No Love for Johnnie

Johnnie Byrne, a cynical and burnt-out Yorkshire Labour MP, whose career has seemingly stalled due to his ostensibly leftist leanings, is re-elected with the victorious Labour Party after a general election. Bitter not to receive an invitation to join the Government, his left-wing wife leaves him, and he accepts an invitation to lead a conspiratorial group of MPs working against the centrist government. Mary, the single woman upstairs, adores him, but they never quite become a couple.

Johnnie falls in love with a 20-year-old student/model Pauline, and misses making an important speech against the Government's militaristic plans because he is in bed with her. His conspirators turn against him and cause his local party to attempt to deselect him. He suffers a humiliating vote of no-confidence at a meeting of his Constituency Labour Party, but is put on probation. He then goes in search of Pauline, who has ended their relationship, still in love, but knowing it is not the right relationship for her.

He goes back home, where he finds his wife, who wants to give their marriage another chance; she gives Johnnie her phone number to call if he decides he wants her back. Meanwhile, the Prime Minister offers him a junior post, and reveals that the reason Johnnie was not offered one earlier was due to his wife's communist connections. Johnnie tears up the paper with his wife's phone number and embraces his role in government.

• Peter Finch as Johnnie Byrne
• Stanley Holloway as Fred Andrews
• Mary Peach as Pauline
• Donald Pleasence as Roger Renfrew
• Billie Whitelaw as Mary
• Hugh Burden as Tim Maxwell
• Rosalie Crutchley as Alice
• Michael Goodliffe as Dr. West
• Mervyn Johns as Charlie Young
• Geoffrey Keen as the Prime Minister
• Paul Rogers as Sydney Johnson
• Dennis Price as Flagg
• Peter Barkworth as Henderson
• Fenella Fielding as Sheila
• Derek Francis as Frank
• Conrad Phillips as Drake
• Gladys Henson as constituent
• Peter Sallis as M.P.

The film was based on a novel by Labour politician Wilfred Fienburgh whose wife later said he wrote it over three months to "make some money".{{cite news|title=Politics and design: Fleet Street, Monday Night|work=The Manchester Guardian|date=Feb 3, 1959|page=6}} Fienburgh died in a car crash in February 1958 and the novel was published in early 1959. In February 1959 the BBC bought the rights to adapt the book for television.{{cite magazine|magazine=Variety|url=https://archive.org/details/variety213-1959–02/page/n122/mode/1up?|date=11 February 1959|page=43|title=Controversial Novel Acquired by BBC}} The book was serialised in a newspaper and became a best seller in England for several months. It was picked up for publication in the US.{{cite news|title=Books and Authors|date=July 7, 1959|page=31}}

Film rights were bought by Sydney Box who hired Mordecai Richler to do the script and David Deutsch to produce. Richler said the original hope was for Jack Clayton to direct. However two weeks into Richler working on a script, Box had a heart attack and retired, and Deutsch moved on to another project. No Love for Johnnie transferred to Betty Box and Ralph Thomas.{{Cite magazine|title=The Apprenticeship of Mordecai Richler|url=https://archive.macleans.ca/article/1961/5/20/the-apprenticeship-of-mordecai-richler|magazine=Maclean's|date=20 May 1961|first=Mordecai|last=Richler}}

Box and Thomas had made the Doctor comedies for the Rank Organisation, and used this as leverage to get the studio to finance other projects, such as No Love for Johnnie. Ralph Thomas later said "we made that because we wanted to make it very much. We all loved it – Betty, myself, Peter Finch."Brian McFarlane, An Autobiography of British Cinema 1997 p 559

Betty Box said she was "very surprised Rank let me do it... because they were very politically conservative as an organisation. Perhaps they liked the Peter Finch character being so corrupt because, after all, he was left-wing. I must say I liked it very much... I enjoyed making it very much. I loved working with Peter Finch. He was drunk some of the time, and not always very easy, but I was just very fond of him. Ralph and I both knew how to work with him."Brian McFarlane, An Autobiography of British Cinema 1997 p 87

In August 1960 St John announced Rank would make fifteen films that year, down from his peak of 55 a year. "About a third will be comedies," he said. "The remainder will be dramas - some of them more frankly adult than we have ever attempted before. We must move with the times."{{cite news|title=Mr Manchester's Diary|newspaper=Manchester Evening News|date=9 August 1960|page=4}} No Love for Johnnie was expected to be Rank's first X rated movie.

Filming started in August 1960. Ralph Thomas said "Peter managed to get everything that existed in that man [Fienburgh] on to the screen without ever having known him. People who knew Fienburgh really well identified Peter absolutely with the character."{{Cite book|title=Peter Finch, a biography|last=Faulkner|first= Trader|year=1979 |publisher=Taplinger Pub. Co.|page=213}}

Music was by Malcolm Arnold, the score containing themes similar to those from Whistle Down the Wind (1961), which he also scored the same year. Arnold produced music scores for more than a hundred films, among these The Bridge on the River Kwai (1957), for which he won an Oscar.

There is a brief appearance of a young Oliver Reed as a bohemian party-goer.

Filmink said "Rank’s films under St John were famously timid in their story angles, especially compared to rivals such as Woodfall, Bryanston, Hammer and Romulus" but argued "the odd gutsy movie did sneak through", giving No Love for Johnnie as an example.{{cite magazine|magazine=Filmink|first=Stephen|last=Vagg|date=20 April 2025|access-date=20 April 2025|url=https://www.filmink.com.au/forgotten-british-moguls-earl-st-john/|title=Forgotten British Moguls: Earl St John}}

Thomas says the Labour Party were "enormously supportive" of the film even though it "knocked the Labour Party terribly" and "half the cabinet came to premiere."{{cite book|page=115|url=https://books.google.com/books?id=JWywnr1dNucC&q=%22no+love+for+johnnie%22+&pg=PP126|title=Collected Interviews: Voices from Twentieth-century Cinema|publisher=SIU Press|date= 2001|isbn = 9780809324170}}

Thomas says the film "got great notices although it was never a commercial success, didn't even pay for itself... it very much reflected the politics of the day. The plain fact is that people were not very interested in the politics of the day."

Reviews were very strong, particularly for Finch.{{cite news|title=CURRENT MOVIE ACTIVITIES ALONG THE THAMES|author=STEPHEN WATTS|work=New York Times|date=Feb 26, 1961|page=X9}}

The Monthly Film Bulletin wrote: "The story splits awkwardly in two. Its emphasis, and most of the feeling, are on the side of Johnnie's affair with Pauline, a middle-aged man's efforts to rediscover himself through his love for a twenty-year-old girl. ... Stanley Holloway's fatherly M.P., with his talk of "the people in the streets", and Donald Pleasence's thin lipped intriguer are undeveloped and consequently improbable characters, though hardly more so than Dennis Price's chic photographer or Fenella Fielding's wild party-giver. With its range of contemporary allusions, No Love for Johnnie no doubt considers that it is making a move towards realism; but the lack of real conviction or spirit behind its "frank" love scenes, its strip-tease club visit and the rest of it, produce an effect which at first looks self-conscious and ends up looking vulgar."{{Cite journal |date=1 January 1961 |title=No Love for Johnnie |url=https://www.proquest.com/docview/1305820530 |journal=The Monthly Film Bulletin |volume=28 |issue=324 |pages=33 |id={{ProQuest|1305820530}} |via=ProQuest}}

Variety said the film "though not sensational in treatment, it has some earthy sex angles and is a strong, adult film which should hold intelligent audiences. Though it has no obvious stellar value for the U.S., No Love For Johnnie is a film worth the attention of any out-of-the-rut booker."[https://archive.org/details/variety221-1961-02/page/n273/mode/2up?q=%22no+love+for+johnnie%22 Review of film] at Variety

Finch won two film awards for this performance – one a BAFTA (his third),{{Cite web |title=Film {{!}} British Actor in 1962 |url=https://awards.bafta.org/award/1962/film/british-actor |access-date=9 January 2024 |website=BAFTA}} and the other the Silver Bear for Best Actor at the 11th Berlin International Film Festival.{{cite web |url=http://www.berlinale.de/en/archiv/jahresarchive/1961/03_preistr_ger_1961/03_Preistraeger_1961.html |title=Berlinale 1961: Prize Winners |access-date=2010-01-23 |work=berlinale.de}} The film won Best Film from the British Film Academy.{{cite news|title=Paul Newman Gets Award|work=New York Times|date=Apr 6, 1962|page=31}}

{{reflist}}

• {{IMDb title|id=0055234}}
• {{Rotten Tomatoes}}
• [https://letterboxd.com/film/no-love-for-johnnie/ No Love for Johnnie] at Letterbox DVD
• [https://web.archive.org/web/20171109214350/http://www.bfi.org.uk/films-tv-people/4ce2b6b1a5612 No Love for Johnnie] at BFI
• {{TCMDb title|85104}}
• [https://www.kirkusreviews.com/book-reviews/a/wilfred-fienburgh/no-love-for-johnnie/ Original novel review] at Kirkus

{{Ralph Thomas}}

Category:1961 films

Category:British drama films

Category:1961 drama films

Category:CinemaScope films

Category:1960s English-language films

Category:Films based on British novels

Category:British independent films

Category:British black-and-white films

Category:Films directed by Ralph Thomas

Category:Films shot at Pinewood Studios

Category:Films about politicians

Category:Films scored by Malcolm Arnold

Category:1960s British films

Category:1961 independent films

Category:English-language drama films

Category:English-language independent films