Violin Concerto in A minor (Bach)
{{short description|Violin concerto by Johann Sebastian Bach}}
{{Use dmy dates|date=January 2025}}
{{Use British English|date=January 2025}}
{{Infobox Bach composition
| name = Violin Concerto in A minor
| bwv = 1041
| composer = J. S. Bach
| image = Bach BWV 1041 Allegro Assai.png
| image_upright = 1.4
| caption = The first twelve bars of the third movement
| movements = 3
| duration = 15 minutes
| composed = {{Start date|1717}}–1723
| instrumental = {{hlist|Violin|strings|continuo}}
| misc = {{Audio sample
| type = song
| header = Recordings
| file = Violin Concerto No.1 in A minor - I. Allegro moderato - Chamber Orchestra - United States Marine Band.mp3
| description = I. Allegro moderato (U.S. Marine Band)
}}{{Audio sample
| type = song
| header = no
| file = Violin Concerto No.1 in A minor - II. Andante - Chamber Orchestra - United States Marine Band.mp3
| description = II. Andante (U.S. Marine Band)
}}{{Audio sample
| type = song
| header = no
| file = Violin Concerto No.1 in A minor - III. Allegro assai - Chamber Orchestra - United States Marine Band.mp3
| description = III. Allegro assai (U.S. Marine Band)
}}
}}
The Violin Concerto in A minor, BWV 1041, is a violin concerto by Johann Sebastian Bach. It shows the influence of Italian composers such as Bach's older contemporary Vivaldi.
Bach is known to have studied Vivaldi's music from around 1714 when he was working at Weimar.Vivaldi's influence was discussed by Bach's first biographer Forkel in Johann Sebastian Bach: His Life, Art, and Work. Italian influence can be seen in keyboard music he composed around that time. However, the date of the concerto is the subject of dispute as the original score has not survived. It could have been written at any of three locations:
- Weimar. Most scholars think it was written after Bach left Weimar in 1717 (the violinist {{Interlanguage link|Lina Tur Bonet|de}}, who suggests it was written there,{{Cite web |title=Himmelsburg [liner notes] |url=http://www.glossamusic.com/glossa/reference.aspx?id=569 |access-date=29 May 2024 |website=Glossa}} adheres to the minority position).
- Köthen. It is "generally thought to have been composed at Köthen".{{Cite book |last=Stowell |first=Robin |title=J. S. Bach |publisher=Oxford University Press |year=1999 |isbn=978-0-19-866208-2 |editor-last=Boyd |editor-first=Malcolm |series=Oxford Composer Companions |page=492 |chapter=Violin Concertos |editor-last2=Butt |editor-first2=John}} Bach worked at the court there in the period 1717–23 and his duties included directing a small orchestra.
- Leipzig. It could have been written at Leipzig, as the only autograph source to survive is a set of parts Bach copied out (along with Carl Philipp Emanuel Bach, Johann Ludwig Krebs, and an unknown copyist) in Leipzig {{Circa|1730}} from a now lost score or draft. Christoph Wolff has argued that the work may have been written during Bach's time as director of Leipzig's Collegium Musicum.{{Cite book |last=Wolff |first=Christoph |title=Bach: essays on his life and music |publisher=Harvard University Press |year=1991 |isbn=978-0-674-05926-9 |location=Cambridge, Massachusetts |pages=234–237 |chapter=Bach's Leipzig Chamber Music}} John Butt takes a similar view, suggesting that Bach wrote it "probably soon after taking over the Leipzig Collegium Musicum in 1729".{{Citation needed|date=July 2023}}
Structure and analysis
The piece has three movements:
{{ordered list|list_style_type=upper-roman
|Allegro molto moderato, in A minor, {{music|time|2|4}} meter;
:The opening movement is in ritornello form. This means that there is a main section that comes back in fragments in both the solo violin and orchestral parts. This 'ritornello' can be found in the first movement up until bar 24. The motifs of the theme appear in changing combinations and are separated and intensified throughout the movement.
|Andante con moto, in C major, {{music|commontime}} meter;
:In the Andante second movement, Bach uses an insistent pattern in the ostinato bass part that is repeated constantly in the movement. He focuses the variation in the harmonic relations. Butt notes that "Bach seems to have associated" the ostinato scheme "particularly with violin concertos.".
|Allegro assai, in A minor, {{music|time|9|8}} meter.
:In the final movement Bach relies on bariolage figures to generate striking acoustic effects. The meter and rhythm are those of a gigue.Robin Stowell, "Violin Concertos," in Oxford Composer Companions: J.S. Bach, Oxford University Press, 1999, p. 493 Butt describes it as "perhaps Bach's most animated and carefree movement in the minor mode."
}}
A typical performance of the concerto takes around 15 minutes.
Publication
The concerto was published for the first time in 1852.{{Cite web |title=Violin concerto in A minor |url=https://www.bachvereniging.nl/en/bwv/bwv-1041 |access-date=31 May 2024 |website=Netherlands Bach Society}} In the 1870s Wilhelm Rust edited it for publication in the first complete edition of Bach's works.
Instrumentations and transcriptions
The Keyboard Concerto in G minor, BWV 1058 is an arrangement of this concerto with harpsichord.
References
{{Reflist}}
External links
- [https://www.bachvereniging.nl/en/bwv/bwv-1041/ Violin Concerto in A minor]: performance by the Netherlands Bach Society (video and background information)
- {{IMSLP2|work=Violin Concerto in A minor, BWV 1041 (Bach, Johann Sebastian)|cname=Violin Concerto in A minor}}
{{Bach violin concertos}}
{{Authority control}}
Category:Concertos by Johann Sebastian Bach
Bach Violin Concerto in A minor
Category:Compositions in A minor
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