Son Bonds

{{short description|American country blues guitarist, singer and songwriter}}

{{Infobox musical artist

| name = Son Bonds

| image =

| caption =

| image_size =

| background = solo_singer

| birth_name = Abraham John Bond Jr.

| alias = "Brownsville" Son Bonds, Brother Son Bonds

| birth_date = {{birth date|1909|3|16|mf=y}}

| birth_place = Brownsville, Tennessee, United States

| death_date = {{death date and age|1947|8|31|1909|3|16|mf=y}}

| death_place = Dyersburg, Tennessee, United States

| instrument = Vocals, guitar, kazoo

| genre = Country blues

| occupation = Singer, guitarist, songwriter

| years_active =

| label =

| past_member_of = Sleepy John Estes, Hammie Nixon

| website =

}}

Abraham John Bond Jr.,{{cite book| first1= Bob| last1= Eagle| first2= Eric S.| last2= LeBlanc| year= 2013| title= Blues: A Regional Experience| publisher= Praeger| location= Santa Barbara, California| page=242 | isbn= 978-0313344237}} known as Son Bonds (March 16, 1909 – August 31, 1947), was an American country blues guitarist, singer and songwriter. He was a working associate of Sleepy John Estes and Hammie Nixon. He was similar to Estes in his guitar-playing style. According to the music journalist Jim O'Neal, "the music to one of Bonds's songs, 'Back and Side Blues' (1934), became a standard blues melody when Sonny Boy Williamson I, from nearby Jackson, Tennessee, used it in his classic "Good Morning, School Girl". The best-known of Bonds's other works are "A Hard Pill to Swallow" and "Come Back Home."{{cite web|author=Doc Rock |url=http://thedeadrockstarsclub.com/1950.html |title=The 50s and Earlier |publisher=TheDeadRockStarsClub.com |access-date=2014-01-29}}

Biography

Bonds was born in Brownsville, Tennessee.{{cite web |url={{AllMusic|class=artist|id=p281/biography|pure_url=yes}}|title=Son Bonds |author=O'Neal, Jim |publisher=Allmusic.com |access-date=January 21, 2010}} He was also billed on records as "Brownsville" Son Bonds and Brother Son Bonds.{{cite web|url=http://www.bluescat.com/NumberedFiles/44.htm |title=BluesCat.com |publisher=BluesCat.com |access-date=2014-01-29}}{{cite book|url=https://books.google.com/books?id=GJ2fAAAAMAAJ&q=%22Son+Bonds%22 |first= Paul|last= Oliver|title=Aspects of the Blues Tradition |year= 1970|isbn= 9780825600128|access-date=2014-01-29}}

Sleepy John Estes, in his earlier recordings, was backed by Yank Rachell (mandolin) or Hammie Nixon (harmonica), but by the late 1930s he was accompanied in the recording studio by either Bonds or Charlie Pickett (guitar).{{cite book

| first= Tony

| last= Russell

| year= 1997

| title= The Blues: From Robert Johnson to Robert Cray

| publisher= Carlton Books

| location= Dubai

| isbn= 1-85868-255-X

| page= 110}} Bonds also backed Estes on a couple of recording sessions in 1941.{{cite web|url=http://sundayblues.org/archives/tag/son-bonds |title=Son Bonds: Big Road Blues |publisher=Sundayblues.org |access-date=2014-01-29}} In return, either Estes or Nixon played on every one of Bonds's own recordings. In the latter part of his career, Bonds played the kazoo as well as the guitar on several tracks.

According to Nixon's later accounts of the event, Bonds suffered an accidental death in August 1947. While sitting on his front porch late one evening in Dyersburg, Tennessee, Bonds was shot to death by his nearsighted neighbor, who mistook him for another man, with whom the neighbor was having a protracted disagreement.{{cite book

| first= Frederick J.

| last= Hay

| year= 2001

| title= Goin' Back to Sweet Memphis

| publisher= University of Georgia Press

| location= Athens

| isbn= 0-8203-2301-2

| page= 69}}

Discography

Complete Recorded Works in Chronological Order (1991), Wolf Records

This compilation album contains all known recordings by Bonds, made between September 1934 and September 1941.{{cite web|author=Eder, Bruce |url=http://www.allmusic.com/album/complete-recorded-works-in-chronological-order-1934-41-mw0000882677 |title=Son Bonds, Brownsville Son Bonds, Charlie Pickett, Complete Recorded Works in Chronological Order 1934–41: Songs, Reviews, Credits, Awards |publisher=AllMusic.com |access-date=2014-01-29}}