The Hissing of Summer Lawns
{{Use mdy dates|date=June 2020}}
{{Infobox album
| name = The Hissing of Summer Lawns
| type = studio
| artist = Joni Mitchell
| cover = Joni hissing.jpg
| alt =
| released = November 1975{{cite magazine |url=https://www.worldradiohistory.com/Archive-All-Music/Record-World/70s/75/RW-1975-11-15.pdf |title=Here, There and Everywhere |magazine=Record World |last1=Mayer |first1=Ira |last2=Skopp |first2=Roberta |page=25 |date=November 15, 1975 |access-date=May 1, 2025}}{{fv|date=May 2025}}
| recorded = 1975
| studio = A&M {{small|(Hollywood)}}
| genre =
- Folk jazzThe following sources label the album folk-jazz:
- {{cite web |last1=Himes |first1=Geoffrey |title=Herbie Hancock and Joni Mitchell: Music & Lyrics |url=https://jazztimes.com/archives/herbie-hancock-and-joni-mitchell-music-lyrics/ |website=Jazz Times |date=April 25, 2019 |access-date=9 March 2023}}
- {{cite news |last1=Connors |first1=Bruce |title=Joni 'jazzes' folk style in recent album Print-ready version |url=https://jonimitchell.com/library/originals/jmOriginal_4154.pdf |access-date=7 November 2022 |work=The Bona Venture |date=January 30, 1976}}
- art rock{{cite web |last1=Gill |first1=Andy |title=The academics have got pop wrong - here are the years when music really changed things |url=https://www.independent.co.uk/arts-entertainment/music/news/the-academics-have-got-pop-wrong-here-are-the-years-when-music-really-changed-things-10237305.html |website=The Independent |access-date=9 October 2022 |date=9 May 2015}}
- jazz popThe following sources label the album jazz-pop:
- {{cite web |last1=Corcoran |first1=Michael |title=Fifteen nails in the coffin |url=https://www.dallasobserver.com/music/fifteen-nailsin-the-coffin-6404063 |website=Dallas Observer |access-date=3 March 2023}}
- {{cite web |last1=Hurt |first1=Edd |title=Brian Blade and his Fellowship Band live where jazz meets pop |url=https://www.nashvillescene.com/music/brian-blade-and-his-fellowship-band-live-where-jazz-meets-pop/article_b127c3bd-40cb-5c78-ad47-8bc0dbb5a5cd.html |website=Nashville Scene |date=March 7, 2013 |access-date=3 March 2023}}
- avant-popThe following sources label the album avant-pop:
- {{cite magazine |last1=Hermes |first1=Will |title=Joni Mitchell Album Guide |url=https://www.rollingstone.com/music/music-lists/joni-mitchell-album-guide-908048/ |magazine=Rolling Stone |access-date=3 March 2023}}
- {{cite web|last1=Grimstad|first1=Paul|title=What is Avant-Pop?|url=http://www.brooklynrail.org/2007/9/music/what-is-avant-pop|website=Brooklyn Rail|date=September 4, 2007 |access-date=October 1, 2016}}
| length = 42:34
| label = Asylum
| producer = Joni Mitchell
| prev_title = Miles of Aisles
| prev_year = 1974
| next_title = Hejira
| next_year = 1976
| misc = {{Singles
| name = The Hissing of Summer Lawns
| type = studio
| single1 = In France They Kiss on Main Street
| single1date = January 1976
}}}}
The Hissing of Summer Lawns is the seventh studio album by the Canadian singer-songwriter Joni Mitchell, released in November 1975 on Asylum Records. It continues the jazz-influenced sound of Mitchell's previous album, Court and Spark, with more unconventional and experimental material. It features synthesizers such as the Moog and ARP, sampling, backing from the jazz-rock groups the L.A. Express and the Jazz Crusaders, and contributions from James Taylor, David Crosby, and Graham Nash.
The lyrics focus on women's experiences with patriarchal norms ("Don't Interrupt the Sorrow") or frustrations with suburban life ("Harry's House"). As with many of her albums, Mitchell created the cover art. It depicts a painting of a group of men carrying a large snake superimposed over the Beverly Hills suburbs; Mitchell's house is shaded in blue.
While it did not spawn a major hit single like its predecessor, The Hissing of Summer Lawns reached number 4 in the US and remains Mitchell's last top-10 album. "In France They Kiss on Main Street", the only single, reached number 66 on the Billboard Hot 100.
The Hissing of Summer Lawns initially received negative reviews, with critics finding the jazz stylings a disservice to Mitchell's lyrics and comparing it negatively to Court and Spark. However, it later became one of her most acclaimed works. It appeared at number 258 in Rolling Stone{{'}}s 2020 edition of its list of the 500 greatest albums of all time, and at number 217 in the third edition of Colin Larkin's All Time Top 1000 Albums in 2000.
Background
The slick jazz-pop sound Mitchell developed on Court and Spark (1974) would be pushed into more adventurous territory on The Hissing of Summer Lawns.{{cite web |url= http://www.allmusic.com/album/r13213 |title=The Hissing of Summer Lawns – Joni Mitchell | AllMusic |first=Jason |last=Ankeny |publisher=AllMusic |year=2011 |access-date=July 19, 2011}} Some tracks reflect a fusion of jazz and "shimmering avant-pop". The album also uses an ARP synthesizer.{{cite news |last1=Macpherson |first1=Alex |title=Joni Mitchell at 70: bolt from the Blue |work=The New York Times |date=January 14, 1996 |url=https://www.nytimes.com/1996/01/14/arts/pop-view-three-women-their-journeys-song-too-feminine-for-rock-rock-too-macho.html |access-date=7 December 2022}}
On "The Jungle Line", Mitchell is credited with the first commercially released song to include a sample, featuring a looped recording of percussion by the African ensemble the Drummers of Burundi.{{cite book |last=Nelson |first=Sean |author-link=Sean Nelson |year=2007 |title=33 1/3: Joni Mitchell's Court and Spark |publisher=Bloomsbury Academic |url=https://books.google.com/books?id=6CzUAwAAQBAJ&q=Sean+Nelson+Court+and+Spark. |isbn=9780826417732}} This interest in world music presaged the work of Peter Gabriel and Paul Simon in subsequent years. In a 1983 interview for Musician Magazine Mitchell was asked what prompted her to use the drums. Mitchell explained: "Because I loved that Burundi warriors passage. It had a Bo Diddley lick in it which I took out and made into a loop and then ran this black cultural poem under it. I thought I was black for about three years. I felt like there was a black poet trapped inside me, and that song was about Harlem—the primitive juxtaposed against the Frankenstein of modern industrialization; the wheels turning and the gears grinding and the beboppers with the junky spit running down their trumpets. All of that together with that Burundi tribal thing was perfect. But people just thought it was weird."{{Cite web|url=https://jonimitchell.com/library/view.cfm?id=199|title=Joni Mitchell Library - Joni Mitchell is a Nervy Broad: Musician Magazine, January 1983|website=jonimitchell.com}}
Songs
{{more citations needed|section|date=March 2023}}
The first track, "In France They Kiss on Main Street", is a jazz-rock song about coming of age in a small town in the 1950s rock & roll era. (The song was released as the single from the album and reached number 66 on the Billboard charts.) "The Jungle Line" uses a field recording from Africa of the Drummers of Burundi (called 'warrior drums' in the credits), onto which are dubbed guitar, Moog synthesizer and the vocal line. The lyrics pay homage to the works of the French Post-Impressionist painter Henri Rousseau. Mitchell blends details of his works with imagery of modern city life, the music industry and the underground drug culture.
"Edith and the Kingpin" marks a return to jazz in a story of a gangster's new moll arriving in his home town. "Don't Interrupt the Sorrow" is an acoustic guitar-based song with stream-of-consciousness lyrics, focused on women standing up to male dominance and proclaiming their own existence as individuals. "Shades of Scarlett Conquering" is an orchestral-based piece about a modern southern belle basing her life and self-image on the stereotypes of the Scarlett O'Hara character from Gone with the Wind.
The second side begins with the title track, "The Hissing of Summer Lawns", which is about a woman who chooses to stay in a marriage where she is treated as part of her husband's portfolio. "The Boho Dance" comments on people who feel that artists betray their artistic integrity for commercial success, with an ironic glance at those who said this of Mitchell herself and parallels Tom Wolfe's The Painted Word.{{cite web|last=Mitchell |first=Joni |url=http://www.jonimitchell.com/music/song.cfm?id=38 |title=Boho Dance – lyrics |publisher=Joni Mitchell |date= |access-date=May 29, 2018}} "Harry's House / Centerpiece" concerns failing marriage as example of the loneliness of modern life and frames the jazz standard "Centerpiece" by Harry "Sweets" Edison and Jon Hendricks. "Sweet Bird" is a sparser acoustic track that is a slight return to Mitchell's so-called 'confessional' singer-songwriter style and addresses the loss of beauty power with ageing. Its lyrics indicate that it may also be a reference to Tennessee Williams's Sweet Bird of Youth. The final track is "Shadows and Light", consisting of many overdubs of her voice and an ARP String Machine (credited as an ARP-Farfisa on the album sleeve).
The African theme of "The Jungle Line" also features on the album sleeve, with an image of dark-skinned people carrying a large snake (both were embossed on the original vinyl album cover). Mitchell's own house is marked in blue (green for the UK issue) on the back cover.
Reception
{{Music ratings
| rev1 = AllMusic
| rev1score = {{Rating|4.5|5}}
| rev2 = Christgau's Record Guide
| rev2score = B{{cite book|last=Christgau|first=Robert|author-link=Robert Christgau|year=1981|title=Christgau's Record Guide: Rock Albums of the Seventies|publisher=Ticknor & Fields|isbn=089919026X|chapter=Consumer Guide '70s: M|chapter-url=https://www.robertchristgau.com/get_chap.php?k=M&bk=70|access-date=March 8, 2019|via=robertchristgau.com}}
| rev3 = The Encyclopedia of Popular Music
| rev3Score = {{Rating|5|5}}{{cite book|last=Larkin|first=Colin|author-link=Colin Larkin|title=The Encyclopedia of Popular Music|year=2007|publisher=Oxford University Press|edition=4th|isbn=978-0195313734|title-link=The Encyclopedia of Popular Music}}
| rev4 = MusicHound
| rev5 = Pitchfork
| rev5score = 10/10{{cite web|url=http://pitchfork.com/reviews/albums/17269-the-studio-albums-1968-1979/|title=Joni Mitchell: The Studio Albums 1968–1979 {{!}} Album Reviews|website=Pitchfork|date=November 9, 2012 |access-date=May 24, 2013}}
| rev6 = Rolling Stone
| rev6score = (mixed){{cite magazine|url=http://rollingstone.com/artists/jonimitchell/albums/album/214346/review/5945041/the_hissing_of_summer_lawns |title=Joni Mitchell: The Hissing Of Summer Lawns : Music Reviews : Rolling Stone |first=Stephen |last=Holden |magazine=Rolling Stone |year=2011 |access-date=July 19, 2011 |url-status=dead |archive-url=https://web.archive.org/web/20090124143109/http://rollingstone.com/artists/jonimitchell/albums/album/214346/review/5945041/the_hissing_of_summer_lawns |archive-date=January 24, 2009 }}
| rev7 = The Rolling Stone Album Guide
| rev8 = Sounds
| rev8Score = {{rating|5|5}}{{Cite magazine |last=Lewis |first=Alan |date=13 December 1975 |title=Joni: poet of the human jungle |url=https://worldradiohistory.com/UK/Sounds/70s/Sounds-1975-12-13-S-OCR.pdf |magazine=Sounds |page=25 |archive-url=https://web.archive.org/web/20230131112724/https://worldradiohistory.com/UK/Sounds/70s/Sounds-1975-12-13-S-OCR.pdf |archive-date=31 January 2023 |access-date=3 August 2023}}
| rev9 = Martin C. Strong
| rev9score = 8/10{{cite book |last1=Strong |first1=Martin C. |title=The Great Rock Discography |date=2004 |publisher=Canongate |location=New York |page=1013 |ol=18807297M}}
| rev10 = Uncut
| rev10score = 9/10{{Cite magazine |date=October 2022 |title=Buyer's Guide: The Asylum Years, 1972–1975 |magazine=Uncut |issue=305 |page=93}}
}}
The album initially received harsh criticism. In Rolling Stone, Stephen Holden wrote that the album's lyrics were impressive but the music was a failure. "If The Hissing of Summer Lawns offers substantial literature, it is set to insubstantial music... Four members of Tom Scott's L.A. Express are featured on Hissing, but their uninspired jazz-rock style completely opposes Mitchell's romantic style... The Hissing of Summer Lawns is ultimately a great collection of pop poems with a distracting soundtrack. Read it first. Then play it." Critic Robert Christgau called the musical accompaniment "the most ambitious of her career," but criticized Mitchell's choice of session musicians and opined that "only on a couple of cuts — 'The Jungle Line' and 'Don't Interrupt the Sorrow' — do these skillful sound effects strengthen the lyrics. The result is that Mitchell's words must stand pretty much on their own."
The record's reputation has grown in stature over the years. Music writer Howard Sounes has called The Hissing of Summer Lawns Mitchell's masterpiece, "an LP to stand alongside Blood on the Tracks".{{Cite book|title = Seventies: The Sights, Sounds and Ideas of a Brilliant Decade|last = Sounes|first = Howard|publisher = Simon & Schuster Ltd|year = 2006|isbn = 0743268598|location = New York|page = 244}} Prince, a lifelong fan of Mitchell, praised it in interviews;{{cite news|url=http://www.cbc.ca/news/canada/toronto/prince-toronto-women-1.3547314|title=Prince loved Toronto and these 5 Toronto women|last=Errett|first=Joshua|date=April 22, 2016|work=CBC News|access-date=May 7, 2016}} he reportedly called it "the last album I loved all the way through."{{cite magazine |last1=Hermes |first1=Will |title=Joni Mitchell Album Guide |url=https://www.rollingstone.com/music/music-lists/joni-mitchell-album-guide-908048/ |magazine=Rolling Stone |access-date=3 March 2023}} Critic Jessica Hopper of Pitchfork noted that the album was originally felt as a betrayal by some listeners, but stated that while "it doesn't have the rhapsodic rep as Blue, it's unquestionably one of Mitchell's finest albums, and it is certainly her most timeless."
=Accolades=
In 1977, at the 19th Grammy Awards, Mitchell was nominated for the Grammy Award for Best Female Pop Vocal Performance for the album.
It was voted number 217 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).{{cite book|title=All Time Top 1000 Albums|editor=Colin Larkin|editor-link=Colin Larkin|publisher=Virgin Books|date=2006|edition=3rd|isbn=0-7535-0493-6|page=105}} The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die.{{Cite book|title = 1001: Albums You Must Hear Before You Die|editor-last = Dimery|editor-first = Robert |publisher = Cassell Publishing|year = 2013|isbn = 978-1844037353|location = London|page = 323}} in 2020, Rolling Stone ranked the album at number 258 in the 2020 edition of its 500 greatest albums of all time.{{cite magazine|url=https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/merle-haggard-down-every-road-1962-1994-1062949|title=The 500 Greatest Albums of All Time: 284–213|magazine=Rolling Stone|access-date=September 25, 2020}}
Track listing
{{Track listing
| headline = Side one
| all_writing = Joni Mitchell, except where noted
| title1 = In France They Kiss on Main Street
| length1 = 3:19
| title2 = The Jungle Line
| length2 = 4:25
| title3 = Edith and the Kingpin
| length3 = 3:38
| title4 = Don't Interrupt the Sorrow
| length4 = 4:05
| title5 = Shades of Scarlett Conquering
| length5 = 4:59
| total_length = 20:26
}}
{{Track listing
| headline = Side two
| title1 = The Hissing of Summer Lawns
| writer1 = Joni Mitchell, John Guerin
| length1 = 3:01
| title2 = The Boho Dance
| length2 = 3:48
| title3 = Harry's House" / "Centerpiece
| writer3 = Joni Mitchell; Jon Hendricks, Harry Edison
| length3 = 6:48
| title4 = Sweet Bird
| length4 = 4:12
| title5 = Shadows and Light
| length5 = 4:19
| total_length = 22:08
}}
Personnel
Track numbering refers to CD and digital releases of the album.
- Joni Mitchell – vocals, acoustic guitar (tracks 1–4, 9), Moog (2), piano (5, 9), keyboards (7), ARP and Farfisa (10)
- Victor Feldman – electric piano (1, 5), congas (4), vibes (5), keyboards and percussion (6)
- Joe Sample – electric piano (3), keyboards (8)
- Larry Carlton – electric guitar (3–5, 9)
- Robben Ford – electric guitar (1), Dobro (4), guitar (8)
- Jeff Baxter – electric guitar (1)
- James Taylor – background vocals (1), guitar (6)
- David Crosby and Graham Nash – background vocals (1)
- Max Bennett – bass guitar (1, 5–8)
- Wilton Felder – bass guitar (3, 4)
- John Guerin – drums (except 2), Moog and arrangement (6)
- The Warrior Drums of Burundi (2)
- Chuck Findley – horn (3), trumpet (6, 8), flugelhorn (7)
- Bud Shank – saxophone and flute (3, 6), bass flute (7)
- Dale Oehler – string arrangement (5)
Technical
- Joni Mitchell – producer, cover design, illustration
- Henry Lewy – engineer, mix with Mitchell
- Ellis Sorkin – assistant engineer
- Bernie Grundman – mastering
- Joe Gastwirt – re-mastered at Ocean View Digital Mastering in W. Los Angeles for 1997 HDCD release {{cite web | url=https://jonimitchell.com/news/newsitem.cfm?id=260 | title=Joni Mitchell - News Item }}
- Norman Seeff – photography
Charts
{{col-begin}}
{{col-2}}
=Weekly charts=
| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+ Weekly chart performance for The Hissing of Summer Lawns ! scope="col"| Chart (1975–1976) ! scope="col"| Peak |
| scope="row"| Australian Albums (Kent Music Report){{cite Kent}}
| 62 |
|---|
| {{album chart|Canada|7|chartid=4078a|rowheader=true|access-date=April 7, 2021}} |
| {{album chart|UK2|14|date=19760201|rowheader=true|access-date=November 29, 2024}} |
| {{album chart|Billboard200|4|artist=Joni Mitchell|rowheader=true|access-date=April 7, 2021}} |
| scope="row"| US Cash Box Top 100 Albums{{cite magazine|url=https://www.worldradiohistory.com/Archive-All-Music/Cash-Box/70s/1976/Cash-Box-1976-01-03.pdf|title=Cash Box Top 100 Albums |work=Cash Box|date=January 3, 1976|page=25|access-date=16 July 2024}}
|align="center"| 5 |
| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+ Weekly chart performance for The Hissing of Summer Lawns Vinyl Reissue ! scope="col"| Chart (2024) ! scope="col"| Peak |
| {{album chart|BillboardAlbumSales|19|artist=Joni Mitchell|rowheader=true|access-date=July 17 2024}} |
| {{album chart|BillboardVinyl|6|artist=Joni Mitchell|rowheader=true|access-date=July 17 2024}} |
{{col-2}}
=Year-end charts=
| class="wikitable plainrowheaders"
|+ Year-end chart performance for The Hissing of Summer Lawns !Chart (1976) !Position |
| scope="row"| Canada (RPM){{cite web|url=https://www.bac-lac.gc.ca/eng/discover/films-videos-sound-recordings/rpm/Pages/image.aspx?Image=nlc008388.5175&URLjpg=http%3a%2f%2fwww.collectionscanada.gc.ca%2fobj%2f028020%2ff4%2fnlc008388.5175.gif&Ecopy=nlc008388.5175|title=RPM: Top 100 albums of '76|publisher=Library and Archives Canada|access-date=November 29, 2024}}
|align="center"|58 |
|---|
{{col-end}}
References
{{Reflist}}
{{Joni Mitchell}}
{{Authority control}}
{{DEFAULTSORT:Hissing of Summer Lawns, The}}
Category:Asylum Records albums
Category:Albums recorded at A&M Studios
Category:Albums produced by Joni Mitchell