Seals and Crofts

{{Short description|American soft rock duo}}

{{Multiple issues|

{{Cleanup rewrite|date=June 2024}}

{{More citations needed|date=June 2024}}

}}

{{Use mdy dates|date=June 2022}}

{{Infobox musical artist

|name = Seals and Crofts

|image = Seals and Crofts 1975.JPG

|caption = Seals (left) and Crofts in 1975

|landscape = yes

|background = group_or_band

|alias =

|origin = Los Angeles, California

|genre = {{hlist|Soft rock|pop rock|folk rock}}

|years_active = {{hlist|1969–1981|1989–1992|2004}}

|label = {{hlist|Warner Bros.|Wounded Bird}}

|website = {{url|sealsandcrofts.com}}

|past_members = Jim Seals
Dash Crofts

}}

Seals and Crofts were an American soft rock duo formed in Los Angeles, California in 1969 by James Eugene Seals (October 17, 1942 – June 6, 2022){{Cite news |last=Genzlinger |first=Neil |date=June 7, 2022 |title=Jim Seals, Half of Harmonious Duo On 'Summer Breeze,' Is Dead at 79|page = B11|language=en-US |work=The New York Times |url=https://www.nytimes.com/2022/06/07/arts/music/jim-seals-dead.html |access-date=June 8, 2022 |issn=0362-4331|url-access = limited}}{{cite news|url = https://www.theguardian.com/music/2022/jun/10/jim-seals-obituary|title = Jim Seals obituary|newspaper = The Guardian|date = June 10, 2022|accessdate = June 10, 2022|last = Sweeting|first = Adam}}{{efn|name=fn1|While some sources{{cite news|url = https://www.dallasnews.com/arts-entertainment/music/2022/06/07/texan-jim-seals-of-the-1970s-hit-duo-seals-crofts-dies-at-80/|title = Texan Jim Seals of the 1970s hit duo Seals & Crofts dies at 80|newspaper = The Dallas Morning News|last = Granberry|first = Michael|date = June 7, 2022|accessdate = June 9, 2022}}{{cite news|url = https://www.washingtonpost.com/obituaries/2022/06/08/pop-singer-jim-seals-dies/|title = Jim Seals, of 1970s soft-rock duo Seals and Crofts, dies at 80|newspaper = The Washington Post|date = June 8, 2022|accessdate = June 9, 2022|url-access = limited}} have said that Seals was born on October 17, 1941, public records of his birth list him as being born in 1942.}} and Darrell George "Dash" Crofts (born August 14, 1938).{{Cite web|url=https://www.texasmonthly.com/arts-entertainment/secret-oil-patch-roots-summer-breeze/|title=The Secret Oil Patch Roots of 'Summer Breeze'|last = Hall|first = Michael|date=January 22, 2020|magazine=Texas Monthly|access-date=June 7, 2022}} They are best known for their hits "Summer Breeze" (1972), "Diamond Girl" (1973), and "Get Closer" (1976), each of which peaked at No. 6 on the Billboard Hot 100 chart. Both Seals and Crofts were publicly outspoken advocates for the Baháʼí Faith. Though the duo disbanded in 1981, they reunited briefly in 1989–1992, and again in 2004, when they released their final album, Traces.{{cite web|publisher=AllMusic|title=Seals & Crofts – Biography|url=https://www.allmusic.com/artist/seals-crofts-mn0000839847#biography|first=Steve |last=Huey|access-date=June 28, 2010}} Seals and his younger brother, the charting singer-songwriter "England" Dan Seals, later performed publicly together as Seals & Seals.{{cite web

| url =http://www.sealsandseals.com/ | archive-url =https://web.archive.org/web/20110825155515/http://www.sealsandseals.com/ | archive-date =August 25, 2011

| title =Seals and Seals - Dan Seals Memorial

| date =2011

| website =SealsandSeals.com

| access-date =Oct 14, 2016 }}

Early careers

Jim Seals and Dash Crofts were both born in Texas; Crofts in Cisco in 1938 and Seals in Sidney in 1942. They first met when Crofts was a drummer for a local band. Later, Seals joined a rockabilly band called Dean Beard and the Crew Cats, in which he played sax; later on, Crofts joined Seals in the band. With Beard, they moved to Los Angeles to join the Champs after the group's "Tequila" reached No. 1 in 1958. Seals also spent time during 1959 in the touring band of Eddie Cochran.

Seals had a song ("It's Never Too Late") recorded by Brenda Lee in 1961, which was featured as the B-side of her U.S. Billboard No. 6 single, "You Can Depend on Me". "It's Never Too Late" nevertheless reached No. 101 on Billboard and No. 100 on Cash Box (week ending April 8, 1961){{cite web|publisher= Cashboxmagazine.com |title=Cash Box Top 100 Singles: week ending April 8, 1961|url=http://98.130.35.56/archives/60s_files/19610408.html|author=Randy Price|access-date=April 16, 2017}} in its own right. In the UK, the sides were switched when the single was released, but the single failed to make the UK Singles Chart (at that time only a Top 50 listing).[https://www.discogs.com/release/6269479-Brenda-Lee-Its-Never-Too-Late-You-Can-Depend-On-Me Discogs entry] confirms the UK release in the photographs submitted.

By 1963, Seals, Crofts, Glen Campbell and Jerry Cole left the Champs to form a band named Glen Campbell and the GCs, which played at The Crossbow in Van Nuys, California. The band lasted only a couple of years before the members went their separate ways. Crofts returned to Texas and Seals joined a band named the Dawnbreakers (a reference to The Dawn-Breakers, a book about the beginnings of the Baha'i Faith). Crofts eventually returned to California to team up with Seals again, in the Dawnbreakers, and thus both Seals and Crofts were introduced to and became members of the Baháʼí Faith. After becoming longtime adherents of the religion, the two began to include references to and passages from Bahá'í scripture in their songwriting. When they appeared in concert, they often remained on stage after the performance to talk about the faith, while local Bahá'ís passed out literature to anyone interested.

As Seals and Crofts

{{ref improve|section|date=April 2023}}

After the failure of the Dawnbreakers, the two decided to play as a duo, with Seals on guitar, saxophone and violin and Crofts on guitar and mandolin. They signed a contract with the record division of Talent Associates (TA) in 1969 and released two LPs, of which only the second reached the Billboard 200 chart, peaking at No. 122 in October 1970. Crofts married fellow Dawnbreaker Billie Lee Day in 1969 and Seals married Ruby Jean Anderson in 1970. The pair signed a new contract with Warner Bros. Records in August 1971.{{cite news |title= S&C Sign |newspaper=Sounds |publisher= Spotlight Publications |date= August 28, 1971|page= 2}} Their first album with their new label, Year of Sunday, peaked at #133 in the US. Their second Warner Bros. album, Summer Breeze, was a hit, peaking at No. 7 in 1972. The title cut was released as a single, peaking at #4 on the Adult Contemporary chart, and #6 Pop. The song "Hummingbird" was the second single released from the album, climbing to #12 AC, #20 Pop.

The album has since been certified 2× platinum by the RIAA for sales of two million copies in the US.{{cite book| first= Joseph| last= Murrells| year= 1978| title= The Book of Golden Discs| edition= 2nd| publisher= Barrie and Jenkins Ltd| location= London| page= [https://archive.org/details/bookofgoldendisc00murr/page/320 320]| isbn= 0-214-20512-6| url-access= registration

| url= https://archive.org/details/bookofgoldendisc00murr/page/320}}

In 1973 Warner Bros. released Diamond Girl. That album has been certified gold for sales of 500,000 copies in the US. The title song reached No. 6 on the US chart in July 1973, and another single, "We May Never Pass This Way (Again)", peaked at No. 21.

The controversial Unborn Child followed in 1974. Written shortly after Roe v. Wade, Seals & Crofts expressed their anti-abortion position in the title song, which created a huge dilemma for radio stations. Some stations banned it while others added it to rotation. The album still went gold despite the controversy and the lack of a Top 40 hit.

The duo played at the California Jam festival in Ontario, California, on April 6, 1974. Attracting over 200,000 fans, the concert put them alongside 1970s acts such as Black Sabbath; Eagles; Emerson, Lake & Palmer; Deep Purple; Earth, Wind & Fire; Black Oak Arkansas; and Rare Earth. Portions of the show were telecast on ABC Television in the US, exposing the duo to a wider audience.

1975's I'll Play for You was a gold seller as well, featuring the No. 18 hit title track, and their multi-platinum selling Greatest Hits, released later the same year, has been certified 2× platinum.

The duo had a return to the singles chart with the song "Get Closer", the title track from their 1976 album. Carolyn Willis (from the R&B vocal group Honey Cone) appeared on the song and it peaked at No. 6 in July of that year. Willis also joined them for their 1976 tour, which resulted in the live album Sudan Village.

The pair also recorded songs that appeared in the feature films One on One (1977) and Foolin' Around (1980), as well as the song "First Years" that was the theme song to the debut (1978–79) season of the television series The Paper Chase.

1978's Takin' It Easy featured the two branching out and experimenting with other types of sounds, including the disco influenced "You're the Love", which reached No. 18. But their gold selling days were behind them by this point.

In 1979 they contributed to the album Lote Tree, which was a narrated history of the Baháʼí Faith that included songs by them and other artists. It was distributed only within Baháʼí media outlets.

The Longest Road, released in 1980, was their last for Warner Brothers.

Hiatus and reunions

{{ref improve|section|date=April 2023}}

In 1981, after a long and successful run of recordings in the 1970s, the two decided not to renew their contract with Warner Brothers and took a hiatus from music.

There was brief attempt to start up their recording career again in 1983 when they began to work on another album, and Lenny Waronker of Warners expressed interest, but the sessions were abandoned and nothing ever came of it.

Crofts lived in Mexico, Australia, and then Nashville, Tennessee, playing country music and making occasional singles. He currently resides on a ranch in the Texas Hill Country. Seals moved to Costa Rica and had lived on a coffee farm off and on since 1980, as well as in Nashville and southern Florida.

During the 1980s, despite no longer being officially together as a duo, they continued to appear at several Baháʼí gatherings, including a world peace concert at the Baháʼí Center in Los Angeles for the film and music community in February 1989. After this, they made the rounds of Canadian radio stations and some American talk shows to promote the Baháʼí Peace Document.

Also in 1989, Seals and Crofts officially reunited and made concert appearances once again up in Canada, and then they toured the US in 1991-1992 until disbanding again in late 1992.

In 1998 Crofts released a solo CD titled Today, which contained some re-recordings of Seals and Crofts material.

In 2004 the duo reunited again and recorded their first new album since 1980, released as Traces.

In the early 2000s up to 2008, Seals embarked on various tours with his brother Dan ("England" Dan Seals, of England Dan & John Ford Coley), billing themselves as Seals & Seals and performing their successful hits from Seals & Crofts and England Dan & John Ford Coley, Dan's hits from his solo career and a few original songs written by the two brothers. A few shows featured Jim's sons Joshua on bass guitar and backing vocals and Sutherland on electric guitar.{{cite web|url=http://www.sealsandcrofts.com/sealsandseals.html|title=Seals and Seals|website=Sealsandcrofts.com|access-date=October 26, 2017}}

Seals and Crofts were instrumental in both England Dan Seals and John Ford Coley becoming adherents of the Baha'i Faith,Kasem, Casey. American Top 40. July 30, 1977. although Coley became a Christian some 28 years later.{{cite book|title=Backstage Pass|author=John Ford Coley|publisher=Keegan Music Publishing|date=March 5, 2013|isbn=978-0578031354}} Dan Seals died of cancer in 2009. At the time of his death, Dan and Jim Seals had been working on songs together.{{cite web |url=http://www.latimes.com/local/obituaries/la-me-dan-seals27-2009mar27-story.html|title=Dan Seals dies at 61; half of the pop duo England Dan and John Ford Coley|last1=Nelson|first1=Valerie|date=March 27, 2009|website=Los Angeles Times|access-date=March 27, 2015}} The status of those recordings is unknown.

In December 2010 the bandmates' daughters Juliet (Seals) Crossley and Amelia (Crofts) Dailey, along with Genevieve (Bogan) Dozier, daughter of Seals and Crofts engineer Joey Bogan, formed a musical trio called the Humming Birds.{{cite web|url=http://www.unityfeast.org/Hummingbirds.htm|title=Unity Feast, drops of one ocean, leaves of one tree: The Humming Birds|website=Unityfeast.org|access-date=December 2, 2015}} They released their self titled EP The Humming Birds in September 2012.

In 2018 Brady Seals (Jim's cousin) and Lua Crofts (Dash's daughter) began touring as Seals and Crofts 2, performing the catalog of Seals and Crofts, as well as some new music.[http://desmoinesperformingarts.org/news/the-legacy-lives-on-seals-crofts-2-comin/] {{dead link|date=June 2022}}

Seals' death

Jim Seals had a stroke in 2017. After a long illness, he died at his home in Nashville, Tennessee, on June 6, 2022, at age 79.{{efn|name=fn1}}

Discography

=Albums=

class="wikitable"
scope="col" rowspan="2"| Year

! scope="col" rowspan="2"| Title

! scope="col" colspan="2"| Peak chart positions

! scope="col" rowspan="2"| Certifications

style="font-size:smaller;"

! style="width:35px;"| US
{{cite web |title=Seals & Crofts - Awards |url=https://www.allmusic.com/artist/seals-crofts-mn0000839847/awards |publisher=AllMusic |access-date=April 17, 2024 |archive-url=https://web.archive.org/web/20150818160204/https://www.allmusic.com/artist/seals-crofts-mn0000839847/awards |archive-date=August 18, 2015}}

! style="width:35px;"| CAN

1969

| Seals & Crofts

| align=center | ―

| align=center | 64{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.3823.pdf| title=RPM Top 100 Albums – August 1, 1970}}

|

1970

| Down Home

| align=center | 122

| align=center | 74{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.3724.pdf| title=RPM Top 100 Albums – December 5, 1970}}

|

1971

| Year of Sunday

| align=center | 133

| align=center | ―

|

1972

| Summer Breeze

| align=center | 7

| align=center | 6{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4262.pdf| title=RPM Top 100 Albums – January 20, 1973}}

|

  • RIAA: 2× Platinum{{cite certification|region=United States|artist=Seals & Crofts|access-date=April 17, 2024}}
1973

| Diamond Girl

| align=center | 4

| align=center | 8{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4884.pdf| title=RPM Top 100 Albums – September 8, 1973}}

|

  • RIAA: Gold
rowspan="2"| 1974

| Unborn Child

| align=center | 14

| align=center | 18{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.5031a.pdf| title=RPM Top 100 Albums – April 20, 1974}}

|

  • RIAA: Gold
Seals & Crofts I & II

| align=center | 81

| align=center | 69{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.3846b.pdf| title=RPM Top 100 Albums – September 21, 1974}}

|

rowspan="2"| 1975

| I'll Play for You

| align=center | 30

| align=center | 31{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.3982a.pdf| title=RPM Top 100 Albums – June 21, 1975}}

|

  • RIAA: Gold
Greatest Hits

| align=center | 11

| align=center | 8{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4059a.pdf| title=RPM Top 100 Albums – January 10, 1976}}

|

  • RIAA: 2× Platinum
rowspan="2"| 1976

| Get Closer

| align=center | 37

| align=center | 25{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4296a.pdf| title=RPM Top 100 Albums – August 28, 1976}}

|

  • RIAA: Gold
Sudan Village

| align=center | 73

| align=center | 90{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.5159b.pdf| title=RPM Top 100 Albums – January 22, 1977}}

|

1977

| One on One (soundtrack)

| align=center | 118

| align=center | ―

|

1978

| Takin' It Easy

| align=center | 78

| align=center | 45{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4640a.pdf| title=RPM Top 100 Albums – July 29, 1978}}

|

rowspan="2"| 1979

| Lote Tree

| align=center | ―

| align=center | ―

|

Collection

| align=center | ―

| align=center | ―

|

1980

| The Longest Road

| align=center | ―

| align=center | ―

|

2004

| Traces

| align=center | ―

| align=center | ―

|

colspan="5" style="text-align:center; font-size:9pt;"| "—" denotes releases that did not chart.

=Singles=

class="wikitable" style="text-align:center;"
rowspan="2"| Year

! rowspan="2"| Single

! colspan="4"| Peak chart
positions

! rowspan="2"| Album

style="font-size:smaller;"

! width="35"| US
{{cite book|last=Whitburn|first=Joel|title=Top Pop Singles 1955–2010|publisher=Record Research, Inc|page=792|year=2011|isbn=978-0-89820-188-8}}

! width="35"| US A/C
{{cite book|first= Joel |last= Whitburn |author-link= Joel Whitburn |year= 1993 |title= Top Adult Contemporary: 1961–1993 |publisher= Record Research |page=214}}

! width="35"| AUS
{{cite book|last=Kent|first=David|author-link=David Kent (historian)|title=Australian Chart Book 1970–1992|edition=illustrated|publisher=Australian Chart Book|location=St Ives, N.S.W.|year=1993|isbn=0-646-11917-6|page=267}}

! width="35"| CAN

1971

| align="left"| "When I Meet Them"

| —

| —

| —

| —

| align="left"| Year of Sunday

1972

| align="left"| "Summer Breeze"

| 6

| 4

| 16

| 6{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4225.pdf| title=RPM Top 100 Singles - December 9, 1972}}

| align="left" rowspan=2| Summer Breeze

rowspan="3"| 1973

| align="left"| "Hummingbird"

| 20

| 12

| —

| 40

align="left"| "Diamond Girl"

| 6

| 4

| 57

| 13{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4875.pdf| title=RPM Top 100 Singles - August 11, 1973}}

| align="left" rowspan=2| Diamond Girl

align="left"| "We May Never Pass This Way (Again)"

| 21

| 2

| 29

| 33{{cite web|url=http://www.collectionscanada.gc.ca/obj/028020/f2/nlc008388.4929.pdf| title=RPM Top 100 Singles - November 17, 1973}}

rowspan="2"| 1974

| align="left"| "Unborn Child"

| 66

| —

| —

| —

| align="left" rowspan=2| Unborn Child

align="left"| "King of Nothing"

| 60

| 26

| —

| —

rowspan="2"| 1975

| align="left"| "I'll Play for You"

| 18

| 4

| 55

| —

| align="left" rowspan=2| I'll Play for You

align="left"| "Castles in the Sand"

| —

| 21

| —

| —

rowspan="2"| 1976

| align="left"| "Baby I'll Give It to You"

| 58

| 14

| —

| —

| align="left"| Sudan Village

align="left"| "Get Closer" {{small|(featuring Carolyn Willis)}}

| 6

| 2

| 77

| 19{{cite web|url=http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.4289a&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.4289a.gif&Ecopy=nlc008388.4289a |title=Image : RPM Weekly - Library and Archives Canada |website=Bac-lac.gc.ca |date= 17 July 2013}}

| align="left" rowspan=2| Get Closer

rowspan="2"| 1977

| align="left"| "Goodbye Old Buddies"

| —

| 10

| —

| —

align="left"| "My Fair Share"

| 28

| 11

| —

| —

| align="left"| One on One (soundtrack)

rowspan="2"| 1978

| align="left"| "You're the Love"

| 18

| 2

| —

| 8{{cite web|url=http://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.4615a&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.4615a.gif&Ecopy=nlc008388.4615a |title=Image : RPM Weekly - Library and Archives Canada |date=17 July 2013 |publisher=Bac-lac.gc.ca}}

| align="left" rowspan=2 |Takin' It Easy

align="left"| "Takin' It Easy"

| 79

| —

| —

| —

1980

| align="left"| "First Love"

| —

| 37

| —

| —

| align="left" |Longest Road

colspan="10" style="font-size:9pt"| "—" denotes releases that did not chart

=Songs in movies=

See also

Notes

{{notelist}}

References

{{Reflist}}

Bibliography

  • Bentivegna, Anthony (ed.) sealsandcrofts.com, Novato, California, 2000–2013.
  • George-Warren, H. (ed.) The Rolling Stone Encyclopedia of Rock & Roll, 3rd ed., Fireside, New York, 2001.
  • Landau, Deborah. [http://thompsonian.info/sc-landau-SR-1-71.html "Introducing Seals and Crofts"], Stereo Review, January 1971.