Steve Cosson

Cosson was born in the Washington, D.C. area. He received his BA from Dartmouth College and holds an MFA in directing from the University of California San Diego, where he studied under director and Joint Stock member Les Waters.Zinoman, Jason. [https://www.nytimes.com/2006/01/29/theater/newsandfeatures/they-feel-a-homeland-security-song-coming-on.html "They Feel A Homeland Security Song Coming On]," The New York Times. January 29, 2006.

Cosson led The Civilians as the first theater company in residence at the Metropolitan Museum of Art.{{Cite web|url=https://www.interviewmagazine.com/art/the-civilians-let-me-ascertain-you|title=The Civilians' Museum as Musical|date=2014-09-12|website=Interview Magazine|language=en-US|access-date=2019-03-31}} He wrote the first major American play about climate change, The Great Immensity, which generated significant controversy from Republicans in Congress and right-wing media,{{Cite web|url=https://www.americantheatre.org/2017/06/05/how-a-climate-change-musical-became-a-right-wing-punching-bag/|title=How a 'Climate Change Musical' Became a Right-Wing Punching Bag|last=Tran|first=Diep|date=2017-06-05|website=AMERICAN THEATRE|language=en-US|access-date=2019-03-31}} and was featured as a TED Talk at the main TED conference in 2012.{{Cite web|url=https://blog.ted.com/a-musical-about-climate-change-the-civilians-at-ted2012/|title=A musical about climate change: The Civilians at TED2012|date=2012-02-29|website=TED Blog|language=en|access-date=2019-03-31}}

Cosson collaborated repeatedly with composer Michael Friedman on works with The Civilians and other companies, until Friedman's death in 2017. Other notable accomplishments include developing and directing Anne Washburn's Mr. Burns, a Post-Electric Play, named the 4th Best American Play of the past 25 Years by The New York Times.{{Cite news|url=https://www.nytimes.com/2018/05/31/theater/25-best-plays-video.html|title=Watch Now: Excerpts From the 25 Best New American Plays|date=2018-05-31|work=The New York Times|access-date=2019-03-31|language=en-US|issn=0362-4331}}

Credits include:

• book-writer and director of The Abominables at Children's Theatre Company (2018){{Cite web|url=http://www.startribune.com/new-ctc-musical-abominables-blows-whistle-sweetly-on-youth-sports/445753103/|title=New CTC musical 'Abominables' blows whistle, sweetly, on youth sports|website=Star Tribune|access-date=2019-03-31}}
• writer and director of The Undertaking at BAM Next Wave Festival (2016),{{Cite news|url=https://www.nytimes.com/2016/09/23/theater/the-undertaking-review.html|title=Review: In 'The Undertaking,' Considering the End With Some Laughter|last=Isherwood|first=Charles|date=2016-09-25|work=The New York Times|access-date=2019-03-31|language=en-US|issn=0362-4331}} US tour, Theatre de la Ville, Paris
• director of José Rivera's Another Word for Beauty,{{Cite web|url=https://www.chicagotribune.com/entertainment/theater/ct-word-beauty-goodman-review-ent-0127-20160126-column.html|title=Review: 'Another Word for Beauty' about pageant in a Colombian prison|last=Jones|first=Chris|website=chicagotribune.com|language=en-US|date=January 26, 2016|access-date=2019-03-31}} world premiere at the Goodman Theatre (2016)
• writer/director, Rimbaud in New York at the Brooklyn Academy of Music (2016){{Cite magazine|url=https://www.newyorker.com/magazine/2016/03/07/john-ashberys-rimbaud|title=John Ashbery's Rimbaud|magazine=The New Yorker|date=25 February 2016 |access-date=2019-03-31 |last1=Als |first1=Hilton }}
• director of Michael Friedman and Bess Wohl's musical Pretty Filthy (2015){{Cite news|url=https://www.nytimes.com/2015/02/09/theater/pretty-filthy-a-behind-the-scenes-musical-about-pornography-stars.html|title='Pretty Filthy,' a Behind-the-Scenes Musical about Pornography Stars|last=Isherwood|first=Charles|date=2015-03-01|work=The New York Times|access-date=2019-03-31|language=en-US|issn=0362-4331}}
• the Off-Broadway revival of The Belle of Amherst, starring Joely Richardson (2014){{Cite news|url=https://www.nytimes.com/2014/10/20/theater/the-belle-of-amherst-joely-richardson-as-dickinson.html|title='The Belle of Amherst': Joely Richardson as Dickinson|last=Isherwood|first=Charles|date=2014-11-23|work=The New York Times|access-date=2019-03-31|language=en-US|issn=0362-4331}}

With The Civilians:

• writer/director of The Great Immensity (2014), music by Michael Friedman, created in residence with the Princeton Environmental Institute and the Princeton Atelier{{cite web |url=http://www.princeton.edu/arts/arts_at_princeton/princeton_atelier/ateliers/great-immensity/ |title=The Princeton Atelier and Princeton Environmental Institute present The Great Immensity |access-date=2010-08-12 |url-status=dead |archive-url=https://web.archive.org/web/20100416031039/http://www.princeton.edu/arts/arts_at_princeton/princeton_atelier/ateliers/great-immensity/ |archive-date=2010-04-16 }}
• co-writer and director of This Beautiful City, which premiered in 2009 to excellent reviews at the Humana Festival of New American Plays and then completed a critically acclaimed run at the Vineyard Theatre (Drama Desk, Drama League, Lortel nominations)Isherwood, Charles. [https://www.nytimes.com/2009/02/23/theater/reviews/23beau.html "In a Transformed City, Falling in and Out of Grace,"] The New York Times. Feb 23, 2009.
• co-writer and director of Brooklyn at Eye Level, produced at Brooklyn's Lyceum Theatre in 2008Portlock, Sarah. [https://www.brooklynpaper.com/stories/31/47/31_47_sp_eye_level.html "Agit Prop,"] Brooklyn Paper (November 26, 2008).
• co-writer/director of Paris Commune produced in 2004 in The Public Theater's PublicLAB series
• writer/director of the long-running hit Gone Missing which toured for several years throughout the U.S. and the U.K., culminating in 2007 in a seven-month Off-Broadway run at Barrow Street Theater (New York Times’ Top 10 of 2007 list){{citation needed|date=October 2019}}
• writer/director (I Am) Nobody's Lunch (2006) (Fringe First award)
• director of the company's first show Canard, Canard, Goose? (2002)Estvanik, Nicole. "What Do You Believe?" American Theatre Magazine. Dec 1, 2004.

Cosson has also directed The Civilians’ work at A.R.T., Actors Theatre of Louisville, La Jolla Playhouse, HBO's Aspen Comedy Festival, The Museum of Modern Art; London's Gate Theatre, and the Soho Theatre, among many others.

As a freelance director of new plays, musicals, and classics, Cosson's other directing credits include Ethel's Documerica (BAM Next Wave Festival); Dael Orlandersmith's Stoop Stories; Spring Awakening (Olney Theatre Center); Bus Stop (Kansas City Repertory Theatre); Anne Washburn’s A Devil at Noon (Humana Festival of New American Plays); Michael Friedman's Adventures in Reality (Lincoln Center Theater), and the U.S. premiere of Attempts on Her Life; and new plays at theaters including Hartford Stage, Soho Rep, O’Neill Conference, New Harmony Project, and others.

His plays have been published by Oberon Books in the UK, Dramatists Play Service, and an anthology of his plays with The Civilians was published by Playscripts, Inc.

• 2018 The Abombinables, music/lyrics by Michael Friedman
• 2016 The Undertaking
• 2016 Rimbaud in New York, various composers
• 2015 The End and the Beginning
• 2014 The Great Immensity, music/lyrics by Michael Friedman
• 2012 Paris Commune with Michael Friedman
• 2010 In The Footprint, music/lyrics by Michael Friedman
• 2009 This Beautiful City, with Jim Lewis, interviews by the company, music/lyrics by Michael Friedman
• 2006 (I Am) Nobody's Lunch, interviews by company, music/lyrics by Michael Friedman
• 2003 Gone Missing, interviews by the company, music/lyrics by Michael Friedman
• 2001 Canard, Canard, Goose? head writer, company-devised, music/lyrics by Michael Friedman
• 1998 Fingered

{{Reflist}}

• {{official website|https://www.stevecosson.com}}
• [http://thecivilians.org/ The Civilians official website]

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Category:American theatre directors

Category:American dramatists and playwrights

Category:Dartmouth College alumni

Category:Living people

Category:1968 births