Portrait of a Venetian Woman

{{Short description|1505 painting by Albrecht Dürer}}

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File:Albrecht Dürer 089b.jpg, Vienna. 35 x 26 cm.]]

Portrait of a Young Venetian Woman is a small bust-length oil on elm panel painting by the German artist Albrecht Dürer from 1505.{{cite web |url=https://www.wga.hu/html_m/d/durer/1/05/01veneti.html |title=Portrait of a Young Venetian Woman |first1=Emil |last1=Krén |first2=Daniel |last2=Marx |work=Web Gallery of Art |access-date=13 July 2018}} It was executed, along with a number of other high-society portraits, during his second visit to Italy. She wears a patterned gown with tied-on sleeves that show the chemise beneath. Her hair frames her face in soft waves, and her back hair is confined in a small draped cap. The work's harmony and grace are achieved through its mixtures of tones, from her pale, elegant skin and reddish blond hair to her black-and-pearl necklace and highly fashionable patterned dress, all of which are highlighted against a flat black background.{{cite book |last=Bailey |first=Martin |title=Dürer |location=London |publisher=Phidon Press |year=1995 |page=[https://archive.org/details/durer0000bail/page/86 86] |isbn=0-7148-3334-7 |url=https://archive.org/details/durer0000bail/page/86 }} It is similar in pose and colour tone to his c. 1507 A German Woman from Venice, while at least two studies of Venetian women are known, both of which are very daring. One shows the model with a plunging neckline, the other with bare shoulders.{{sfn|Silver|Smith|2010|p=101}}

File:Albrecht Dürer - Bildnis einer jungen Venezianerin - Google Art Project.jpg, Berlin.]]

During his visit to Italy Dürer became fascinated by Giovanni Bellini, eventually becoming friends. Bellini was already an established master when Dürer was still relatively unknown outside of Germany. The Franconian artist's influence can be seen in this work's soft modeling, dramatic lighting and vivid colours and tones.{{sfn|Silver|Smith|2010|p=72}}{{cite book |author-link=Marcel Brion |last=Brion |first=Marcel |title=Dürer |location=London |publisher=Thames and Hudson |year=1960 |page=182}}

The work was not identified as a Dürer original until it was found in a private Lithuanian collection in 1923. The identity of the sitter is lost; however, in dress and hairstyle, she appears to be Venetian rather than Germanic.{{sfn|Silver|Smith|2010|p=72}} The portrait is unfinished; a number of elements, noticeably the black bow above her chest, are not as well described as in other passages.