The Breakfast Club#Cultural Impact

On Saturday, March 24, 1984, five students from different social cliques report for all-day detention at Shermer High School in the fictional town of Shermer, Illinois. They include Brian Johnson, a socially awkward academic; Andrew Clark, a varsity wrestler; Allison Reynolds, a withdrawn loner; Claire Standish, a popular socialite; and John Bender, a rebellious delinquent. Vice Principal Richard Vernon supervises the group and instructs them not to speak or leave their seats. He assigns a 1,000-word essay on the topic "who you think you are".

Bender openly defies the rules, harassing and riling up Vernon, Claire, Brian, and Andrew. His disruptive behavior earns him eight additional detentions. After the students sneak out to retrieve Bender's marijuana stash, he allows himself to be caught so the others can return unnoticed. Vernon locks him in a storage closet, where he taunts Bender and dares him to retaliate, but Bender remains silent. He later escapes through the ceiling and rejoins the others in the library.

As the day progresses, the students gradually open up to one another. Claire confesses to the pressures of popularity and her parents' manipulative relationship. Bender describes the physical abuse he endures from his father. Andrew reveals that he taped a fellow student's buttocks together to impress his father and teammates. Brian admits he brought a flare gun to school after contemplating suicide due to academic pressure. Allison, neglected by her parents, admits she came to detention voluntarily.

Despite their differences, the students bond over shared insecurities and struggles. Allison and Andrew develop a romantic connection, as do Claire and Bender. Claire gives Allison a makeover, prompting Andrew's attraction, and later gifts Bender one of her diamond earrings.

Meanwhile, Vernon laments to janitor Carl that students have become disrespectful, but Carl suggests that Vernon has grown cynical and cares too much about their opinions.

Before leaving, the group agrees to let Brian write the essay for all of them. He submits a letter challenging Vernon's preconceived notions that each of them fits into a stereotype and arguing that they all share the inner traits of "...a brain, an athlete, a basket case, a princess, and a criminal". The letter concludes, "Sincerely yours, the Breakfast Club."

As the students depart, Bender walks across the football field and raises his fist in a silent gesture of defiance and triumph.

{{div col}}

• Emilio Estevez as Andrew Clark, a wrestler in Saturday detention for taping another student's butt cheeks together
• Paul Gleason as Richard Vernon, the domineering vice principal of Shermer High School who oversees the Saturday detention
• Anthony Michael Hall as Brian Johnson, an academic in Saturday detention for taking a flare gun to school
• John Kapelos as Carl Reed, a janitor at Shermer High School on friendly terms with Brian
• Judd Nelson as John Bender, a rebel in Saturday detention for setting off the fire alarm
• Molly Ringwald as Claire Standish, a socialite in Saturday detention for skipping school
• Ally Sheedy as Allison Reynolds, a loner who voluntarily goes to Saturday detention
• Ron Dean as Mr. Clark, Andrew's father
• Mercedes Hall as Mrs. Johnson, Brian's mother
• Mary Christian as Brian's sister
• Tim Gamble as Mr. Standish, Claire's father
• Perry Crawford & Fran Gargano as (respectively) Mr. and Mrs. Reynolds, Allison's parents
• John Hughes as Mr. Johnson (uncredited cameo), Brian's father

{{div col end}}

The film was originally titled The Lunch Bunch, but writer-director John Hughes changed it to The Breakfast Club after hearing the term from a friend's high school detention group.{{cite web |date=February 12, 2015 |title=15 Things You Didn't Know About 'The Breakfast Club' |url=https://www.huffpost.com/entry/the-breakfast-club-anniversary_n_6647566}} Hughes wrote the script around the same time as Sixteen Candles, which he completed in a matter of days. That script impressed studio executives, who chose it to mark his directorial debut instead.{{cite web |date=February 10, 2010 |title=David Kamp on John Hughes |url=https://www.vanityfair.com/news/2010/03/john-hughes-201003 |website=Vanity Fair}}

Molly Ringwald and Anthony Michael Hall, both of whom starred in Sixteen Candles (1984), were approached by Hughes toward the end of that film's production. Hall was cast first as Brian Johnson, with his real-life mother and sister appearing as his character's family members. Ringwald was initially offered the role of Allison Reynolds, but she lobbied strongly to play Claire Standish (named "Cathy" in early drafts). After auditions with other actresses, including Robin Wright, Jodie Foster, Diane Lane, and Laura Dern, Ringwald secured the role of Claire.{{cite news |last=Itzkoff |first=Dave |date=September 17, 2010 |title=She Won't Forget About Him: Molly Ringwald Remembers John Hughes |url=https://archive.nytimes.com/artsbeat.blogs.nytimes.com/2010/09/17/she-wont-forget-about-him-molly-ringwald-remembers-john-hughes/ |url-status=live |archive-url=https://web.archive.org/web/20221126030544/https://archive.nytimes.com/artsbeat.blogs.nytimes.com/2010/09/17/she-wont-forget-about-him-molly-ringwald-remembers-john-hughes/ |archive-date=November 26, 2022 |access-date=September 4, 2011 |work=The New York Times}} Ally Sheedy was subsequently cast as Allison Reynolds.{{cite web |date=February 13, 2015 |title='The Breakfast Club' That Might Have Been | Decider |url=https://decider.com/2015/02/13/the-breakfast-club-that-might-have-been/}}

Emilio Estevez was originally slated to portray Bender, but when no suitable actor could be found to play Andrew Clark, Estevez was reassigned to that role. Nicolas Cage was considered for Bender, while Alan Ruck also auditioned.{{cite web |date=July 3, 1986 |title=Ruck Just Put Himself into His 'Day Off' Role |url=https://www.chicagotribune.com/news/ct-xpm-1986-07-03-8602170641-story.html |website=Chicago Tribune}} The choice narrowed to John Cusack and Judd Nelson; though Hughes initially cast Cusack, he was later replaced by Nelson for not appearing sufficiently intimidating. Nelson's method acting, including staying in character off-camera and reportedly harassing Ringwald, led Hughes to consider firing him, though the cast persuaded him otherwise.{{cite web |last=Steinberg |first=Julie |date=September 21, 2010 |title='The Breakfast Club' Cast Reunites, But Where's Emilio? "Working on 'Mighty Ducks 5'" |url=https://blogs.wsj.com/speakeasy/2010/09/21/the-breakfast-club-cast-reunites-but-wheres-emilio-working-on-mighty-ducks-5/ |url-status=live |archive-url=https://web.archive.org/web/20110817090725/http://blogs.wsj.com/speakeasy/2010/09/21/the-breakfast-club-cast-reunites-but-wheres-emilio-working-on-mighty-ducks-5/ |archive-date=August 17, 2011 |access-date=March 28, 2012 |work=The Wall Street Journal}}

Rick Moranis was originally cast as the janitor, Carl, but was removed by producer Ned Tanen due to his broad comedic portrayal, which conflicted with the film's tone. John Kapelos was cast in his place.{{Cite magazine |date=March 12, 2015 |title=How the Female Stars of The Breakfast Club Fought to Remove a Sexist Scene, and Won |url=https://www.vanityfair.com/hollywood/2015/03/the-breakfast-club-rick-moranis |magazine=Vanity Fair}}{{cite book |last=Gora |first=Susannah |title=You Couldn't Ignore Me If You Tried |publisher=Three Rivers Press |year=2010 |isbn=9780307408433}}

Despite initial skepticism over his inexperience, Hughes convinced financiers that the film's modest $1 million budget and single-location setup minimized their risk.{{cite web |title=Premiere, December 1999, Oral history "Breakfast Club" |url=http://home.comcast.net/~aimsters4/bclub.html |url-status=live |archive-url=https://web.archive.org/web/20110629170732/http://home.comcast.net/~aimsters4/bclub.html |archive-date=June 29, 2011 |access-date=March 14, 2011 |publisher=comcast.net}} He originally intended The Breakfast Club to be his directorial debut, choosing to write about high school students portrayed by young actors in an enclosed setting.

Principal photography began on March 28, 1984, and concluded in May. Filming took place at the closed Maine North High School in Des Plaines, Illinois, which had also been used for interior scenes in Ferris Bueller's Day Off (1986), while exterior shots for that film were filmed at nearby Glenbrook North High School. As the school's library was too small for filming, an enlarged replica was constructed inside the gymnasium.

The cast rehearsed for three weeks before filming began and the scenes were shot in chronological order. Judd Nelson improvised multiple versions of the ending before the iconic fist pump was finalized. The dance sequence was originally written for Claire alone, but at Ringwald's request, Hughes expanded it to include the group.{{Cite magazine |last=Waxman |first=Olivia B. |date=2015-02-15 |title=Molly Ringwald Talks About the Most Embarrassing Part of Filming 'The Breakfast Club' |url=https://time.com/3709835/molly-ringwald-breakfast-club-30th-anniversary/ |access-date=2025-03-02 |magazine=Time |language=en}} According to the Ferris Bueller's Day Off DVD commentary, Hughes filmed parts of both movies simultaneously and shared crew across projects. The initial cut of The Breakfast Club ran 150 minutes.{{cite web |last=Dameron |first=Emerson |date=August 11, 2009 |title=John Hughes: The Director's Cut |url=http://newcityfilm.com/2009/08/11/john-hughes-the-directors-cut/ |url-status=live |archive-url=https://web.archive.org/web/20111011050130/http://newcityfilm.com/2009/08/11/john-hughes-the-directors-cut/ |archive-date=October 11, 2011 |access-date=March 28, 2012 |publisher=Newcity Film}}

In 2009, Ally Sheedy revealed during a 25th anniversary cast reunion that a director's cut exists, but Hughes's widow declined to provide details about its status. In 2015, the film's original script draft was discovered in a cabinet at Maine South High School during office relocation.{{cite news |last=Johnson |first=Jennifer |date=April 21, 2015 |title=Original 'Breakfast Club' screenplay found in District 207 cabinet during move |url=https://www.chicagotribune.com/suburbs/park-ridge/news/ct-prh-breakfast-club-script-tl-0423-20150420-story.html |url-status=live |archive-url=https://web.archive.org/web/20170201235052/http://www.chicagotribune.com/suburbs/park-ridge/news/ct-prh-breakfast-club-script-tl-0423-20150420-story.html |archive-date=February 1, 2017 |access-date=January 20, 2017 |newspaper=Chicago Tribune}}

The film's iconic poster, featuring the five principal characters posed together, was photographed by Annie Leibovitz near the end of production. The image of the cast looking directly into the camera became influential in teen film marketing. The poster described the characters as "a brain, a beauty, a jock, a rebel, and a recluse", slightly differing from the film's own terminology and sequence.

The image, including Bender's raised fist, has been widely referenced and parodied, notably in the promotional material for The Texas Chainsaw Massacre 2 (1986).{{cite web |title=The Texas Chainsaw Massacre 2 (1986) |url=https://www.imdb.com/title/tt0092076/trivia |url-status=live |archive-url=https://web.archive.org/web/20161024151829/http://www.imdb.com/title/tt0092076/trivia |archive-date=October 24, 2016 |access-date=October 11, 2021 |work=IMDb}} It also inspired the chapter title page of Chapter 29 in the Japanese manga series Akane-banashi.{{cite web |date=September 11, 2022 |title=Mangaka Musings 9/11/2022 |url=https://www.viz.com/blog/posts/mangaka-musings-9-11-2022 |url-status=live |archive-url=https://web.archive.org/web/20220920171453/https://www.viz.com/blog/posts/mangaka-musings-9-11-2022 |archive-date=September 20, 2022 |access-date=September 17, 2022 |website=Viz Media}}

The Breakfast Club explores the emotional and psychological struggles of American teenagers, particularly their desire to be understood by both adults and their peers. Central to the film is the tension between adolescents and authority figures, as well as the pressure teenagers face to conform to rigid social roles within high school.{{cite book |last=Loukides |first=Paul |url=https://archive.org/details/beyondstars00louk/page/30 |title=Beyond the Stars 5: Themes and Ideologies in American Popular Film |publisher=Popular Press |year=1996 |isbn=9780879727017 |pages=[https://archive.org/details/beyondstars00louk/page/30 30–32]}} Each student initially identifies with a specific stereotype—such as "brain", "athlete", or "criminal"—but over the course of the day, they reveal personal vulnerabilities that transcend these labels.Barsanti, Chris (2010). [https://books.google.com/books?id=ZPW4VhjQ0iIC Filmology: A Movie-a-Day Guide to the Movies You Need to Know] {{webarchive|url=https://web.archive.org/web/20140503083437/http://books.google.com/books?id=ZPW4VhjQ0iIC&printsec=frontcover|date=May 3, 2014}}. Adams Media. p. 49.

The film critiques the expectations imposed by parents, teachers, and society, emphasizing the disconnect between how teenagers are perceived and who they truly are. As the characters interact, they begin to recognize shared experiences, leading to a deeper empathy for one another. This dismantling of social stereotypes underscores the idea that personal identity cannot be defined by superficial labels alone.{{cite web |title=The Breakfast Club |url=http://www.oup.com/us/companion.websites/9780195309928/instructorresources/filmstorage/breakfastclub/ |url-status=live |archive-url=https://web.archive.org/web/20081030044100/http://www.oup.com/us/companion.websites/9780195309928/instructorresources/filmstorage/breakfastclub/ |archive-date=October 30, 2008 |access-date=September 9, 2013 |publisher=Oup.com}}

Authority figures, particularly Vice Principal Richard Vernon, are portrayed in a negative light. Vernon is depicted as authoritarian, condescending, and disconnected from the students' emotional realities. His repeated confrontations with Bender—who resists submission—illustrate the generational and ideological divide between youth and adults. The film suggests that Vernon's behavior is driven more by insecurity than genuine concern for discipline or mentorship.

The Breakfast Club premiered in Los Angeles on February 7, 1985. It was released theatrically in the United States by Universal Pictures on February 15, 1985.{{cite web |title=The Breakfast Club (1985) - Financial Information |url=https://www.the-numbers.com/movie/Breakfast-Club-The#tab=summary |website=The Numbers}}

The film was initially released on VHS{{cite book |title=Breakfast Club [VHS] |asin=630018403X}} and LaserDisc.{{cite web |title=The Breakfast Club (Laserdisc) 1985 |url=https://www.amazon.com/Breakfast-Club-Laserdisc-1985/dp/B0079126B4 |url-status=live |archive-url=https://web.archive.org/web/20230415044507/https://www.amazon.com/Breakfast-Club-Laserdisc-1985/dp/B0079126B4 |archive-date=April 15, 2023 |access-date=March 10, 2020 |website=Amazon.com}} In 2003, it was issued on DVD as part of Universal's "High School Reunion Collection".{{cite web |date=September 2, 2003 |title=The Breakfast Club (High School Reunion Collection): Molly Ringwald, Emilio Estevez, Anthony Michael Hall, Judd Nelson, Ally Sheedy, John Kapelos, Paul Gleason, John Hughes, Ned Tanen: Movies & TV |url=https://www.amazon.com/dp/B0000A98ZP |url-status=live |archive-url=https://web.archive.org/web/20210422040924/http://www.amazon.com/dp/B0000A98ZP |archive-date=April 22, 2021 |access-date=July 30, 2014 |website=Amazon}} A "Flashback Edition" DVD followed in 2008, featuring bonus content including an audio commentary with cast members Anthony Michael Hall and Judd Nelson.{{cite web |date=September 16, 2008 |title=The Breakfast Club (Flashback Edition): Emilio Estevez, Anthony Michael Hall, Molly Ringwald, Ally Sheedy, Judd Nelson, Paul Gleason, Mercedes Hall, John Kapelos, Ron Dean, Perry Crawford, Fran Gargano, John Hughes, Tim Gamble, Jackie Burch, Thomas del Ruth: Movies & TV |url=https://www.amazon.com/Breakfast-Club-Flashback-Emilio-Estevez/dp/B001AEF6BI/ |url-status=live |archive-url=https://web.archive.org/web/20210323104748/https://www.amazon.com/Breakfast-Club-Flashback-Emilio-Estevez/dp/B001AEF6BI/ |archive-date=March 23, 2021 |access-date=July 30, 2014 |website=Amazon}}

A 25th Anniversary Edition Blu-ray was released in 2010, and the same disc was repackaged with a DVD and digital copy in 2012 as part of Universal's 100th Anniversary series.{{cite web |date=August 3, 2010 |title=The Breakfast Club (Blu-ray + DVD + Digital Copy) : Universal's 100th Anniversary |url=https://www.amazon.com/dp/B003IWYOF4 |url-status=live |archive-url=https://web.archive.org/web/20210308140036/https://www.amazon.com/dp/B003IWYOF4 |archive-date=March 8, 2021 |access-date=March 26, 2013 |website=Amazon}}{{cite web |title=Celebrating 100 years of iconic movie moments |url=http://www.universal100th.com/ |url-status=live |archive-url=https://web.archive.org/web/20140828190421/http://www.universal100th.com/ |archive-date=August 28, 2014 |access-date=July 30, 2014 |publisher=Universal 100th}}

To commemorate its 30th anniversary, a digitally remastered edition was released on March 10, 2015, in DVD, Digital HD, and Blu-ray formats. The restoration was sourced from the film's original 35mm negatives to enhance picture quality.{{cite web |title=The Breakfast Club 30th Anniversary Edition Blu-ray |url=http://www.blu-ray.com/news/?id=15732 |url-status=live |archive-url=https://web.archive.org/web/20141231074922/http://www.blu-ray.com/news/?id=15732 |archive-date=December 31, 2014 |access-date=December 30, 2014 |publisher=Blu-ray.com}}

On January 2, 2018, The Criterion Collection released a special edition featuring both a two-disc DVD set and a standalone Blu-ray. While the transfer remained consistent with the 2015 restoration, the release included additional bonus content such as over fifty minutes of deleted and extended scenes, archival interviews, a 1985 excerpt from Today, an Electronic Press Kit, a new video essay, and an episode of This American Life focused on the film's cultural legacy.{{cite web |last=Nordine |first=Michael |date=October 16, 2017 |title=The Criterion Collection Announces January 2018 Titles, Including 'The Breakfast Club' and 'I, Daniel Blake' |url=https://www.indiewire.com/features/general/the-criterion-collection-the-breakfast-club-i-daniel-blake-1201887970/ |url-status=live |archive-url=https://web.archive.org/web/20200324140011/https://www.indiewire.com/2017/10/the-criterion-collection-the-breakfast-club-i-daniel-blake-1201887970/amp/ |archive-date=March 24, 2020 |access-date=March 24, 2020 |work=IndieWire}}{{cite web |title=The Breakd Club Blu-ray |url=https://www.blu-ray.com/movies/The-Breakfast-Club-Blu-ray/191181 |url-status=live |archive-url=https://web.archive.org/web/20200322012442/https://www.blu-ray.com/movies/The-Breakfast-Club-Blu-ray/191181/ |archive-date=March 22, 2020 |access-date=March 24, 2020 |website=Blu-ray.com}}

The Breakfast Club debuted at number three at the North American box office in its opening weekend in February 1985, behind Beverly Hills Cop and Witness.{{cite web |title=Weekend Box Office: February 15-18, 1985—4-day President's Day Weekend |url=https://boxofficemojo.com/weekend/chart/?view=&yr=1985&wknd=07a&p=.htm |url-status=live |archive-url=https://web.archive.org/web/20121023063337/http://boxofficemojo.com/weekend/chart/?view=&yr=1985&wknd=07a&p=.htm |archive-date=October 23, 2012 |access-date=September 3, 2011 |website=Box Office Mojo}} The film went on to earn $45.9 million in the United States and Canada and $51.5 million worldwide, making it a commercial success against its modest $1 million production budget.

Upon its release, The Breakfast Club received generally positive reviews, with critics praising its performances and insightful portrayal of teenage dynamics, though some took issue with its sentimentality and dialogue.

On the review aggregator Rotten Tomatoes, The Breakfast Club holds an approval rating of 86% based on 111 reviews, with an average rating of 7.6/10. The site's critics consensus reads: "If The Breakfast Club's gestures towards authenticity are occasionally undercut by trendy flourishes, its blistering emotional honesty and talented troupe of young actors catapult it to the top of the teen comedy class."{{cn|date=May 2025}} On Metacritic, the film has a weighted average score of 66 out of 100, based on 25 critics, indicating "generally favorable reviews".{{cn|date=May 2025}}

Roger Ebert of the Chicago Sun-Times awarded the film three out of four stars, calling the performances "wonderful" and noting that while the film was "more or less predictable", it worked because it captured teenagers "willing to talk to one another" with a "surprisingly good ear for the way they speak".{{cite web |last=Ebert |first=Roger |date=February 15, 1985 |title=The Breakfast Club movie review |url=https://www.rogerebert.com/reviews/the-breakfast-club-1985 |url-status=live |archive-url=https://web.archive.org/web/20200212073926/https://www.rogerebert.com/reviews/the-breakfast-club-1985 |archive-date=February 12, 2020 |access-date=December 28, 2019 |website=RogerEbert.com}} Gene Siskel of the Chicago Tribune gave it three-and-a-half stars out of four, praising its use of a confined setting and comparing its format to My Dinner with Andre (1981) and The Big Chill (1983), adding that the film's restraint from typical teen-movie tropes was "much to our delight".Siskel, Gene (February 15, 1985). [https://www.chicagotribune.com/news/ct-xpm-1985-02-15-8501090715-story.html "Teenage life gets touching new portrayal"] {{webarchive|url=https://web.archive.org/web/20230215231911/https://www.chicagotribune.com/news/ct-xpm-1985-02-15-8501090715-story.html|date=February 15, 2023}}. Chicago Tribune. Section 7, Page A. Kathleen Carroll of the New York Daily News commended Hughes's ability to convey adolescent emotions and lauded the "exceptional cast", stating they "deserve top grades".{{cite news |last=Carroll |first=Cathleen |date=February 15, 1985 |title='The Breakfast Club' is an endearing teenage comedy: 1985 review |url=http://www.nydailynews.com/entertainment/movies/breakfast-club-endearing-comedy-1985-review-article-1.2529922 |url-status=live |archive-url=https://web.archive.org/web/20180307151116/http://www.nydailynews.com/entertainment/movies/breakfast-club-endearing-comedy-1985-review-article-1.2529922 |archive-date=March 7, 2018 |access-date=March 6, 2018 |work=New York Daily News}}

In a more reserved take, Janet Maslin of The New York Times criticized some of the characters as "unplayable", especially those portrayed by Ally Sheedy and Judd Nelson. While she acknowledged the cast's chemistry, she argued that the film imposed "fraudulent encounter-group candor" instead of allowing more organic interaction.{{Cite news |last=Maslin |first=Janet |author-link=Janet Maslin |date=February 15, 1985 |title=Film: John Hughes's 'Breakfast Club' |url=https://www.nytimes.com/1985/02/15/movies/john-hughes-s-breakfast-club.html |archive-url=https://web.archive.org/web/20191228074634/https://www.nytimes.com/1985/02/15/movies/john-hughes-s-breakfast-club.html |archive-date=December 28, 2019 |newspaper=The New York Times |page=C18}} James Berardinelli, writing retrospectively in 1998, noted that although the film was "a little talky", it had a "candor that is unexpected and refreshing" compared to more generic teen films.{{cite web |last=Berardinelli |first=James |title=The Breakfast Club |url=http://www.reelviews.net/reelviews/breakfast-club-the |url-status=live |archive-url=https://web.archive.org/web/20191229153955/http://www.reelviews.net/reelviews/breakfast-club-the |archive-date=December 29, 2019 |access-date=December 28, 2019 |website=Reelviews}} Political commentator P. J. O'Rourke, reflecting in 2015, called it one of Hughes's "masterworks", highlighting its underlying conservative message about individuality and liberty over collective rebellion.{{cite news |last=O'Rourke |first=P.J. |author-link=P. J. O'Rourke |date=March 22, 2015 |title=Don't You Forget About Me: The John Hughes I Knew |url=https://www.thedailybeast.com/articles/2015/03/22/how-john-hughes-made-conservatism-funny |url-status=live |archive-url=https://web.archive.org/web/20210503021001/https://www.thedailybeast.com/dont-you-forget-about-me-the-john-hughes-i-knew |archive-date=May 3, 2021 |access-date=April 26, 2019 |website=The Daily Beast}}

James Harwood of Variety criticized the film's emphasis on dialogue over action, suggesting it might appear profound to its teenage audience simply because the characters talk rather than engage in typical teen-film antics. He concluded that this choice "should not suggest they have anything intelligent to say".Harwood, James (February 13, 1985). "Film Reviews: The Breakfast Club". Variety. 19.

{{Infobox album

| name = The Breakfast Club (Original Motion Picture Soundtrack)

| type = soundtrack

| artist = various artists

| cover =

| alt =

| released = February 19, 1985

| recorded = 1984

| genre = Rock, new wave

| length = 37:59

| label = A&M

| producer = various artists

| prev_title =

| prev_year =

| next_title =

| next_year =

| misc = {{Singles

| name = The Breakfast Club (Original Motion Picture Soundtrack)

| type = soundtrack

| single1 = Don't You (Forget About Me)

| single1date = February 1985 (US)

| single2 = Fire in the Twilight

| single2date = May 1985

}}

{{Audio sample

| type = soundtrack

| file = Simple Minds - Don't You Forget About Me.ogg

| description = "Don't You (Forget About Me)" by Simple Minds

}}

}}

The film's official soundtrack, The Breakfast Club (Original Motion Picture Soundtrack), was produced by British pop musician Keith Forsey and released by A&M Records on February 19, 1985. The album reached number 17 on the Billboard 200 chart in the United States.

The soundtrack's most iconic track, "Don't You (Forget About Me)" by Scottish rock band Simple Minds, was released as a single on February 23, 1985, in the United States, where it topped the Billboard Hot 100.{{Cite magazine |title=Simple Minds - Biography, Music & News |url=https://www.billboard.com/artist/simple-minds/ |magazine=Billboard}} The song was subsequently released in the United Kingdom on April 8, 1985. It remains closely associated with the film and is prominently featured in the final scene, becoming one of the most recognizable songs of the decade.

{{Track listing

| headline = Side one

| extra_column = Performer

| title1 = Don't You (Forget About Me)

| writer1 = Keith Forsey, Steve Schiff

| extra1 = Simple Minds

| length1 = 4:20

| title2 = Waiting

| writer2 = K. Forsey, S. Schiff

| extra2 = Elizabeth Daily

| length2 = 4:37

| title3 = Fire in the Twilight

| writer3 = {{hlist|Jack Hues|K. Forsey|S. Schiff}}

| extra3 = Wang Chung

| length3 = 3:51

| title4 = I'm the Dude

| writer4 = K. Forsey, S. Schiff

| extra4 = Keith Forsey

| length4 = 2:10

| title5 = Heart Too Hot to Hold

| writer5 = {{hlist|Johnson|K. Forsey|Laurie Forsey|Michael Frondelli}}

| extra5 = Jesse Johnson & Stephanie Spruill

| length5 = 4:25

| all_writing =

| title6 =

| length6 =

| title7 =

| length7 =

| title8 =

| length8 =

| title9 =

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| title10 =

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| total_length = 19:23

}}

{{track listing

| headline = Side two

| extra_column = Performer

| title1 = Dream Montage

| writer1 = Chang

| extra1 = Gary Chang

| length1 = 2:37

| title2 = We Are Not Alone

| writer2 = {{hlist|DeVito|Robbie Benson|Steve Goldstein}}

| extra2 = Karla DeVito

| length2 = 3:39

| title3 = The Reggae

| writer3 = Forsey

| extra3 = Keith Forsey

| length3 = 3:07

| title4 = Didn't I Tell You

| writer4 = {{hlist|K. Forsey|L. Forsey|S. Schiff}}

| extra4 = Joyce Kennedy

| length4 = 4:47

| title5 = Love Theme

| writer5 = Forsey

| extra5 = Keith Forsey

| length5 = 4:26

| all_writing =

| title6 =

| length6 =

| title7 =

| length7 =

| title8 =

| length8 =

| title9 =

| length9 =

| title10 =

| length10 =

| total_length = 18:36

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The soundtrack album for The Breakfast Club features ten tracks performed by artists from the rock and new wave genres, including three instrumental compositions by producer Keith Forsey.{{cite web |last=Erlewine |first=Stephen Thomas |title=The Breakfast Club [Original Soundtrack] |url=https://www.allmusic.com/album/the-breakfast-club-mw0000193096 |url-status=live |archive-url=https://web.archive.org/web/20171008032134/https://www.allmusic.com/album/the-breakfast-club-mw0000193096 |archive-date=October 8, 2017 |access-date=December 16, 2016 |website=AllMusic}} The most prominent track, "Don't You (Forget About Me)" by Simple Minds, plays during both the film's opening and closing credits and became an international hit.{{Cite web |date=January 26, 2022 |title=The song Simple Minds didn't want to record for The Breakfast Club soundtrack – 97.1fm The Drive – WDRV Chicago |url=https://wdrv.com/episode/the-song-simple-minds-didnt-want-to-record-for-the-breakfast-club-soundtrack/ |website=97.1fm The Drive - WDRV Chicago}} Music videos were produced for that song as well as for Wang Chung's "Fire in the Twilight", which peaked at number 110 on the Billboard Hot 100 chart.{{Cite web |title=Wang Chung Songs ••• Top Songs / Chart Singles Discography ••• Music VF, US & UK hits charts |url=https://www.musicvf.com/Wang+Chung.art |url-status=live |archive-url=https://web.archive.org/web/20200717171126/https://www.musicvf.com/Wang+Chung.art |archive-date=July 17, 2020 |access-date=April 24, 2020}} Notably, the "Colonel Bogey March", whistled by the students as Principal Vernon enters the library, was not included on the official soundtrack album.{{cite news |title=25 Of Cinema's Catchiest Earworms |url=https://www.empireonline.com/movies/features/catchiest-movie-earworms/ |url-status=live |archive-url=https://web.archive.org/web/20220416095151/https://www.empireonline.com/movies/features/catchiest-movie-earworms/ |archive-date=April 16, 2022 |access-date=16 April 2022 |work=Empire}}{{cite book |last1=Coyne |first1=Tom |title=A Course Called Scotland: Searching the Home of Golf for the Secret to Its Game |date=2019 |publisher=Simon and Schuster |page=246}}

Initial critical reception to the soundtrack was mixed. Writing for The Village Voice in 1985, music critic Robert Christgau gave the album a grade of "D−", describing its songs as "utterly negligible". He also noted that Simple Minds had attempted to distance themselves from "Don't You (Forget About Me)", despite the song's success.{{cite web |last=Christgau |first=Robert |date=June 25, 1985 |title=Christgau's Consumer Guide |url=http://www.robertchristgau.com/xg/cg/cgv6-85.php |url-status=live |archive-url=https://web.archive.org/web/20150914130732/http://www.robertchristgau.com/xg/cg/cgv6-85.php |archive-date=September 14, 2015 |access-date=December 16, 2016 |work=The Village Voice |location=New York}} In a retrospective review, Stephen Thomas Erlewine of AllMusic awarded the album three out of five stars. While praising the Simple Minds track as an "undisputed masterpiece", he described the remainder of the album as "disposable", citing its dated production and unmemorable instrumentals.

The Breakfast Club has often been cited as the quintessential 1980s film.{{cite book |author=Dunkleberger, Amy |url=https://books.google.com/books?id=AZNqWBiZwCEC |title=So You Want to Be a Film Or TV Screenwriter? |date=2007 |publisher=Enslow Publishers, Inc. |isbn=9780766026452 |page=73 |access-date=October 16, 2016 |archive-url=https://web.archive.org/web/20210503020931/https://books.google.com/books?id=AZNqWBiZwCEC |archive-date=May 3, 2021 |url-status=live}} In 2008, Empire ranked it at number 369 on its list of The 500 Greatest Movies of All Time, and it later rose to number 38 in the magazine's 2014 update.{{Cite web |title=Empire's The 500 Greatest Movies of All Time. |url=https://www.empireonline.com/500/25.asp |url-status=dead |archive-url=https://web.archive.org/web/20120119034539/https://www.empireonline.com/500/25.asp |archive-date=2012-01-19 |access-date=August 5, 2010 |work=Empire}}[https://web.archive.org/web/20140712110816/https://www.empireonline.com/301/list.asp?page=25 Empire's The 301 Greatest Movies of All Time.] Empire via Internet Archive. Retrieved July 12, 2014. The New York Times included the film on its list of the Best 1000 Movies Ever,[https://web.archive.org/web/20080612032429/https://www.nytimes.com/ref/movies/1000best.html The Best 1,000 Movies Ever Made.] The New York Times via Internet Archive. Published April 29, 2003. Retrieved June 12, 2008. while Entertainment Weekly ranked it number one on its list of The 50 Best High School Movies.{{cite web |title=Entertainment Weekly's The 50 Best High School Movies |url=http://www.filmsite.org/50besthsfilms2.html |url-status=live |archive-url=https://web.archive.org/web/20101112142042/http://www.filmsite.org/50besthsfilms2.html |archive-date=November 12, 2010 |access-date=August 5, 2010 |publisher=AMC's Filmsite.org}} Scholar Björn Sonnenberg-Schrank referred to it as "the Citizen Kane of the teen film genre", emphasizing its lasting influence within the American coming-of-age tradition.{{Cite book |last1=Sonnenberg-Schrank |first1=Björn |url=https://link.springer.com/book/10.1007/978-3-030-31287-9 |title=Actor-Network Theory at the Movies |date=2020 |isbn=978-3-030-31286-2 |language=en |doi=10.1007/978-3-030-31287-9}} Actor Sebastian Stan later described the Marvel film Thunderbolts (2025) as "The Breakfast Club of Marvel", further underscoring the film's cultural imprint.{{cite web |date=January 12, 2025 |title=Sebastian Stan on Why Playing Donald Trump Was the 'Hardest Thing' He's Ever Done and How 'Thunderbolts*' is Like Marvel's 'The Breakfast Club' |url=https://variety.com/2025/film/awards/sebastian-stan-donald-trump-apprentice-thunderbolts-different-man-1236270956/}}

The film has been frequently referenced and parodied in popular media. In the 2001 spoof Not Another Teen Movie, Paul Gleason reprised his role as Vice Principal Vernon in a scene directly parodying The Breakfast Club.{{cite news |last=Scott |first=A. O. |author-link=A. O. Scott |date=December 14, 2001 |title=FILM REVIEW; Pretty in Prank: A Spoof of a Lampoon of a Satire of... |url=https://www.nytimes.com/2001/12/14/movies/film-review-pretty-in-prank-a-spoof-of-a-lampoon-of-a-satire-of.html |url-status=live |archive-url=https://web.archive.org/web/20130517205556/http://www.nytimes.com/2001/12/14/movies/film-review-pretty-in-prank-a-spoof-of-a-lampoon-of-a-satire-of.html |archive-date=May 17, 2013 |access-date=March 28, 2012 |work=The New York Times}} In 2012, the Nickelodeon television series Victorious featured a tribute episode titled "The Breakfast Bunch", drawing from the film's characters and setting.

In 2005, The Breakfast Club received the Silver Bucket of Excellence Award at the MTV Movie Awards, recognizing its cultural impact on its 20th anniversary. MTV reunited much of the cast for the event: Anthony Michael Hall, Paul Gleason, Judd Nelson, Molly Ringwald, and Ally Sheedy appeared (with John Kapelos in the audience). Emilio Estevez was unable to attend due to other commitments, and Nelson, though present earlier, did not appear on stage. Hall joked that the two were "in Africa with Dave Chappelle". As part of the tribute, the band Yellowcard performed Simple Minds’ iconic theme song from the film, "Don't You (Forget About Me)".

At the 82nd Academy Awards on March 7, 2010, Hall, Ringwald, Sheedy, and Nelson joined a tribute to John Hughes, who had passed away the previous year. They were joined by other actors associated with Hughes's work, including Jon Cryer (Pretty in Pink), Matthew Broderick (Ferris Bueller's Day Off), and Macaulay Culkin (Home Alone).

In 2018, The New Yorker published an essay by Ringwald reflecting on Hughes's legacy in the context of the #MeToo movement. She recounted her experience rewatching the film with her ten-year-old daughter, particularly addressing a scene in which her character appears to be sexually harassed. While the essay drew criticism from some who viewed it as a betrayal of Hughes, others, including author Jenny Han, praised it as a "tender, fair-minded piece".{{cite magazine |last=Ringwald |first=Molly |author-link=Molly Ringwald |date=April 6, 2018 |title=What About 'The Breakfast Club'? |url=https://www.newyorker.com/culture/personal-history/what-about-the-breakfast-club-molly-ringwald-metoo-john-hughes-pretty-in-pink |url-status=live |archive-url=https://web.archive.org/web/20190327090118/https://www.newyorker.com/culture/personal-history/what-about-the-breakfast-club-molly-ringwald-metoo-john-hughes-pretty-in-pink |archive-date=March 27, 2019 |access-date=March 26, 2019 |magazine=The New Yorker}}{{cite news |last=Slawson |first=Nicola |date=7 April 2018 |title=Molly Ringwald says The Breakfast Club is troubling in #MeToo era |url=https://www.theguardian.com/culture/2018/apr/07/molly-ringwald-revisiting-the-breakfast-club-was-troubling |url-status=live |archive-url=https://web.archive.org/web/20221218231925/https://www.theguardian.com/culture/2018/apr/07/molly-ringwald-revisiting-the-breakfast-club-was-troubling |archive-date=December 18, 2022 |access-date=18 December 2022 |newspaper=The Guardian |location=UK}}

In April 2025, all five principal cast members—Hall, Estevez, Nelson, Ringwald, and Sheedy—reunited for a panel discussion in Chicago, marking the first full reunion of the ensemble in forty years.{{cite web | url=https://variety.com/2025/film/news/breakfast-club-actors-reunite-molly-ringwald-1236368517/ | title=All Five 'Breakfast Club' Actors Reunite for the First Time in 40 Years; 'I Feel Really Moved We're All Together,' Says Molly Ringwald | date=April 13, 2025 }}{{cite web | url=https://www.cnn.com/2025/04/14/entertainment/breakfast-club-cast-reunion-intl-scli/index.html | title='The Breakfast Club' stars reunite for the first time in 40 years | website=CNN | date=April 14, 2025 }}{{cite web | url=https://people.com/emilio-estevez-was-on-pain-pills-first-time-whole-breakfast-club-cast-met-11714753 | title='The Breakfast Club'{{'s}} Emilio Estevez Admits He Was on Pain Pills the First Time the Whole Cast Met }}

John Hughes had considered developing a sequel to The Breakfast Club that would reunite the original characters years later during a university detention session. The concept involved the characters having evolved into personalities that contrasted with their high school identities, highlighting how they had changed over time. However, the project was never realized, and no sequel was produced prior to Hughes's death in 2009.{{Cite web |last=Busch |first=Jenna |date=2023-11-01 |title=Is The Breakfast Club 2 Happening, Or Is School Out Forever? |url=https://www.slashfilm.com/1434121/the-breakfast-club-2-is-it-happening/ |access-date=2024-01-02 |website=/Film |language=en-US}}

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• {{cite magazine|last1=Ringwald|first1=Molly|author-link1=Molly Ringwald|title=What About 'The Breakfast Club'?—Revisiting the movies of my youth in the age of #MeToo.|url=https://www.newyorker.com/culture/personal-history/what-about-the-breakfast-club-molly-ringwald-metoo-john-hughes-pretty-in-pink|magazine=The New Yorker|access-date=April 9, 2018|date=April 6, 2018|archive-date=April 9, 2018|archive-url=https://web.archive.org/web/20180409022748/https://www.newyorker.com/culture/personal-history/what-about-the-breakfast-club-molly-ringwald-metoo-john-hughes-pretty-in-pink|url-status=live}}

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• {{IMDb title}}
• {{Rotten Tomatoes|2=The Breakfast Club}}
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• [https://www.criterion.com/current/posts/5243-the-breakfast-club-smells-like-teen-realness The Breakfast Club: Smells Like Teen Realness] – an essay by David Kamp at The Criterion Collection

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{{Portal bar|1980s|Film|United States|Comedy}}

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