Portal:Islam

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|Shat Gombuj Mosque 0016.JPG|The Sixty Dome Mosque is a medieval mosque located in Bagerhat, Bangladesh, built by Muslim saint Khan Jahan Ali in mid 15th century. This unique masonry mosque with 81 domes (including 4 corner domes) is a UNESCO world heritage site.|credit1=Credit:Bellayet

|Evstafiev-chechnya-prayer3.jpg|Chechen separatist fighter praying during the First Chechen War|credit2=Credit:Mikhail Evstafiev

|2009 Anti Israel Protest Tanzania.JPG|Tanzanians protesting the 2008-2009 Gaza bombardment|credit3=Credit:Muhammad Mahdi Karim

|Sultan Pasha Al-Atrash2.jpg|Sultan al-Atrash, (1891-1982) was a prominent Arab Druze leader, Syrian nationalist and Commander General of the Great Syrian Revolution (1925-1927).

|credit=American Colony (Jerusalem) photo dept. (edited by Durova)

|Malcolm X NYWTS 2a.jpg|Malcolm X (born Malcolm Little; May 19, 1925 – February 21, 1965), also known as El-Hajj Malik El-Shabazz, was an African American Muslim minister, public speaker, and human rights activist.|credit4=Credit:Ed Ford (edited by Durova)

|Faisal Masjid - WIKI.jpg|The Faisal Mosque ({{langx|ur|{{Nastaliq|فیصل مسجد}}}}) is a mosque located in Islamabad, Pakistan. It is Located on the foothills of Margalla Hills in Islamabad, the mosque features a contemporary design consisting of eight sides of concrete shell and is inspired by a Bedouin tent, and is considered to be the city's main Landmark.|credit5=Credit:Usmanmiski

|Saddam Hussein at trial, July 2004-edit1.JPEG|Saddam Hussein Abd al-Majid al-Tikriti (April 28, 1937 – December 30, 2006) was the President of Iraq from July 16, 1979 until April 9, 2003.|credit6=US Department of Defense (edited by Jjron)

|Prokudin-Gorskii-19.jpg|An early colour photograph of the Emir of Bukhara, Mohammed Alim Khan, in 1911, taken by Sergei Mikhailovich Prokudin-Gorskii as part of his work to document the Russian Empire from 1909 to 1915. Alim Khan, a direct descendant of Genghis Khan, was the last emir of the Manghit dynasty. He reigned from 1911 to 1920, fleeing to Afghanistan when the Bolsheviks annexed Bukhara and proclaimed the Bukharan People's Republic.|credit7=Credit:Sergei Mikhailovich Prokudin-Gorskii

|Tugra Mahmuds II.gif|The Tughra (طغراء) of Mahmud II. A tughra is a Turkish paisley-like calligraphic seal or signature used at the beginning of sultans' decrees. These colorful emblems incorporated the ruler's name and title in intricate vegetal inscriptions designed by neshanis, or court calligraphers. Parallel to the European signet, tughras often appeared on coins and stamps of the Ottoman Empire.|credit8=Credit:Baba66

|Ramallah woman2.jpg|A young woman from Ramallah, c. 1898-1914. Until the 1940s, women of Palestine wore elaborate handcrafted garments. The creation and maintenance of these items played a significant role in their lives. A knowledgeable observer could determine a woman's village of origin and social status from her clothing. The circular band near this woman's forehead is a ring of coins made from a portion of her dowry money, and indicates that she is unmarried.|credit9=Credit:American Colony (Jerusalem) Photo Depart.

|Ijazah3.jpg|Example of an ijazah, or diploma of competency in Arabic calligraphy|credit10='Ali Ra'if Efendi, (edited by Durova)

|Palestinian women grinding coffee beans.jpg|1905 Stereoscope. Original caption reads: The native mode of grinding coffee, Palestine.|credit11=Credit:Meadville, Pa. : Keystone View Company (edited by Durova)

|Turkish trenches at Dead Sea2.jpg|Turkish trenches on the shores of the Dead Sea, part of the Sinai and Palestine Campaign during the Middle Eastern theatre of World War I|credit12=Credit:American Colony Jerusalem (edited by Durova)

|Bedouinwomanb.jpg|A Bedouin woman in Jerusalem, sometime between 1898 and 1914, dressed in Palestinian costume, the traditional clothing worn by Palestinians. Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women. Until the 1940s, traditional Palestinian costumes reflected a woman's economic status, whether married or single, and the town or district of origin, and a knowledgeable observer could glean such information from the fabric, colors, cut, and embroidery motifs (or lack thereof) in a given woman's apparel.|credit13=Credit:[http://lcweb2.loc.gov/pp/matpchtml/matpcac.html American colony photographers] (edited by Durova)

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