220108184409/https://www.cna.com.tw/postwrite/detail/133692|url-status=dead}}
- 2014: Sofia University, Bulgaria{{cite web|url=http://english.hanban.org/article/2014-10/24/content_558746.htm|title=Hanban-News|website=english.hanban.org|access-date=7 November 2018}}
- 2014: The Open University of Hong Kong, China{{cite web|url=http://www.ouhk.edu.hk/wcsprd/Satellite?pagename=OUHK/tcGenericPage2010&c=C_ETPU&cid=1385174696376&lang=eng|title=The Open University of Hong Kong: Openlink Vol 23 Issue 4 (Dec 2014)|first=The Open University of Hong|last=Kong|website=www.ouhk.edu.hk|access-date=7 November 2018}}
- 2014: The University of Macau, China{{cite web|url=https://um2.umac.mo/apps/com/bulletin.nsf/0/350ff54035949d9548257da70040d32f?OpenDocument&TableRow=5.1|title=News Express: Nobel laureate Mo Yan speaks on Chinese literature at UM|website=um2.umac.mo|access-date=7 November 2018}}
- 2017: Hong Kong Baptist University, China{{cite web|url=http://www.hkbu.edu.hk/eng/about/honlist.jsp|title=Honorary Doctorates and Honorary University Fellows - HKBU|website=www.hkbu.edu.hk|access-date=7 November 2018}}
Adaptations
Several of Mo Yan's works have been adapted for film:
- Red Sorghum (1987) (directed by Zhang Yimou)
- The Sun Has Ears (1995) (directed by Yim Ho, adaptation of Grandma Wearing Red Silk)
- Happy Times (2000) (directed by Zhang Yimou, adaptation of Shifu: You'll Do Anything for a Laugh)
- Nuan (2003) (directed by Huo Jianqi, adaptation of White Dog Swing)
See also
References
{{reflist|30em|refs=
{{cite magazine|first=Donald|last=Morrison|url=http://www.time.com/time/magazine/article/0,9171,501050221-1027589,00.html|archive-url=https://web.archive.org/web/20070311161236/http://www.time.com/time/magazine/article/0,9171,501050221-1027589,00.html|url-status=dead|archive-date=11 March 2007|title=Holding Up Half The Sky|magazine=Time|date=14 February 2005|access-date=14 February 2005}}
}}
Further reading
- Chinese Writers on Writing featuring Mo Yan. Ed. Arthur Sze. (Trinity University Press, 2010).
- {{cite journal|last=Inge|first=M. Thomas|title=Mo Yan and William Faulkner: Influences and Confluences|journal=The Faulkner Journal|volume=6|issue=1|date=Fall 1990|pages=15-24}}
External links
{{Commons category}}
{{Wikiquote}}
- [http://china.org.cn/english/NM-e/68238.htm Novelist Mo Yan Takes Aim with 41 Bombs] (China Daily 27 June 2003)
- {{usurped|1=[https://web.archive.org/web/20121124231449/http://arteycultura.tv/?p=2161 VÍDEO prize movie of Mo Yan ]}}
- [http://www.granta.com/New-Writing/Granta-Audio-Mo-Yan "Granta Audio: Mo Yan"], Granta, 11 October 2012, John Freeman
- {{usurped|1=[https://web.archive.org/web/20121021064312/http://moyan.ru/ Russian site about Mo Yan]}}
- [http://chinadigitaltimes.net/2012/12/query-on-mo-yan-turns-literary/ Mo Yan and the Politics of Language] China Digital Times 25 February 2013.
- [https://www.theguardian.com/books/2013/feb/28/mo-yan-dismisses-nobel-critics Mo Yan dismisses 'envious' Nobel critics] The Guardian 28 February 2013.
- [http://www.facenfacts.com/NewsDetails/38707/school-dropout-to-nobel:-a-consistent-beauty-of-mo-yan.htm School dropout to Nobel: A consistent beauty of Mo Yan ] FacenFacts
- {{Nobelprize}}
- [http://noblib.internet-box.ch/NLEW.php?authorid=135 List of Works]
{{Mo Yan}}
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