The Crackdown
{{for|the action film|Death Wish 4: The Crackdown}}
{{Use dmy dates|date=April 2022}}
{{Infobox album
| name = The Crackdown
| type = studio
| artist = Cabaret Voltaire
| cover = Crackdown.jpg
| alt =
| released = 18 August 1983
| recorded = December 1982
| venue =
| studio = Trident Studios, London, England
| genre =
- Electro-punk{{cite book|title= Listening to the Music the Machines Make: Inventing Electronic Pop 1978-1983|first=Richard|last=Evans|date= August 6, 2024|chapter= 1983.4|page= 459|publisher=Omnibus Press|isbn=978-1-915841-45-2
|url=https://books.google.com/books?id=EID8zgEACAAJ}}
- post-punk{{cite book|title= The Alternative Jukebox|first=Larry|last=Bradley|date= November 4, 2014|chapter= The 1980s: Cabaret Voltaire - "Just Fascination|page= 145|publisher=Cassell|isbn=978-1-84403-789-6|url=https://books.google.com/books?id=w_phoAEACAAJ}}
- industrial
| length = 43:33
| label = {{flatlist|
}}
| producer = {{flatlist|
- Cabaret Voltaire
- Flood
}}
| prev_title = Hai! (Live in Japan)
| prev_year = 1982
| next_title = Johnny Yesno: The Original Soundtrack From the Motion Picture
| next_year = 1983
}}
The Crackdown is the sixth studio album by English electronic band Cabaret Voltaire, released in August 1983 jointly through record labels Some Bizzare and Virgin. It was produced by the band themselves and Flood. Mixing their earlier experimental sound with more conventional dance rhythms, the album received positive reviews and was listed on NME's "Albums of the Year" in 1983.
Background and recording
The Crackdown was Cabaret Voltaire's first full studio album following founding member Chris Watson's departure, and their first release for Virgin Records via Some Bizzare. This album marks a turning point in the band's discography, straddling their early experimental work with their later more conventional electronic dance-funk output. It was recorded and mixed at Trident Studios, London, England in late 1982.
AllMusic wrote that the album "features the band working a number of menacing electronic textures into a basic dance/funk rhythm".
Reception
{{album ratings
| rev1 = AllMusic
| rev1score = {{rating|4.5|5}}{{cite web |url=https://www.allmusic.com/album/the-crackdown-mw0000526918 |title=The Crackdown – Cabaret Voltaire
| rev2 = The Encyclopedia of Popular Music
| rev2score = {{rating|3|5}}{{cite book |last=Larkin |first=Colin |title=The Encyclopedia of Popular Music |publisher=Omnibus Press |date=27 May 2011 |isbn=9780857125958 |url=https://books.google.com/books?id=_NNmFiUnSmUC&dq=%22cabaret+voltaire%22+%22body+and+soul%22&pg=PA3008 |accessdate=23 September 2024}}
| rev3 = Record Mirror
| rev3score = {{Rating|5|5}}{{Cite magazine |last=Page |first=Betty |date=6 August 1983 |title=Hi Volt-age |magazine=Record Mirror |page=18}}
| rev4 = The Rolling Stone Album Guide
| rev4score = {{Rating|2.5|5}}{{cite book |chapter=Cabaret Voltaire |last=Considine |first=J. D. |author-link=J. D. Considine |title=The New Rolling Stone Album Guide |title-link=The Rolling Stone Album Guide |editor1-last=Brackett |editor1-first=Nathan |editor1-link=Nathan Brackett |editor2-last=Hoard |editor2-first=Christian |editor2-link=Christian Hoard |publisher=Simon & Schuster |edition=4th |year=2004 |isbn=0-7432-0169-8 |pages=[https://archive.org/details/newrollingstonea00brac/page/128 128–29]}}
| rev5 = Smash Hits
| rev5score = 8/10{{cite magazine|last=Martin |first=Peter |title=Albums |magazine=Smash Hits |date=18-23 August 1983 |page=23}}
| rev6 = Sounds
| rev6score = {{Rating|5|5}}{{Cite magazine |last=Henderson |first=Dave |date=6 August 1983 |title=When the whip comes down |magazine=Sounds |page=33}}
| rev7 = Spin Alternative Record Guide
| rev7score = 8/10{{cite book |last=Sinker |first=Mark |editor1-last=Weisbard |editor1-first=Eric |editor1-link=Eric Weisbard |editor2-last=Marks |editor2-first=Craig |chapter=Cabaret Voltaire |title=Spin Alternative Record Guide |title-link=Spin Alternative Record Guide |publisher=Vintage Books |year=1995 |isbn=0-679-75574-8 |pages=67–68}}
}}
Upon its release, the album was given a 8 out of 10 rating by Smash Hits reviewer Peter Martin who wrote that The Crackdown put the band's earlier experimental sound into practice: "Dense, hard-edged sequencer pulsebeats now swamp a strange strangled voice. The sound is panic-stricken and the effect is hypnotic."
It was ranked at number 11 in NME
Retrospectively, The Quietus reviewer Albert Freeman wrote: "The production is noticeably cleaner than their underfinanced independent recordings, but it’s hardly less dark, and the added clarity serves to show off the diverse, layered productions, which draw equally from dub, funk, and early electro. Mallinder’s vocals are easier to cipher than they had been before, but the pop tones they would later take on are evident on a few tracks from the album: the title track, ‘Taking Time’, ‘Animation’ and the cynically comical ‘Why Kill Time (When You Can Kill Yourself)’."{{cite web|url=https://thequietus.com/quietus-reviews/cabaret-voltaire-8385-collected-works-1983-1985-box-set-review/ |last=Freeman |first=Albert |title=Cabaret Voltaire #8385 (Collected Works 1983-1985) |publisher=The Quietus |date=22 November 2013 }}
AllMusic described The Crackdown as "one of Cabaret Voltaire's strongest albums" and "one of their most distinctive, challenging records."
Track listing
{{track listing
| headline = Side A
| all_writing = Richard H. Kirk and Stephen Mallinder
| title1 = 24-24
| length1 = 5:55
| title2 = In the Shadows
| length2 = 4:36
| title3 = Talking Time
| length3 = 5:25
| title4 = Animation
| length4 = 5:33
}}
{{track listing
| headline = Side B
| title1 = Over and Over
| length1 = 4:30
| title2 = Just Fascination
| length2 = 4:04
| title3 = Why Kill Time (When You Can Kill Yourself)
| length3 = 3:56
| title4 = Haiti
| length4 = 3:20
| title5 = Crackdown
| length5 = 6:31
}}
{{track listing
| headline = Bonus 12": Doublevision EP
| title1 = Diskono
| length1 = 5:49
| title2 = Double Vision
| length2 = 4:15
| title3 = Moscow
| length3 = 5:28
| title4 = Badge of Evil
| length4 = 4:53
}}
: Note: Some discographies and CD releases of the album swap the titles of the last two tracks of the Doublevision EP.
Release
The original LP came with a bonus 12" of four tracks, comprising the EP Doublevision.
Personnel
=Cabaret Voltaire=
- Stephen Mallinder – vocals, bass guitar, trumpet, grand piano
- Richard H. Kirk – synthesiser, guitar, clarinet, saxophone, & shakuhachi (Japanese bamboo flute), grand piano
- Alan Fish – drums, percussion
=Additional personnel=
- David Ball – keyboards and drum programming
Production
- Executive Producer: Stevo Pearce (for Some Bizzare)
- Arranged by Cabaret Voltaire
- Produced by Flood and Cabaret Voltaire
- Engineered and mixed by Flood
- Tape Operation on "Animation" and "Crackdown" by David Ball
- Single remix by John Luongo
- Mastered by George Peckham
- Sleeve Typography by Ken Prust and Neville Brody
- Sleeve Illustration by Phil Barnes
References
{{reflist}}
External links
- {{Discogs master|2762}}
{{Cabaret Voltaire}}
{{Authority control}}
{{DEFAULTSORT:Crackdown, The}}
Category:Cabaret Voltaire (band) albums
Category:Albums produced by Flood (producer)
Category:Electro-industrial albums
Category:Electronic body music albums