Silas Green from New Orleans

{{Short description|African-American variety tent show}}

{{italic title}}

Silas Green from New Orleans was an African-American owned and run variety tent show that, in various forms, toured the Southern States from about 1904 through 1957. Part-revue, part-musicomedy, part-minstrel show, the show told the adventures of short, "coal-black" Silas Green and tall, "tannish" Lilas Bean. There was never a Silas Green nor any notable connection to New Orleans. "Silas Green" was a fictional character created by the show's original writer, Salem Tutt Whitney.{{Sfn|Thompson||p= }}

History

The show was originally conceived, scored, and written by vaudeville performer Salem Tutt Whitney. The song "Silas Green from New Orleans" debuted around 1908 in a revue by the Black Patti Troubadours, in New York. The Tutt Brothers, Whitney and J. Homer Tutt, were a comedic duo in the Troubadours show.{{Sfn|Gastonia Gazette, September 29,|1908|p=}}

According to a 1941 article in the Pittsburgh Courier by Egar Theodore Rouzeau (1905–1958), the origins of the show, Silas Green from New Orleans, as produced by circus owner Prof. Eph. Williams ({{italic correction|}} Ephraim Williams; 1860–1921), was believed to have been established as an American institution by 1912, with large [racially] mixed audiences in cities throughout the South. Rouzeau qualified his statement, stating, "Records of that first peregrination of Silas Green have faded with the years, but we do know that the future of the show could not have seemed very bright to the Brothers Tutt, because they renounced all claims and turned it over, title and all, to the late Prof. Eph Williams, in lieu of services rendered as a performer."{{Sfn|Pittsburgh-Courier, April 19,|1941|p=}}{{Sfn|Peterson||p=}}{{Sfn|Hoh & Rough||p=}}

Williams was, until his death, the only Black circus owner in America.{{Sfn|Sampson||p= }} Williams had set up his first circus in Wisconsin in 1885, and by the mid-1890s owned 100 Arabian horses and employed 26 people. His circus business collapsed around 1902, but soon afterwards he acquired the rights to Silas Green From New Orleans.

Williams set up a new company, "Prof. Eph Williams' Famous Troubadours", to tour as a tent show. His Troubadours played one-night stands throughout the South, and became one of the longest-lasting tent shows in America.{{Citation needed|date=January 2021}} Williams managed the show and continued to perform horse tricks, alongside musicians such as Bessie Smith. By 1912, he rebranded his Famous Troubadours as Silas Green from New Orleans.

When Eph Williams died in 1921, Vivian Williams Brent (1894–1942), his oldest surviving child (of three daughters) had been handling his business. Half ownership in the show went to Charles Collier (1881–1942). The show went on the following season under the direction of Richmond C. Puggsley with Lawrence Booker directing the band and Aida I. Booker as prima donna.{{sfn|Billboard, December 31,|1921|p=}} By 1928, the troupe employed 54 people, including a 16-piece band and 16 female dancers. The main show tent had a capacity of some 1,400.

Eventually, Collier acquired sole ownership. The show continued to tour until the late 1950s, and in later years was sometimes billed simply as the Silas Green Show.

Selected personnel

= Owners and managers =

  • Hortense Collier ({{nee}} Wong; 1908–2002), dancer and manager. Hortense married Charles Collier around 1932; she was Chinese-American. To avoid Jim Crow laws, members of the company lived and traveled mostly in railroad cars. Commenting on racism in 1942, Hortense stated:
    I'm beginning to believe that the prejudice of the South is far less dangerous than the so-called tolerance of the North. A Northerner will tell you that he has no prejudice whatsoever and then he will find all sorts of ways to keep you out of employment, using one excuse or another as a pretext. That makes him a hypocrite. With a prejudiced Southerner, you always know what to expect. But once his mind is emancipated, you won't find a greater liberal anywhere than [{{italic correction|that of}}] a Southern White man.{{Sfn|Pittsburgh-Courier, March 14,|1942|p=}}
  • Wilmer Jones became co-owner after the death of Charles Collier, with Hortense Collier as the other co-owner.

= Leading actors and actresses =

  • Ford Wiggins (1889–1944), a native of New Bern, North Carolina, played the lead role of Silas Green for 34 seasons – until March 10, 1944, when he died during a performance in Palm Beach, Florida. Wiggins was one of only four notable actors in that role. He jeopardized his position when, on August 28, 1924, around 5 {{smallcaps|am}}, he shot and killed fellow performer Henry "Slim" Gallman ({{italic correction|aka}} Gorman or Gahlam or Gahlman or, on the death certificate, Goldman; 1892–1924){{Sfn|Death Certificate, August 28,|1924|p=}} of Winston-Salem in the baggage compartment of a railway passenger car parked on a siding of the Southern Railway yard in Lexington over 5 cents in a card game where moonshine – during prohibition – played an important part.{{Sfn|Lexington Leader, August 28,|1924|p=}}{{Sfn|Advocate-Messenger, August 29,|1924|p=}} Gallman had been a singer in the chorus.{{Sfn|Billboard, May 31,|1924|p=}} Wiggins was arrested and charged with murder with a bond fixed at $1,000 ({{Inflation|US|1000|1924|fmt=eq}}).{{Sfn|Lexington Herald, August 29,|1924|p=}}{{Sfn|Lexington Leader, August 29,|1924|p=}} Wiggins pleaded self-defense. Clarinetist band-member Bob Young ({{italic correction|}} Robert Young), a witness, provided testimony that corroborated with Wiggins' plea. Within a year, Wiggins was back with the show in the leading role. Young, later, directed the Silas Green band.
  • Ada Lockhart ({{italic correction|née Adeline Lockhart}}; 1874–1938) – stage name, Aida Booker – leading actress, started her theatrical career with Black Patti and closed it out in 1929 after fifteen years with Silas Green. On July 29, 1916, she married Lawrence Booker ({{italic correction|}} Lawrence Henry Booker; 1881–1964), the show's bandmaster, who had been touring with the show since 1912. He, with Ada, retired in 1929. They both spent some of their post-theatrical years being affiliated with Bethune–Cookman College.

= Producer(s) =

  • Sherman H. Dudley Jr. ({{italic correction|}} Sherman Harry Dudley; 1904–1974), the son of Sherman H. Dudley, Sr. (1872–1940), was, in 1932, brought in to take Sam H. Gray's place, who died before the debut of his new production, Money Loafing. Gray, a well-known bass singer, had arrived in 1932 to replace Lonnie Fisher.{{Sfn|Abbott & Seroff||p=}}

= Dancers =

  • Margaret "Callie" Lee ({{italic correction|née}} Margaret Calcinia Lee; 1924–1912), of Warrenton, Virginia – dancer.{{Sfn|Pittsburgh-Courier, September 29,|1945|p=}} She was married to John Wilmer Bumbray (1922–2017).
  • Nipsy Russell (1918–2005).{{Sfn|Malone||p=}}{{Sfn|Walker Evans||p=}}
  • Dorothy Marie Youmans of West Palm Beach, Florida – dancer from the late 1940s to early 1950s.

= Musicians =

  • Lawrence Booker ({{italic correction|}} Lawrence Henry Booker; 1881–1964), band director.
  • Ornette Coleman (1930–2015), tenor saxophonist, in 1949, joined the Silas Green band, marking the beginning of his professional career in performing jazz. During a tour in Mississippi, he was beaten up after playing an unconventional solo. An angry mob threw his tenor off a hillside. Coleman was kicked out of the band in Natchez, Mississippi, after only two months for trying to teach a bebop tune to another player. From Natchez, Coleman made his way to New Orleans where he switched to alto sax.
  • Oliver Welock Mason (1900–1961),{{sfn|1940 US Census||p=24B; line 69}} trumpeter and brother of (i) jazz clarinetist Norman Mason (1895–1971), (ii) jazz trumpeter Henry Morris Mason (born 1906; DOD not known), and (iii) Bahamian suffragist Mary Ingraham (1901–1982).
  • Amos Gilliard ({{italic correction|}} Amos London Gilliard; 1884–1935), trombonist,{{Sfn|Abbott & Seroff||p=}} who had been a member of Jim Europe's 369th Infantry "Hellfighters" Band.{{Sfn|Franklin||p=}}

= Musicians for Eph Williams' Famous Troubadours ''aka'' Big City Minstrels =

: Eighteen piece concert band, including:

  • R. H. Collins, director
  • Fred Kewley ({{italic correction|}} Fred Cecil Kewley; 1889–1953), clarinet, with his wife, Elizabeth, featured singer and dancer, toured with Eph Williams from 1911 through 1914. Fred and Elizabeth divorced in 1924 and Elizabeth went on to perform on tour in a production of Kentucky Sue. Two months after his divorce, he married Exie Preston ({{italic correction|maiden}}; 1897–1942). Together, they became foster parents of jazz saxophonist Ted Buckner (1913–1976). Fred was also one of Ted's saxophone teachers.
  • Jessie Reeves, trombone
  • R.J. Mitchell, cornet

= Vocalists =

= Magician =

  • Alonzo Moore (1878–1930), a magician,{{Sfn|Draft Registration, September 12,|1918|p=}}{{Sfn|Pittsburgh-Courier, August 8,|1959|p=}} was born and raised in Tipton, Missouri. He died on his {{ordinal to word|{{age|1878|04|13|1930|04|13}}}} birthday, April 13, in Northwood Park, Cook County, Illinois.{{Sfn|Death Certificate, April 13,|1930|p=}}

  1. Courtesy University of Iowa Libraries

    1. [https://islandora.lib.uiowa.edu/islandora/object/ui:tc_52973_52969 (image)]

    2. [https://islandora.lib.uiowa.edu/islandora/object/ui%3Atc_52973_52970 (image)]

    3. [https://islandora.lib.uiowa.edu/islandora/object/ui%3Atc_52973_52971 (image)]

    4. [https://islandora.lib.uiowa.edu/islandora/object/ui%3Atc_52973_52972 (image)]

Critical review

In 1940, Time stated:

This year their troubles start when they go to a hospital with suitcases labeled M.D. (Mule Drivers), are mistaken for two medicos, end in jail. The show is garnished with such slapstick as putting a patient to sleep by letting him smell an old shoe, such gags as "Your head sets on one end of your spine and you set on the other." Silas gets broad at times, but never really dirty. What keeps it moving are its dances and specialty acts, its gold-toothed but good-looking chorus.{{Sfn|Time, April 29,|1940|p=}}

Poster art

Historic posters advertising the shows, mostly printed by Hatch Show Print of Nashville, are popular among collectors.{{Sfn|Poster, October 30,|1935|p=}}{{Sfn|Oliver||p=50}}

Three Hatch posters for Silas Green from New Orleans can be viewed in eleven photographs by Marion Post Wolcott held the Library of Congress Prints and Photographs Division. The images are part of the Farm Security AdministrationOffice of War Information Photograph Collection, available online through the American Memory Project. The posters are advertising a performance for October 4, 1939, in Belzoni, Mississippi. (retrieved January 27, 2021)

  1. Title: "Itinerant salesman selling goods from his truck to Negroes in center of town on Saturday afternoon. Belzoni, Mississippi Delta, Mississippi."

    1. {{LCCN|2017754815}} ([http://loc.gov/pictures/resource/fsa.8a41104/ image])

    2. {{LCCN|2017754816}} ([http://loc.gov/pictures/resource/fsa.8a41105/ image])

    3. {{LCCN|2017754817}} ([http://loc.gov/pictures/resource/fsa.8a41106/ image])

    4. {{LCCN|2017754818}} ([http://loc.gov/pictures/resource/fsa.8a41107/ image])

    5. {{LCCN|2017754819}} ([http://loc.gov/pictures/resource/fsa.8a41108/ image])

    Belzoni, Mississippi Delta, Mississippi".

      Two Hatch brothers, Charles Randett Hatch (1851–1921) and Herbert Hazelton Hatch (1854–1925), started the printing company C.R. & H.H. Hatch April 12, 1879. Around 1921, Charlie's son, Will T. Hatch ({{italic correction|}} William Thompson Hatch; 1886–1952), took charge and "Hatch Show Print" became one of its brands. ([https://countrymusichalloffame.org/press-release/hatch-show-print-celebrates-140-years-of-letterpress-printing/ "Hatch Show Print Celebrates 140 Years of Letterpress Printing", April 4, 2019]. Country Music Hall of Fame and Museum. Retrieved January 27, 2021).

      }}

= Notes =

{{reflist|22em}}

=References=

News media

{{refbegin|30em|indent=yes}}

  • {{cite news |ref={{SfnRef|Advocate-Messenger, August 29,|1924|p=}} |last1=Advocate-Messenger, The |date=August 29, 1924 |title=Minstrel Here Yesterday Murdered in Lexington |url=https://www.newspapers.com/image/143094551/ |language=en-US |volume=14 |issue=99 |location=Danville, Kentucky |page=1 |access-date=January 26, 2021 |via=Newspapers.com |url-access=subscription |author1-link=The Advocate-Messenger }}
  • {{cite news |ref={{SfnRef|Gastonia Gazette, September 29,|1908|p=}} |last1=Gastonia Gazette |date=September 29, 1908 |title=Black Patti |url=https://www.newspapers.com/image/64163054/ |department=Supplement |volume=29 |issue=78 |page=5 |access-date=January 29, 2021 |via=Newspapers.com |url-access=subscription |author1-link=The Gaston Gazette }}

  • {{cite news |ref={{SfnRef|Lexington Herald, August 29,|1924|p=}} |last1=Lexington Herald, The |date=August 29, 1924 |title=Is Held for Murder – Arrest Follows Row in Minstrel Show Car |url=https://www.newspapers.com/image/684796909/ |language=en-US |volume=54 |issue=241 |location=Lexington, Kentucky |page=12 |access-date=January 26, 2021 |via=Newspapers.com |url-access=subscription |author1-link=The Lexington Herald }}
  • {{cite news |ref={{SfnRef|Lexington Leader, August 28,|1924|p=}} |last1=Lexington Leader, The |date=August 28, 1924 |title=Negro Minstrel Killed Over Game – Shooting Occurs on Car in Southern Railway Yards; Man Held on Murder Charge |url=https://www.newspapers.com/image/683082121/ |language=en-US |edition=final |location=Lexington, Kentucky |page=1 |access-date=January 26, 2021 |via=Newspapers.com |url-access=subscription |author1-link=The Lexington Leader }}
  • {{cite news |ref={{SfnRef|Lexington Leader, August 29,|1924|p=}} |last1=Lexington Leader, The |date=August 29, 1924 |title=Minstrel Held to Jury in Slaying – Ford Wiggins Claims Self Defense in Shooting of Fellow-Trooper; Given Examining Trial |url=https://www.newspapers.com/image/683082296/ |language=en-US |edition=final |location=Lexington, Kentucky |page=3 |access-date=January 26, 2021 |via=Newspapers.com |url-access=subscription |author1-link=The Lexington Leader }}

  • {{cite news |ref={{SfnRef|Pittsburgh-Courier, April 19,|1941|p=}} |last1=Pittsburgh Courier |last2=Rouzeau |first2=Edgar Theodore (1905–1958) |date=April 19, 1941 |title=Greatest Negro Show on Earth! |url=https://www.newspapers.com/image/40058300/ |department=Theatricals |volume=32 |issue=16 |page=21 |access-date=January 29, 2021 |via=Newspapers.com |url-access=subscription |author1-link=Pittsburgh Courier }}
  • {{cite news |ref={{SfnRef|Pittsburgh-Courier, March 14,|1942|p=}} |last1=Pittsburgh Courier |date=March 14, 1942 |title=Show-Owner's Wife Airs Views on Tolerance – Says Southern Prejudice is Far Less Dangerous Than Said Northern Tolerance |url=https://www.newspapers.com/image/40067092/ |volume=33 |issue=11 |page=8 |access-date=January 26, 2021 |via=Newspapers.com |url-access=subscription |author1-link=Pittsburgh Courier }}
  • {{cite news |ref={{SfnRef|Pittsburgh-Courier, September 29,|1945|p=}} |last1=Pittsburgh Courier |date=September 29, 1945 |title=Silas Green Hits Dixie |url=https://fultonhistory.com/Newspapers%2023/Pittsburgh%20PA%20Courier/Pittsburgh%20PA%20Courier%201945-1946/Pittsburgh%20PA%20Courier%201945-1946%20-%200151.pdf |volume=36 |issue=40 |page=17 |access-date=January 25, 2021 |via=Fultonhistory.com |author1-link=Pittsburgh Courier }}
  • {{cite news |ref={{SfnRef|Pittsburgh-Courier, August 8,|1959|p=}} |last1=Pittsburgh Courier |last2=Anderson |first2=Trezzvant W. (1906–1963) ({{italic correction|Courier}} roving reporter) |author-link2=Trezzvant Anderson |date=August 8, 1959 |title=Silas Green from New Orleans Show May Be Resurrected |url=https://www.newspapers.com/image/40017148/ |volume=51 |issue=32 |page=24 |access-date=January 28, 2021 |via=Newspapers.com |url-access=subscription |author1-link=Pittsburgh Courier }}

{{refend}}

Books, journals, magazines, and papers

{{refbegin|30em|indent=yes}}

  • {{cite book |ref={{SfnRef|Abbott & Seroff||p=}} |last1=Abbott |first1=Lynn (born 1946) |last2=Seroff |first2=Doug |date=2007 |title=Ragged but Right: Black Traveling Shows, 'Coon Songs', and the Dark Pathway to Blues and Jazz |url=https://books.google.com/books?id=u4rc-BKNCyoC&dq=%22amos+gilliard&pg=PA334 |series=American Made Music Series |language=en-US |edition=1st |location=Jackson |publisher=University Press of Mississippi |page=334 |isbn=9781604731484 |access-date=January 22, 2021 |via=Google Books }}{{space|1}}{{OCLC|793384482}}. {{LCCN|2006015009}}. {{ISBN|978-1-6170-3645-3|1-6170-3645-5|978-1-6047-3148-4}}; and {{ISBN|1-6047-3148-6}}

  • {{cite magazine |ref={{SfnRef|Billboard, December 31,|1921|p=}} |last1=Billboard, The |date=December 31, 1921 |title=The Late Eph Williams |url=https://worldradiohistory.com/Archive-All-Music/Billboard/20s/1921/Billboard-1921-12-31-New-Year-List-Number.pdf |department=J.A. Jackson's Page – in the interest of the Colored actor, actress and musician of America (re: James Albert Jackson; 1878–1960) |language=en-US |volume=33 |issue=53 |page=43 |access-date=January 26, 2021 |magazine=The Billboard}}
  • {{cite magazine |ref={{SfnRef|Billboard, May 31,|1924|p=}} |last1= |date=May 31, 1924 |title=Minstrel and Tent Show Talk – 'Bridget' Writes |url=https://worldradiohistory.com/Archive-All-Music/Billboard/20s/1924/Billboard-1924-05-31-Complete-Fair-List.pdf |language=en-US |volume=36 |issue=22 |page=47 |access-date=January 26, 2021 |via=americanradiohistory.com; David Frackelton Gleason (born 1946), Cleveland |magazine=The Billboard }}

  • {{cite book |ref={{SfnRef|Franklin||p=}} |last1=Franklin |first1=Benjamin V, PhD (born 1939) |date=2016 |chapter=Gilliard, Amos |title=An Encyclopedia of South Carolina Jazz and Blues Musicians |chapter-url=https://books.google.com/books?id=jsnYCwAAQBAJ&dq=%22amos+l+gilliard&pg=PT252 |language=en-US |location=Columbia |publisher=University of South Carolina Press |isbn=978-1-6111-7622-3 |oclc=965611335 |access-date=January 26, 2021 |via=Google Books }}

  • {{cite book |ref={{SfnRef|Hoh & Rough||p=}} |last1=Hoh |first1=LaVahn G. |author-link1=LaVahn Hoh |last2=Rough |first2=William H. |date=1990 |chapter=Chapter 3: New World Roots – Ephraim Williams |title=Step Right up! The Adventure of Circus in America |url=http://xroads.virginia.edu/~MA02/amacker/circus_backup/ch_3.txt |archive-url=https://web.archive.org/web/20060906011103/http://xroads.virginia.edu/~MA02/amacker/circus_backup/ch_3.txt |url-status=dead |archive-date=September 6, 2006 |language=en-US |location=Whitehall, Virginia |publisher=Betterway |pages=68–69 |access-date=January 25, 2021 |via=American Studies at the University of Virginia, transcript maintained by Alan Howard, Professor Emeritus, American Studies }}{{space|1}}{{OCLC|613269672|show=all}}. {{ISBN|978-1-5587-0139-7|1-5587-0139-7}}.

  • {{cite book |ref={{SfnRef|Malone||p=}} |last1=Malone |first1=Jacqui |date=1996 |title=Steppin' on the Blues: The Visible Rhythms of African American Dance |url=https://books.google.com/books?id=yWJXUnPDFk0C&dq=%22nipsey+russell&pg=PA63 |language=en-US |publisher=University of Illinois Press |page=63 |isbn=0-2520-2211-4 |lccn=95-4413 |oclc=757583016 |access-date=January 26, 2021 |via=Google Books }}

  • {{cite book |ref={{SfnRef|Oliver||p=50}} |last1=Oliver |first1=Paul |author-link1=Paul Oliver |date=2009 |chapter=Figure 3.6. Wall poster advertising the Silas Green traveling show, c. 1938 |title=Barrelhouse Blues: Location Recording and the Early Traditions of the Blues |chapter-url=https://books.google.com/books?id=bZzhGr0rIgAC&q=%22Silas%20green%22&pg=PA50 |language=en |location=New York |publisher=Basic Civitas |pages=39, 49–50 |isbn=978-0-4650-0881-0 |lccn=2009017399 |oclc=4809772610 |access-date=January 26, 2021 |via=Google Books (image blocked from preview citing copyright) |postscript={{space|1}}(from the Library of Congress Collection). }}

  • {{cite book |ref={{SfnRef|Peterson||p=}} |last1=Peterson |first1=Bernard L., Jr. |date=2001 |chapter=Williams (Prof.) Eph. (for Ephraim) (d. 1921) |title=Profiles of African American Stage Performers and Theatre People, 1816–1960 |chapter-url=https://books.google.com/books?id=94Vkm-y_3CEC&pg=PA310 |language=en-US |location=Westport, Connecticut |publisher=Greenwood Press |pages=310–311 |isbn=9780313295348 |access-date=January 25, 2021 |via=Google Books }}{{space|1}}{{OCLC|1126462332|show=all}}. {{LCCN|99-88056}}. {{ISBN|0-3132-9534-4}}.

  • {{cite book |ref={{SfnRef|Sampson||p= }} |last1=Sampson |first1=Henry T. |author-link1=Henry T. Sampson |date=2014 |title=Blacks in Blackface: A Sourcebook on Early Black Musical Shows |url=https://books.google.com/books?id=DVsKAgAAQBAJ&dq=%22Prof.+eph+williams&pg=PA1219 |edition=2nd |publisher=Scarecrow Press |pages=1219 |isbn=978-0-8108-8350-5 |lccn=2012012414 |access-date=January 25, 2021 |via=Google Books }}

  • {{cite book |ref={{SfnRef|Thompson||p= }} |last1=Thompson |first1=Dave |author-link1=Dave Thompson (author) |date=2010 |title=Bayou Underground: Tracing the Mythical Roots of American Popular Music |url=https://books.google.com/books?id=4HFYKKVMvxcC&dq=%22silas+green&pg=PT237 |location=Toronto |publisher=ECW Press |isbn=978-1-5502-2962-2 |oclc=679694437 |access-date=January 25, 2021 |via=Google Books }}
  • {{cite magazine |ref={{SfnRef|Time, April 29,|1940|p=}} |last=Time |date=April 29, 1940 |title=The Theatre: Mr. Green & Mr. Bean |magazine=Time |url=http://content.time.com/time/magazine/article/0,9171,795004,00.html |access-date=July 26, 2019 |language=en-US |volume=35 |issue=18 }}

  • {{cite magazine |ref={{SfnRef|UGA Today||p=}}|last=UGA Today |date=October 3, 2011 |title=Traveling Exhibition Celebrates American Graphic Art Tradition |url=https://news.uga.edu/american-graphic-art-tradition/ |format=online magazine |department=Campus news |language=en-US |location=Athens|magazine=UGA Today |publisher=University of Georgia |access-date=January 28, 2021 }}

  • {{cite book |ref={{SfnRef|Walker Evans||p=}} |last1=Walker Evans (2000). Curators: (i) Maria Morris Hambourg |last2= (ii) Jeff L. Rosenheim |last3= (iii) Douglas Eklund |last4=(iv) Mia Fineman |title=(link) | year=2000 |url=https://books.google.com/books?id=rJzaHS4lQ5IC&dq=%22nipsey+russell%22+%22silas+green&pg=PA80 |type=museum exhibition catalogue |language=en-US |publisher=Publisher: The Metropolitan Museum of Art in association with the Princeton University Press |page=80 | isbn=9780870999383 |access-date=January 26, 2021 |via=Google Books |postscript={{space|1}}(published in conjunction with the exhibition "Walker Evans" held at the Metropolitan Museum of Art, February 1 through May 14, 2000; the San Francisco Museum of Art, June 2 through September 12, 2000; The Museum of Fine Arts, Houston, December 17, 2000, through March 11, 2001) }}{{space|1}}{{OCLC|185532906|show=all}}. ISBNs {{ISBN|0-8709-9937-0|978-0-8709-9937-6|0-8709-9938-9|plainlink=Yes}}. {{LCCN|99055746}}. {{ISBN|978-0-8709-9938-3|0-6910-5078-3|978-0-6910-5078-2|plainlink=yes}}.

{{refend}}

Government, institutional, and genealogical archives

{{refbegin|30em|indent=yes}}

  • {{cite web |ref={{SfnRef|Death Certificate, August 28,|1924|p=}} |url=https://familysearch.org/ark:/61903/3:1:3Q9M-C9TK-X98W-C?cc=1417491 |url-access=registration |title=Goldman, Henry {{!}} Death Certificate – Kentucky Death Records, 1911–1965] |date=August 28, 1924 |department=File no. 2021, Registered no. 778 → Fayette CountyLexington → Hampton Court (near the Louisville and Nashville Railroad line) → DOD: August 28, 1924 → Informant: John Timothy Anglin (1890–1930) (coroner) → Cause of death: gunshot wound (homicide) → Place of burial or removal: Winston-Salem → Undertaker: Breckenridge Crittenden (1883–1947) → Transit permit no. 681 |publisher=Kentucky Cabinet for Health and Family Services, Office of Vital Statistics |location=Frankfort |access-date=January 26, 2021 |via=FamilySearch }}{{space|1}}FHL (GS) microfilm no. 1,912,791; digital folder no. 4,222,820; online image no. 425 (of 3,321); indexing project (batch) no. 48 (of 56); record no. 417.
  • {{cite web |ref={{SfnRef|Death Certificate, April 13,|1930|p=}} |url=https://familysearch.org/ark:/61903/1:1:NQ2Y-TDB |url-access=registration |title=Moore, Alonzo {{!}} Death Certificate – Illinois Deaths and Stillbirths, 1916–1947] |date=April 13, 1930 |department=Place of death: Northwood Park, Cook County, Illinois → DOD: April 13, 1930 → Birthplace: Tipton, Missouri → Occupation → magician |publisher=Public Board of Health |agency=Archives |location= Springfield |language=en-US |access-date=January 28, 2021 |via=FamilySearch }}{{space|1}}FHL (GS) microfilm no. 1,643,661; digital folder no. 4,008,257; online image no. 2304; reference ID 12484.
  • {{cite web |ref={{SfnRef|Draft Registration, September 12,|1918|p=}} |url=https://familysearch.org/ark:/61903/3:1:33S7-L1HQ-S3R?cc=1968530&wc=9FCK-MNL%3A928311701%2C928484601 |url-access=registration |title=Moore, Alonzo {{!}} Draft Registration – United States World War I Draft Registration Cards, 1917–1918] |date=September 12, 1918 |department=Moore's residence → Main Street, Tipton, Moniteau, Missouri → DOB: April 13, 1878 → Birthplace: Tipton, Missouri → Occupation → magician, Harvey's Minstrels → place of registration: Local Board for the County of Dallas, Iowa |location=Springfield |language=en-US |access-date=January 28, 2021 |via=FamilySearch }}{{space|1}}FHL (GS) microfilm no. 1,642,995; digital folder no. 5,248,868; online image no. 1989 (of 4158) → citing NARA microfilm publication M1509; Washington, D.C.

{{refend}}

{{Authority control}}

Category:Blackface minstrel troupes

Category:American comedy troupes

Category:Black circus performers

Category:African-American cultural history