Tilang
{{Short description|A Janya raga of Carnatic music}}
{{Use dmy dates|date=July 2020}}
{{Use Indian English|date=July 2020}}
{{Infobox raga
| name = Tilang
| image_name = Tailangi.png
| image_alt =
| thaat =
| time = 2nd Prahar of the night
| season =
| arohana = {{svaraH|S|G|m|P|N|S'}}
| avarohana = {{svaraH|S|n|P|m|G|S}}
| pakad =
| chalan =
| synonym =
| equivalent =
| similar = Jog
}}
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.{{Cite book|title = Raganidhi: A Comparative Study Of Hindustani And Karnatak Ragas. Volume Four (Q to Z)|last = Rao|first = B.Subba|publisher = The Music Academy|year = 1996|location = Madras|pages = 181–182}}{{cite book |last=Singha |first=H.S. |title=The Encyclopedia of Sikhism (over 1000 Entries) |publisher=Hemkunt Publishers |year=2000 |isbn=978-81-7010-301-1 |url=https://books.google.com/books?id=gqIbJz7vMn0C&pg=PA10 |access-date=26 May 2021 |pages=10}}
Scale
- Arohana (ascending scale): {{svaraH|S|G|m|P|N|S'}}
- Avarohana (descending scale): {{svaraH|S|n|P|m|G|S}}
This raga has a lowered seventh, {{SvaraH|n}} ({{Langx|hi|कोमल नी|komala nī}}) in the descending scale.
Its defining characteristics are: {{SvaraH|P|S'|N|S'|n|P}}, {{SvaraH|7=P|8=S'|9=N|10=S'|11=P|12=n|13=P}}. Some performers add a Re to create the following pattern: {{SvaraH|S'|R'|N|S'|P|n|P}}.
= Vādī and Samvādī =
In Carnatic music
This raga originated in Hindustani classical music and has been taken into Carnatic music.Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is derived from the 28th Melakarta (parent scale) Harikambhoji. It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.{{cite book | last=Katz | first=J. | title=The Traditional Indian Theory and Practice of Music and Dance | publisher=E.J. Brill | series=Panels of the VIIth World Sanskrit Conference / World Sanskrit Conference 7, 1987, Leiden: Panels of the VIIth World Sanskrit Conference | year=1992 | isbn=978-90-04-09715-5 | url=https://books.google.com/books?id=HVjyfWPCO1wC&pg=PA19 | access-date=27 May 2021 | page=19}}
= Compositions =
- Shree Ganesha Charanam by Papanasam Sivan
- Ramakrishnaru Manege, Tarakka Bindige and Dasara Nindisa Beda by Purandara Dasa
- Satyavantara Sangaviralu by Kanaka Dasa
- Shanthi Nilava Vendum by Sethumadava Rao
- Prabho Ganapathe by Agastya
- Thamarai Malar Ondru by Kavi Kannan
- Jaya Vara Varini by U Ve Srinivasa Varadachariar
- Maha Ganapathim by Dayanand Saraswati
- Bandide Indu by KS Burli
- Maha Ganapathe Namo Namo is a rare Bhajan
Film songs
= Language : [[Hindi]] =
| class="wikitable sortable"
!Song !Film !Composer !Singer(s) |
| Gori Gori Gaon Ki Gori Re |
| Kaise Kahen Ham |
| Meri Kahani Bhulnevale Tera Jahan Abad Rahe |
| Yahi Arman Lekar Aaj Apne Ghar Se Ham Nukale |
| Sajna Sang Kahe Neha Lagae |
| Lagan Tose Lagi Balma |
| Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo
|Raagini |
| Mein Apne Aap Se Ghabra Gaya Hoon |
| Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo |
= Tamil =
| class="wikitable sortable"
!Song !Film !Composer !Singer(s) |
| Yadhu Nandhana Gopala
| Meera |
| Shyamala, Shyamala En Jeevapriye
| Shyamala |
| Indru Poi Naalai Vaaraai |
| Azhagan Muruganidam Asai Vaithen
| rowspan="3" | Viswanathan–Ramamoorthy |
| Naalaam Naalaam |
| Naan Oru Kuzhandhai
| rowspan="2" | T. M. Soundararajan |
| Palooti Valarthakili
| Gauravam | rowspan="6" | M. S. Viswanathan |
| Penpaartha Maapilaiku |
| Idhu Unthan Veettu Kilithaan |
| Thendraladhu Unnidathil |
| Nalladhor Veenai Seidhe |
| Abhinaya Sundari Aadugiraal |
| Kothamalli Poove
| rowspan="10" | Illayaraja |
| Chithirai Sevvanam |
| Intha Vennila
|rowspan=2| K.S. Chitra |
| Nal Anbedhan |
| Manadhil Urudhi Vendum |
| Pavalamani Thermele
| Neram Nalla Neram |
| Innum Ennai Enna |
| Maadethile Kanni(with traces of Brindavani Sarang)
| Veera |
| Namma Manasu Pola
| Mano, K.S. Chitra |
| Kattula Thalai
| Vidhu Prathaban |
| Thee Thee
(with traces of Bahudari ragam) | Caroline, Noel James &A. R. Rahman |
| Vasantha Kaalangal |
| Azhagu Mayil Thogai Virithaduthu
| S. Thanu |
| Saravana Bhava |
| Thinnadhey |
| En Anbe
| Satyam |
| Thiru Thiru Ganatha
| Harini |
= Language : [[Telugu Language|Telugu]] =
| class="wikitable sortable"
!Song !Film !Composer(s) !Singer(s) |
| Neela Kandhara |
| Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada |
| Naa Chandamama |
| Niluvumaa Niluvumaa |
| Manasaa, Kavvinchake |
| Jaamu Gadichenu Jabili Vodigenu
|Mogudu-Pellalu (1985) |
| Naalo Ninne Choodanaa
|Vichitra Vivaham (1973) |
| Naa Sneham Pandi Premai Nindina Cheliya Ravela
|Babu |
Scale similarities
- Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales, while Tilang uses Kaisiki Niṣāda (N2) in descending scale.
- Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales, while Tilang uses Kakali Niṣāda (N3) in ascending scale.
Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.
Notes
{{notelist}}
References
{{reflist}}
{{Melakarta ragas}}
{{Janya}}
{{Rāgas as per Performance Time}}