Sharon Freeman
{{Short description|Jazz musician}}
{{Infobox musical artist
| name = Sharon Freeman
| image = Blues is a woman Reitz (Sharon Freeman).jpg
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| background = non_vocal_instrumentalist
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| instrument = Piano, French Horn
| genre = Jazz
| occupation = Instrumentalist, arranger
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Ahnee Sharon Freeman is a jazz pianist, French horn player and arranger.
Freeman played French horn for the jazz opera Escalator over the Hill, Gil Evans's 1973 album Svengali, and in 1983 she worked on a piece of jazz Christmas music.[https://query.nytimes.com/gst/fullpage.html?res=9800E7DF1538F930A15751C1A965948260 New York Times] In 1982 she joined Charlie Haden's Liberation Music Orchestra and recorded three albums with the group between 1982 and 2004.{{Cite web|url=https://www.sfgate.com/music/article/Jazz-Liberation-Charlie-Haden-gets-the-2592136.php|title = Jazz Liberation / Charlie Haden gets the political band Liberation Music Orchestra back together|date = December 2005}} Freeman has also worked and recorded with Frank Foster, Charles Mingus, Don Cherry, Muhal Richard Abrams, David Murray, and Lionel Hampton, and served as musical director for Don Pullen and for Beaver Harris' 360 Musical Experience.
Although more documented as a horn player, in 1988 Freeman was a guest as a pianist on Marian McPartland's Piano Jazz radio program on National Public Radio.{{cite web |title=Sharon Freeman On Piano Jazz |url=https://www.npr.org/2015/05/08/405177287/sharon-freeman-on-piano-jazz |website=NPR |access-date=19 May 2024}}
Freeman was nominated for a Grammy for her arrangement of "Monk's Mood" for five French horns and rhythm section for Hal Willner's album, That's the Way I Feel Now: A Tribute to Thelonious Monk. She has been commissioned by the Jazz Composer's Orchestra, the Brooklyn Philharmonic, and the Harlem Piano Trio. She has been cited by Jazz Times as the top-rated established jazz French horn player.
Discography
With Carla Bley
- Escalator over the Hill (JCOA, 1968–71){{sfn|Cook|Morton|2008|p=136}}
With Gil Evans
- Svengali (Atlantic, 1973){{sfn|Cook|Morton|2008|p=462}}
With George Gruntz
- First Prize (Enja, 1989)
With Charlie Haden
- The Ballad of the Fallen (ECM, 1982){{sfn|Cook|Morton|2008|p=623}}
- The Montreal Tapes: Liberation Music Orchestra (Verve, 1989 [1999])
- Not in Our Name (Verve, 2004){{sfn|Cook|Morton|2008|p=625}}
With Leroy Jenkins
- For Players Only (JCOA Records, 1975)
With Warren Smith
- Composers Workshop Ensemble (Claves, 1968–82){{sfn|Cook|Morton|2008|p=1318}}
With Charles Sullivan
- Genesis (Strata-East, 1974)
References
{{reflist|2}}
;Bibliography
{{refbegin}}
- {{cite book |last1=Cook |first1=Richard |author-link=Richard Cook (journalist) |last2=Morton |first2=Brian |authorlink2=Brian Morton (Scottish writer) |title=The Penguin Guide to Jazz Recordings |year=2008 |edition=9th |publisher=Penguin |isbn=978-0-141-03401-0 }}
{{refend}}
Further reading
- Leslie Gourse, Madame Jazz. Oxford University Press. New York 1995. {{ISBN|0-19-508696-1}}
{{Authority control}}
{{DEFAULTSORT:Freeman, Sharon}}
Category:American women composers
Category:American jazz composers
Category:American jazz horn players
Category:American jazz pianists
Category:American women jazz pianists
Category:Jazz musicians from New York (state)
Category:Fiorello H. LaGuardia High School alumni
Category:Year of birth missing (living people)
Category:21st-century American pianists
Category:21st-century American women pianists
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