Timecrimes

{{Infobox film

| image = Cronocrimenes.jpg

| caption = Promotional release poster

| native_name = {{Infobox name module

| language = Spanish

| title = Los Cronocrímenes

| nolink= yes

}}

| director = Nacho Vigalondo

| writer = Nacho Vigalondo

| starring = {{Plain list|

Karra Elejalde
Nacho Vigalondo
Candela Fernández
Bárbara Goenaga

}}

| producer = {{ubl|Eduardo Carneros|Javier Ibarretxe|Esteban Ibarretxe}}

| music = Eugenio Mira

| cinematography = Flavio Martínez Labiano

| editing = Jose Luis Romeu

| distributor = Karbo Vantas Entertainment

| released = {{Film date|2007|9|20|Fantastic Fest|2008|06|27|Spain|df=y}}

| runtime = 92 minutes

| budget = $2.6 million{{cite web|url=https://www.the-numbers.com/movie/Cronocrimenes-Los|title=Los Cronocrímenes (2008) – Financial Information|work=The Numbers|accessdate=20 April 2018}}

| gross = $564,474

| country = Spain

| language = Spanish

}}

Timecrimes ({{langx|es|Los cronocrímenes|links=no}}) is a 2007 Spanish science-fiction thriller film written by, directed by, and featuring Nacho Vigalondo. The film stars Karra Elejalde as Héctor, a man who unwittingly becomes part of a causal loop and must stop his other selves from continuing to exist.

Plot

In the Spanish countryside, a middle-aged man named Héctor and his wife Clara live in a home that they are renovating. Héctor scans the forest behind their house with binoculars and sees a young woman take off her T-shirt, exposing her breasts. When his wife goes shopping, he investigates and finds the woman on the ground, naked and unconscious. He is stabbed in the arm by a mysterious man with bloody bandages on his face. Fleeing and breaking into a mysterious nearby building, Héctor contacts a scientist by walkie-talkie, who warns him of the bandaged man and guides him to his location, promising safety. With the bandaged man just outside, the scientist convinces Héctor to hide inside a large mechanical device. When Héctor leaves the machine, he discovers that he has traveled approximately an hour back in time.

The scientist explains that the machine is an experimental time machine and refers to Héctor as "Héctor 2". The scientist tells Héctor 2 that they need to stay where they are and let events unfold. Despite the scientist's warning, Héctor 2 drives off in a car, passing a cyclist, who he recognizes as the woman Héctor 1 saw in the forest. Héctor 2 chases the woman, only to be run off the road by a van, cutting his head, which he wraps using the bandage from his arm wound. He then realizes the bandaged man from before is himself. The woman approaches to see if he is all right. Héctor 2 replicates events by making the woman undress in view of Héctor 1. When she runs away, Héctor 2 catches her, inadvertently knocking her out. Héctor 2 lays her out naked on the ground and then stabs Hector 1 in the arm when he arrives. The woman escapes.

Héctor 2 returns to his home, where he hears a scream and chases a woman through his house and onto the roof. When Héctor 2 attempts to grab her, she slips and falls to her death. Seeing the body from the roof, Héctor 2 is horrified, believing he has killed his own wife. Héctor 2 contacts the scientist over the walkie-talkie and convinces him to lure Héctor 1 to the lab with warnings that he is being pursued. Driving to the lab, Héctor 2 insists that he must travel back one more time, despite the scientist revealing that there is a Héctor 3, who told him he must stop Héctor 2 from doing just that.

After removing his bandages, Héctor 2 convinces the scientist to send him back several seconds before Héctor 2 initially appears. This causes him to become Héctor 3, who uses a van to run Héctor 2 off the road, but crashes as well, knocking himself out. Upon waking, Héctor 3 informs the scientist he has failed to stop Héctor 2. Héctor 3 encounters the woman again, startling her into screaming, though she does not recognize him as her assailant. Since Héctor 2 has heard her scream, Héctor 3 and the woman flee to Héctor's house. They become separated. Héctor 3 finds and hides his wife, then realizes what has to happen / will happen / has already happened. He finds the woman, cuts her ponytail off, gives her his wife's coat and tells her to hide upstairs. Héctor 2 chases her onto the roof. Héctor 3 sits on his lawn with his wife as Héctor 2 accidentally kills the woman, then drives off – heading back to the lab to become Héctor 3. Emergency vehicles are heard approaching in the distance.

Cast

Karra Elejalde as Héctor
Juan Inciarte as Occasional Héctor
Candela Fernández as Clara
Barbara Goenaga as the woman in the forest
Nacho Vigalondo as the scientist

Inspiration

In the documentary Future Shock! The Story of 2000AD, Nacho Vigalondo credits the comic magazine 2000 AD as the biggest influence on Timecrimes, particularly the Alan Moore and Dave Gibbons one-off "Chronocops" from #310 (1983).Goodwin, Paul (Director) (2014) Future Shock! The Story of 2000 AD. London: Metrodome.

Music

The film's score was composed by Eugenio Mira. The film also uses the song "Picture This" by the American rock band Blondie, which director Vigalondo has stated he chose because he "love[s] the arrangement of the song and the chords. It's a happy song, but it's very sad and it's close to the movie".{{cite web|url=http://www.comingsoon.net/horror/news/711605-excl-talking-timecrimes-with-nacho-vigalondo|title=EXCL: Talking Timecrimes With Nacho Vigalondo|date=20 November 2008|author=Ryan Turek|website=Comingsoon.net|access-date=20 May 2017}}

Release

The film premiered at Fantastic Fest in Austin, Texas, on 20 September 2007.{{cite web|url=https://www.pastemagazine.com/articles/2007/09/fantastic-fest-2007-in-austin-texas-day-one.html|title=Fantastic Fest 2007 in Austin, Texas: Day One|website=Paste|date=21 September 2007|author=Tim Basham|access-date=18 May 2017|archive-date=11 January 2020|archive-url=https://web.archive.org/web/20200111172750/https://www.pastemagazine.com/articles/2007/09/fantastic-fest-2007-in-austin-texas-day-one.html|url-status=dead}} It screened as the closing film of the Sitges Film Festival in October 2007.{{Cite web|url=https://www.hoy.es/20071013/cultura/cronocrimenes-cierra-sitges-20071013.html|website=Hoy|title='Los cronocrímenes' cierra Sitges|date=13 October 2007|author=Boquerini}} It had a theatrical release in Spain on 27 June 2008.{{Cite web|url=https://www.espinof.com/estrenos/estrenos-de-la-semana-27-de-junio-espanoles-y-poco-mas|website=Espinof|title=Estrenos de la semana {{!}} 27 de junio {{!}} Españoles y poco más|first=Juan Luis|last=Caviaro}}

Reception

=Critical response=

On Rotten Tomatoes, the film holds an approval rating of 90% based on {{nowrap|71 reviews}}, with a weighted average rating of 7/10. The site's critical consensus reads, "Timecrimes is a low-budget thriller that's well-crafted and loaded with dark humor and bizarre twists."{{Rotten Tomatoes|time_crimes}} The film also has a score of 68 out of 100 on Metacritic based on 15 critics indicating "generally favorable reviews".{{Metacritic film}}

Jeannette Catsoulis of The New York Times noted the role of female frontal nudity and fast-paced action in making a time-travel film with no special effects. She praised writer/director Nacho Vigalondo's "audacity" in being able to create "urgency and disorientation from the thinnest of air" despite the film's low budget and lack of special effects.{{cite news|last=Catsoulis|first=Jeannette|title=Time Marches Backward, Determination Forward|url=https://movies.nytimes.com/2008/12/12/movies/12time.html|archiveurl=https://web.archive.org/web/20230317151847/https://www.nytimes.com/2008/12/12/movies/12time.html|archivedate=17 March 2023|accessdate=3 June 2011|newspaper=The New York Times|date=12 December 2008}} Wesley Morris of The Boston Globe doubted whether Timecrimes actually makes sense but credited Vigalondo with making clever use of the time machine in order to allay the viewer's skepticism. Referring to the planned remake by director David Cronenberg, and alluding to Héctor's "human sequels", Morris concluded that Timecrimes "deserves a doppelganger".{{cite news|last=Morris|first=Wesley|title=Time is of the essence in metaphysical thriller|url=http://www.boston.com/movies/display?display=movie&id=12606|accessdate=3 June 2011|newspaper=The Boston Globe|date=23 January 2009}} In retrospective, A. A. Dowd of The A.V. Club interprets the film as an allegory about adultery, comparing Héctor's increasingly complex and confusing actions to those of someone lying to hide an affair.{{cite web|url=http://www.avclub.com/article/adultery-is-the-real-crime-of-timecrimes-105645|title= Adultery is the real crime of Timecrimes |last=Dowd|first=A. A.|work=The A.V. Club|date=15 November 2013|accessdate=30 August 2015}}

=Accolades=

| rowspan = "4" align = "center" | 2007 || rowspan = "3" | Fantastic Fest || colspan = "2" | Best Picture || {{won}} || rowspan = "3" | {{citation needed|date=February 2022}}

| colspan = "2" | Gold Medal of Jury Award Competition || {{won}}

| colspan = "2" | Silver Medal of Audience Award Competition || {{won}}

| Trieste Science+Fiction Festival || colspan = "2" | Asteroide Award for Best International Sci-fi Feature Film || {{won}} || {{citation needed|date=February 2022}}

| align =" center" rowspan = "4" | 2009 || rowspan = "3" | 64th CEC Medals || Best Original Screenplay || Nacho Vigalondo || {{nom}} || rowspan = "3" | {{Cite web |url=http://cinecec.com/EDITOR/premios/palmares/2008.htm |title=Medallas del CEC a la producción española de 2008 |publisher=Círculo de Escritores Cinematográficos |archive-url=https://web.archive.org/web/20200801192118/http://cinecec.com/EDITOR/premios/palmares/2008.htm |archive-date=1 August 2020 |url-status=dead}}{{Cite web|url=https://www.publico.es/actualidad/casual-day-triunfa-premios-escritores.html|date=26 January 2009|title="Casual Day" triunfa en los premios de los escritores cinematográficos|website=Público}}

| Best Editing || José Luis Romeu || {{nom}}

| Newcomer Award || Nacho Vigalondo || {{won}}

| 23rd Goya Awards || Best New Director || Nacho Vigalondo || {{nom}} || {{Cite web|url=https://www.premiosgoya.com/pelicula/los-cronocrimenes/|access-date=23 February 2022|title=Los cronocrímenes|website=premiosgoya.com}}

Remake

An English language remake was originally planned to happen with United Artists. However, the project never came into fruition and hit a deadline with no product. In 2011, the project was moved to DreamWorks with Steve Zaillian planning to write and produce.{{cite web|last1=Fleming|first1=Mike Jr.|title=DreamWorks Acquires 'Time Crimes' Which Steve Zaillian Now Re-Writing|url=https://deadline.com/2011/01/dreamworks-acquires-time-crimes-and-steve-zaillians-writing-96718/|website=Deadline Hollywood|accessdate=25 June 2017|date=18 January 2011}}{{cite web|url=http://blog.moviefone.com/2011/01/19/steve-zaillian-timecrimes-dreamworks/ |title=Steve Zaillian Takes 'Timecrimes' Remake to DreamWorks |website=Moviefone |first=Scott |last=Weinberg |date=January 19, 2011 |archiveurl=https://web.archive.org/web/20110121083020/http://blog.moviefone.com/2011/01/19/steve-zaillian-timecrimes-dreamworks/ |archivedate=2011-01-21 |accessdate=2017-08-01}}