R Plus Seven

Differing from the sample-based techniques of Lopatin's 2011 album Replica which drew on lo-fi audio sources such as commercials from the 1980s and 1990s, the recording of R Plus Seven instead saw him work extensively with the synthetic sounds of MIDI instruments and presets, synth patches and VSTs. He also incorporated procedural composing methods and spoken word script samples created from a range of texts. It is the first Oneohtrix Point Never record not to feature Lopatin's signature Roland Juno-60 synthesizer. Regarding the sonic palette, he explained:

I like to be manipulated by the sounds I'm using, and then struggle to find some sort of commonality with those things [...] When I play a pipe organ or have this like Hollywood choir at my disposal, it's going to tap into some kind of cliché matrix of ideas in my mind, and allow me to wrestle with it.

The cover art is a reproduced still taken from the 1982 experimental film Le ravissement de Frank N. Stein by Swiss animator Georges Schwizgebel.{{cite web | url=http://www.discogs.com/Oneohtrix-Point-Never-R-Plus-Seven/release/4945814 | title=Oneohtrix Point Never – R Plus Seven | date=30 September 2013 | publisher=Discogs | access-date=February 11, 2014}} The album title is a reference to the procedural writing technique, "N+7", used by French writing group Oulipo, which involves replacing any noun in a text with the seventh one to follow it in a dictionary.{{cite web|url=http://www.electronicbeats.net/en/features/interviews/simulacra-simulation-an-interview-with-oneohtrix-point-never/ |title=Simulacra & Simulation: An interview with Oneohtrix Point Never|date=2013-10-01 |access-date=2014-02-09}}

The sound palette of R Plus Seven incorporates a range of synthesized sounds spanning textures from early samplers, clear-sounding presets from the 1980s and 1990s, and modern "realist" virtual instruments found on DAWs. Pitchfork{{'}}s Mark Richardson said that the album plays with "our collective unconscious of music technology" to make something "strange and otherworldly and, most importantly, rich with feeling." He stated that "there's a weird kind of innocence in this sound palette," comparing it to James Ferraro's 2011 album Far Side Virtual which similarly extensively incorporated digital instrumentation, but added that "Lopatin's music doesn't get hung up on irony, even though it's definitely in the mix." Adam Harper of Dummy compared the album to English experimental group Art of Noise, writing that it "might be what the computer that used to work for the Art of Noise does on its own time, an AI enthusiastically generating art, who once wouldn't admit to preferring modernism to postmodernism but now refuses to be ironic or ashamed of the so-called uncanny valley."{{cite web|last1=Harper|first1=Adam|title=Essay: Modules in Machine Modernism with Oneohtrix Point Never|url=http://www.dummymag.com/features/essay-adam-harper-on-oneohtrix-point-nevers-r-plus-seven|website=Dummy Mag|access-date=29 April 2018}} Andy Battaglia of Rolling Stone described the album as being akin to "holy music, even if wholly weird," and compared it to the works of composers Philip Glass and Steve Reich in terms of rhythm and repetition. Richardson referred to the album as "Fifth World Music", an allusion to Jon Hassell and Brian Eno's Fourth World, Vol. 1: Possible Musics, which similarly blended natural imagery with manipulated sound and synthesized sounds. The Skinny wrote that every song is significantly different in structure and timbre, with some songs playing on feelings reminiscent of cosmic jazz music. AllMusic wrote that "its subversive glossiness suggests that its tracks were made from pop songs that were shattered into shards that are as alluring as they are difficult to piece together."

Tracks like "Americans" and "Inside World" have been described as musically exploring differences between the Real and virtual representations of "realness", using then-exotic "turn-of-the-80s" sounds found on samplers of the time like the Fairlight CMI and the E-mu Emulator as well as other delicate digital sounds to conjure stilted and sterilized imagery of jungles, beaches, forests and home environments. According to David Wolfson of Beat per Minute, R Plus Seven explores themes of morphogenesis, procedural composition and cryogenics.{{cite web|last=Wolfson|first=David|date=November 18, 2013 |url=http://beatsperminute.com/reviews/album-review-oneohtrix-point-never-r-plus-seven/|title=Album Review: Oneohtrix Point Never – R Plus Seven|publisher=Beats per Minute|access-date=September 7, 2015}} Describing the song "Zebra" in particular, Wolfson observed a "lively synth progression in the first part of the song" serving as the refrain for "an exercise in procedural composition", followed by "the claustrophobic ambient space of the second part" serving as "a representation of cryogenics", concluding that "the way the song progresses from section to section, with parts building up before splintering off into something completely new, is entirely morphogenetic in form."

Between the announcement and the eventual release of R Plus Seven, Lopatin collaborated with a number of contemporary artists on visual accompaniments to tracks and updates on the official OPN website. The first was an excerpt of "Still Life", released with a video by Nate Boyce, a frequent collaborator with Oneohtrix Point Never's live shows and subsequent director of his music videos.{{cite web|last1=Bowe|first1=Miles|title=Oneohtrix Point Never – "Still Life" (Excerpt) Video|url=https://www.stereogum.com/1391852/oneohtrix-point-never-still-life-excerpt-video/video/|website=stereogum.com|date=25 June 2013|publisher=Stereogum|access-date=12 August 2014}} A video for "Problem Areas" by Takeshi Murata {{cite web|title=Takeshi Murata|url=http://www.eai.org/artistBio.htm?id=10311|website=eai.org|publisher=Electronic Arts Intermix|access-date=12 August 2014|archive-url=https://web.archive.org/web/20101009234809/http://eai.org/artistBio.htm?id=10311|archive-date=9 October 2010|url-status=dead}} followed at the beginning of August alongside an interactive version at pointnever.com.{{cite web|last1=McGovern|first1=Kyle|title=Oneohtrix Point Never Decorates 'Problem Areas' With Coors in Surreal Video|url=https://www.spin.com/2013/08/oneohtrix-point-never-problem-areas-video-stream/|website=spin.com|date=August 2013|publisher=SPIN|access-date=12 August 2014}} The second update to the site came from American visual artist Jacob Ciocci alongside the song "Zebra" at the beginning of September{{cite web|last1=P|first1=MR|title=Oneohtrix Point Never "Zebra"|url=http://www.tinymixtapes.com/chocolate-grinder/listen-oneohtrix-point-never-zebra|website=tinymixtapes.com|publisher=Tiny Mix Tapes|access-date=12 August 2014}} with a final video prior to the release directed by Jon Rafman for the song "Still Life". Pitchfork described the video in an article dated September 25, 2013, as it being a piece that:

{{Cquote|[...] collects bizarre and disturbing low-grade internet footage—images of decrepit computer systems, strange anime art and characters posing for webcams, a few Furries, and more, bookended by clips of a man who looks like he's about to blast his own brains out.}}

A final video for "Boring Angel", directed by American digital artist John Michael Boling, appeared in December 2013.{{cite web|last1=McGovern|first1=Kyle|title=Oneohtrix Point Never Explores Emoji Love and Death in 'Boring Angel' Video|url=https://www.spin.com/2013/12/oneohtrix-point-never-boring-angel-video/|website=spin.com|publisher=SPIN|access-date=12 August 2014}}

{{Music ratings

| ADM = 7.7/10{{cite web|url=http://www.anydecentmusic.com/review/5873/Oneohtrix-Point-Never-R-Plus-Seven.aspx|title=R Plus Seven by Oneohtrix Point Never reviews|publisher=AnyDecentMusic?|access-date=November 16, 2016}}

| MC = 81/100{{cite web|url=https://www.metacritic.com/music/r-plus-seven/oneohtrix-point-never|title=Reviews for R Plus Seven by Oneohtrix Point Never|publisher=Metacritic|access-date=October 26, 2014}}

| rev1 = AllMusic

| rev1Score = {{Rating|4|5}}{{cite web|last=Phares|first=Heather|url=https://www.allmusic.com/album/r-plus-seven-mw0002556495|title=R Plus Seven – Oneohtrix Point Never|publisher=AllMusic|access-date=October 4, 2013}}

| rev2 = Consequence of Sound

| rev2Score = {{Rating|4.5|5}}{{cite web|last=Geffen|first=Sasha|url=http://consequenceofsound.net/2013/10/album-review-oneohtrix-point-never-r-plus-seven/|title=Album Review: Oneohtrix Point Never – R Plus Seven|work=Consequence of Sound|date=October 3, 2013|access-date=October 3, 2013|archiveurl=https://web.archive.org/web/20131005071830/http://consequenceofsound.net/2013/10/album-review-oneohtrix-point-never-r-plus-seven/|archivedate=October 5, 2013}}

| rev3 = Exclaim!

| rev3Score = 8/10{{cite web|last=Carlick|first=Stephen|url=http://exclaim.ca/music/article/oneohtrix_point_never-r_plus_seven|title=Oneohtrix Point Never: R Plus Seven|work=Exclaim!|date=September 27, 2013|access-date=October 4, 2013}}

| rev4 = Mojo

| rev4Score = {{Rating|4|5}}{{cite journal|last=Worthy|first=Stephen|title=Oneohtrix Point Never: R Plus Seven|journal=Mojo|issue=240|date=November 2013|page=89}}

| rev5 = NME

| rev5Score = 6/10{{cite web|last=Pattison|first=Louis|url=https://www.nme.com/reviews/oneohtrix-point-never/14830|title=Oneohtrix Point Never – 'R Plus Seven'|work=NME|date=September 27, 2013|access-date=March 10, 2014|archiveurl=https://web.archive.org/web/20131005134345/http://www.nme.com/reviews/oneohtrix-point-never/14830|archivedate=October 5, 2013|url-status=dead}}

| rev6 = Pitchfork

| rev6Score = 8.4/10{{cite web|last=Richardson|first=Mark|url=https://pitchfork.com/reviews/albums/18537-oneohtrix-point-never-r-plus-seven/|title=Oneohtrix Point Never: R Plus Seven|work=Pitchfork|date=October 4, 2013|access-date=October 4, 2013}}

| rev7 = Q

| rev7Score = {{Rating|3|5}}{{cite journal|title=Oneohtrix Point Never: R Plus Seven|journal=Q|issue=327|date=October 2013|page=109}}

| rev8 = Rolling Stone

| rev8Score = {{Rating|3.5|4}}{{cite magazine|last=Battaglia|first=Andy|url=https://www.rollingstone.com/music/albumreviews/r-plus-seven-20131001|title=R Plus Seven|magazine=Rolling Stone|date=October 1, 2013|access-date=October 4, 2013}}

| rev9 = Spin

| rev9Score = 8/10{{cite web|last=Beta|first=Andy|url=http://www.spin.com/reviews/oneohtrix-point-never-r-plus-seven-nicolas-jaars-darkside-psychic/|title=Oneohtrix Point Never and Nicolas Jaar's Darkside Serve Up Noirish, Sensuous Hypnosis|work=Spin|date=October 2, 2013|access-date=October 4, 2013}}

| rev10 = XLR8R

| rev10Score = 9.5/10{{cite web|last=Fallon|first=Patric|url=http://www.xlr8r.com/reviews/oneohtrix-point-never/r-plus-seven|title=Oneohtrix Point Never: R Plus Seven|work=XLR8R|date=September 30, 2013|access-date=November 24, 2018|archiveurl=https://web.archive.org/web/20130930161633/http://www.xlr8r.com/reviews/oneohtrix-point-never/r-plus-seven|archivedate=September 30, 2013}}

}}

At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 81, based on 30 reviews, indicating "universal acclaim". On the album, Heather Phares of AllMusic wrote: "For the most part, the album showcases Oneohtrix Point Never's restlessness and ambition in flattering ways; if it's equal parts mystifying and beautiful, it's also a puzzle well worth trying to figure out." Sasha Geffen of Consequence of Sound stated: "R Plus Seven might be the first album to crystallize the simultaneous joy and terror inherent in a life of constant connection and constant surveillance. With music that simultaneously unnerves and pleases, Lopatin digs out the ghost in the algorithm." Mark Richardson of Pitchfork noted the album's conceptual merits but stated that "you don’t listen to this record thinking about theory; it’s beautiful stuff, with chords and tunes and sections you remember," concluding "R Plus Seven doesn’t have quite the disembodied weirdness of Replica, but it’s no less accomplished, another intriguing chapter from an artist whose work remains alive with possibility."

Marty Sartini Garner of Filter also compared the album to the artist's previous work: "R Plus Seven isn’t the masterpiece of technical error that its predecessor was; it’s the dissection of a heart."{{cite journal|last=Garner|first=Marty Sartini|url=http://filtermagazine.com/index.php/reviews/entry/oneohtrix_point_never1|title=Oneohtrix Point Never 'R Plus Seven' Album Review|journal=Filter|issue=53 (Fall 2013)|date=October 11, 2013|access-date=October 11, 2013}} Andy Beta of Spin wrote: "With his first album for Warp, OPN proves his mettle amid labelmates like Aphex Twin and Flying Lotus." Bram E. Gieben of The Skinny stated: "A visionary artist at the height of his powers, this is in many ways his most accessible and uplifting work so far," while also adding that "each track contains distinct movements, bearing out the occasional comparisons made between Lopatin's work and classical composition."{{cite web|last=Gieben|first=Bram E.|url=http://www.theskinny.co.uk/music/records/305543-oneohtrix_point_never_r_plus_seven|title=Oneohtrix Point Never – R Plus Seven – review|work=The Skinny|date=September 10, 2013|access-date=October 4, 2013}} Nevertheless, Louis Pattison of NME was mixed in his assessment of the record: "There are a few moments of elegant sensuality--like the tumbling, androgynous voices of 'He She'--but by and large it's like one of Jeff Koons' uber-kitsch sculptures: gleaming, opulent, but kinda hard to love."

R Plus Seven was on several year-end lists by critics, topping Tiny Mix Tapes{{'}}s year-end list{{cite web|date=December 2013|url=http://www.tinymixtapes.com/features/2013-favorite-50-albums-of-2013?page=4|title=2013: Favorite 50 Albums of 2013|page=5|publisher=Tiny Mix Tapes|access-date=September 7, 2015}} and ranking at number 43 on the annual poll Pazz & Jop by The Village Voice.

{{track listing

| all_music = Daniel Lopatin

| title1 = Boring Angel

| length1 = 4:16

| title2 = Americans

| length2 = 5:17

| title3 = He She

| length3 = 1:32

| title4 = Inside World

| length4 = 3:53

| title5 = Zebra

| length5 = 6:44

| title6 = Along

| length6 = 5:23

| title7 = Problem Areas

| length7 = 3:06

| title8 = Cryo

| length8 = 2:47

| title9 = Still Life

| length9 = 4:53

| title10 = Chrome Country

| length10 = 5:05

}}

{{track listing

| headline = Japanese bonus track

| title11 = Gone

| length11 = 1:06

}}

R Plus Seven personnel, as adapted from AllMusic.{{cite web|title=Oneohtrix Point Never – R Plus Seven |url=https://www.allmusic.com/album/r-plus-seven-mw0002556495/credits|publisher=AllMusic|access-date=4 October 2013}}

• Daniel Lopatin – performance, production, art direction

• Paul Corley – production
• Paul Evans – engineering
• Valgeir Sigurðsson – mastering

• Timothy Saccenti – photography
• Robert Beatty – additional artwork, design
• Georges Schwizgebel – cover art

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Category:2013 albums

Category:Oneohtrix Point Never albums

Category:Warp Records albums

Category:Experimental music albums