The Stepford Wives (1975 film)

Joanna Eberhart, a young wife and aspiring photographer, moves with her husband Walter and their two daughters from Manhattan to Stepford, Connecticut. She finds that the women in town all look flawless and are obsessed with housework, but lack intellectual interests. The men all belong to the exclusionary Men's Association, which Walter joins to Joanna's dismay. Joanna is also bewildered by her neighbor Carol Van Sant's sexual submissiveness to her husband Ted, and her odd, repetitive behavior after a minor car accident.

Joanna subsequently befriends Bobbie Markowe, with whom she finds common interests and shared ideas. Along with trophy wife Charmaine Wimperis, the three organize a women's liberation meeting, but the gathering is a failure when the other wives continually divert the discussion to cleaning products. Joanna is also unimpressed by the boorish Men's Association members, including the intimidating president Dale "Diz" Coba. Stealthily, the Men's Association collects information on Joanna including her picture, her voice, and other personal details. When Charmaine returns from a weekend trip with her husband as a devoted wife who has fired her maid and destroyed her tennis court, Joanna and Bobbie start investigating, with ever-increasing concern, the reason behind the submissive and bland behavior of the other wives. Their fear reaches its pinnacle when they discover that all the women were once strong, assertive, independent, and staunch advocates of liberal social policies. Bobbie speculates that industries in or nearby Stepford are contaminating the local water to make the women submissive, which is later disproven.

Bobbie and Joanna start house hunting in other towns. Later, Joanna wins a prestigious contract with a photo gallery. When she goes to tell Bobbie, Joanna is shocked to find that the former has abruptly become another clean conformist housewife with no intention of moving. She panics and visits a psychiatrist, to whom she voices her belief that the men in the town are in a conspiracy that involves altering the psyches of the women. The psychiatrist recommends that she leave town until she feels safe. After leaving the psychiatrist's office, Joanna returns home to pick up her children only to find that they are missing and Walter is evasive about their whereabouts. The two get in a physical scuffle when she refuses her husband's demands to lie down in her bed. Joanna locks herself in the bedroom, then sneaks out to Bobbie's house after Walter leaves her alone, but grows frustrated when Bobbie refuses to engage with her in a meaningful way. Desperate and disturbed, Joanna cuts her hand before stabbing Bobbie with a kitchen knife. Bobbie does not bleed, but instead malfunctions, revealing that the real Bobbie has been replaced by a robot.

Joanna later returns home and bludgeons Walter with a fire poker, demanding to know where their children were taken. He tells Joanna that the kids are at the Men's Association, after which Walter loses consciousness. Despite sensing that she will be the latest victim, Joanna sneaks into the mansion that houses the Men's Association, in hopes of finding her children. However, she is confronted by Dale, the operation's mastermind, who says that her children are really with Charmaine. He remotely locks the front door and asks her if she desires a flawless husband, explaining that the men of Stepford replace their wives "because they can", and that it is "perfect" for both the husband and the wife. He takes the poker away from her, at which point she screams and flees, eventually coming upon her own active but unfinished robot replica. Joanna is shocked into near-paralysis when she sees its black, empty eyes. The Joanna-replica smiles as it brandishes a nylon stocking and calmly approaches Joanna to strangle her as Dale looks on, confirming that the real wives have all been murdered.

Some time later, the robot Joanna placidly peruses the local supermarket among the other glamorously dressed wives. As they make their way through the store, they each vacantly greet one another. Nearby, an African American couple argues with each other about their recent move to Stepford. (Joanna never spoke to the couple in the movie) It is implied that the wife will be the next target of the Men's Association conspiracy. The last interaction between Joanna and Bobbie is seen as superficial as they only conversed about their families in a monotonic tone. This mimics the scene where Bobbie was replaced a robot and spoke mechanically and Joanna spoke emotionally which is gone in the end of the movie where they both spoke in the same mechanical tone. The camera then pans in on Joanna’s eyes signifying that the robot now has the eyes of her original human counterpart.

During the end credits, photographs show a smiling Walter driving the family car and picking up his new "Stepford wife" from the supermarket with their children in the back seat.

{{Cast listing|

• Katharine Ross as Joanna Eberhart
• Paula Prentiss as Bobbie Markowe
• Peter Masterson as Walter Eberhart
• Nanette Newman as Carol Van Sant
• Tina Louise as Charmaine Wimperis
• Carol Rossen as Dr. Fancher
• William Prince as Ike Mazzard
• Patrick O'Neal as Dale "Diz" Coba
• Carole Mallory as Kit Sundersen
• Toni Reid as Marie Axhelm
• Judith Baldwin as Patricia Cornell
• Barbara Rucker as Mary Ann Stavros
• George Coe as Claude Axhelm
• Franklin Cover as Ed Wimperis
• Robert Fields as Raymond Chandler
• Michael Higgins as Frank Cornell
• Josef Sommer as Ted Van Sant
• Remak Ramsay as Mr. Atkinson
• Mary Stuart Masterson as Kim Eberhart
• Ronny Sullivan as Amy Eberhart
• Tom Spratley as Charlie the Doorman
• Dee Wallace as Nettie the Maid

}}

Film scholar John Kenneth Muir interprets The Stepford Wives as "a film essay about what it means to be part of an unspoken 'underclass.'"{{sfn|Muir|2012|p=373}}

Producer Edgar Scherick recruited English director Bryan Forbes to direct the film. Brian De Palma was initially going to direct{{cite web|last=Carlson|first=Sean|title= Stepford Wives, The|date=July 24, 2001|website=IGN|url=https://www.ign.com/articles/2001/07/24/stepford-wives-the?amp=1|accessdate=June 14, 2022}} but William Goldman didn’t want him to.{{cite magazine|last=Gonzalez|first=Ed|title= VIDEODVD Review: Bryan Forbes's The Stepford Wives on Paramount Home Video|date=June 10, 2004|magazine=Slant Magazine|url=https://www.slantmagazine.com/dvd/the-stepford-wives-dvd/amp/|accessdate=June 14, 2022}}

For the lead role of Joanna Eberhart, Forbes initially met with Diane Keaton, who he said turned it down because her analyst did not like the script.{{sfn|Forbes|1993|p=27}} Jean Seberg declined the part; Tuesday Weld initially accepted but cancelled before filming began.{{cite news|title=Creating Horror in Connecticut Sunlight|author=Wolf, William|work=Los Angeles Times|location=Los Angeles, California|date=August 11, 1974|page=Q30}} The part eventually went to Katharine Ross.

Joanna Cassidy was cast as Joanna's friend and ally Bobbie{{cite web|url=https://catalog.afi.com/Catalog/moviedetails/55277|work=AFI Catalog of Feature Films|location=Los Angeles, California|publisher=American Film Institute|url-status=live|archive-url=https://web.archive.org/web/20200102070950/https://catalog.afi.com/Catalog/moviedetails/55277|archive-date=January 2, 2020|title=The Stepford Wives}} but was fired after a few weeks of production and replaced by Paula Prentiss.{{Cite web |url=https://www.youtube.com/watch?v=bjF7SD3S-tE |title="The Stepford Life" mini-documentary on 1975 "Stepford Wives" film |website=YouTube |access-date=January 24, 2021 |archive-date=January 31, 2021 |archive-url=https://web.archive.org/web/20210131104629/https://www.youtube.com/watch?v=bjF7SD3S-tE |url-status=live }}

Mary Stuart Masterson (daughter of star Peter Masterson), Dee Wallace and Franklin Cover appear in very small supporting roles. Tina Louise was cast as another doomed wife. For the role of Carol Van Sant, Forbes cast his own wife, Nanette Newman.

Scheduling difficulties delayed the filming from 1973 until 1974.{{cite web|url=https://catalog.afi.com/Catalog/moviedetails/55277|title=The Stepford Wives (1975)|work=American Film Institute|access-date=2020-04-05|archive-date=January 2, 2020|archive-url=https://web.archive.org/web/20200102070950/https://catalog.afi.com/Catalog/moviedetails/55277|url-status=live}}

No exterior sets were built for the film, which was shot on location in several Connecticut towns. The climax was filmed at the Lockwood-Mathews Mansion in Norwalk.{{cite news|work=The New York Times|location=New York City, New York|url=https://www.nytimes.com/2003/09/28/nyregion/at-a-mansion-lights-cameras-and-well-clonings.html|date=September 28, 2003|title=At a Mansion, Lights, Cameras And, Well, Clonings|last=Digrazia|first=Christina|url-status=live|archive-url=https://web.archive.org/web/20171226215533/https://www.nytimes.com/2003/09/28/nyregion/at-a-mansion-lights-cameras-and-well-clonings.html|archive-date=December 26, 2017}} Forbes purposefully chose white and bright colors, attempting to make a "thriller in sunlight". With the exception of the stormy night finale, it is almost over-saturated to emphasize bright lights and cheerful-looking settings.

Tension developed between Forbes and screenwriter Goldman over the casting of Nanette Newman (Forbes's wife) as one of the wives. Goldman felt that the 40-year-old Newman's appearance did not match the young provocatively-dressed model-like women he'd scripted for. Forbes responded by instituting contemporary prairie-style dress, complete with frilly aprons, for all the wives. Goldman was also unhappy with re-writes by Forbes - in particular, the endingThe Stepford Wives: Behind the Scenes documentary - which Nanette Newman claimed Forbes had deliberately filmed "in an unreal way, so they were almost like a ballet moving in and out, up and down the aisle."{{cite magazine|author=Coggan, Devan|url=https://ew.com/movies/2017/10/23/the-stepford-wives-1975-history/|title=The Stepford Wives: Inside the making of the 1975 feminist horror classic|magazine=Entertainment Weekly|date=2017-10-23|access-date=2020-04-05|archive-date=August 28, 2019|archive-url=https://web.archive.org/web/20190828002311/https://ew.com/movies/2017/10/23/the-stepford-wives-1975-history/|url-status=live}} Additional stresses were caused when actor Peter Masterson secretly called his friend Goldman for input on scenes. Goldman later claimed the film "could have been very strong, but it was rewritten and altered, and I don't think happily."{{sfn|Brown|1992|p=70}}

File:The Stepford Wives ad - 19 January 1975.jpg

The Stepford Wives premiered in the United States on January 22, 1975 in two cities,{{cite news|url=https://www.newspapers.com/article/the-courier-journal/116090571/|title='Stepford Wives' find mystery in the suburbs|work=The Courier-Journal|page=34|date=January 23, 1975}} before a nationwide release on February 12, 1975. The film grossed approximately $4 million in North America.

The Stepford Wives has a rating of 55% on Rotten Tomatoes, based on 88 reviews, with an average rating of 6.2/10. The site's consensus states: "The Stepford Wives{{'}}s inherent satire is ill-served by Bryan Forbes' stately direction, but William Goldman's script excels as a damning critique of a misogynistic society."{{cite web | url=https://rottentomatoes.com/m/1074503-stepford_wives/ | title=The Stepford Wives | work=Rotten Tomatoes | publisher=Flixster | access-date=May 2, 2025 | archive-date=August 10, 2015 | archive-url=https://web.archive.org/web/20150810100412/http://www.rottentomatoes.com/m/1074503-stepford_wives/ | url-status=live }} {{Metacritic film prose|54|9|access-date=1 February 2025}}{{Cite web |title=The Stepford Wives Reviews |url=https://www.metacritic.com/movie/the-stepford-wives-1975/ |access-date=2025-02-01 |website=www.metacritic.com |language=en}} Some critics deride its leisurely pace. Most applaud the "quiet, domestic" thrills the film delivers in the final third and earlier sections as "clever, witty, and delightfully offbeat".{{cite web|url=https://www.bbc.co.uk/films/2001/09/04/the_stepford_wives_dvd_review.shtml|title=BBC - Films - review - The Stepford Wives DVD|work=bbc.co.uk|access-date=February 27, 2015|archive-date=September 25, 2015|archive-url=https://web.archive.org/web/20150925050933/http://www.bbc.co.uk/films/2001/09/04/the_stepford_wives_dvd_review.shtml|url-status=live}} As for the satire in the film, Roger Ebert wrote that the actresses "have absorbed enough TV, or have such an instinctive feeling for those phony, perfect women in the ads, that they manage all by themselves to bring a certain comic edge to their cooking, their cleaning, their gossiping and their living deaths."{{cite web|url=https://www.rogerebert.com/reviews/the-stepford-wives-1975|title=The Stepford Wives|author=Ebert, Roger|author-link=Roger Ebert|date=January 1, 1975|work=Chicago Sun-Times|access-date=August 2, 2023}}

Jerry Oster of the New York Daily News awarded the film a middling two out of four stars, describing the screenplay as a "tedious" and "padded" adaptation of the source material.{{cite news|work=New York Daily News|location=New York City, New York|date=February 13, 1975|url=https://www.newspapers.com/clip/41557583/daily_news/|last=Oster|first=Jerry|title='Stepford Wives' a Tedious Experience|page=64|via=Newspapers.com|access-date=January 2, 2020|archive-date=January 2, 2020|archive-url=https://web.archive.org/web/20200102235446/https://www.newspapers.com/clip/41557583/daily_news/|url-status=live}}

Variety summarized the film as "a quietly freaky suspense-horror story" and praised Ross's performance as "excellent and assured."{{cite web|work=Variety|title=The Stepford Wives|date=December 31, 1974|author=Variety Staff|url=https://variety.com/1974/film/reviews/the-stepford-wives-1200423329/|url-status=live|archive-url=https://web.archive.org/web/20141123121042/https://variety.com/1974/film/reviews/the-stepford-wives-1200423329/|archive-date=November 23, 2014}} John Seymour of the Santa Maria Times also gave the film a favorable review, deeming it an "epic nightmare" boasting "gripping drama."{{cite news|url=https://www.newspapers.com/clip/41556631/santa_maria_times/|work=Santa Maria Times|last=Seymour|first=John|date=June 21, 1975|page=11|location=Santa Maria, California|title='Stepford': epic nightmare|via=Newspapers.com|access-date=January 2, 2020|archive-date=January 3, 2020|archive-url=https://web.archive.org/web/20200103001004/https://www.newspapers.com/clip/41556631/santa_maria_times/|url-status=live}}

Devan Coggan of Entertainment Weekly wrote that the finale was "deeply divisive" and the actress for Joanna stated retrospectively that if she was to revise the ending she would have Joanna "fight harder".

File:Betty Friedan 1960.jpg deemed the film a "rip-off" of the women's movement]]

Initial reaction to the film by feminist groups was not favorable,{{Cite magazine |url=https://ew.com/movies/2017/10/23/the-stepford-wives-1975-history/ |title=The Stepford Wives: Inside the making of the 1975 feminist horror classic |last=Coggan |first=Devan |date=October 23, 2017 |magazine=Entertainment Weekly |url-status=live|archive-url=https://web.archive.org/web/20171225201959/https://ew.com/movies/2017/10/23/the-stepford-wives-1975-history/|archive-date=December 25, 2017}} with one studio screening for feminist activists being met with "hisses, groans, and guffaws." Cast and crew disagreed with the perceived anti-woman interpretations, with Newman recalling "Bryan [Forbes] always used to say, 'If anything, it's anti-men!'" Despite Betty Friedan's The Feminine Mystique being a major influence on the original novel upon which the film was based, Friedan's response to the film was highly critical, calling it "a rip-off of the women's movement."{{cite journal|first=Anna Krugovoy|last=Silver|title=The Cyborg Mystique: The Stepford Wives and Second Wave Feminism|journal=Women's Studies Quarterly|volume=30|year=2002|page=60}} Friedan commented that women should boycott the film and attempt to diminish any publicity for it.{{cite news|date=February 28, 1975|page=18|url=https://www.newspapers.com/clip/41555842/the_press_democrat/|work=The Press Democrat|location=Santa Rosa, California|title=A controversial film|last=Klemesrud|first=Judy|via=Newspapers.com|access-date=January 2, 2020|archive-date=January 3, 2020|archive-url=https://web.archive.org/web/20200103001006/https://www.newspapers.com/clip/41555842/the_press_democrat/|url-status=live}}

Writer Gael Greene, however, lauded the film, commenting: "I loved it—those men were like a lot of men I've known in my life." Feminist screenwriter Eleanor Perry came to the film's defense, stating that it "presses buttons that make you furious—the fact that all the Stepford men wanted were big breasts, big bottoms, a clean house, fresh-perked coffee and sex."

Anchor Bay Entertainment issued The Stepford Wives on VHS on March 10, 1997;{{cite book|title=The Stepford Wives [VHS]|asin=6304437617}} they subsequently released a non-anamorphic DVD edition on December 3, 1997.{{cite book|title=The Stepford Wives DVD|asin=6304697988}} In 2001, Anchor Bay reissued the film in a "Silver Anniversary" edition, featuring an anamorphic transfer as well as bonus interviews with cast and crew.{{cite web|url=https://www.dvdtalk.com/reviews/11453/stepford-wives/|work=DVD Talk|title=The Stepford Wives (Silver Anniversary Edition)|date=June 15, 2004|last=Galbraith|first=Stuart|url-status=live|archive-url=https://web.archive.org/web/20111207142742/http://www.dvdtalk.com/reviews/11453/stepford-wives/|archive-date=December 7, 2011}} In 2004, Paramount Home Entertainment re-released the "Silver Anniversary" edition, which featured the same bonus materials and screen menus.

{{As of|2024}}, the film has not received a Blu-ray or online release, and remains under the ownership of pharmaceutical conglomerate Bristol Myers Squibb, who were stakeholders in its production company, Palomar Pictures, which went defunct after the film's release.{{cite web|work=Collider|title='The Heartbreak Kid' and 'Sleuth': Why You Won't Be Able to Celebrate Their 50th Anniversaries|last=Shutt|first=Mike|date=December 17, 2022|url=https://collider.com/the-heartbreak-kid-and-sleuth-where-are-they/|url-status=live|archive-date=May 8, 2023|archive-url=https://archive.today/20230508043429/https://collider.com/the-heartbreak-kid-and-sleuth-where-are-they/}} Several other Palomar-produced films, including The Heartbreak Kid (1972) and Sleuth (also 1972), are also owned by the company.

Film scholar John Kenneth Muir considers The Stepford Wives one of the best horror films of the 1970s.{{sfn|Muir|2012|p=375}} In a writer's roundtable with The Hollywood Reporter, Jordan Peele listed the film as one of the inspirations behind his directorial debut Get Out.{{Cite web|url=https://www.slashfilm.com/572233/jordan-peele-influences/|title=How 'The Stepford Wives' And 'Rosemary's Baby' Influenced The Films Of Jordan Peele|website=Slashfilm|date=February 12, 2020 }}

A line delivered by Paula Prentiss, as Bobbie Markowe, after becoming a Stepford Wife; "Yes.. this.. it's wonderful!", was legally sampled on the song, "Hey Music Lover", by British dance act, S-Express, becoming a big international hit in 1989.{{Cite web|url=https://www.whosampled.com/sample/337690/S%27Express-Hey-Music-Lover-The-Stepford-Wives-Kitchen-Scene/|title=S'Express's 'Hey Music Lover' - Discover the Sample Source|website=WhoSampled}}

The film influenced the development of the character Bree Van de Kamp in the successful series, Desperate Housewives (2004–12), played by Marcia Cross. The character was often referred to as a "Stepford Wife" by other characters, due to her somewhat uptight personality, immaculately presented home, beautifully pruned red roses, and her love of baking cakes. She also dressed in a Midwestern, traditional style, echoing, but modernizing, the look of the original "Stepford Wives", as seen in the film.{{Citation needed|reason=Is Bree Van de Kamp specifically based on this film or the original novel?|date=September 2024}}

• Revenge of the Stepford Wives (1980, TV), starring Don Johnson, Sharon Gless and Julie Kavner
• The Stepford Children (1987, TV), starring Barbara Eden and Don Murray
• The Stepford Husbands (1996, TV), starring Donna Mills and Michael Ontkean
• The Stepford Wives (2004, film), starring Nicole Kidman, Glenn Close, Bette Midler and Matthew Broderick

• List of American films of 1975

{{Reflist|30em}}

• {{cite book|last=Brown|first=Dennis|year=1992|title=Shoptalk|isbn=978-1-557-04170-8|publisher=Newmarket Press|location=New York City, New York}}
• {{cite book|last=Forbes|first=Bryan|author-link=Bryan Forbes|year=1993|title=A Divided Life|isbn=978-0-749-30884-1|location=London, England|publisher=Mandarin}}
• {{cite book|last1=Muir|first1=John Kenneth|title=Horror Films of the 1970s|publisher=McFarland|isbn= 978-0-786-43104-5|year=2012|edition=2nd|location=Jefferson, North Carolina|volume=1|author-link=John Kenneth Muir}}

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{{The Stepford Wives}}

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