Sessue Hayakawa filmography
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Sessue Hayakawa (June 10, 1886 – November 23, 1973) was one of the first Asian actors and filmmakers to gain great fame and success in the United States. He starred in both English-language and Japanese-language films. His career peaked during the silent film period but continued on and eventually thrived in the talkie era, culminating with an Academy Award-nominated performance in The Bridge on the River Kwai in 1957.
class="wikitable"
|+Key | style="background:#ffc;"| {{dagger|alt=Denotes lost film}} | Denotes a lost or presumed lost film. |
Early work
class="wikitable plainrowheaders sortable"
! scope="col" | Year ! scope="col" | Title ! scope="col" | Role ! scope="col" | Director ! scope="col" | Notes | ||||
1914 | O Mimi San | Yorotomo | Charles Miller | Two reels |
1914 | style="background:#ffc;" | The Courtship of O San {{dagger}} | Shotoku | Charles Miller | Two reels |
1914 | style="background:#ffc;" | The Geisha {{dagger}} | Takura | Raymond B. West | Two reels |
1914 | style="background:#ffc;" | The Ambassador's Envoy {{dagger}} | Kamuri | Two reels | |
1914 | style="background:#ffc;" | A Tragedy of the Orient {{dagger}} | Kato | Reginald Barker | Two reels |
1914 | style="background:#ffc;" | A Relic of Old Japan {{dagger}} | Koto | Reginald Barker | Two reels |
1914 | style="background:#ffc;" | The Curse of Caste {{dagger}} | Kato | Reginald Barker | Two reels |
1914 | style="background:#ffc;" | The Village 'Neath the Sea {{dagger}} | Red Elk | Thomas H. Ince Jay Hunt | Two reels |
1914 | style="background:#ffc;" | Star of the North {{dagger}} | Thomas H. Ince Jay Hunt | Two reels | |
1914 | style="background:#ffc;" | The Death Mask {{dagger}} | Running Wolf | Thomas H. Ince | Two reels |
1914 | style="background:#ffc;" | The Hateful God {{dagger}} | Two reels | ||
1914 | style="background:#ffc;" | Nipped {{dagger}} | Taro Kamura | George Osborne | Two reels |
1914 | style="background:#ffc;" | The Vigil {{dagger}} | Kenjiro | George Osborne | Two reels |
1914 | style="background:#ffc;" | Mother of the Shadows {{dagger}} | Running Elk | George Osborne | Two reels |
1914 | The Last of the Line | Tiah - Gray Otter's Son | Jay Hunt | Two reels |
1914 | The Typhoon | Tokorama | Reginald Barker | |
1914 | The Wrath of the Gods | Lord Yamaki | Reginald Barker | |
1914 | style="background:#ffc;" | The Sacrifice {{dagger}} | |||
1915
|style="background:#ffc;" | The Famine {{dagger}} | Horisho | George Osborne | One reel | ||
1915 | style="background:#ffc;" | The Chinatown Mystery {{dagger}} | Yo Hong | Reginald Barker | Two reels |
Famous Player Lasky Films
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! scope="col" | Year ! scope="col" | Title ! scope="col" | Role ! scope="col" | Director ! scope="col" | Notes | ||||
1915 | style="background:#ffc;" | After Five {{dagger}} | Oki - the Valet | Cecil B. DeMille Oscar Apfel | |
1915 | style="background:#ffc;" | The Clue {{dagger}} | Nogi | James Neill Frank Reicher | |
1915 | The Secret Sin | Lin Foo | Frank Reicher | |
1915 | The Cheat | Hishuru Tori (original release) / Haka Arakau | Cecil B. DeMille | |
1915 | style="background:#ffc;" | Temptation {{dagger}} | Opera Admirer | Cecil B. DeMille | |
1916 | style="background:#ffc;" | Alien Souls {{dagger}} | Sakata | Frank Reicher | |
1916 | style="background:#ffc;" | The Honorable Friend {{dagger}} | Makino | Edward LeSaint | |
1916 | style="background:#ffc;" | The Soul of Kura San {{dagger}} | Toyo | Edward LeSaint | |
1916 | The Victoria Cross | Azimoolah | Edward LeSaint | |
1917 | style="background:#ffc;" | Each to His Kind {{dagger}} | Rhandah | Edward LeSaint | |
1917 | style="background:#ffc;" | The Bottle Imp {{dagger}} | Lopaka | Marshall Neilan | |
1917 | style="background:#ffc;" | The Jaguar's Claws {{dagger}} | El Jaguar | Marshall Neilan | |
1917 | Forbidden Paths | Sato | ||
1917 | style="background:#ffc;" | Hashimura Togo {{dagger}} | Hashimura Togo | ||
1917 | style="background:#ffc;" | The Call of the East {{dagger}} | Arai Takada | George Melford | |
1917 | The Secret Game | Nara-Nara | William C. deMille | |
1918 | style="background:#ffc;" | The Hidden Pearls {{dagger}} | Tom Garvin | ||
1918 | style="background:#ffc;" | The Honor of His House {{dagger}} | Count Ito Onato | William C. deMille | |
1918 | The White Man's Law | John A. Genghis | James Young | |
1918 | The Bravest Way | Kara Tamura | George Melford | |
1918 | style="background:#ffc;" | The City of Dim Faces {{dagger}} | Jang Lung | George Melford |
Haworth Pictures Corporation
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! scope="col" | Year ! scope="col" | Title ! scope="col" | Role ! scope="col" | Director ! scope="col" | Notes | ||||
1918 | His Birthright | Yukio | William Worthington | Incomplete Served as writer |
1918 | style="background:#ffc;" | Banzai {{dagger}} | The American General | One reel | |
1918 | style="background:#ffc;" | The Temple of Dusk {{dagger}} | Akira | James Young | |
1919 | style="background:#ffc;" | A Heart in Pawn {{dagger}} | Tomaya | William Worthington | |
1919 | style="background:#ffc;" | The Courageous Coward {{dagger}} | Suki Iota | William Worthington | |
1919 | style="background:#ffc;" | His Debt {{dagger}} | Goto Mariyama | William Worthington | |
1919 | The Man Beneath | Dr. Chindi Ashutor | William Worthington | |
1919 | style="background:#ffc;" | The Gray Horizon {{dagger}} | Yamo Masata | William Worthington | |
1919 | The Dragon Painter | Tatsu - the Dragon Painter | William Worthington | |
1919 | style="background:#ffc;" | Bonds of Honor {{dagger}} | Yamashito / Sasamoto | William Worthington | |
1919 | style="background:#ffc;" | The Illustrious Prince {{dagger}} | Prince Maiyo | William Worthington | |
1919 | style="background:#ffc;" | The Tong Man {{dagger}} | Luk Chen | William Worthington | This film is not lost. It is available to watch. Just viewed on Turner Classic Movies together with the Dragon Painter. |
1920 | style="background:#ffc;" | The Beggar Prince {{dagger}} | Nikki / Prince | William Worthington | |
1920 | style="background:#ffc;" | The Brand of Lopez {{dagger}} | Vasco Lopez | Joseph De Grasse | |
1920 | The Devil's Claim | Akbar Khan / Hassan | Charles Swickard | |
1920 | Li Ting Lang | Li Ting Lang | Charles Swickard | |
1920 | style="background:#ffc;" | An Arabian Knight {{dagger}} | Ahmed | Charles Swickard | |
1921 | The First Born | Chan Wang | Served as producer | |
1921 | style="background:#ffc;" | Black Roses {{dagger}} | Yoda | Colin Campbell | Served as producer |
1921 | style="background:#ffc;" | Where Lights Are Low {{dagger}} | Tsu Wong Shih | Colin Campbell | Served as producer |
1921 | The Swamp | Wang | Colin Campbell | Served as producer and writer |
rowspan=2 | 1922 | style="background:#ffc;" | Five Days to Live {{dagger}} | Tai Leung | Norman Dawn | |
style="background:#ffc;" | The Vermilion Pencil {{dagger}} | Tse Chan / The Unknown / Li Chan |
European, American and Japanese Films
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! scope="col" | Year ! scope="col" | Title ! scope="col" | Role ! scope="col" | Director ! scope="col" | Notes | ||||
1923 | style="background:#ffc;" | La Bataille {{dagger}} | Le Marquis Yorisaka | Himself Édouard-Émile Violet | French film Served as producer |
rowspan=4 | 1924 | style="background:#ffc;" | The Great Prince Shan {{dagger}} | Prince Shan | A. E. Coleby | British film |
style="background:#ffc;" | The Danger Line {{dagger}} | Marquis Yorisaka | Édouard-Émile Violet | American film | |
style="background:#ffc;" | Sen Yan's Devotion {{dagger}} | Sen Yan | A. E. Coleby | British film | |
I Have Killed | Hideo - l'antiquaire japonais | French film | ||
1929 | The Man Who Laughed Last | Short film. Early talking film for Sessue Hayakawa {{Cite web |title=Stockton Evening and Sunday Record 12 Oct 1929, page 14 |url=https://www.newspapers.com/image/843378120/ |url-access=subscription |access-date=2022-12-28 |website=Newspapers.com |language=en}} | ||
1931 | Daughter of the Dragon | Ah Kee | Lloyd Corrigan | American film |
1932 | Taiyo wa higashi yori | Kenji | Japanese film | |
1934 | Bakugeki hikôtai | Japanese film | ||
rowspan=2 | 1935 | Tojin Okichi | Townsend Harris | Japanese film | |
Kuni o mamoru mono: Nichiren | Nichiren | Japanese film | ||
rowspan=3 | 1937 | The Daughter of the Samurai | Iwao Yamato | Arnold Fanck Mansaku Itami | German-Japanese Film |
Yoshiwara | Ysamo, Kuli | Max Ophüls | French film | |
The Cheat | Prince Hu-Long | Marcel L'Herbier | French film | |
1938 | Storm Over Asia | Le prince Ling | Richard Oswald | French film |
rowspan=2 | 1942 | White Patrol | Halloway | French film | |
{{Interlanguage link multi|Macao, l'enfer du jeu|fr}} | Ying Tchaï | French film | ||
rowspan=2 | 1943 | Malaria | Saïdi | Jean Gourguet | French film |
The Midnight Sun | Matsui | Bernard-Roland | French film | |
1946 | {{Interlanguage link multi| Le Cabaret du grand large|fr}} | Professeur Wang | French film | |
1947 | Chinese Quarter | Tchang | French film |
Final films
class="wikitable plainrowheaders sortable"
! scope="col" | Year ! scope="col" | Title ! scope="col" | Role ! scope="col" | Director ! scope="col" | Notes | ||||
1949 | Tokyo Joe | Baron Kimura | Stuart Heisler | |
rowspan=4 | 1950 | Three Came Home | Col. Mitsuo Suga | Jean Negulesco | |
Harukanari haha no kuni | Joe Hayami | Japanese film | ||
Re mizeraburu: kami to akuma | Japanese film | |||
Re mizeraburu: kami to jiyu no hata | Japanese film | |||
rowspan=2 | 1953 | Onna kanja himon - Akô rôshi | Sakon Tachibana | Japanese film | |
Kurama Tengu to Katsu Kaishû | Awanokami Katsu | Japanese film | ||
1954 | Nihon yaburezu | Japanese film | ||
1955 | House of Bamboo | Insp. Kita | Samuel Fuller | Dubbed by Richard Loo |
1957 | The Bridge on the River Kwai | Colonel Saito | David Lean | Nomination - Academy Award for Best Supporting Actor |
1958 | The Geisha Boy | Mr. Sikita | Frank Tashlin | |
1959 | Green Mansions | Runi | Mel Ferrer | |
rowspan=2 | 1960 | Hell to Eternity | Gen. Matsui | Phil Karlson | |
Swiss Family Robinson | Kuala, Pirate Chief | Ken Annakin | ||
1961 | The Big Wave | The Old Man | Tad Danielewski | |
1966 | The Daydreamer | The Mole | Jules Bass | Voice role |
1967 | Junjô nijûsô | Tajima | Japanese film |
Appearances as himself
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! scope="col" | Year ! scope="col" | Title ! scope="col" | Notes ! scope="col" class="unsortable" | {{abbr|Ref(s)|Reference(s)}} | |||
1918 | United States Fourth Liberty Loan Drive | ||
1922 | Night Life in Hollywood | ||
1931 | Around the World in 80 Minutes with Douglas Fairbanks | Directed by Douglas Fairbanks and Victor Fleming. | |
1932 | Running Hollywood |
Television appearances
class="wikitable plainrowheaders sortable"
! scope="col" | Year ! scope="col" | Title ! scope="col" | Role ! scope="col" | Notes ! scope="col" class="unsortable" | {{abbr|Ref(s)|Reference(s)}} | ||||
1958 | Kraft Television Theatre | |||
1958 | Studio One | |||
1958 | Wagon Train | Sakae Ito | ||
1959 | The Steve Allen Show | |||
1961-1962 | Here's Hollywood | |||
1963 | Route 66 | Takasuka | ||
1965 | Taikōki | Takeda Shingen |
Bibliography
- {{cite book|last1=Miyao|first1=Daisuke|title=Sessue Hayakawa: Silent Cinema and Transnational Stardom|date=2007|publisher=Duke University Press|isbn=978-0-8223-3969-4|oclc=470908395}}
References
{{reflist}}
{{DEFAULTSORT:Hayakawa, Sessue}}
Category:Director filmographies