Russian Souvenir

{{Infobox film

| name = Russian Souvenir

| native_name = {{langx|ru|Русский сувенир}}

| image =

| caption =

| director = Grigori Aleksandrov

| producer = Valentin Maslov

| writer = Grigori Aleksandrov

| starring = {{Plainlist|

}}

| music = Kirill Molchanov

| cinematography = Grigory Eisenberg

| editing = Zoya Veryovkina

| released = {{Film date|1960}}

| studio= Mosfilm

| runtime = 107 min.

| country = Soviet Union

| language = Russian

| budget =

}}

Russian Souvenir ({{langx|ru|Русский сувенир|Russkiy suvenir}}) is a 1960 Soviet comedy film directed by Grigori Aleksandrov.[http://www.aif.ru/culture/person/vot_tebe_aksinya_pochemu_elinu_bystrickuyu_pomnyat_po_roli_v_tihom_done Вот тебе Аксинья. Почему Элину Быстрицкую помнят по роли в «Тихом Доне»?][https://www.perm.kp.ru/daily/26859/3901814/ Тайны советского кино: «Бриллиантовая рука» была неслыханной наглостью] Despite the stellar cast, the film received devastating reviews from critics and was shelved.{{Cite web|language=ru|url=https://ria.ru/20170211/1487634141.html|title=Биография Любови Орловой|website=РИА Новости|date=2017-02-11|access-date=2021-09-21|archive-date=2021-09-21|archive-url=https://web.archive.org/web/20210921074436/https://ria.ru/20170211/1487634141.html|url-status=live}}{{Cite web |url=http://www.lubov-orlova.ru/roles/russkiy-suvenir.html |title=Любовь Орлова :: Кино и театр :: «Русский сувенир» (1960) |access-date=2019-02-19 |archive-date=2019-02-20 |archive-url=https://web.archive.org/web/20190220002752/http://www.lubov-orlova.ru/roles/russkiy-suvenir.html |url-status=live }} The worst film of 1960 according to the Soviet Screen magazine.{{cite book| author = Федоров А. В. | chapter = | chapter-url = | format = | url = | title = Лучшие и худшие фильмы советского кинопроката: мнения читателей журнала «Советский экран» (1958—1991) | orig-year = | agency = | edition = |location= М. |date = 2022 |publisher= Межрегиональная общественная организация в поддержку построения информационного общества «Информация для всех» |volume= | pages = 101| series = | isbn = }}

The film tells the story of when a plane makes an emergency landing in Siberia, an eclectic group of international passengers—including an American millionaire, a theology scholar, and a Soviet engineer—embarks on a transformative journey through the achievements of the Soviet Union, challenging their perceptions and culminating in a call for global peace.[https://www.kinopoisk.ru/film/42150/ Русский сувенир] at the KinoPoisk

Plot

A plane flying from Vladivostok to Moscow makes an emergency landing on the shores of Lake Baikal. Among the passengers are John Peebles (played by Erast Garin), a theology scholar curious about what the Soviet people have replaced God with; American millionaire Adlai Scott (played by Andrei Popov), preoccupied with whether Russia could return to capitalism; his secretary, Homer Jones (played by Pavel Kadochnikov); the Italian "countess" Pandora Montesi (played by Elina Bystritskaya); and the enigmatic Dr. Adams. The only Soviet passenger, engineer Varvara Komarova (played by Lyubov Orlova), is forced to assume multiple roles: tour guide, diplomat, resource manager, and entertainer.

The characters journey to a newly developed city in Siberia, witnessing the construction of the Bratsk Hydroelectric Power Station and the launch of a rocket to the Moon. Through these experiences, their perceptions of the Soviet Union undergo a dramatic transformation.

By the film’s conclusion, the reformed American millionaire gives a sensational interview, while the main heroine, Varvara, delivers a heartfelt call for world peace. This moment is set against frescoes depicting Saint George slaying the dragon, symbolizing the triumph of good over evil.

Cast

{{castlist|

  • Lyubov Orlova as Varvara KomarovaPeter Rollberg {{Google books|gM6QDAAAQBAJ|Historical Dictionary of Russian and Soviet Cinema}}
  • Andrei Popov as Adlai Hunter Scott, American millionaire and writer
  • Pavel Kadochnikov as Homer Jones, Mr. Scott's secretary and American writer of Canadian descent
  • Erast Garin as Jones Peebles, Master of Theology, misogynist and bachelor
  • Elina Bystritskaya as Maria Pandora (Barbara) Montesi, Italian Countess[http://www.aif.ru/archive/1679156 Элина Быстрицкая: К возрасту я отношусь философски]
  • Aleksandr Barushnoy as Doctor Adams
  • Valentin Gaft as Claude Gerard, French composer
  • Liu Zhi Chang as Chinese pilot Wang
  • Anastasia Zuyeva as Yegorkina
  • Georgiy Budarov as Yegorkin
  • Alla Budnitskaya as interpreter Larisa Kurlychkina
  • Boris Novikov as worker Safonov [https://www.imdb.com/title/tt0056381/fullcredits/?ref_=tt_ov_st_sm Прощайте, голуби! (1961) ]
  • Kola Beldy as student[https://www.perm.kp.ru/daily/26974.3/4029265/ «Увезу тебя я в тундру»: даже рокеры из «ЧайФа» аплодировали Кола Бельды]

}}

Reception

Soviet critics called the "Russian Souvenir" plotless, ideologically weak, superficial, propagandizing "architectural excesses in construction during the cult of Stalin's personality."{{Cite web|url=http://www.rv.ru/content.php3?id=9423|title=Русский Вестник - Просмотр статьи|website=www.rv.ru|access-date=2021-09-21|archive-date=2019-02-19|archive-url=https://web.archive.org/web/20190219183424/http://www.rv.ru/content.php3?id=9423|url-status=live}} In particular, the satirical magazine "Krokodil" published a review of the film, in which the director and actors were ridiculed.{{cite web |last1=Бурт |first1=Валерий |title=Волшебная сила Орловой |url=http://ruskline.ru/monitoring_smi/2011/11/22/volshebnaya_sila_orlovoj/ |website=Русская народная линия |language=ru |date=13 February 2012}} Lyubov Orlova herself was disappointed with this film: "Every frame is emptiness... And I have rehashes and rehashes of myself... As if I'm just doing what I'm trying to repeat the techniques I once found, but I can't do anything anymore".{{Cite web|url=https://www.belcanto.ru/07020801.html|title=Любовь Орлова: легенда о Золушке |website= belcanto.ru|date= 2007-02-08|archive-date=2021-09-25|archive-url=https://web.archive.org/web/20210925002250/https://www.belcanto.ru/07020801.html|url-status=live|quote=Что ни кадр, то пустота… А у меня перепевы и перепевы самой себя… Словно я тем только и занимаюсь, что пытаюсь повторять когда-то найденные приёмы, но у меня уже ничего не получается|language=ru}}

Decades later, critics' opinions were still negative. Elina Bystritskaya in 2003 noted: "I will never forget how Lyubov Orlova, who was almost 60 at the time, starred in the film "Russian Souvenir", where she played a girl of about twenty-five. It was a painful sight, and the film justly failed.".{{Cite web|language=ru|url=https://archive.aif.ru/archive/1679156|title=Элина БЫСТРИЦКАЯ: "К возрасту я отношусь философски"|website=archive.aif.ru|date=2003-07-18|access-date=2021-09-21|archive-date=2021-09-21|archive-url=https://web.archive.org/web/20210921074438/https://archive.aif.ru/archive/1679156|url-status=live|quote=Я никогда не забуду, как Любовь Орлова, которой тогда было под 60, снималась в фильме „Русский сувенир“, где играла девушку лет двадцати пяти. Это было тяжкое зрелище, и фильм справедливо провалился}} Alexander Malakhov from Kommersant, evaluating this work by Alexandrov and Orlova, wrote in 2005: "They could not get rid of ideological cliches, and in the 60s, stories about reeducated American millionaires caused not laughter, but irritation. The "Russian Souvenir" failed".{{Cite web|language=ru|url=https://www.kommersant.ru/doc/541017|title=Ее советское сиятельство|website= kommersant.ru|date=2005-01-24|access-date=2021-09-21|archive-date=2019-02-20|archive-url=https://web.archive.org/web/20190220002830/https://www.kommersant.ru/doc/541017|url-status=live}} Peter Rollberg wrote in Historical Dictionary of Russian and Soviet Cinema (2016) that Russian Souvenir "proved beyond doubt that the actress’s official image had become an anachronism despite the persistent admiration of millions of viewers".Peter Rollberg {{Google books|gM6QDAAAQBAJ|Historical Dictionary of Russian and Soviet Cinema|page=542|text=proved beyond doubt that the actress’s official image had become an anachronism despite the persistent admiration of millions of viewers}}

References

{{reflist}}