Philip Quirk

{{short description|Australian photographer, photojournalist and educationist}}

{{Use Australian English|date=February 2020}}{{Use dmy dates|date=February 2020}}

{{Infobox artist

| name = Phil Quirk

| image =

| image_size =

| caption =

| birth_name = Philip Quirk

| birth_date = 11 November 1948

| birth_place = Melbourne, Australia

| death_date =

| death_place =

| nationality = Australian

| spouse = Diana Dennison

| children =

| field = Photography

| training = Prahran College of Advanced Education, COFA, University of New South Wales

| movement =

| works =

| patrons =

| influenced by =

| influenced =

| awards =

| elected = spokesperson for the Society of Advertising, Commercial and Magazine Photographers (ACMP) on copyright issues (1998 - 2004); Chairman of Judges, ACMP Photographer Collection Melbourne in 2000

| website = [http://www.philipquirk.com]

}}

Philip Quirk (11 November 1948, Melbourne) is an Australian photographer, photojournalist and educationist, known for his specialist imagery of landscape, geographic and documentary photography, and as a founding member of the Wildlight agency.

Early life and education

Philip Quirk was born in Melbourne, Australia on 11 November 1948 to Valentine Quirk, a communications engineer, and mother Phyl.{{Cite web|url=https://nla.gov.au/nla.party-538286|title=Quirk, Philip (1948-) - People and organisations|website=Trove|language=en|access-date=2020-02-13}} He grew up with a younger sister and older brother in East St Kilda & Caulfield and attended St Kilda Christian Brothers College where he completed Matriculation before briefly studying Business at RMIT.

From the age of 14, he had been a keen surfer around Torquay. However, in a 1969 car accident, he suffered a severely broken arm. Over the year that it took to recover, he started to photograph his surfer friends with a 35mm Pentax Spotmatic and telephoto 500mm F5.5 Takumar lens. Through a friend, Quirk met the Melbourne fashion photographer and stylist couple Bruno & Hazel Benini, who gave him access to their darkroom in which to process his surfing shots. His first published photograph was in the Melbourne Herald for an article on Bells Beach by Victorian surf champion Rod Brooks.

In 1970, Bruno Benini encouraged him to enter Ilford Australia's national competition, the 'Age of Aquarius', for a return trip to London. He was short listed in the final ten, though then disqualified as an amateur. He went on to assist Benini, who arranged a meeting for him with the contest winner Paul Cox,'UK trip for photo winner', in The Age, Sat, 19 September 1970, p.5 who was lecturer in photography at Prahran College of Advanced Education. With his parents' blessing, Quirk enrolled to study there 1971-3 under Gordon De L’Isle, Athol Shmith and Cox,{{Citation | author1=Buckrich, Judith Raphael | author2=Buckrich, J | author3=Prahran Mechanics' Institute | title=Design for living : a history of 'Prahran Tech' | page=164 | date=2007 | publisher=Prahran Mechanics' Institute Press | isbn=978-0-9756000-8-5 }} while continuing as Benini's assistant until 1974.

Career

On graduation, Quirk worked as a photographer for the Southern Cross Newspaper Group. He was also a lecturer at Gordon Institute of Technology (now Deakin University) and at Photography Studies College before moving to Sydney in 1976 to start a freelance photojournalism practice. There, he also taught part-time at Sydney College of the Arts and later was a foundation lecturer at the Australian Centre for Photography. With Grenville Turner and Mark Lang, Quirk worked at a Surry Hills studio run by Anthony Browell & Graham McCarter, before founding the Wildlight Agency. In 1982, he traveled to Wales to research and photograph for a book on the eisteddfod there and in Australia.{{cite news |url=http://nla.gov.au/nla.news-article126895892 |title=LETTERS to the Editor |newspaper=The Canberra Times |location=Australian Capital Territory, Australia |date=15 May 1982 |access-date=15 February 2020 |page=2 |via=Trove }}

= Wildlight =

Rick Smolan's A Day in the Life of Australia project through 1981-2,{{cite news|url=http://nla.gov.au/nla.news-article55190629|title=A DAY IN THE LIFE OF AUSTRALIA|date=18 November 1981|newspaper=The Australian Women's Weekly|access-date=15 February 2020|location=Australia|page=1 (A DAY IN THE LIFE OF AUSTRALIA)|via=Trove}}{{Citation|author1=Park, Andy|title=A day in the life of Australia|date=1981|publisher=A Day in the life of Australia Pty Ltd|isbn=978-0-9594244-0-9|author2=Smolan, Rick}} was a catalyst for the origins of Wildlight Photo Agency. Carolyn Johns{{Cite web|url=http://www.carolynjohnsphotography.com/about|title=Carolyn Johns biography|website=Carolyn Johns|language=en-US|access-date=2020-02-16}} & Philip Quirk were photographers for the project, Christina De Water a volunteer. During the project, they met and socialised with influential international photographers, many of whom were attached to agencies. Later reencountering some who returned on their way to shoot assignments, they became inspired to establish their own, believing an Australian agency could deliver a better conduit to international magazines and publishers for Australian imagery. In 1984, they met with Oliver Strewe{{Citation | author1=Swinburne Graphic Design | author2=Strewe, Oliver, 1950- | title=Reading rewards: Jenny Kee : Jenny Kee is not only one of Australia's great fashion designers, she is also an avid reader | date=1900 | url=https://trove.nla.gov.au/work/230166491 | accessdate=16 February 2020 }} about forming such a cooperative. In 1985, Wildlight Photo Agency opened at 165 Hastings Parade Bondi Beach where they stayed for 10 years. Then they moved to offices at 87 Gloucester Street, The Rocks, and finally to Suite 14, 16 Charles St., Redfern.{{Citation|author1=Poehner, Donna|title=2009 photographer's market : where & how to sell your photographs|date=2008|publisher=Writer's Digest; Newton Abbot : David & Charles [distributor]|isbn=978-1-58297-546-7|url-access=registration|url=https://archive.org/details/2009photographer00writ}}

From 1990–2003, Quirk was Wildlight's managing director. As part of the agency’s activities between 1997 and 2001, he managed and published Australian Faces & Places Diary, a showcase of Australian reportage & documentary photography of exclusively black-and-white imagery printed in warm duo-tone.{{cite news | title=Mono Log | newspaper=The Age | date=6 December 1997 | page=289}} The agency, as a photographers' cooperative, was wound up on 13 December 2013, but the image collection is maintained by Andrew Stephenson.

Quirk's photographs were published widely, through Wildlight and freelance, in numerous books, newspapersThe Age, Saturday, 30 March 1985 and magazinesYvette Steinhauer, 'Click go the shutters,' in The Age Good Weekend22 July 1988, p.84–90 including The Sunday Times Magazine, The Observer Magazine (UK), Stern, Der Spiegel, GEO, Time, Newsweek and National Geographic

Artist

Since 1972, Quirk has continually exhibited his early street photography,{{Cite web|url=https://www.artgallery.nsw.gov.au/collection/works/89.1981/|title=Untitled (circus)|last=Quirk|first=Philip|date=1978|website=Art Gallery of New South Wales|archive-url=|archive-date=|access-date=2020-02-16|first9=Contact}} mature-period landscapes, social documentaries of country people, and portraits of Australian personalities, including Sidney Nolan and Brett Whiteley. He is represented by Josef Lebovic Gallery in Kensington,{{Cite web|url=https://www.joseflebovicgallery.com/advSearchResults.php?action=search&orderBy=relevance&category_id=0&keywordsField=Philip+Quirk|title=Results for: Keywords: Philip Quirk|last=www.bibliopolis.com|website=Josef Lebovic Gallery|language=en-US|access-date=2020-02-13}} and previously by Sydney's Macquarie Galleries before their cessation.

Quirk's work has been secured for most major national public collections, and he was thus represented in On the Edge: Australian Photographers of the Seventies, at San Diego Museum of Art, California in 1995. The photographs drawn from the Philip Morris collection at the National Gallery of Australia. Quirk's imagery of the period often contains wry visual commentary on Australian lifestyles,{{Cite web|url=https://www.artgallery.nsw.gov.au/collection/works/33.1981/|title=The Lone Ranger|last=Quirk|first=Philip|date=1973|website=Art Gallery of New South Wales|archive-url=|archive-date=|access-date=2020-02-16}} especially its beach culture.{{Cite web|url=https://www.artgallery.nsw.gov.au/collection/works/90.1981/|title=Untitled (Sunbaker, Bondi)|last=Quirk|first=Philip|date=1980|website=Art Gallery of New South Wales|archive-url=|archive-date=}}

In order to represent the expansive and often flat Australian landscape,{{Cite web|url=https://www.artgallery.nsw.gov.au/collection/works/298.1987/|title=Nocundra Hotel near Jackson, Queensland, printed 1985|last=Quirk|first=Philip|date=1984|website=www.artgallery.nsw.gov.au|archive-url=|archive-date=|access-date=2020-02-16}} Quirk advanced the use of the panorama. Before 1979, he used a Hasselblad to create panoramas (mostly of landscape subjects) for David Beal's Audience Motivation, a pioneering audio-visual company based in Paddington.{{Cite web|url=http://ampicturelibrary.ifp3.com/|title=Australia and South East Asia by David Beal and friends|website=AM Picture Library|language=en|access-date=2020-02-16}}{{Cite web|url=http://www.meetingsevents.com.au/members/pdfs/History_of_Meetings_Industry.PDF|title=TwentyYears of Talking: A history of the meetings industry in Australia|last=Lloyd|first=Pamela|date=October 1997|website=Meetings Industry Association of Australia|archive-url=|archive-date=|access-date=}}{{Citation | author1=Beal, David | title=Ōsutoraria imēji = Australian image | date=1985 | publisher=Audience Motivation | isbn=978-0-9589862-0-5 }} The precisely cut medium-format colour transparencies were overlapped so that no line was visible on screen. However, by the mid 1990s, video projection made slide projection redundant. Beal imported the first 6x17 cm camera, the Linhof Technorama 617 into the country and Quirk adopted it in 1981, using a Schneider Super Angulon 90mm f5.6 wide-angle lens. Other Wildlight photographers, Grenville Turner and Mark Lang, also found the camera useful for imagery of outback Australia in which the Agency specialised, before the 6x17 cm format became commonplace, and panoramas clichés of domestic décor.Morris, M. (2006). Panorama: the live, the dead and the living. In Identity anecdotes: Translation and media culture (pp. 40-79). London: SAGE Publications Ltd.

Reception

Senior Australian photographer Max Dupain highlights Quirk's work in his review of a landmark survey at the Albury Regional Gallery;

{{blockquote|Phillip Quirk observes life and it offshoots with a keen eye for elements that seem to fall into exact places which he endows with a twist of wry humour (City to Surf). Look at the interaction of both horses' legs in The Drought. The symmetry is so well-timed and composed"Max Dupain, "Pictures: it's the result that matters", The Sydney Morning Herald, Tue, Oct 18, 1983, p.10}}

Critic Anne Latrielle in The AgeAnne Latrielle, ’Cuttings’, 20 Jun 1989, p.24 praised his representations of Australian flora in a show at The Lighthouse Gallery, Prahran;

{{blockquote|"Philip Quirk shows the city-dweller stunning aspects of the Australian landscape, from the pastoral calm of river redgums on the Murray River at Barmah to the brooding stillness of alpine forms under snow. Despite two decades of degradation the remaining scenic resources of our country are awe-inspiring. No one interested in our native flora should miss this show."}}

In her summation of the year 1989 in photography, Beatrice Faust singled out Quirk's wilderness imagery in that exhibition as "exquisitely coloured and [using] natural light in a uniquely creative way."Beatrice Faust, ‘A year of sapphires and garlic,’ in The Age, Friday, 5 Jan 1990 p.10 and earlier elaborated;

{{blockquote|"Light is the key to Quirk’s fascination. The true subject of his work is not just the furnishings of the landscape but the space and light that gives it life. He uses delicate bounce light from snow to bring out the extraordinarily subtle colours in rocks that most of us would see as black, or catches the horizontal light of sunrise and sunset to bring out the colour latent in grass and foliage."Beatrice Faust, ‘Quirk gets national heritage in focus,’ in The Age, Monday Jun 26, 1989, p.14}}

Recent career

At the end of 2003, after eighteen years, Quirk stood down as the managing director of Wildlight Photo Agency. He is presently living in Sydney and archiving its output. Since his retirement from the agency, Quirk has undertaken a series of speaking engagements, including the 2003 David Moore Lecture, 2004 Walkley Forum, and the gallery floor talks and presentations to Media Arts students.

In 2005, Quirk was commissioned by the NSW Farmers Association to make a series of portraits of farming families and their working life in 13 regions of New South Wales.{{Cite web |last=Australian Wool Innovation Limited |date=2022 |title=Australian Wool Innovation Limited Performance Report 2021/2022 |url=https://www.wool.com/globalassets/wool/about-awi/how-we-consult/measuring-performance/accordion/2021-22-performance-report.pdf |access-date=2 April 2023 |website=Australian Wool Innovation Limited}} He followed that with a project during the continuing drought in 2006 in Hay. This broader series documented the landscape, arable farming, and the natural environment with portraits to illustrate the subjects’ relationships with the land, accompanied with text recording their concerns over drought and environmental degradation caused by reduced water flows in the two major river systems in the district.{{Cite news |last=Barlow |first=Genevieve |date=23 April 2007 |title=On the record |work=The Age |url=https://www.theage.com.au/technology/on-the-record-20070423-ge4q13.html |access-date=2 April 2023}}

Photographic educator

{{BLP unreferenced section|date=February 2023}}

Amidst his professional work, Quirk continued his teaching activities and was Chairman for Australia and NZ of the World Press Photo Joop Swart Masterclass 1998 - 2013.{{Cite web |last=jamesmmcardle |date=2023-12-15 |title=The Alumni: Phil Quirk |url=https://prahranlegacy.org/2023/12/15/the-alumni-phil-quirk/ |access-date=2024-04-20 |website=Prahran Photography |language=en}} The event was held in the Netherlands annually and 12 photographers under 31 years of age from around the world are selected to attend. The objective of this competitive award is to advance their professional development.{{Cite web |title=Joop Swart Masterclass {{!}} World Press Photo |url=https://www.worldpressphoto.org/education/programs/joop-swart-masterclass |access-date=2024-04-20 |website=www.worldpressphoto.org}} Australian recipients of this award in 2010 included Trent Parke, Jesse Marlow and Adam Ferguson.{{Cite web |title=Joop Swart Masterclass alumni {{!}} World Press Photo |url=https://www.worldpressphoto.org/education/programs/joop-swart-masterclass/alumni |access-date=2024-04-20 |website=www.worldpressphoto.org}}

Quirk has won industry awards and government grants for his projects which have included a commission from the organisation 'Beyond Empathy' which uses arts intervention to address the deficits experienced by disadvantaged individuals and communities.{{Cite web |title=Philip Quirk - Philip Quirk Photographer {{!}} LinkedIn |url=https://au.linkedin.com/in/philip-quirk-4549b913 |access-date=2024-04-20 |website=au.linkedin.com |language=en}} For them, over 2006/7 Quirk taught and work-shopped photographic portraiture in two communities in New South Wales at Moree and Armidale. These workshops were aimed at young mothers, many of them teenagers, and to male teenagers who were often in trouble with the law. He also made portraits of individuals in the groups.

In advancing his own education, during 2009–2011 Quirk undertook a master's degree by Research, COFA, University of New South Wales.

Industry representative

Quirk has been active in representing his industry, and was spokesperson for the Society of Advertising, Commercial and Magazine Photographers (ACMP) on copyright issues (1998 - 2004); Chairman of Judges, ACMP Photographer Collection Melbourne in 2000; and judge for the Nikon Walkley Foundation Photographic Awards in 2008.

Lecturer in Photography

Authored books

  • {{Citation | author1=Quirk, Philip | author2=Feddersen, Melanie. (Designer) | author3=Schmelzer, Barbara. (Binder) | author4=Digitalpress (Firm) (Printer) | author5=Josef Lebovic Gallery (Distributor) | title=Oxford Street profile | date=2011 | publisher=Philip Quirk | url=https://trove.nla.gov.au/work/173093842}}
  • {{Citation | author1=Wildlight Photo Agency | title=Australian faces & places | date=1999 | publisher=Pluto Press | isbn=978-1-86403-044-0 }}
  • {{Citation | author1=Wildlight Photo Agency | title=Wildlight Sydney | date=1998 | publisher=Hardie Grant Books | isbn=978-1-86498-007-3 }}
  • {{Citation | author1=Wildlight Photo Agency | title=Across the top | date=1998 | publisher=Hardie Grant Books | isbn=978-1-86498-005-9 }}
  • {{Citation | author1=Quirk, Philip | title=Farm : life on the land | date=1997 | publisher=William Heinemann Australia | isbn=978-0-85561-736-3 }}
  • {{Citation | author1=Wildlight Photo Agency | title=Australian faces & places | date=1997 | publisher=Pluto Press | isbn=978-1-86403-038-9 }}
  • {{Citation | author1=Quirk, Philip | author2=Yunupingu, Mandawuy | author3=Quirk, Philip | title=Wild light : images of Australia | date=1997 | publisher=Hamlyn | isbn=978-0-947334-78-9 }}
  • {{Citation | author1=Wildlight Photo Agency | title=Australian faces & places | date=1996 | publisher=Pluto Press | isbn=978-1-86403-031-0 }}
  • The Eisteddfods of Australia & Wales, hand-made (edition of 1) 1982

Contributor to books

  • {{Citation | author1=Mirams, Jacinta | author2=Boag, Jules | author3=Mirams, Jacinta | author4=Albury City Art Gallery | title=The history of the National Photography Prize | year=2009 | publication-date=2009 | pages= 22, 23| publisher=City of Albury | isbn=978-0-9578258-2-6 }}
  • {{Citation | author1=Park, Andy | author2=Smolan, Rick | title=A day in the life of Australia | date=1981 | publisher=A Day in the life of Australia Pty Ltd | isbn=978-0-9594244-0-9 }}
  • {{Citation | author1=McGregor, Malcolm | title=A day in the life of New Zealand : Friday March 18th 1983 | date=1983 | publisher=J.M. McGregor | isbn=978-0-85921-210-6 }}
  • {{Citation | author1=Smolan, Rick | author2=Cohen, David, 1955- | title=A Day in the life of California | date=1988 | publisher=San Francisco Collins Publishers | isbn=978-0-00-215162-7 | url-access=registration | url=https://archive.org/details/dayinlifeofcalif0000unse }}
  • {{Citation | author1=Suich, Max, 1938- | author2=Suich, Jennie | title=The Great Australian annual | date=1983 | publisher=Kevin Weldon & Associates | isbn=978-0-949708-04-5 }}
  • {{Citation | author1=Mayne, Robert | title=The great Australian wine book | date=1985 | publisher=Reed Books | isbn=978-0-7301-0101-7 }}
  • {{Citation | author1=Falkiner, Suzanne | title=Wilderness | date=1992 | publisher=Simon & Schuster | isbn=978-0-7318-0144-2 }}
  • {{Citation | author1=Falkiner, Suzanne | author2=McKay, Lesley | title=Settlement | date=1992 | publisher=Simon & Schuster | isbn=978-0-7318-0145-9 }}
  • {{Citation | author1=Lawrence, Anthony, 1912- | title=A Salute to Singapore | date=1984 | publisher=Times of Singapore | isbn=978-9971-83-919-2 }}
  • {{Citation | title=The racing game : a tribute to the Australian horse racing industry | date=1985 | publisher=Joyce Childress | isbn=978-0-9591313-1-4 }}
  • {{Citation | author1=Morris, Brian | author2=Wildlight Photo Agency | title=Australia take a bow : the life, landscape and people | date=1988 | publisher=John Ferguson in association with Angus & Robertson | isbn=978-0-949118-31-8 }}
  • {{Citation | author1=O'Shaughnessy, Pieta | author2=Lawton, Jane | author3=McDougall, Dee | author4=Smith, Arnold Pudding | author5=Smith, Arnold Pudding. Stop ringing the submission bells | title=A traveller's guide to Aboriginal Australia | date=2000 | publisher=Desert Images | isbn=978-0-646-38205-0 }}
  • {{Citation | author1=Mary Ann Harrell | author2=National Geographic Society (U.S.). Special Publications Division | title=Surprising lands down under | date=1989 | publisher=Washington, D.C National Geographic Society | isbn=978-0-87044-719-8 | url-access=registration | url=https://archive.org/details/surprisinglandsd00harr }}
  • Faces of Australia, Australia Post - Hardie Grant Melbourne
  • {{Citation | author1=Groppe, Brian | title=Sydney : world-class jewel | date=1999 | publisher=Towery Pub | isbn=978-1-881096-68-9 }}
  • {{Citation | author1=Smolan, Rick | author2=Erwitt, Jennifer | title=One digital day : how the microchip is changing our world | date=1998 | publisher=Times Books/Random House in association with Against All Odds Productions | edition=1st | isbn=978-0-8129-3031-3 | url-access=registration | url=https://archive.org/details/onedigitaldayhow00smol }}
  • {{Citation | author1=Halliday, James | author2=Coronel, Carlos | title=Wine atlas of Australia & New Zealand | date=1998 | publisher=HarperCollins | edition=Revised | isbn=978-0-7322-6448-2 }}{{cite news |url=http://nla.gov.au/nla.news-article127537470 |title=Many centurions add their expertise: A book of wine enjoyment |newspaper=The Canberra Times |location=Australian Capital Territory, Australia |date=14 November 1985 |access-date=15 February 2020 |page=7 (the good times a supplement to The Canberra Times) |via=Trove }}
  • {{Citation | author1=Reader's Digest (Australia) | title=Reader's Digest book of the road | date=1999 | publisher=Reader's Digest (Australia) | isbn=978-0-86449-378-1 }}
  • {{Citation | author1=McCulloch, Susan | title=Contemporary aboriginal art : a guide to the rebirth of an ancient culture | date=1999 | publisher=Allen & Unwin | isbn=978-1-86448-631-5 }}
  • {{Citation | author1=Woldendorp, Richard | author2=McDonald, Roger, 1941- | author3=Burdon, Amanda | title=Wool : the Australian story | date=2003 | publisher=Fremantle Arts Centre Press in association with Richard Woldendorp | isbn=978-1-86368-396-8 }}
  • {{Citation | author1=Art Gallery of New South Wales | author2=Pearce, Barry | author3=George, Alec | author4=Pellow, Ashlie | title=Brett Whiteley Studio | date=2007 | publisher=Art Gallery of New South Wales | isbn=978-1-74174-012-7 }}
  • {{Citation | author1=Atkinson, Geoffrey | author2=Quirk, Philip, 1948- | title=The Australian adventure : the explorer's guide to the island continent | date=1988 | publisher=Salem House | isbn=978-0-88162-361-1 }}
  • {{Citation |last1=Phelan |last2=Ramsden |first2=Philip |last3=Lang |first3=Mark |last4=Quirk |first4=Philip |first1=Nancy |title=Mosman impressions |date=1993 |editor-last=Agoston-O'Connor |editor-first=Susie |publisher=Mosman Municipal Council |edition=Collector's |place=Mosman |isbn=978-0-646-12772-9}}

Newspapers & Magazines

= Australia =

{{columns-list|colwidth=15em|

  • The Age,
  • The Sydney Morning Herald,P. Quirk, images for 'Treasure Islands Sydney Harbour', in The Sydney Magazine (supplement of weekend SMH) AUS, July 2006, pps. 48-52P. Quirk, images for 'In the Swim', in The Sydney Magazine (supplement of weekend SMH) AUS, January 2007, pps. 46-50
  • The Australian, Good Weekend,
  • The Bulletin,Phil Quirk, Who’s who & what’s up down under (Bicentennial edition), The Bulletin AUS, January 1988, p.14, 20, 21, 24, 25, 28
  • Australian Geographic,
  • The Australian Women's Weekly,{{cite news |url=http://nla.gov.au/nla.news-article55478159 |title=City lights like stardust |newspaper=The Australian Women's Weekly |location=Australia |date=21 February 1979 |access-date=15 February 2020 |page=58 |via=Trove }}
  • GEO Australia, Outdoor Australia,P. Quirk, photographs for article by Andrew Darby, 'Cradle of Splendour,' Outdoor Australia, October/November 1998, cover, p.30
  • The Australian Way (Qantas in-flight magazine),P. Quirk, photographs for 'Life on the Land' (editorial for Quirk Exhibition Farm Byron Mapp Gallery Sept 10 – 5 Oct), The Australian Way, September 1997, p.71-73
  • Time,
  • Who? Weekly,P. Quirk, photographs for article by John Dunn, 'Heartbreak on the Farm', Who? Weekly, April 1991, pps.21-25P. Quirk, photographs for article Bryce Courtenay, 'Goodbye Damon', Who Weekly, April 1993, cover, pps.24-25, 31, 33, 34
  • The West Australian Magazine,Phil Quirk, 'Images of OZ', in The West Australian Magazine AUS, July 1988, cover, pps. 8,9,13
  • The Independent Phil Quirk, images in 'This Australia Half Broken,' in The Independent, April 1995, pages 71-74
  • Penthouse, AustraliaP. Quirk, photographs for article Tom Doyle, 'Photographers Choice,' in Penthouse AUS, November 1983, p.98

}}

= International =

{{columns-list|colwidth=15em|

  • The Sunday Times Magazine,
  • The Observer,Phil Quirk, images in Keith Waterhouse, 'On top of the world down under', in The Observer Magazine (UK), December 1987, pages 23, 28,30, 31, 33, 36, 37, 41Phil Quirk, images in article Paul Theroux, 'Walkabout', in Observer Magazine UK, December 1990, Pages 10-18
  • The New York Times Magazine,Phil Quirk, images in Paul Theroux, 'In the court of the King of Tonga' New York Times magazine USA, June 1992, p.36-42
  • Stern,
  • Der Spiegel,
  • GEO,'Australia', GEO Special, February 1986, 48,76, GermanyP. Quirk, photographs in 'Koalas', GEO South Korean edition, August 1994, p.32
  • Saison,
  • Holiday & Bunte (Germany),
  • Forbes,
  • Time,
  • Newsweek,
  • Sports Illustrated,
  • Wine Spectator,
  • Vanity Fair,
  • National Geographic,Phil Quirk, 3-page gatefold panorama of Melbourne skyline in article Ross Tirrill, 'Australia at 200', in National Geographic, USA, February 1988, Page 183
  • National Geographic Traveler (USA),
  • Emphasis Magazines (HK),
  • Travel + Leisure,Phil Quirk, images accompanying article by Barbara Beck, 'New Zealand', Travel + Leisure USA, September 1992, p.70-81, 126
  • Departures, UK,P. Quirk, photographs in Howard Jacobson, 'City Life, Melbourne', in Departures, UK, May/June 1989. Cover, pps. 48-67
  • Merian DEU,P. Quirk, photographs in 'Maori, New Zealand,' in Merian DEU, August 1996, p.53

}}

Collections

{{columns-list|colwidth=15em|

  • National Gallery of Australia, Canberra{{cite news |url=http://nla.gov.au/nla.news-article116376262 |title=Purchases by gallery |newspaper=The Canberra Times |location=Australian Capital Territory, Australia |date=30 March 1983 |access-date=15 February 2020 |page=3 |via=Trove }}
  • Art Gallery of New South Wales{{Citation | author1=Art Gallery of New South Wales | author2=Annear, Judy | title=Photography : Art Gallery of New South Wales Collection | date=2007 | publisher=Art Gallery of New South Wales | isbn=978-1-74174-006-6 }}
  • Parliament House Gallery Canberra ACT{{Cite web|url=https://www.aph.gov.au/Visit_Parliament/Whats_On/Exhibitions/Custom_Media/Competition_to_Completion|title=Competition to Completion – building Parliament House|website=www.aph.gov.au|language=en-AU|access-date=2020-03-19}}
  • National Library of Australia{{Cite web|url=https://trove.nla.gov.au/picture/result?q=%22Philip+Quirk%22|title=Trove search results for '"Philip Quirk"' - Pictures, photos, objects|website=Trove|language=en|access-date=2020-02-13}}
  • Art Gallery of South Australia{{Cite web|url=http://www.agsa.sa.gov.au/collection-publications/collection/|title=Collection Search|last1=st|first1=Visit North Terrace Adelaide SA 5000 Australia T. +61 8 8207 7000 E. infoartgallery sa gov au www agsa sa gov au AGSA Kaurna yartangka yuwanthi AGSA|last2=l|first2=s on Kaurna|website=AGSA - The Art Gallery of South Australia|language=en|access-date=2020-02-13|last3=Maps|first3=Open in}}
  • Queensland Art Gallery{{Cite web|url=http://collection.qagoma.qld.gov.au/qag/imu.php?request=display&port=45000&id=757b&flag=start&offset=0&sort=creatortitleaccno&count=20&view=lightbox&PublishOnIMuInternet=Y&value1=Quirk&column1=creatorculture|title=Search Results|website=collection.qagoma.qld.gov.au|access-date=2020-02-13}}
  • Artbank Sydney{{Cite web|url=http://artbank.gov.au/search/profile/6651|title=ARTBANK : Philip Quirk - Scribbly Gum Woodland|language=en-AU|access-date=2020-02-13}}
  • Albury Regional Art Gallery{{Cite web|url=https://albury.libero.com.au/libero/WebOpac.cls?VERSION=2&ACTION=UNO&RSN=&DATA=ALB&TOKEN=PDx2KvDy2x7592&Z=1&NewBreadCrumb=1|title=LIBERO WebOPAC SEARCH OUR COLLECTIONS (UN1)|website=albury.libero.com.au|access-date=2020-02-13}}
  • Horsham Regional Art GalleryHorsham Regional Art Gallery Annual Report and FINANCIAL STATEMENT 1989-1990, Presented to the Annual General Meeting of the Horsham Regional Art Gallery, 30 October 1990.
  • Monash Gallery of Art Melbourne{{Cite web|url=https://www.mga.org.au/collection/explore|title=Explore our collection|website=www.mga.org.au|language=en|access-date=2020-02-13}}

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Exhibitions

= Solo =

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  • 2011, 24 August–6 September: Oxford Street Profile, Barometer Gallery, Paddington{{Cite web|url=http://barometer.net.au/exhibitions/oxford-street-profile-osp/|title=Oxford Street Profile (OSP)|date=2016-11-04|website=Barometer|language=en-US|access-date=2020-02-23}}{{Cite web|url=https://www.starobserver.com.au/news/oxford-street-in-profile/59697|title=Oxford street in profile|date=2011-08-23|website=Star Observer|language=en-US|access-date=2020-02-23}}{{Cite web|url=https://www.smh.com.au/entertainment/art-and-design/urban-profile-documentary-narrative-offers-fresh-outlook-on-oxford-street-20110823-1j86i.html|title=Urban profile: documentary narrative offers fresh outlook on Oxford Street|last=Morris|first=Linda|date=2011-08-23|website=The Sydney Morning Herald|language=en|access-date=2020-02-23}}
  • 1997 Farm Life on the Land, George Gallery Melbourne', Byron Mapp Gallery Sydney{{Cite web|url=https://www.artlink.com.au/articles/2544/artrave/|title=Artrave|website=Artlink Magazine|language=en|access-date=2020-02-23}}
  • 1997, 28 May–15 June: Philip Quirk, The Photographers' Gallery, South Yarra.
  • 1989–1992 The People and the Paddocks, Touring Westpac Gallery Melbourne; regional Victoria; Settimana, Italy; Western Australia, N.S.W.
  • 1989 Stumbling in the Dark, Lighthouse Gallery Melbourne & Sogestsu Art Centre JapanThe Age, Tuesday, 13 June 1989, p.14'Forest Quirks,' in The Age, 1 Jul 1989, p.325
  • 1989 And The Rains Came, 1982-1984 Touring Indonesia Dept of Foreign Affairs
  • 1988 Stumbling in the Dark, Macquarie Galleries Sydney
  • 1988 And the Rains Came, Touring NSW, VIC & QLD Regional Galleries
  • 1986 Works by Philip Quirk, Intaglio, PrahranThe Age, Friday 30 May 1986, p.37
  • 1983 Black & White Photographs, touring exhibition Macquarie Galleries, Sydney; The Developed Image, Adelaide; Orange Regional Art Gallery NSW

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= Group =

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  • 2011, 29 October–26 November Photographic Panoramas, Josef Lebovic Gallery{{Cite web|url=https://www.joseflebovicgallery.com/images/upload/CL_153_Panoramas.pdf|title=Photographic Panoramas Collectors' List No. 153, 2011|last=|first=|date=2011|website=Josef Lebovic Gallery|archive-url=|archive-date=|access-date=}}
  • 2010, 29 April–8 May: Head Off - Australian Landscapes by Wildlight Photographers, Mark Lang, Grenville Turner, Philip Quirk, Head On Photo Festival, Paddington Reservoir Gardens, Cnr Oxford Street and Oatley Road, Paddington{{cite web | url=https://www.headon.com.au/exhibitions/head-australian-landscapes-wildlight-photographers | title=Head off - Australian landscapes by Wildlight photographers | Head on Photo Festival }}
  • 2010 Candid Camera Australian Photography 50s-70s, Art Gallery of S.A.
  • 2010, 31 July–18 April: Creating the look: Benini and fashion photography, Powerhouse Museum, 500 Harris St., Ultimo NSW{{Cite web|url=https://maas.museum/event/creating-the-look-benini-and-fashion-photography/|title=Creating the look: Benini and fashion photography|website=Museum of Applied Arts and Sciences|language=en-US|access-date=2020-02-23}}{{Citation | author1=Van de Ven, Anne-Marie | author2=Benini, Hazel | author3=Powerhouse Museum | title=Benini : creating the look : Benini and fashion photography | year=2010 | publication-date=2010 | publisher=Powerhouse Publishing | isbn=978-1-86317-130-4 }}
  • 2010 Bowness Photography Prize, Monash Gallery of Art Melbourne
  • 2010 Earth, Flower and Water, Centennial Park Sydney
  • 2009 Australian Photography 1858-2009, Josef Lebovic Gallery
  • 2008 Industrial Photography, Josef Lebovic Gallery
  • 2006 Making Hay, Shear Outback Museum Hay and Span Gallery
  • 2005 Australian Landscape & Cityscape, Josef Lebovic Gallery
  • 2005 Focus, Danks Street Galleries
  • 2005 Face to Face, National Trust SH Ervin Gallery{{Cite web|url=https://www.shervingallery.com.au/wp-content/uploads/2017/11/Face-to-Face-exhibiton-checklist.pdf|title=FACE TO FACE:An exhibition of portrait and figurative photography from the Albury Regional Art Gallery Collection 29 January – 6 March 2005|last=|first=|date=2005|website=S.H. Ervin Gallery|archive-url=|archive-date=|access-date=}}
  • 2004 Australian Post-war Photo-documentary, Art Gallery of NSW
  • 2004 Australian Photography 1928 – 2004 Josef Lebovic Gallery
  • 2000 Fine Photography Collectors List No 85, Josef Lebovic Gallery
  • 1995 On the Edge, San Diego Museum of Art USA{{cite news |url=http://nla.gov.au/nla.news-article132461930 |title=ARTS & ENTERTAINMENT Celebrating the family |newspaper=The Canberra Times |location=Australian Capital Territory, Australia |date=27 January 1995 |page=13 |via=Trove }}
  • 1994 Critics’ Choice, Art Gallery of NSW
  • 1994 We are Family, Art Gallery of NSW
  • 1991 Contemporary Colour Photographs, Art Gallery of NSW
  • 1988 Shades of Light, Bicentennial Exhibition ANG Canberra
  • 1988 CSR Collection, Art Gallery of NSW
  • 1988 The Lady Fairfax Memorial Award, Art Gallery of NSW
  • 1988 Portraiture made in Australia, Images Gallery
  • 1983 The Lady Fairfax Memorial Award, Art Gallery of NSW
  • 1983, from 21 April; Australian Street Photography: the 1970s, Australian National Gallery{{cite news |url=http://nla.gov.au/nla.news-article116379327 |title=Advertising |newspaper=The Canberra Times |location=Australian Capital Territory, Australia |date=16 April 1983 |access-date=15 February 2020 |page=5 |via=Trove }}
  • 1983 Australian Wilderness Photography, NSW University
  • 1982 The Lady Fairfax Memorial Award, Art Gallery of NSW
  • 1982 Colour Photography, Newcastle City Gallery NSW
  • 1982 On the Beach, Wollongong City Gallery NSW
  • 1982 Heatwave, Australian Centre for Photography
  • 1981 Recent Acquisitions, Art Gallery of NSW
  • 1975-81 Phillip Morris Trust Collection, Touring Australia
  • 1975/6 Erwin Art Gallery, Melbourne University
  • 1974/5, 21 November–18 January: Aspects of Australian Photography, Inaugural Exhibition, Australian Centre for PhotographyGouriotis, K., & Quilty, A. (2013). 'A defining moment': Graham Howe in conversation. Photofile, (93), p.94Gavin Souter, 'The camera finds a home' (with photographs by John Walsh & Philip Quirk), Sydney Morning Herald Weekend Magazine, 23 November 1974Craig McGregor, 'The photo as anti-art,' in The Australian, 23 November 1974'A $100,00 investment in photographic arts' (with photographs by Ken Middleton & Philip Quirk), in The National Times, 25 November 1974Daniel Thomas, 'Witty photography', in The Sydney Morning Herald, December 1974John Williams, 'Home-grown photography,' in The Australian, 28 November 1974
  • 1973 Student Exhibition, Kodak Gallery Melbourne
  • 1972 Ilford Age of Aquarius, finalist, Melbourne

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Representations in compilations of photography

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  • 2016 Carol Jerrems (1949-1980) Josef Lebovic Gallery Catalogue, Collector’s List No 186, two lots; Nos. 49 & 50 Carol Jerrems in "The Journey" a Paul Cox film 1972, p.15
  • 2015 Australian & International Photography, Josef Lebovic Gallery Catalogue, Collector’s List No 178, 1 lot; No 137 St Heliers Bay, Auckland, p.27
  • 2013 Australian & International Photography, Josef Lebovic Gallery Catalogue, Collector’s List No 164, 1 lot; No 123 Lone Ranger, Melbourne 1973/1995, p.24
  • 2012 Australian & International Photography, Josef Lebovic Gallery Catalogue, Collector’s List No 159, two lots; No 158 Fun Parlour, Manly 1977, No 159 Sole Bros Circus Back Door, Sydney, 1978/1995, p.29
  • ' Man of the Land,' in {{Citation | author1=Australian Photographic Society | title=Australian photography | journal=Nature | year=1915 | volume=96 | issue=2401 | publication-date=2012 | pages=24–30| publisher=Globe Pub | doi=10.1038/096262a0 | bibcode=1915Natur..96..262J | s2cid=3953976 | issn=0004-9964 | doi-access=free }}
  • 2012 Australian Photography Magazine, profile
  • 2011 Philip Quirk, Oxford Street Profile, 6-page catalogue, Josef Lebovic Gallery
  • 2011 Josef Lebovic Gallery Panoramas Catalogue, Collector’s List, two lots; No 153, No 123 75th Anniversary of the RAN Sydney Harbour 1986/2005, No 125 Australia Day – Bicentennial Sydney Harbour 1988/2005, p.32
  • 2011 Greeting card series from the Art Gallery of NSW Collection
  • {{Citation | author1=Robinson, Julie | author2=Art Gallery of South Australia | title=Candid camera : Australian photography 1950s-1970s | publication-date=2010 | publisher=Art Gallery of South Australia | url=https://trove.nla.gov.au/work/37403751 | accessdate=4 March 2020 }}
  • 2009 Australian Photography 1858-2009 Josef Lebovic Gallery Catalogue
  • 2008 Industrial Photography Josef Lebovic Gallery Catalogue, three entries, No 97 Sole Bros. Circus 1978, No 98 Sydney Cityscape 1982 (colour), No 99 Berriwillock The Mallee 1983 (colour), p.18
  • {{Citation | author1=Art Gallery of New South Wales | author2=Annear, Judy | title=Photography : Art Gallery of New South Wales Collection | year=2007 | publication-date=2007 | publisher=Art Gallery of New South Wales | isbn=978-1-74174-006-6 }}
  • {{Citation | author1=Conrad, Peter | title=At home in Australia | year=2003 | publication-date=2003 | publisher=Thames & Hudson | isbn=978-0-500-51141-1 }}
  • {{Citation | author1=Imhoff, Robert | author2=Society of Advertising, Commercial and Magazine Photographers (Australia) | title=The Australian photographers collection 7 | date=September 2002 | publication-date=2001 | publisher=Society of Advertising, Commercial and Magazine Photographers; Findon, S.Aust. : Bookwise International (distributor) | isbn=978-0-9577442-2-6 }}
  • 2001–1997 {{Citation | author1=Wildlight Photo Agency | title=Australian faces & places | year=1996 | publication-date=1996 | publisher=Pluto Press | isbn=978-1-86403-031-0 }}
  • {{Citation | author1=National Gallery of Australia | author2=San Diego Museum of Art | title=On the edge : Australian photographers of the seventies, from the collection of the National Gallery of Australia, Philip Morris Arts Grant | year=1994 | publication-date=1994 | publisher=DGB Publications | isbn=978-0-937108-18-5 }}
  • 1994 Commercial Photography Magazine
  • 1990 Postcard Collection, Wildlight
  • {{Citation | author1=Newton, Gael | author2=Ennis, Helen | author3=Long, Chris | author4=Crombie, Isobel | author5=Davidson, Kate | author6=Australian National Gallery | title=Shades of light : photography and Australia 1839-1988 | year=1988 | publication-date=1988 | publisher=Australian National Gallery : Collins Australia | isbn=978-0-642-08152-0 }}
  • {{Citation | author1=Willis, Anne-Marie | title=Picturing Australia : a history of photography | year=1988 | publication-date=1988 | publisher=Angus & Robertson | isbn=978-0-207-15599-4 }}
  • {{Citation | author1=Kinross-Smith, Graeme, 1936- | author2=Evans, Joyce | author3=Deakin University | title=Window to Australia : photographs | date=1987 | pages= 17, 23 | publisher=Deakin University | isbn=978-0-7300-0498-1 }}
  • {{Citation | author1=Le Pechoux, Jean-Marc | author2=Beilby, Peter | title=The Australian photography yearbook 1983 | date=1982 | publisher=Nelson and Roscope | isbn=978-0-00-810488-7 }}
  • 1982 Postcards Colour Cosbook
  • 1982 The Eisteddfods B&W hand made book by Geoffrey Major
  • {{Citation | author1=Art Gallery of New South Wales | author2=Capon, Edmund | author3=Menzies, Jackie | title=3 years on : a selection of acquisitions, 1978-1981 | year=1981 | publication-date=1981 | publisher=Board of Trustees, The Art Gallery of N.S.W | isbn=978-0-7240-6377-2 }}
  • Philip Quirk Interview, cover, in {{Citation | author1=Australian Hi-Fi Publications | title=Australian Hi-Fi's photographic annual | pages= 33–38| publication-date=1980 | publisher=Australian Hi-Fi Publications | issn=0727-3622 }}
  • {{Citation | author1=Philip Morris (Australia) | author2=Mollison, James, 1931- | title=Australian photographers : the Philip Morris Collection | year=1979 | publication-date=1979 | publisher=Philip Morris (Australia)Ltd | isbn=978-0-9500941-1-3 }}
  • {{Citation | title=Light Vision | date=1978 | publisher=Light Quest Publications | issn=0314-867X }}
  • {{Citation | author1=Howe, Graham | author2=Howe, Graham, 1950- | author3=Australian Centre for Photography | title=New photography Australia : a selective survey | year=1974 | publication-date=1974 | publisher=Australian Centre for Photography | isbn=978-0-909339-00-5 }}
  • {{Citation | author1=Australian Centre for Photography | author2=Howe, Graham | title=Aspects of Australian photography | year=1974 | publication-date=1974 | publisher=The Australian Centre for Photography | isbn=978-0-909339-02-9 }}

}}

Grants/Scholarships

  • 2009 Australian Postgraduate Scholarship COFA University of NSW
  • 1997–2001 Diamond Press & Australian Paper for Aust’n F & P Diary
  • 1988 AWB Ltd for The People & the Paddocks
  • 1984 CSR Ltd for The CSR Project Art Gallery of NSW
  • 1980 Visual Arts Board Australia Council for The Eisteddfods

References

{{reflist}}