René Hall

{{Short description|American guitarist and arranger (1912–1988)}}

{{Infobox musical artist

| name = René Hall

| image = Rene_Hall_musician.jpg

| background = non_vocal_instrumentalist

| birth_name = René Joseph Hall

| birth_date = {{birth date|1912|09|26}}

| birth_place = Morgan City, Louisiana, U.S.

| death_date = {{death date and age|1988|02|11|1912|09|26}}

| death_place = Los Angeles, California, U.S.

| genre = Soul, rock

| occupation = Musician, composer, arranger

| instrument = Guitar

| years_active =

| label =

| past_member_of = {{unbulleted list|Billy Ward and his Dominoes|Sam Cooke|Bobby Womack}}

}}

René Joseph Hall (September 26, 1912 – February 11, 1988){{cite book| first1= Bob| last1= Eagle| first2= Eric S.| last2= LeBlanc| year= 2013| title= Blues - A Regional Experience| publisher= Praeger Publishers| location= Santa Barbara| pages=170 | isbn= 978-0313344237}} was an American guitarist and arranger. He was among the most important behind-the-scenes figures in early rock and roll, but his career spanned the period from the late 1920s to the late 1980s, and encompassed multiple musical styles.

Biography

Born in Morgan City, Louisiana, René Hall first recorded in 1933 as a banjo player with Joseph Robichaux in New Orleans. He then worked around the country as a member of the Ernie Fields Orchestra, with whom he made his earliest recordings. In the group he was known by the nickname Lightnin' .{{Cite Grove |last=Rye |first=Howard |title=Hall, René}} Later he joined Earl Hines as musical arranger. During the 1940s he built up a considerable reputation as a session musician in New York City. In the late 1940s, he formed his own sextet which recorded for various labels including Jubilee, Decca, and RCA. He also worked as a talent scout for King Records, discovering such acts as Billy Ward and the Dominoes.

In the mid-1950s, Hall moved to Los Angeles, California, and began doing session work with saxophone player, Plas Johnson, and drummer, Earl Palmer. The trio recorded for many of the emerging rock and roll and R&B artists on such labels as Aladdin, Rendezvous, and Specialty Records. In 1958, he pioneered the usage of a Danelectro 6-string bass guitar as a supplement to standup bass on recording sessions with Ritchie Valens and others. This approach was widely imitated by arrangers all over the world.{{cite web|url= https://lostandsound.wordpress.com/2008/04/05/who-played-on-%E2%80%98la-bamba%E2%80%99/ |title=Who Played On 'La Bamba'? |work=Lost & Sound |access-date=27 October 2014}}

Hall was a virtual one-man dynasty on the West Coast from the mid-1950s through the early 1970s, organizing such studio concoctions as B. Bumble & The Stingers hit "Nut Rocker", surf-rock group The Marketts ("Surfer's Stomp"), and The Routers of "Let's Go" fame. All featured Hall, Palmer and Johnson, but were then promoted by young white groups who performed the songs on tour. He gave his former employer Ernie Fields an unlikely rock hit with a version of the big band standard, "In The Mood", which reached #4 in Billboard during 1959. When Hall, Palmer, and Johnson did not want to issue it under their own names and tour behind it, they gave it to Fields, who then did join them in the studio for a follow-up hit.

Hall arranged Ike & Tina Turner's 1963 album Don't Play Me Cheap. He also arranged some of Sam Cooke's best-known recordings including the 1964 song, "A Change Is Gonna Come", in which Hall devised a dramatic arrangement with a symphonic overture for strings, kettledrum, and French horn. He prepared arrangements for many successful artists including The Impressions and Marvin Gaye. He also played guitar on Marvin Gaye's "Let's Get It On" and did a lot of work for Bobby Womack.

René Hall died of heart disease in Los Angeles, California at the age of 75.{{cite book |title=Rock Obituaries - Knocking On Heaven's Door |first=Nick |last=Talevski |year=2010 |publisher=Omnibus Press |page=238 |asin=B003FV7G3A}}

Discography

= Singles =

  • 1952: René Hall – "Let's Turn The Lights Down Low" / "Must I" (RCA Victor 4881)
  • 1957: René Hall's Orchestra Featuring Willie Joe / René Hall's Orchestra – "Twitchy" / "Flippin'" (Specialty 618)
  • 1958: René Hall's Orchestra – "Saints Go Marchin' In" / "Thunderbird" (Specialty 629)
  • 1958: René Hall's Orchestra – "Frankie And Johnny" / "Cleo" (Specialty 641)
  • 1959: René Hall – "Smitty's Toy Piano" / "South Gate" (Arvee A 580)
  • 1959: René Hall And His Guitars – "Moritat" / "Adalene" (Rendezvous No. 107)
  • 1959: The Skunks And Rene Hall / Rene Hall – "Smitty's Xmas Toy Piano" / "Smitty's Toy Piano" (Arvee A 585)
  • 1960: René Hall Orchestra – "La Cubalibra" / "The Untouchables" (Del-Fi 4135)
  • René Hall Orchestra – "Night Fright" / "Turf" (Castil 101)

= Work with other artists =

class="wikitable sortable"
Artist

! Date

! Song title

! Peak chart

position

! Hall's role

The DominoesTalevski, Nick, Knocking On Heaven's Door, Omnibus Press, London. 2006

| 1951

|Sixty Minute Man

| #17, #1 R&B chart

| Guitar, arranger

Don and DeweyDon & Dewey: Jungle Hop, Legends of Speciality Records, Speciality Records 1991 liner notes

| 1957

| Sweet Talk
"Farmer John" (take 1)
Just a Little Lovin'
The Letter

|

| Leader, guitar

Larry WilliamsLarry Williams: Bad Boy The Legends of Specialty Records, Speciality Records 1989, liner notes

| 1957

|Short Fat Fannie

| #5

| Guitar

Larry Williams

| 1957

|Bony Moronie

| #14

| Guitar

Sam Cooke{{cite web|url=https://soulfuldetroit.com/archives/6593/7171.html?1091382875|title=Soulful Detroit: SAM COOKE SESSION DATES|website=soulfuldetroit.com}}

| 1957

|You Send Me
b-side, Summertime

| #1
#81

| Conductor, arranger

Larry Williams

| 1957,
1958

|Iko Iko
Lawdy Miss Clawdy,
Slow Down,
Dizzy Miss Lizzy,
Bad Boy

|

| Guitar

Ritchie Valens

| 1958

|La Bamba

| #22

|Danelectro, arranger

Ritchie Valens

| 1958

|Donna

| #2

| Lead guitar & solo, arranger

Ritchie Valens

| 1958

|Come On, Let's Go

|

| Guitar, arranger

Chan RomeroRitchie Valens, "Ritchie Valens in Come On. Let's Go" Del-Fi Records, liner notes

| 1959

|Hippy Hippy Shake

|

|Danelectro bass guitar

Sam Cooke

| 1957

|(I Love You) For Sentimental Reasons

| #17

| Arranger, guitar

Sam Cooke

| 1957

| Desire Me

| #47

| Arranger, guitar

Sam Cooke

| 1957

|You Were Made For Me

| #39

| Arranger, guitar

Sam Cooke

| 1958

| "Win You Love For Me"

| #22

| Arranger, guitar

Sam Cooke

| 1959

|Only Sixteen

| #28

| Arranger, guitar

Sam Cooke

| 1959

|Everybody Loves to Cha Cha Cha

| #31

| Arranger, guitar

Sam Cooke

| 1959

|God Bless The Child

|

| Arranger, guitar

Sam Cooke

| 1959

|Let's Call The Whole Thing Off

|

| Arranger, guitar

Sam Cooke

| 1959

|Ain't Nobody's Business If I Do

|

| Arranger, guitar

Sam Cooke

| 1961

|Cupid

| #17

| Arranger, guitar

Sam Cooke

| 1962

|Twistin' the Night Away

| #9

| Arranger, guitar

Sam Cooke

| 1962

|Bring It On Home To Me

| #13

| Arranger, guitar

Sam Cooke

| 1962

|Having A Party

| #17

| Arranger, guitar

Sam Cooke

| 1962

| "Nothing Can Change This Love"

| #12

| Arranger, guitar

The ValentinosThe Valentinos, Lookin' For a Love; The complete SAR recordings, CD, ABKCO Music & Records, Inc., 2014, liner notes

| 1962

| Darling, Come Back Home
I'll Make It Alright
I've Got a Girl

|

| "Session leader"

Sam Cooke

| 1963

|Another Saturday Night

| #10

| Arranger, guitar

Sam Cooke

| 1963

|Little Red Rooster

| #11

| Arranger, guitar

Sam Cooke

| 1964

|Tennessee Waltz

| #35

| Arranger, guitar

Sam Cooke

| 1964

|A Change Is Gonna Come

|

| Arranger, guitar

Sam Cooke

| 1964

|That's Where It's At

| #93

| Arranger, guitar

Sam Cooke

| 1964

|Shake

|

| Arranger, guitar

Marvin Gaye

| 1973

|Let's Get It On

| #1

| Arranger and conductor

Marvin Gaye

| 1973

| Please Stay (Once You Go Away)

|

| Arranger and conductor

Marvin Gaye

| 1973

| If I Should Die Tonight

|

| Arranger and conductor

Marvin Gaye

| 1973

| Keep Gettin' It On

|

| Arranger and conductor

Collaborations

References

{{Reflist}}