The Cardinal

{{Short description|1963 film by Otto Preminger}}

{{other uses}}

{{Use American English|date=January 2025}}

{{Use mdy dates|date=July 2023}}

{{Infobox film

| name = The Cardinal

| image = The cardinal.jpg

| caption = Promotional poster by Saul Bass

| director = Otto Preminger

| producer = Otto Preminger

| based_on = The Cardinal by
Henry Morton Robinson

| screenplay = Robert Dozier

| narrator =

| starring = Tom Tryon
Romy Schneider
Carol Lynley

| music = Jerome Moross

| cinematography = Leon Shamroy

| editing = Louis R. Loeffler

| distributor = Columbia Pictures

| released = {{Film date|1963|12|12|Boston|1963|12|23|United States}}

| runtime = 175 minutes

| country = United States

| language = English

| budget =

| gross = $11,170,588[http://www.the-numbers.com/movies/1963/0CRDT.php Box Office Information for The Cardinal.] The Numbers. Retrieved September 5, 2013.

}}

The Cardinal is a 1963 American drama film produced independently, directed by Otto Preminger and distributed by Columbia Pictures. The screenplay was written by Robert Dozier, based on the novel by the same by Henry Morton Robinson. The music score was written by Jerome Moross.

The film's cast features Tom Tryon, Romy Schneider and John Huston, and it was nominated for six Academy Awards. It marks the final appearance by veteran film star Dorothy Gish, as well as the last big-screen performance of Maggie McNamara.

The film was shot on location in: Rome, Vienna, Boston and Stamford, Connecticut.

Robinson's novel was based on the life of Francis Cardinal Spellman, who was then Archbishop of New York. The Vatican's liaison officer for the film was Rev. Dr. Joseph Ratzinger,[https://www.tcm.com/tcmdb/title/70290/the-cardinal#articles-reviews The Cardinal review] by Frank Miller, Turner Classic Movies later to become Pope Benedict XVI. The story touches on various social issues, such as: interfaith marriage, sex outside marriage, abortion, racial bigotry, the rise of fascism and war.

Plot

File:BERy 396 at Seashore Trolley Museum, May 2016.jpg livery for scenes in the film.]]

The film is shown as a series of memory flashbacks during a formal ceremony where the protagonist is instituted as a cardinal.

A newly ordained Irish Catholic priest, Stephen Fermoyle (Tom Tryon), returns home to Boston in 1917. He discovers that his parents are upset about daughter Mona (Carol Lynley) having become engaged to marry a Jewish man, Benny Rampell (John Saxon). Stephen and his Irish Catholic family will only permit Mona to marry Benny if he becomes a Catholic or agrees to raise any children as Catholic, as demanded by the papal bull Ne Temere (superseded in 1970). Benny does not agree and leaves to serve in World War I. Mona seeks Stephen's counsel as a priest. After he tells her to give Benny up, she runs away and becomes promiscuous.

Concerned about the young priest's ambition, the Archbishop of Boston (John Huston) assigns Stephen to an out-of-the-way parish where it is hoped that he will learn humility. There he meets the humble pastor, Father Ned Halley (Burgess Meredith), and Fermoyle observes the unpretentious way in which he lives his life and treats his parishioners. Father Halley is very sick with multiple sclerosis. Fermoyle learns humility from him and his housekeeper, Lalage (Jill Haworth).

Meanwhile, Mona becomes pregnant out of wedlock. Stephen, his brother and Benny find Mona in agony because her pelvis is too small for a large baby. She is taken to the hospital, where the doctor tells Stephen that it is too late to perform a caesarean section and in order to save Mona, the head of the baby must be crushed. Stephen will not allow the doctor to do so, because according to Catholic doctrine, the baby may not be killed. Mona dies giving birth to the child, Regina.

Racked with guilt over the death of his sister, Stephen suffers a crisis of faith, so he is transferred to Europe and made a monsignor, but he is unsure of how committed he is to a life in the clergy, and he travels to Vienna, taking a two-year sabbatical by working as a lecturer. There he meets and enters into a relationship with a young woman, Annemarie (Romy Schneider). Stephen does not violate his vows.

Stephen's vocation calls him back to Rome and the church. The Vatican returns him to the United States on a mission in the American South to assist a black priest named Father Gillis (Ossie Davis) who is opposed by the Ku Klux Klan. After successfully handling the assignment, Stephen is consecrated as a bishop, with Father Gillis present for the consecration.

Stephen is sent back to Austria to persuade a cardinal not to cooperate with the Nazi government, with a threat of a world war looming over all. He and the cardinal ultimately must flee for their lives. He manages to see Annemarie one last time after she has been imprisoned by the Nazi authorities. After the success of the missions on which the Vatican had sent him, he is elevated to the College of Cardinals.

On the eve of World War II, a ceremony is held in which Stephen formally becomes a cardinal. He warns about the dangers of totalitarianism and pledges to dedicate the rest of his life to his work.

Cast

{{cast listing|

}}

Background

The script was credited to Robert Dozier, but featured uncredited contributions by Ring Lardner Jr. who worked with Preminger in developing characterizations and story structure.{{Cite book|last=Fujiwara|first=Chris|url=https://books.google.com/books?id=z-2-CQAAQBAJ&dq=The+Cardinal+Preminger+Ring+Lardner&pg=PA301|title=The World and Its Double: The Life and Work of Otto Preminger|year=2015|publisher=Farrar, Straus and Giroux|isbn=978-1-4668-9423-5}} Saul Bass was not only responsible for designing the film's poster and advertising campaign, but also the film titles, during which Bass transforms a walk through the Vatican into an abstract play of horizontal and vertical lines.{{Cite book|last=Horak|first=Jan-Christopher|title=Saul Bass : Anatomy of Film Design|date=2014|publisher=University Press of Kentucky|isbn=978-0-8131-4720-8|location=Lexington|oclc=892799673}}

Release

The film had its world premiere at the Saxon Theatre in Boston, Massachusetts.{{cite magazine|url=https://archive.org/details/sim_variety_1963-09-18_232_4/page/22/mode/1up?view=theater|date=September 18, 1963|title=N.Y. 'Cardinal' Preem Set|page=22|magazine=Variety|access-date=February 15, 2024|via=Internet Archive}} It was the first film to be shown in 70 mm despite being shot on 35 mm movie film for some roadshow releases, using a "print-up" (blow up) process.{{cite magazine|magazine=Daily Variety|date=May 21, 1992|title=Uni/Imagine throw dice 'Far and Away'|page=17|last=Natale|first=Richard}}{{AFI film|23836}}{{cite web |title=The Beginning of the End |url=http://www.widescreenmuseum.com/widescreen/35-70mm.htm |website=in70mm |access-date=7 June 2020}}

Reception

=Box-office performance=

The Cardinal was the 18th highest-grossing film of the year. It grossed $11,170,588 in the United States, earning $5.46 million in domestic rentals."Big Rental Pictures of 1964", Variety, 6 January 1965 p 39. Please note this figure is theatrical rentals accruing to distributors, not total gross.

=Critical reception=

{{Rotten Tomatoes prose|47|5.9|15|ref=yes|access-date=January 13, 2024}}

=Accolades=

class="wikitable plainrowheaders"
Award

! scope="col" style="width:37%;"| Category

! Nominee(s)

! Result

! Ref.

rowspan="6"| Academy Awards

| Best Director

| Otto Preminger

| {{nom}}

| align="center" rowspan="6"| {{Cite web |url=http://www.oscars.org/oscars/ceremonies/1964 |title=The 36th Academy Awards (1964) Nominees and Winners |publisher=Academy of Motion Picture Arts and Sciences |access-date=May 4, 2015 |url-status=live |archive-url=https://web.archive.org/web/20150502002917/http://www.oscars.org/oscars/ceremonies/1964 |archive-date=May 2, 2015}}

Best Supporting Actor

| John Huston

| {{nom}}

Best Art Direction – Color

| Art Direction: Lyle R. Wheeler;
Set Decoration: Gene Callahan

| {{nom}}

Best Cinematography – Color

| Leon Shamroy

| {{nom}}

Best Costume Design – Color

| Donald Brooks

| {{nom}}

Best Film Editing

| Louis R. Loeffler

| {{nom}}

rowspan="6"| Golden Globe Awards

| colspan="2"| Best Motion Picture – Drama{{efn|The film won this category (marking the third time, following East of Eden and Spartacus), and (to date) a film to win the category without later being nominated for the Academy Award for Best Picture.}}

| {{won}}

| align="center" rowspan="6"| {{cite web |url=https://www.goldenglobes.com/film/cardinal |title=The Cardinal |publisher=Golden Globe Awards |access-date=October 28, 2024}}

Best Actor in a Motion Picture – Drama

| Tom Tryon

| {{nom}}

Best Actress in a Motion Picture – Drama

| Romy Schneider

| {{nom}}

Best Supporting Actor – Motion Picture

| John Huston

| {{won}}

Best Director – Motion Picture

| Otto Preminger

| {{nom}}

colspan="2"| Best Film Promoting International Understanding

| {{nom}}

rowspan="3"| Laurel Awards

| colspan="2"| Top Drama

| {{nom}}

| align="center" rowspan="3"|

Top Male Dramatic Performance

| Tom Tryon

| {{draw|5th Place}}

Top Male Supporting Performance

| John Huston

| {{nom}}

National Board of Review Awards

| colspan="2"| Top Ten Films

| {{draw|10th Place}}

| align="center"| {{cite web |url=https://nationalboardofreview.org/award-years/1963/ |title=1963 Award Winners |publisher=National Board of Review |access-date=October 28, 2024}}

=Honors=

The film was nominated by the American Film Institute for its AFI's 100 Years of Film Scores list.{{cite web|url=http://www.afi.com/Docs/100Years/scores250.pdf |title= AFI's 100 Years of Film Scores Nominees |access-date=2016-08-06}}

Preservation

The Cardinal was preserved by the Academy Film Archive in 2012.{{cite web|title=Preserved Projects|url=https://www.oscars.org/academy-film-archive/preserved-projects?title=cardinal&filmmaker=&category=All&collection=All|website=Academy Film Archive}}

See also

{{portal|Catholicism|Film}}

Notes

{{Noteslist}}

References

{{Reflist}}