The Style Council

The band was founded in Woking, Surrey in late 1982 by singer, guitarist and songwriter Paul Weller, following the break-up of his previous band the Jam. Preferring the idea of a loose, floating line-up, the band was initially a core duo of Weller and keyboardist Mick Talbot, who Weller said he chose because "he shares my hatred of the rock myth and the rock culture",{{cite journal|title=Paul Weller Returns with Style Council|journal=Record|date=June 1983|volume=2|issue=8|page=1}} augmented by various guest musicians and singers. The band showed a diversity of musical styles. Singles "Speak Like a Child" (with its loud soul-influenced style), the extended funk of "Money-Go-Round", and the synth-ballad "Long Hot Summer" all featured Talbot on keyboards and organ, and reached number 4, number 11 and number 3, respectively, on the UK Singles Chart. Near the end of 1983, these songs were compiled on Introducing The Style Council, a mini-LP initially released in the US, Canada, Japan, and the Netherlands only. The Dutch version was heavily imported to the United Kingdom. In November 1983, the single "A Solid Bond in Your Heart" reached number 11 on the UK singles chart.

In February 1984, the single "My Ever Changing Moods" became the band's third Top 10 hit on the UK Singles Chart, peaking at number 5. Released a month later, their debut studio album, Café Bleu, entered the UK Albums Chart at number 2. Excluding previous singles (except for a different version of "My Ever Changing Moods") and vocals by Weller on several tracks, the album features guest vocalists and instrumentals, and mixes several genres, such as jazz, soul, pop, and funk; for these reasons, it divided critics and confused fans.Steve Malins. Paul Weller: The Unauthorised Biography. Virgin Books, 1997, pp. 127–128 Nevertheless, the album spent 36 weeks on the chart and was followed by two further Top 10 singles, "You're the Best Thing" in May and "Shout to the Top!" in October.[https://www.officialcharts.com/artist/20231/style-council/ Style Council] Official Charts Company

The album was complemented by a UK tour starting in March 1984 with supporting acts Billy Bragg and the Scottish pop band the Questions. These shows were dubbed "Council Meetings" and were followed by a brief European tour. Later the band played four dates in Japan, where they became hugely popular. These shows were captured on the video Far East and Far Out, released in September 1984.Steve Malins. Paul Weller: The Unauthorized Biography. Virgin Books, 1997, p. 129 The band set out on their second "Council Meetings" UK tour in the autumn, this time with DJ Vaughn Toulouse. The shows were also intended to include a half-hour play directed by Tony Marchant instead of a support band, but the play was pulled in the last minute when one of the actors broke his leg. The UK dates were followed by dates in Italy were huge demands for tickets in Bologna forced a last-minute switch to a bigger venue.Steve Malins. Paul Weller: The Unauthorized Biography. Virgin Books, 1997, p. 134

In 1984, the band also undertook a brief tour of the United States.{{cite news |last=Palmer |first=Robert |authorlink=Robert Palmer (American writer) |date=16 May 1984 |title=The Pop Life – Style Council's Rhythm-and-Blues |url=https://www.nytimes.com/1984/05/16/arts/the-pop-life-193854.html

|newspaper=The New York Times|page=C22 |url-status=live |archive-url=https://web.archive.org/web/20150524154236/https://www.nytimes.com/1984/05/16/arts/the-pop-life-193854.html |archive-date=24 May 2015 |access-date=31 March 2020}}{{cite web |author= |title=The Style Council Setlist at The Savoy, New York – 11 May 1984 |url=https://www.setlist.fm/setlist/the-style-council/1984/the-savoy-new-york-ny-6bdf72a2.html |website=setlist.fm |url-status=live |archive-url=https://web.archive.org/web/20200401211023/https://www.setlist.fm/setlist/the-style-council/1984/the-savoy-new-york-ny-6bdf72a2.html |archive-date=1 April 2020 |access-date=1 April 2020}} This led to the single "My Ever Changing Moods"{{efn|The B-side comprised "Mick's Company", an instrumental from Café Bleu.{{cite web |author= |title=The Style Council – My Ever Changing Moods (US Version) |url=https://www.discogs.com/The-Style-Council-My-Ever-Changing-Moods/release/8890198 |website=Discogs |date=18 September 1984 |access-date=1 April 2020}}}} reaching No. 29 on the US Billboard Hot 100. The song remains the group's and Weller's highest charting US single, including his period with the group the Jam and also as a solo artist. By the end of 1984, the Style Council were voted "best new band" in Billboard magazine.

In December 1984, "Soul Deep", a fund-raising single for striking miners, was released under the name "the Council Collective" (featuring Vaughn Toulouse, Dee C. Lee, Leonardo Chignoli of Animal Nightlife, Junior Giscombe and US Motown artist Jimmy Ruffin), reaching the top 30 on the UK singles chart.Steve Malins. Paul Weller: The Unauthorized Biography. Virgin Books, 1997, p. 132 The Style Council ended the year playing two nights at the Royal Albert Hall.

In the UK, the group reached the height of its popularity with the release of Our Favourite Shop, which entered the UK album chart at number 1 immediately following its release in June 1985 (only to be supplanted by Bryan Ferry's solo studio album Boys and Girls a week later).{{cite web |author= |title=Official Albums Chart Top 100, 02 June 1985 – 08 June 1985 |url=https://www.officialcharts.com/charts/albums-chart/19850602/7502/ |website=Official Charts Company |url-status=live |archive-url=https://web.archive.org/web/20180217084242/https://www.officialcharts.com/charts/albums-chart/19850602/7502/ |archive-date=17 February 2018 |access-date=3 April 2020}}{{cite web |author= |title=Official Albums Chart Top 100, 09 June 1985 – 15 June 1985 |url=https://www.officialcharts.com/charts/albums-chart/19850609/7502/ |website=Official Charts Company |url-status=live |archive-url=https://web.archive.org/web/20180217083105/http://www.officialcharts.com/charts/albums-chart/19850609/7502/ |archive-date=17 February 2018 |access-date=3 April 2020}} Mixing different styles such as Latin music, jazz and funk, and largely featuring political lyrics, it was widely considered to be the band's best work by contemporary critics.Steve Malins. Paul Weller: The Unauthorized Biography. Virgin Books, 1997, p. 140 It notched up a total of 13 weeks in the UK top 40 (including a re-entry in October), of which three weeks were spent in the top 10.{{cite web |author=|title=Our Favourite Shop |url=https://www.officialcharts.com/search/albums/our-favourite-shop/ |website=Official Charts Company |url-status=live |archive-url=https://web.archive.org/web/20191110065424/https://www.officialcharts.com/search/albums/our-favourite-shop/ |archive-date=10 November 2019 |access-date=31 March 2020}} The preceding single "Walls Come Tumbling Down!" reached number 6 on the singles chart, while "Come to Milton Keynes" and "The Lodgers" reached number 23 and 13, respectively. A fourth single "Boy Who Cried Wolf" was released in the US and was a chart hit in New Zealand.{{cite web |author=Hung |first=Steffen |title=New Zealand charts portal |url=https://charts.nz/search.asp?cat=s&artist=the+s&artist_search=starts&title=&title_search=starts |publisher=charts.nz}} Worldwide, it reached over one million sales. In 2015, Our Favourite Shop was included in a list of 50 albums released in 1985 which, according to the NME, "still sound great today".{{cite web |last=Barker |first=Emily |date=13 February 2015 |title=50 Albums Released In 1985 That Still Sound Great Today |url=https://www.nme.com/photos/50-albums-released-in-1985-that-still-sound-great-today-1432721 |website=NME |archive-url=https://web.archive.org/web/20161027180335/https://www.nme.com/photos/50-albums-released-in-1985-that-still-sound-great-today-1432721 |archive-date=27 October 2016 |access-date=31 March 2020}}

Together with "You're the Best Thing" (from Café Bleu) and "The Big Boss Groove", two songs from the album—"Internationalists" and "Walls Come Tumbling Down!"—were played by the band at the UK Live Aid concert,{{cite web |author= |title=The Style Council Setlist at Wembley Stadium, London – 13 July 1985 |url=https://www.setlist.fm/setlist/the-style-council/1985/wembley-stadium-london-england-23d59c0f.html |website=setlist.fm |url-status=live |archive-url=https://web.archive.org/web/20200403004357/https://www.setlist.fm/setlist/the-style-council/1985/wembley-stadium-london-england-23d59c0f.html |archive-date=3 April 2020 |access-date=3 April 2020}} where they appeared second in the running order at Wembley Stadium between Status Quo and the Boomtown Rats.{{cite web |author= |title=LIVE AID 1985: How it all happened |url=https://www.bbc.co.uk/music/thelive8event/liveaid/history.shtml |website=BBC |url-status=live |archive-url=https://web.archive.org/web/20150601034117/https://www.bbc.co.uk/music/thelive8event/liveaid/history.shtml |archive-date=1 June 2015 |access-date=31 March 2020}} The international exposure, however, did little to boost the group's career, and future commercial success was largely confined to their home country.{{cite web |author= |date=9 February 2011 |title=Five other Live Aid stories |url=https://www.telegraph.co.uk/culture/music/rockandpopfeatures/8314464/Five-other-Live-Aid-stories.html |website=The Telegraph |url-status=live |archive-url=https://web.archive.org/web/20110213061706/http://www.telegraph.co.uk/culture/music/rockandpopfeatures/8314464/Five-other-Live-Aid-stories.html |archive-date=13 February 2011 |access-date=31 March 2020}}

Following the live album Home and Abroad in 1986 the band released their third studio album The Cost of Loving to mixed reviews in 1987. It reached number 2 on the UK Albums Chart. The single from the album, "It Didn't Matter" reached number 9 on the singles chart.

The Cost of Loving saw the group concentrating on the R&B styles that had been growing in America during the eighties. Its urban contemporary feel was a jolt to listeners who had grown accustomed to the continental mix of soul music, jazz, and European folk styles that the band had displayed on their previous two studio albums. United States label Geffen Records heard the tracks and promptly dropped the Style Council from their roster. Socially conscious soul music pioneer Curtis Mayfield was asked to mix some of the material on the album, which displays hints of being influenced by house music and the Jimmy Jam and Terry Lewis sound. Tracks from the album were included in a 37-minute film, Jerusalem, about the band.

From this point the band however started to experience a critical and commercial decline. The 1987 single "Waiting" was the first of the band's singles that failed to reach the UK top 40. In 1988 Confessions of a Pop Group became the first of their albums that failed to reach the top 10. It entered the albums chart at number 15 and dropped out of the chart a few weeks later. The singles "Life at a Top People's Health Farm" and "How She Threw It All Away" also made brief chart appearances, peaking at number 28 and 41, respectively.

In 1989, members of the Style Council went under the name of King Truman to release a single on Acid Jazz Records titled "Like a Gun". This was unknown to Polydor, and the single was pulled from the shops three days prior to release. Acid Jazz founder Eddie Piller said: "The pair offered to make a single for my new label, which I'd just started with [BBC] Radio 1 DJ Gilles Peterson as a side project. Talbot and Weller took pseudonyms Truman King and Elliott Arnold."[http://www.paulwellerbook.com/ Paulwellerbook.com] {{webarchive |url=https://web.archive.org/web/20141218054900/http://www.paulwellerbook.com/ |date=18 December 2014 }}

The Style Council broke up in 1989. Regarding the break-up, Paul Weller said (in 1990):

{{quote|It's something we should have done two or three years ago. We created some great music in our time, the effects of which won't be appreciated for some time.{{cite book |last=Tobler |first=John |date=1992

|title=NME Rock 'N' Roll Years |publisher=Hamlyn |location=London |page=468 |isbn=0600576027}}}}

The cover version of "Promised Land" (originally by Joe Smooth) was the only release which surfaced from the Modernism: A New Decade sessions at the time; reaching its peak position at no. 27 on the UK Singles Chart in February 1989. However, the entire studio album was subsequently released in 1998 in a 5-CD box set, The Complete Adventures of The Style Council with a standalone version being released in October, 2001. A few months later, a version of their 1983 hit "Long Hot Summer" entitled "Long Hot Summer '89" was released as the Style Council's swan song single, briefly charting in the UK, reaching its peak position at no. 48 in May 1989.

In 1990, the band reunited (without Lee) for a one-off performance on Japanese TV.{{cite web |title=The Style Council - Sure is Sure |url=https://www.youtube.com/watch?v=8ilHDq5s9TE |website=YouTube | date=18 August 2010 |access-date=21 January 2022 |language=en}}

Weller, Talbot, Lee and White met for a recording session of "It's a Very Deep Sea" in August 2019. The session was featured in the 2020 Sky Arts documentary Long Hot Summers: The Story of the Style Council, and a career-spanning audio compilation of the same name was released.{{Cite web |last=Ross |first=Rob |date=2020-12-11 |title=Documentary Review: "Long Hot Summers: The Story Of The Style Council" |url=https://musictap.com/2020/12/11/documentary-review-long-hot-summers-the-story-of-the-style-council/ |access-date=2024-08-25 |website=Music Tap}}

In December 1984, Weller put together an ensemble called the Council Collective to make a charity record, "Soul Deep", initially to raise money for striking miners during a long-running industrial dispute, and subsequently also for the family of David Wilkie, a taxi driver who was killed during said strike. The track featured the Style Council and a number of other performers, notably Jimmy Ruffin{{cite web |last=Sweeting |first=Adam |date=20 November 2014 |title=Jimmy Ruffin Obituary |url=https://www.theguardian.com/music/2014/nov/20/jimmy-ruffin |website=The Guardian |location=London |url-status=live |archive-url=https://web.archive.org/web/20141121164909/https://www.theguardian.com/music/2014/nov/20/jimmy-ruffin |archive-date=21 November 2014 |access-date=2 April 2020}} and Junior Giscombe. The song received airplay on BBC Radio 1 and was performed by the group on Top of the Pops,{{cite episode |date=20 December 1984 |title=20/12/1984 |url=https://www.bbc.co.uk/programmes/b09g38n9 |series=Top of the Pops |series-link=Top of the Pops |station=BBC One |access-date=2 April 2020}} as well as (live) on Channel 4's The Tube.{{cite web |author= |date=27 March 2010 |title=Paul Weller: A Life in Photographs |url=https://www.theguardian.com/music/gallery/2010/mar/28/paul-weller-life-in-pictures |website=The Guardian |location=London |url-status=live |archive-url=https://web.archive.org/web/20200402023844/https://www.theguardian.com/music/gallery/2010/mar/28/paul-weller-life-in-pictures |archive-date=2 April 2020 |access-date=2 April 2020}}

In their lyrics, the Style Council took a more overtly political approach than the Jam, with tracks such as "Walls Come Tumbling Down!", "The Lodgers" and "Come to Milton Keynes" being deliberate attacks on middle England and the Thatcherite policies of the UK government during the 1980s. In 1985, Weller was persuaded by Billy Bragg to let the Style Council play a leading role in Red Wedge, a youth-orientated political campaign associated with the British Labour Party. Although his views at the time have since been described as those of a "traditional British socialist", in 1993 Weller admitted the experience had left him feeling "exploited" by politicians, noting further that: "Before the Wedge, the Style Council had done a lot independently, raised a lot of money in benefits. But after the Wedge we were so disillusioned it all stopped. We were totally cynical about all of it."{{cite web |last=Snow |first=Mat |date=16 April 2014 |title=Paul Weller: 'Most people dislike me anyway … it can only get better' |url=https://www.theguardian.com/music/2014/apr/16/paul-weller-style-council-more-modern-classics-rocks-backpages |website=The Guardian |location=London |url-status=live |archive-url=https://web.archive.org/web/20150108113538/http://www.theguardian.com/music/2014/apr/16/paul-weller-style-council-more-modern-classics-rocks-backpages |archive-date=8 January 2015 |access-date=2 April 2020}} In a previous interview, whilst asserting that there was still "a place for outspokenness" in popular music, Weller had pointed out he was "first and foremost" a musician, and stated: "In the '80s, in the Style Council, we were involved with a lot of political things going on at that time. I think after a while that overshadowed the music a bit."{{cite web |last=Dickie |first=Mary |date=15 February 2003 |title=Illuminating Weller|url=http://jam.canoe.ca/Music/Artists/W/Weller_Paul/2003/02/15/pf-751694.html |website=Jam! |url-status=usurped |archive-url=https://archive.today/20130115125526/http://jam.canoe.ca/Music/Artists/W/Weller_Paul/2003/02/15/pf-751694.html |archive-date=15 January 2013 |access-date=2 April 2020}}

{{Main|The Style Council discography}}

Studio albums

• Café Bleu (North America title: My Ever Changing Moods) (1984)
• Our Favourite Shop (North America title: Internationalists) (1985)
• The Cost of Loving (1987)
• Confessions of a Pop Group (1988)
• Modernism: A New Decade (1998)

{{Notelist}}

{{Reflist|30em}}

;General

• {{cite book| author=Munn, Iain | title=Mr. Cool's Dream. The Complete History of the Style Council| publisher=Wholepoint Publications | year=2006 | isbn=0-9551443-0-2 }}

• [http://www.mrcoolsdream.co.uk/ Mr Cool's Dream, The Complete History of The Style Council - "painstakingly accurate" - Paul Weller]
• [https://www.youtube.com/watch?v=4MQMIF-khuU Shout to the Top], BBC Radio 2 documentary, broadcast August 2003
• {{AllMusic|class=artist|id=p5548/biography}}
• {{discogs artist}}
• {{IMDb name|11183908}}

{{The Style Council}}

{{Authority control}}

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Category:British political music artists

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Category:Musical groups established in 1983

Category:British political music groups

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Category:Second British Invasion artists

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