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Nettwerk Music Group

{{Short description|Canadian record label}}

{{Distinguish|Network Records}}

{{Infobox record label

| name = Nettwerk Music Group

| image = Nettwerk logo.png

| founded = {{start date|1984}}

| founder = Terry McBride, Mark Jowett, Ric Arboit, Dan Fraser

| genre = Various

| distributor = Nettwerk/Direct Distribution

| country = Canada

| location = Vancouver, B.C.
Los Angeles
New York
London
Hamburg
Sydney
Nashville
Toronto
Denver
Amsterdam

| website = {{URL|nettwerk.com}}

}}

Nettwerk Music Group is an independent record label founded in 1984.{{Cite web |date=2021-01-22 |title=Nettwerk Music Group |url=https://www.musicbusinessworldwide.com/companies/nettwerk-music-group/ |access-date=2024-06-26 |website=Music Business Worldwide |language=en-US}}{{cite book |last1=Michael |first1=Barclay |last2=Jack |first2=Ian A.D. |last3=Schneider |first3=Jason |title=Have Not Been the Same: The Can-Rock Renaissance 1985-1995 |date=2011 |publisher=ECW Press |isbn=978-1-55022-992-9}}

The Vancouver-based company was created by principals Terry McBride and Mark Jowett as a record label to distribute recordings by the band Moev, but the label expanded in Canada and internationally. Initially specializing in electronic music including alternative dance and industrial, the label expanded its roster to include pop, rock and numerous singer-songwriters in the late 1980s and 1990s. Early artists included Coldplay, Sarah McLachlan, and Barenaked Ladies.

In 2023, Nettwerk recapitalized to invest in catalog acquisitions and artist investments.{{Cite magazine |last=Christman |first=Ed |date=2023-03-21 |title=Nettwerk Brings on New Investor Flexpoint Ford for Catalog Acquisitions, Artist Investments |url=https://www.billboard.com/pro/nettwerk-investor-flexpoint-ford-catalog-acquisitions/ |access-date=2024-06-26 |magazine=Billboard |language=en-US}} The label was named in Billboard’s Indie Power Players list in 2024.{{Cite magazine |last=Rys |first=Dan |date=2024-06-10 |title=Indie Power Players 2024 List |url=https://www.billboard.com/h/indie-power-players-2024/ |access-date=2024-06-26 |magazine=Billboard |language=en-US}}

History

In 1984, Terry McBride and his friend Mark Jowett attended — and both dropped out of — the University of British Columbia. McBride had studied civil engineering while Jowett took classes in creative writing, theater and English. The two met at a house party where Jowett's electronic music band Moev was performing.{{cite magazine |last1=Newman |first1=Melinda |date=14 March 2015 |title=Nettwerk To Success |url=https://www.billboard.com/pro/nettwerk-to-success-thriving-at-the-home-of-fun-passenger-and-sinead/ |magazine=Billboard |location=Cincinnati |publisher=Prometheus Global Media |volume=127 |issue=7 |pages=55–60 |issn=0006-2510 |url-access=subscription}}

Once out of college, McBride began managing Moev, for whom Jowett played guitar. Moev was signed to Go Records, a small San Francisco label that went bankrupt, leaving the band without distribution.{{cite journal |last1=Young |first1=Kevin |date=Summer 2011 |title=Finding strength in diversity |url=https://www.socanmagazine.ca/features/finding-strength-in-diversity/ |journal=Words & Music |location=Canada, Don Mills |publisher=SOCAN |volume=18 |issue=2 |page=11 |issn=1195-8316}} They'd spend time at his small apartment with friends such as the members of the electro-industrial band Skinny Puppy, and soon he and Jowett starting putting out their records, along with Moev's and The Grapes of Wrath.{{sfn|Ryan|2010|p=33}}

McBride had previously started a label, Noetix, and though it was unsuccessful, he and Jowett were willing to give the record business another try. The company officially opened its doors in 1985. Their first release was The Grapes of Wrath's self-titled EP followed by their full-length, September Bowl of Green. It piqued the attention of Capitol Records, and paved the way for a distribution deal for the band and Nettwerk as a label in 1986.{{sfn|Ryan|2010|p=50}} Also in 1986, Nettwerk brought on Ric Arboit as a third partner and managing director.{{cite magazine |last1=LaPointe |first1=Kirk |title=Young Nettwerk Coming Of Age |magazine=Billboard |date=6 May 1989 |volume=101 |issue=18 |page=77|publisher=Prometheus Global Media |location=Cincinnati |issn=0006-2510}}

Despite having an eclectic initial roster of artists, Nettwerk gained a reputation as an industrial dance label, an assumption bolstered by the label's roster of homegrown and licensed industrial acts including Skinny Puppy, Severed Heads, SPK, Manufacture, and Single Gun Theory. On this point, George Maniatis, one of the label's early promotion managers, stated: {{"'}}Remission' (Skinny Puppy's mini-album), which was one of our first releases, grabbed everybody by the you-know-whats... Because of it, everybody assumed we were just industrial dance. But we never set out in that direction — It's just that they hit first."{{cite magazine |last1=Bessman |first1=Jim |title=Nettwerk Dances To A Different Beat |magazine=Billboard |date=4 Mar 1989 |volume=101 |issue=9 |page=31 |publisher=Prometheus Global Media |location=Cincinnati |issn=0006-2510}}

Regardless of intent, the industrial dance and electronic genres proved lucrative and resulted in many international cross-licensing deals. Among them: Belgium's Play It Again Sam label running the Nettwerk Europe imprint in exchange for Nettwerk licensing Front 242 in Canada; licensing Tackhead's North American distribution rights from England's On-U Sound; and cross-licensing with Australia's Volition label which brought Severed Heads and Single Gun Theory to North America. Cross-licensing, including distribution through the majors (Capitol for Skinny Puppy and Atlantic for Moev), and respectable club chart performances (including singles by Manufacture, Severed Heads, and Moev) all contributed to significant visibility and growth for the label at the close of the 1980s.

The label's reputation as a strictly electronic dance imprint would soon change. At a show in Halifax, McBride met nineteen-year-old singer-songwriter named Sarah McLachlan{{sfn|Ryan|2010|p=65}} – he'd been introduced to her music through Jowett, and tried to recruit her to front Moev. Her parents initially rejected the idea, saying she was too young,{{sfn|Ryan|2010|p=65}} but by then she had her moved out of her parents home and rented an apartment down the street while in her first year of art school. McBride offered McLachlan a five-record deal, and she agreed, saying “Ok. Sure. Why not?"{{sfn|Ryan|2010|p=69}}

At this point, McBride and Jowett had moved Nettwerk into a new office, and McLachlan relocated to Vancouver to write, finishing her debut, Touch, in 1988. The first single, "Vox", was a hit, and led to her signing a worldwide deal with Arista Records (Nettwerk retained her for Canada). She followed up with Solace in 1991 and Fumbling Towards Ecstasy in 1993. Surfacing in 1997 contained two hit singles: "Building a Mystery" and "I Will Remember You", and winning two Grammy Awards.

In 1994, Nettwerk switched its US distribution from Capitol–EMI to Sony Music, later Sony BMG. The distribution in Canada remained with EMI until end of 2005, when in 2006, distribution was handled through Sony BMG, later Sony Music in Canada until 2019. Presently, distribution in the US is through AMPED Distribution.

Lilith Fair was initially McLachlan's idea;{{sfn|Ryan|2010|p=151}} she was tired of the standard touring, and wanted to do something different, something inventive. Though McBride was resistant at first, he pushed forward, and they assembled a lineup that they then were told was "suicidal": Paula Cole, Aimee Mann, Patti Smith, Lisa Loeb and McLachlan to close.{{sfn|Ryan|2010|p=152}} It was a success, and the next summer they launched a touring version; it grossed $16 million, a large portion of which was donated to women's charities.{{sfn|Ryan|2010|p=151}} Founded by McLachlan, McBride, Nettwerk co-owner Dan Fraser and New York talent agent Marty Diamond, Lilith Fair was the top-grossing festival tour of 1997 and ranked 16th among the year's Top 100 Tours. In 1998, Lilith Fair grossed just over $6 million and remained the top-grossing summer concert package tour of the season.{{cite news|last=Freydkin|first=Donna|title=Lilith Fair: Lovely, lively and long overdue|url=http://www.cnn.com/SHOWBIZ/Music/9807/28/lilith.fair/|work=CNN|access-date=25 March 2013}}

Nettwerk then signed Barenaked Ladies, at the time viewed as a novelty act.{{cite web|last=Condran|first=Ed|title=Barenaked Ladies avoids the novelty act label|url=http://www.phillyburbs.com/entertainment/local_entertainment/barenaked-ladies-avoids-the-novelty-act-label/article_9e9f34aa-fa28-5267-bbb2-404dbf90b8a1.html|work=phillyburbs.com|access-date=25 March 2013|url-status=dead|archive-url=https://archive.today/20130411152451/http://www.phillyburbs.com/entertainment/local_entertainment/barenaked-ladies-avoids-the-novelty-act-label/article_9e9f34aa-fa28-5267-bbb2-404dbf90b8a1.html|archive-date=11 April 2013}} After steady radio promotion, McBride booked the band for a show at City Hall Plaza in Boston to launch their album Stunt.{{sfn|Ryan|2010|pp=140–143}} The concert drew 80,000 fans, and the first single, "One Week", reached number one on the charts, also earning the band a Grammy nomination and a Juno Award for Best Pop Album. They have since gone on to sell over 10 million albums.

Nettwerk brought on Dido in 1999, as well as Sum 41. Avril Lavigne was sixteen when she walked into the Nettwerk offices; Arista had sent her to McBride, hoping to figure out what to make of her.{{sfn|Ryan|2010|p=165}} Though Lavigne would release her records through Arista, she continued with Nettwerk for her management.{{cite news|last=Eliscu|first=Jenny|title=Little Miss Can't Be Wrong|url=https://www.rollingstone.com/music/news/little-miss-cant-be-wrong-20030320|newspaper=Rolling Stone|date=20 March 2003}}

In 2000, EMI decided against a North American release for Coldplay's debut album Parachutes, which was distributed by subsidiary Parlophone in the United Kingdom. This led Nettwerk to pick up the album and make it available in Canada and the United States.

Nettwerk embraced new digital formats.{{cite journal|last=Deighton|first=John A|author2=Kornfeld, Leona|title=Nettwerk: Digital Marketing in the Music Industry|journal=Harvard Business School Case Study|date=March 2012|volume=510-055|url=http://www.hbs.edu/faculty/Pages/item.aspx?num=38112}} McBride studied reports showing the sea change in fan preference, and realized that he'd rather cater to the growing MP3 culture rather than work against it. In 2005, Nettmusic became one of the first major music companies to sell MP3s free of DRM (digital rights management),{{sfn|Ryan|2010|p=213–215}} and supported the consumer case in the battle against the Recording Industry Association of America. Nettwerk has offered to pay the legal fees of a teenager in Texas who is being sued for downloading songs.{{cite web|url=http://www.mtv.com/news/articles/1522669/canadian-record-label-blasts-riaa-over-lawsuits.jhtml|title=Canadian Record Label Blasts RIAA Over File-Sharing Lawsuits|publisher=MTV}}

At the same time, Nettwerk continued to focus on other new, innovative and both artist-and-fan friendly models. McBride conceived of a concept he called "collapsed copyright", set to revolve around a new business model that empowered artists themselves and not just the corporations. The premise allowed artists to release music under their own label (therefore retaining the intellectual property), marketed and promoted through Nettwerk.{{cite magazine|last=Howe|first=Jeff|title=No Suit Required|url=https://www.wired.com/wired/archive/14.09/nettwerk.html|magazine=Wired}}

On June 9, 2010, Nettwerk announced that for its distribution and marketing in the United States, it would depart from Sony Music and its catalogue would now be distributed by WMG's Alternative Distribution Alliance.{{cite news |url=http://latimesblogs.latimes.com/music_blog/2010/06/warner-music-group-signs-distribution-pact-with-nettwerk.html |title=Warner signs distribution pact with Nettwerk | work=Los Angeles Times | date=2010-06-09}} In 2013, Nettwerk raised $10.25 million in equity financing to sign artists and purchase catalogs.{{cite magazine|last1=Peoples|first1=Glenn|title=Exclusive: Nettwerk Music Group Raises $10.25 Million|url=http://www.billboard.com/biz/articles/news/indies/1559871/exclusive-nettwerk-music-group-raises-1025-million|magazine=Billboard|access-date=17 December 2014}}

In July 2016, Nettwerk sold its publishing catalog to KobaltInvestment Fund, an independent investment fund established in 2011.{{Cite news|url=https://www.musicbusinessworldwide.com/nettwerk-sells-18000-song-copyrights-to-kobalts-investment-fund/|title=Nettwerk sells 30-year-old publishing catalogue to Kobalt investment fund|date=2016-07-24|work=Music Business Worldwide|access-date=2017-05-10|language=en-US}}

In September 2017, Nettwerk Records announced that The Ballroom Thieves joined the label roster.{{Cite web|url=http://www.musicconnection.com/ballroom-thieves/|title=The Ballroom Thieves Joins Nettwerk Records - Music Connection|website=www.musicconnection.com|language=en-US|access-date=2017-11-10}}

Nutone

In 2008, Nettwerk founder Terry McBride revived a retired sub-label of Nettwerk called Nutone Records, with the objective of releasing devotional, chant and world music. He also launched a chain of wellness centers in Canada called YYoga.{{cite web|last=Shaw|first=Gillian|title=Music mogul finds big market for yoga|url=http://www2.canada.com/vancouversun/news/business/story.html?id=e912240e-0c8b-4434-a73e-a5f5b710e44f|work=The Vancouver Sun|access-date=2013-03-25|archive-url=https://web.archive.org/web/20130722022320/http://www2.canada.com/vancouversun/news/business/story.html?id=e912240e-0c8b-4434-a73e-a5f5b710e44f|archive-date=2013-07-22|url-status=dead}}

Nettwerk roster

= Music roster =

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=Management roster=

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=Publishing roster=

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==Artists==

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==Writers==

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See also

Sources

  • {{cite book|last=Ryan|first=Denise|title=Nettwerk: 25 Years of Music We Love|year=2010|publisher=John Wiley & Sons Canada, Ltd.|isbn=978-0-470-67844-2}}

References

{{Reflist|33em}}

External links

  • {{Official website|http://www.nettwerk.com/}}

{{Vancouver Corporations}}

{{Authority control}}

Category:Canadian independent record labels

Category:Online music stores of Canada

Category:Companies based in Vancouver

Category:Industrial record labels

Category:1984 establishments in British Columbia

Category:Record labels established in 1984

Category:Bluegrass record labels

Category:EMI