The Spangle Maker

{{Infobox album

| name = The Spangle Maker

| type = EP

| artist = Cocteau Twins

| cover = cocteautwins spanglemaker.jpg

| alt =

| released = 2 April 1984

| recorded =

| studio = Palladium Studios, Edinburgh and Rooster Studios, London

| genre = {{hlist|Gothic rock|ethereal wave}}

| length = 18:30

| label = 4AD

| producer = Cocteau Twins

| prev_title = Sunburst and Snowblind

| prev_year = 1983

| next_title = Treasure

| next_year = 1984

}}

{{Album ratings

| rev1 = AllMusic

| rev1score = {{Rating|3|5}}[{{AllMusic|class=album|id=r213486|pure_url=yes}} AllMusic review]

| rev2 = Spin Alternative Record Guide

| rev2score = 7/10{{cite book |chapter=Cocteau Twins |last=Hannaham |first=James |author-link=James Hannaham |title=Spin Alternative Record Guide |title-link=Spin Alternative Record Guide |editor1-last=Weisbard |editor1-first=Eric |editor1-link=Eric Weisbard |editor2-last=Marks |editor2-first=Craig |publisher=Vintage Books |year=1995 |isbn=0-679-75574-8 |pages=86–88}}

}}

The Spangle Maker is an EP by Scottish band Cocteau Twins, released on 4AD in April 1984. It was the first recording to be issued after bassist Simon Raymonde joined the band. The 1984 release features a longer version of "Pearly-Dewdrops' Drops", and two b-sides: "The Spangle Maker" and "Pepper-Tree", while the 1991 CD release adds the shorter 7-inch version of "Pearly-Dewdrops' Drops". All three songs appeared in the band's live set.[http://www.cocteautwins.com/html/discography/discog_16.html "The Spangle Maker" discography page from official Cocteau Twins website]

"The Spangle Maker" and "Pepper-Tree" were recorded at the Palladium Studios in Edinburgh and mixed at Rooster in West London. "Pearly-Dewdrops' Drops" was recorded at Rooster.

The sleeve notes credit the cover image to photographer Gertrude Käsebier.

Reception

Ned Raggett of The Guardian wrote that "The Spangle Maker" had "a minimal, tense arrangement that suddenly exploded into a concluding, crashing swoon" and described "Pepper-Tree" as one of the band's "gentlest tracks to date, a serene and exquisite lope that could only be described as sunlight through curtains." He also remarked that "Pearly-Dewdrops' Drops" sounded like an anthem, featuring "Guthrie’s trademark sound of heavily reverbed guitars that might as well have been bells, that might as well have been keyboards," a slow pace, strong beats and Fraser's "soaring" vocals.{{cite web |first=Ned |last=Raggett |date=24 February 2016 |title=Cocteau Twins – 10 of the best |website=The Guardian |url=https://www.theguardian.com/music/musicblog/2016/feb/24/cocteau-twins-10-of-the-best |access-date=14 December 2020}}