The Homesman

In 1854, Mary Bee Cuddy, a 31-year-old unmarried teacher from New York, came to the Midwest for more opportunities. In the small farming community of Loup in the Nebraska Territory she owns sizable property and is financially secure. Though she seems strong and independent, she suffers from depression and feels isolated. She invites her neighbor Bob Giffen for dinner and proposes marriage, but he turns her down, saying she is plain-looking and too bossy. He leaves to find a wife back east.

After a harsh winter, three women in the community show signs of prairie madness. Arabella Sours has lost three children to diphtheria, and Gro Svendsen, a Danish immigrant in an abusive marriage, breaks down after her mother dies. Theoline Belknap kills her own child after a poor harvest. Reverend Dowd calls upon one of their husbands to escort the women east to Lady's Aid Society Methodist Church in Hebron, Iowa, which cares for the mentally ill. Theoline's husband Vester refuses to participate in the lottery to decide who will escort the women; Cuddy takes his place, and the lot falls on her.

While preparing for the trip, Cuddy encounters George Briggs, a claim jumper, who has been left on horseback with a noose around his neck for stealing Bob Giffen's land in his absence. Scared to make the trip alone, she frees him, on the condition that he help escort the women. He immediately casts doubt on the job and insists he be free to abandon her at any time. To persuade him, Cuddy tells him she will mail $300 to await his arrival in Iowa, but she secretly keeps it with her.

The group crosses paths with hostile Pawnee. Briggs bribes them by giving up Cuddy's horse. Later, Arabella is kidnapped. Briggs gives chase, and the two men scuffle before Arabella kills her kidnapper. Eventually, the group reaches the grave of an 11-year-old girl which has been desecrated by Indians. Cuddy insists they stop and restore it, but Briggs vows to push on, so Cuddy stays behind, saying she will catch up with them. After restoring the grave, Cuddy sets out on horseback but loses her way. After riding all night she finds herself back at the grave and realizes she has gone in a circle.

Finally catching up to Briggs after another night of riding, Cuddy, distraught over having to wander the prairie, suggests they marry. Briggs declines, saying he "ain't no farmer". In the same night, Cuddy asks Briggs to sleep with her, which he does reluctantly. The next morning, Briggs finds Cuddy dead, having hanged herself. Briggs chastises Sours, Belknap, and Svendsen, blaming their illness for Cuddy's death as he buries her body. He finds the $300, takes a horse, and abandons the three women. However, the trio follows him on foot, and Arabella almost drowns while chasing him across a river. Briggs saves her and decides to go on to Iowa.

They reach an empty hotel. The proprietor, Irishman Aloysius Duffy, says they have no rooms available as a group of 16 investors are expected shortly, and the women would sour the establishment. Briggs lashes out at Duffy, whose men pull out their guns, resulting in a brief stand-off. Briggs leaves, but returns that night alone on horseback. He sends away the young cook, sets the hotel on fire, and shoots Duffy in the foot. Briggs takes a suckling pig to feed himself and the women and leaves all inside the hotel to be burned alive.

Briggs reaches Hebron, passing the women into the care of Altha Carter, the reverend's wife. He informs her of Cuddy's death but does not disclose the cause. Guilty about having rejected her proposal, he has a wooden slab engraved with her name, planning to mark her grave with it. He discovers that his $300 is worthless, the Bank of Loup having failed since they left. He gives a pair of shoes to Tabitha Hutchinson, a hard-working young maid at the hotel where he is staying, and then proposes to her, after advising her not to marry some young man going west, but to stay in town. She replies, "Maybe." He then boards the open-decked river ferry heading back west, where he sings a rowdy song with two musicians on deck. Briggs fires his pistol and shouts at people on the pier who complain about the noise. Eventually, one of the bargemen kicks Cuddy's wooden grave marker off the edge of the deck into the river; unnoticed by Briggs, it floats away.

{{div col}}

• Tommy Lee Jones as George Briggs
• Hilary Swank as Mary Bee Cuddy
• Grace Gummer as Arabella Sours
• Miranda Otto as Theoline Belknap
• Sonja Richter as Gro Svendsen
• Meryl Streep as Altha Carter
• John Lithgow as Reverend Dowd
• James Spader as Aloysius Duffy
• Hailee Steinfeld as Tabitha Hutchinson
• Caroline Lagerfelt as Netti Nordstog
• Tim Blake Nelson as The Freighter
• Jesse Plemons as Garn Sours
• William Fichtner as Vester Belknap
• David Dencik as Thor Svendsen
• Barry Corbin as Buster Shaver
• Evan Jones as Bob Giffen
• Jo Harvey Allen as Mrs. Polhemus
• Karen Jones as Mrs. Linens

{{div col end}}

The film shows the unsparingly harsh and difficult life of early settlers of the American Midwest in the 1850s. The Homesman has been called a "feminist western". A critic and interview with Hilary Swank noted that the lives of women during this time are rarely explored, as opposed to men.{{cite web|url=http://thelmadams.com/wordpress/2014/11/16/interview-hilary-swank-stands-tall-dives-deep-discussing-the-homesman/ |first=Thelma |last=Adams |title=Interview: Hilary Swank stands tall, dives deep discussing 'The Homesman' |website=Thelmadams.com |date=November 16, 2014|access-date=2017-05-29|quote=Ultimately (Jones) made a feminist movie and it shows his heart and how multi-faceted he truly is}}{{cite news|first=Anthony |last=D'Alessandro |url=http://www.laweekly.com/publicspectacle/2014/11/20/the-biggest-outdoor-wind-harp-in-malibu |title=The Biggest Outdoor Wind Harp In Malibu |newspaper=Los Angeles Weekly |date=2014-11-20 |access-date=2017-05-29 |archive-date=2014-11-29 |archive-url=https://web.archive.org/web/20141129081747/https://www.laweekly.com/publicspectacle/2014/11/20/the-biggest-outdoor-wind-harp-in-malibu}}

{{Main|The Homesman (soundtrack)}}

Critics have praised Marco Beltrami's music. The score emphasizes the use of wind sounds to show how early settlers had to endure the constant wind without solid shelter, which imitates the character themes of being mentally undone by the elements that surround them. Beltrami used inventive measures such as using a "wind piano" and recording outside. Beltrami said the goal was to take the "warmth" out of the sound to dissipate the air.{{cite web|url=https://www.npr.org/2014/11/22/365691849/in-the-homesman-wind-is-the-sound-of-insanity |title=In 'The Homesman,' Wind Is The Sound Of Insanity |first=Tim|last=Greiving|website=Npr.org |date=2014-11-22 |access-date=2017-05-29}}

File:Cannes 2014 6.jpg]]

The Homesman premiered on May 18, 2014, in competition at the 2014 Cannes Film Festival. The film also was screened at the 2014 Telluride Film Festival, and the AFI Film Festival, among others. Saban Films bought the film after Cannes for release, with Roadside Attractions joining to distribute the film in the U.S. EuropaCorp distributed the film abroad.{{Cite news |date=May 13, 2014 |title=CANNES: How Tommy Lee Jones Financed 'The Homesman' (EXCLUSIVE) |work=Variety |url=https://variety.com/2014/film/news/tommy-lee-jones-homesman-peter-brant-1201179731/ |access-date=30 December 2023}} The film had a limited release in the United States on November 7, 2014.{{cite web |title=The Homesman |url=https://www.boxofficemojo.com/release/rl3478750721/weekend/?ref_=bo_rl_tab#tabs |website=Box Office Mojo |access-date=30 December 2023}}{{cite web |last1=Chang |first1=Justin |last2=Keslassy |first2=Elsa |date=2014-04-17 |title=Cannes Film Festival: Official Selection Lineup Announced |url=https://variety.com/2014/film/news/cannes-unveils-2014-official-selection-lineup-1201158710/ |access-date=2014-06-21 |work=Variety}}{{cite web |last=Fleming |first=Mike |date=2014-02-18 |title=Saban Films, Roadside Take Cannes Pic 'The Homesman' |url=https://www.deadline.com/2014/06/saban-films-roadside-take-cannes-pic-the-homesman/ |archive-url=https://web.archive.org/web/20140705094958/http://www.deadline.com/2014/06/saban-films-roadside-take-cannes-pic-the-homesman/ |url-status=dead |archive-date=July 5, 2014 |access-date=2014-06-21 |website=Deadline Hollywood}}{{cite web |last=Brueggemann |first=Tom |date=2016-05-14 |title=Arthouse Audit: 'Foxcatcher' Strong, 'Rosewater' So-So, 'The Homesman' Modest |url=https://www.indiewire.com/news/general-news/arthouse-audit-foxcatcher-strong-rosewater-so-so-the-homesman-modest-190146/ |access-date=2017-05-29 |website=IndieWire}}

The Homesman received mostly positive reviews from critics, with particulars standing out being Swank's performance, the cinematography, score, and costumes. Rotten Tomatoes gave the film an 81% approval rating based on 148 reviews, with a rating average of 7.1/10. The site's consensus: "A squarely traditional yet somewhat progressive Western, The Homesman adds another absorbing entry to Tommy Lee Jones' directorial résumé".{{cite web|url=https://www.rottentomatoes.com/m/the_homesman/?search=the%20homesman|title=The Homesman (2014)|website=Rotten Tomatoes|publisher=Fandango Media|access-date=May 19, 2019}} Metacritic gives the film a score of 68/100 based on 43 critics, indicating generally favorable reviews.{{cite web|url=https://www.metacritic.com/movie/the-homesman |title=The Homesman Reviews |website=Metacritic |access-date=2017-05-29}}

Betsy Sharkey of the Los Angeles Times wrote: "Swank and Jones, in particular, are a very good odd couple, playing saint and sinner, sometimes reversing the roles. What the directing side of Jones does best is to cede the spotlight to his star. He builds a strong platform for Swank to take on yet another woman who refuses to be bound by gender conventions".{{cite news|url=https://www.latimes.com/entertainment/movies/la-et-mn-homesman-review-20141114-column.html |title=Review: Harsh land and raw, maddening emotion test 'The Homesman' |newspaper=Los Angeles Times |date=2014-11-13 |access-date=2017-05-29}}

Andrew O'Hehir of Salon wrote: "Swank gives a magnificent performance as a woman whose calm and capable exterior cannot completely conceal her worsening desperation. In its unsentimental poetry, its stripped-down imagery and its unforgettable lead performances, 'The Homesman' is a ruthless Western classic ... cinematographer Rodrigo Prieto’s harsh, horizontal landscapes—like the haunting, unsettling score by Marco Beltrami—are anything but picturesque and reassuring, and serve to support a strikingly bleak portrait of life on the 19th-century American frontier".{{cite web|first=Andrew |last=O'Hehir |url=http://www.salon.com/2014/11/14/the_homesman_tommy_lee_jones_and_hilary_swank_are_unforgettable_in_a_ruthless_classic_western/ |title="The Homesman": Tommy Lee Jones and Hilary Swank are unforgettable in a ruthless, classic western |website=Salon.com |date=2014-11-14 |access-date=2017-05-29}}

In contrast, Claudia Puig of USA Today wrote: "Set on the Great Plains in the mid-1800s, 'The Homesman' aims for a story that's poignant and told sparely, but comes across as mawkish, tedious and self-indulgent. Swank brings a gravitas to her character that is undermined when some of her antics are played for laughs. In a 10-minute cameo, Meryl Streep's character is more fully developed than any of the leads' roles. The story attempts to show how hard it was for women in the Old West, but it ends up being Jones' surly show".{{cite news|url=https://www.usatoday.com/story/life/movies/2014/11/13/the-homesman-review/18102017/ |first=Claudia|last= Puig|title='Homesman' is a bunch of malarkey |work=USA Today |date=2014-11-13 |access-date=2017-05-29}}

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{{Tommy Lee Jones}}

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Category:2014 films

Category:2014 drama films

Category:2014 Western (genre) films

Category:English-language French films

Category:French Western (genre) films

Category:American Western (genre) films

Category:2010s English-language films

Category:2010s feminist films

Category:Films scored by Marco Beltrami

Category:Films directed by Tommy Lee Jones

Category:Films produced by Luc Besson

Category:Films set in 1855

Category:Films set in Nebraska

Category:Films set in the American frontier

Category:Films shot in New Mexico

Category:Films shot in Georgia (U.S. state)

Category:EuropaCorp films

Category:Films based on American novels

Category:2010s American films

Category:2010s French films

Category:English-language Western (genre) films