To Be and to Have

{{Infobox film

| name = To Be and to Have
(Être et avoir)

| image = Etre et Avoir poster.jpg

| caption = Theatrical release poster

| director = Nicolas Philibert

| producer = Gilles Sandoz

| writer = Nicolas Philibert

| narrator =

| music = Philippe Hersant

| cinematography = Laurent Didier
Katell Djian
Hugues Gemignani
Nicolas Philibert

| editing = Nicolas Philibert

| distributor = Les Films du Losange

| released = {{film date|2002|5|19|Cannes|2002|8|28|France|df=yes}}

| runtime = 104 minutes

| country = France

| language = French

| budget = €1 million{{cite web|url=http://www.jpbox-office.com/fichfilm.php?id=1762|title=Etre et avoir |work=JP's Box-Office}}

| gross = $16.1 million

}}

To Be and To Have ({{langx|fr|Être et avoir}}; also the UK title) is a 2002 French documentary film directed by Nicolas Philibert about a small rural school. It was screened as an "Out of Competition" film at the 2002 Cannes Film Festival{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/3158545/year/2002.html |title=Festival de Cannes: To Be and to Have |access-date=2009-11-03|work=festival-cannes.com}} and achieved commercial success.{{cite news|url=https://www.theguardian.com/world/2004/oct/03/film.france|work=The Guardian|location=London|author=Amelia Gentleman|title=Film's fallen hero fights on for his class

|date=3 October 2004}} The film became the subject of an unsuccessful legal action by the school's teacher, who said that he and the children's parents had been misled about the film's intended audience, and that he and the children had been exploited.

The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Mr Lopez, who shows patience and respect for the children as we follow their story through a single school year.

The film won several awards, including the 2003 Sacramento French Film Festival Audience Prize.{{Cite web|url=http://www.imdb.com/title/tt0318202/awards|title=Être et avoir – IMDb|publisher=IMDb}}

Critical response

On Rotten Tomatoes, the film holds an approval rating of 97%, based on 59 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "A small, sensitive, and moving portrait of a teacher and his students."{{cite web |url=https://www.rottentomatoes.com/m/to_be_and_to_have |title=To Be and to Have (Etre et Avoir) (2003) |publisher=Rotten Tomatoes}} On Metacritic the film has a score of 87 out of 100, based on 26 critics, indicating "universal acclaim".{{cite web |url=http://www.metacritic.com/movie/to-be-and-to-have |title=To Be and to Have |publisher=Metacritic }}

Lawsuit

Following the film's popularity in cinemas, Lopez, the principal personality in the documentary, made an unsuccessful attempt to sue the documentary's makers for a share of the €2 million profit. One of his main claims was that the film-makers had exploited his image without authorisation.{{cite news|url=http://news.bbc.co.uk/2/hi/europe/3187656.stm|publisher=BBC News|title=French film star teacher sues |date=13 October 2003}} French film unions warned that if Lopez had been successful it would have spelt "the death of the documentary, undermining the crucial principle that subjects should not be paid to participate".{{cite news|url=http://film.guardian.co.uk/news/story/0,12589,1315116,00.html|work=The Guardian|location=London|author=Amelia Gentleman|title=Defeat for teacher who sued over film profits|date=29 September 2004}}

Speaking after the court case, Lopez said that he, the children and their families had been misled by the film's production company about the purpose and intended audience of the film:

"We were misled. The production company told me and the children's families that they were making a small documentary about the phenomenon of the one-teacher village school and that the film would be used primarily for educational purposes. They said it would have a restricted screening, and never discussed marketing the film to make it such a commercial venture....We had no idea that it would be in cinemas all over the country, released on DVD or distributed abroad.

The court ruled that Lopez's attendance at the Cannes film festival, which he attended with some of the students, and his repeated public expressions of satisfaction at its success, constituted his tacit acceptance of the use of his image.

The French media had been critical of Lopez, with one newspaper carrying the headline: "To be and to have: the teacher would rather have." However Lopez said money was never his motivation: "I'm simply trying to make the film company recognise my rights." Lopez was supported in his action by the families of most of his former pupils, some of whom stated that they themselves would also sue the film company.

Lopez said the unexpected attention the film had brought the young students had traumatised some of them:

"One child, who had been very stable and happy until the film's release, was so distressed by his unexpected fame, that he started wetting the bed, and became afraid of the dark...Other children have been teased at their new secondary schools because of their involvement. All have been subjected to a great deal of stress as a direct consequence of the film."