Waywords and Meansigns Opendoor Edition
{{italic title}}
The Waywords and Meansigns Opendoor Edition debuted in 2017 as a part of the Waywords and Meansigns project, setting James Joyce's Finnegans Wake to music. The Opendoor Edition features over 100 artists and musicians performing unabridged passages of Finnegans Wake.{{cite web|author=Allison Meier |url=https://hyperallergic.com/369778/setting-the-puzzling-language-of-james-joyces-finnegans-wake-to-music/ |title=Setting the Puzzling Language of James Joyce's Finnegans Wake to Music |website=Hyperallergic |date=5 April 2017}} An open edition participants are invited to contribute to the Opendoor Edition on an ongoing basis. The edition first premiered on May 4, 2017.{{cite web|author=Jay Horton |url=https://www.pastemagazine.com/articles/2017/05/various-artists-waywords-and-meansigns---recreatin.html |title=Various Artists: Waywords and Meansigns - Recreating Finnegans Wake [in its whole wholume] Review |website=Paste|date=12 May 2017}}
The genres in the Waywords and Meansigns Opendoor Edition are quite diverse, ranging from metal and industrial to folk and jazz.{{cite web|author=Maria Schurr |url=http://www.popmatters.com/post/waywords-and-meansigns-recreating-finnegans-wake-premiere/ |title=Waywords and Meansigns - Recreating Finnegans Wake (premiere) |website=PopMatters|date=5 May 2017}} Many tracks are experimental; some recordings adhere to fairly traditional song formats, while others offer audiobook-like readings with ambient accompaniment.{{cite web|author=Alex Gallagher |url=http://www.folkradio.co.uk/2017/04/waywords-meansigns-finnegans-wake/ |title=Preview & Interview: Waywords and Meansigns – Finnegans Wake to Music |website=Folk Radio UK |date=21 April 2017}}
Background
The Waywords and Meansigns project began in 2014 to set James Joyce's Finnegans Wake to music unabridged. They released two unabridged editions of the text in 2015 and 2016.{{cite web|author=Allison Meier |url=https://hyperallergic.com/369778/setting-the-puzzling-language-of-james-joyces-finnegans-wake-to-music/ |title=Setting the Puzzling Language of James Joyce's Finnegans Wake to Music |website=Hyperallergic |date=5 April 2017}} Over 300 people have been involved in Wayords and Meansigns since 2014.{{cite web|author=Waywords and Meansigns website| url=http://www.waywordsandmeansigns.com/listen/opendoor-edition |title=Opendoor Edition |date=4 May 2017}}
The Waywords and Meansigns Opendoor Edition features contributors from 15 countries in "an all-star cast of weirdos."{{cite web|author=Breznikar|first=Klemen|author-link=Klemen Breznikar |date=April 10, 2017|title=All star cast of weirdos record James Joyce's "Finnegans Wake"|url=http://www.psychedelicbabymag.com/2017/04/all-star-cast-of-weirdos-record-james.html|url-status=live|archive-url=https://web.archive.org/web/20170421013154/http://www.psychedelicbabymag.com/2017/04/all-star-cast-of-weirdos-record-james.html|archive-date=April 21, 2017|access-date=December 25, 2020|website=It's Psychedelic Baby! Magazine}} The music is often experimental; the musicians' only requirements were that "the words be audible, unabridged and more or less in their original order."{{cite web|author=Waywords and Meansigns website| url=http://www.waywordsandmeansigns.com/about/waywords-and-meansigns/ |title=About Waywords and Meansigns |access-date=7 September 2017}} All audio from the project is distributed freely online under Creative Commons licensing.
Contributors to Waywords and Meansigns are a self-described collection of "musicians, artists, poets, scholars, weirdos, passionate Wake-heads, those ignorant of the Wake, and anyone generally adventurous."{{cite web|author=Waywords and Meansigns website| url=http://www.waywordsandmeansigns.com/contact/get-involved/ |title=Get Involved |access-date=7 September 2017}} Artists participating in the Opendoor Edition include Krzysztof Bartnicki, Martyn Bates, John Wolf Brennan, Neil Campbell, Tim Carbone of Railroad Earth and Lou Rogai of Lewis & Clarke, Joe Cassidy of Butterfly Child, Hayden Chisholm, S.A. Griffin; Kinski, Ulrich Krieger, Jason Sebastian Russo, David Moss, Monica Queen, Schneider TM, Sally Timms, Mike Watt, and many more.{{cite web|author=Waywords and Meansigns website| url=http://www.waywordsandmeansigns.com/listen/opendoor-edition |title=Opendoor Edition |date=4 May 2017}}
The Guardian has highlighted the project for making Joyce's famously difficult novel more accessible.{{cite web|author=Billy Mills |url=https://www.theguardian.com/books/booksblog/2015/apr/28/finnegans-wake-james-joyce-modern-interpretations |title=Finnegans Wake - the book the web was invented for |website=The Guardian |date=28 April 2015}} Finn Fordham, a James Joyce scholar at Royal Holloway, University of London, has called the project "wonderfully innovative."{{cite web|author=Marta Bausells |url=https://www.theguardian.com/books/booksblog/2016/feb/02/finnegans-wake-music-james-joyce-birthday |title=Finnegans Wake: a musical reading sounds out a cryptic text |website=The Guardian|date=2 February 2016}}
Track listing
Tracks are organized by page and line number, followed by the artist name, and then occasionally followed by the track's nickname.
Chapter 1 (pp. 003–029)
{{indent|5}}003-010.24 - The Here Comes Everybody Players
{{indent|5}}003.01-003.09 - Hervé Michel and the box sets
{{indent|5}}003.01-003.14 - Roman Tsivkin and the box sets
{{indent|5}}010.25-016.09 - Chris Rael
{{indent|5}}013.20-015.11 - Peter Chrisp and the box sets
{{indent|5}}018.17-021.04 - John Cerreta - "Stoop to Prittle"
{{indent|5}}023.16-024.14 - Nigel Bryant - "O Foenix Culprit"
{{indent|5}}027.22-029.36 - Cedar Sparks (Tim Carbone and Lou Rogai)
Chapter 2 (pp. 030–047)
{{indent|5}}030-047 - Krzysztof Bartnicki and Bouchons d'oreilles with Wojtek Kurek
{{indent|5}}045-046 - Yehuda Vizan and the box sets
Chapter 3 (pp. 048–074)
{{indent|5}}048-050.35 - Wiel Conen & Charlotte Gilissen
{{indent|5}}052.18-053.35 - S.A. Griffin
{{indent|5}}053.36-055.02 - Joe Cassidy
{{indent|5}}055.03-056.19 - Neal Kosaly-Meyer
{{indent|5}}061.15-061.16 - Seán Mac Erlaine - "Nooningless Knockturne"
{{indent|5}}066.28-067.06 - Graziano Galati
{{indent|5}}067.07-067.27 - Schneider TM - "His Phizz Fell"
{{indent|5}}071.10-072.16 - Jon Wahl - "Abusive Names"
Chapter 4 (pp. 075–103)
{{indent|5}}75-103 - Matthew Duncan and James Heflin
Chapter 5 (pp. 104–125)
{{indent|5}}104-125 - Tim Cornelius
{{indent|5}}107 - Hayden Chisholm
Chapter 6 (pp. 126–168)
{{indent|5}}136.01-136.36 - Lavinia Murrary - "Mursque"
{{indent|5}}139.15-139.28 - Maharajah - "Ann Alive"
{{indent|5}}139.29-140.07 - Maharadja Sweets
{{indent|5}}140.08-141.07 - Papa Sprain
{{indent|5}}141.08-141.27 - Coldharbourstores - "Question 5"
{{indent|5}}141.28-142.29 - Old Fiends (Jason Merritt, Kenneth Griffin, Jason Sebastian Russo, and Paul Dillon)
{{indent|5}}142.30-143.02 - Little Sparta with Sally Timms and Martin Billheimer - "Question 6. How Are Yor Maggies"
{{indent|5}}148.33-152.15 - Kevin Spenst and Hitori Tori - "Question 11"
{{indent|5}}152.16-159.18 - Mr. Smolin - "The Mooks & The Gripes"
{{indent|5}}159.19-163.07 - William Sutton
{{indent|5}}163.08-165.07 - Conspirators of Pleasure (Simon Underwood and Poulomi Desai)
Chapter 7 (pp. 169–195)
{{indent|5}}169-195 - Gavan Kennedy
{{indent|5}}169-195 - Mike Watt and Adam Harvey - "Shem the Penman"
{{indent|5}}170.25-174.04 - Layne Farmen of "Faraday"
{{indent|5}}174.05-175.06 - The Philip Cleary Ensemble - "The Cull"
{{indent|5}}175.07-175.28 - Mr. Smolin - "The Ballat of Perce Oreille"
{{indent|5}}175.29-181.33 - The Philip Cleary Ensemble - "a Dubliner (and a spy)"
{{indent|5}}181.34-182.29 - Karen Ponzio
Chapter 8 (pp. 196–216)
{{indent|5}}205.16-210.06 - Joe Fee - "Anna Livia"
{{indent|5}}213.11-216 - Re-Scribe
{{indent|5}}215.36 - Seán Mac Erlaine - "My Ho Head Halls"
Chapter 9 (pp. 216–259)
{{indent|5}}223.12-224.07 - Sauerbraten Beef Ring - "Nought A Wired From The Wordless Either"
{{indent|5}}224.08-226.20 - Lucy Hollier - "The Pearlagraph"
{{indent|5}}226.21-228.02 - David Hurn and Abigail Hopkins
{{indent|5}}228.03-229.01 - Joel Wranning
{{indent|5}}229.01-229.29 - Owen Tromans
{{indent|5}}229.29-230.25 - Brendan Kinsella and Brian Tyree
{{indent|5}}230.26-231.22 - STV
{{indent|5}}231.23-232.26 - Michael Maier and Brian Tyree
{{indent|5}}254.01-254.08 - Chelidon Frame - "Our Seawall"
{{indent|5}}254.08-254.09 - Mr. Smolin - "Ancients Link With Presents"
{{indent|5}}254.09-254.17 - Lys Guillorn - "Have Done, Do and Will Again"
{{indent|5}}254.18-254.29 - Lys Guillorn - "The Mar of Murmury"
{{indent|5}}254.29-255.03 - Lys Guillorn - "Hoet of the Rough Throat Attack"
{{indent|5}}256.01-259.10 - Gareth Flowers
{{indent|5}}257.29-259.10 - Krzysztof Bartnicki and the box sets
Chapter 10 (pp. 260–308)
{{indent|5}}260-270.31 - Super Nova Nudge
{{indent|5}}263.17-263.30 - Liz Longo
{{indent|5}}266.20 - Liz Longo
{{indent|5}}273.01-273.28 - Phil Minton
{{indent|5}}274.02-275.13 - Gregory Betts
{{indent|5}}284.04 - Seán Mac Erlaine - "Brick Bath"
{{indent|5}}288, fn. 1 - Seán Mac Erlaine - "An Ounceworth of Onions for a Pennyawealth of Sobs"
{{indent|5}}293.01-300.08 - Sticky Foster and Usurper
{{indent|5}}304.05-305.11 - Janken's Henchmæn featuring Marco Toriani - "Magic J Amezons"
{{indent|5}}305.08-306.07 - Janken's Henchmæn - "FAQ Deady"
{{indent|5}}306.08-306.10 - Janken's Henchmæn featuring MonkeYear - "Aen.C"
{{indent|5}}306.16-306.31 - Janken's Henchmæn featuring MonkeYear - "Frogterdati"
{{indent|5}}307 - Greg Nahabedian
{{indent|5}}308 - body bender - "Delays"
Chapter 11 (pp. 309–382)
{{indent|5}}310.22-311.20 - Doug Eisenstark
{{indent|5}}310.22-311.20 - Matt Battle
{{indent|5}}311.21-312.16 - Insides
{{indent|5}}312.17-313.13 - Barry Bender - "To Old Sporty"
{{indent|5}}313.14-314.14 - M. David Hornbuckle - "Whereofter"
{{indent|5}}314.15-315.08 - Alek Erickson
{{indent|5}}316.11-319.02 - Steve Fly
{{indent|5}}319.03-319.36 - Cathal O' Leary
{{indent|5}}322.01-323.24 - Kinski
{{indent|5}}323.25-324.17 - Tenement and Temple (Monica Queen and Johnny Smillie)
{{indent|5}}324.18-326.20 - Renata Meints
{{indent|5}}326.21-326.36 - Tom Segear
{{indent|5}}329.14-330.11 - Steve Pantani - "And Dub Did Glow"
{{indent|5}}330.20-332.09 - John Wolf Brennan
{{indent|5}}332.10-333.05 - David Moss & Boris Hegenbart - "stepping the tolks"
{{indent|5}}333.06-334.05 - {{not a typo|meunders}}
{{indent|5}}372.23-373.12 - Haunted Robot, Ltd. and Dameon Merkl - "Last ye, lundsmin"
{{indent|5}}380.07-382.30 - The Science Of Deduction
Chapter 12 (pp. 383–399)
{{indent|5}}383-399 - Andrea Riley's Opendoor Score - Score only, record your own interpretation or performance!!
Chapter 13 (pp. 403–428)
{{indent|5}}403-418.08 - Ross&Wayne
{{indent|5}}403.01-405.02 - Candle
{{indent|5}}418.09-419.08 - Ross&Wayne
{{indent|5}}418.10-419.08 - Aleorta - "Grace ondt Hope"
{{indent|5}}419.09-428 - Ross&Wayne
{{indent|5}}429 - Mary and Sara Jewell
Chapter 14 (pp. 429–473)
{{indent|5}}446.11 - Seán Mac Erlaine - "Zuccherikissings"
{{indent|5}}446.16-446.17 - Seán Mac Erlaine - "Rainkiss on Me Back"
Chapter 15 (pp. 474–554)
{{indent|5}}494.27-497.03 - Layne Farmen of "Faraday"
{{indent|5}}499.04-499.36 - Human Flourishing
{{indent|5}}500.01-501.06 - Adam Matlock
{{indent|5}}504.20-505.31 - Belorusia
{{indent|5}}506.34-509.36 - Rod Stasick - "Peace Antiques"
{{indent|5}}510.01-510.36 - Junklight
{{indent|5}}511.01-511.36 - Hardworking Families
{{indent|5}}512.01-512.20 - PhÆDRx - "To The Pink, Man!"
{{indent|5}}534.07-535.12 - Neil Campbell - "Calm Has Entered"
{{indent|5}}538.18-540.36 - Ulrich Krieger - "Finnegans Longstone"
{{indent|5}}540.09-550.03 - Bruce Woodside - "Haveth Childers Everywhere"
{{indent|5}}550.04-554.10 - At it Again!
Chapter 16 (pp. 555–590)
{{indent|5}}556.01-556.22 - Martyn Bates - "Night by Silentsailing Night"
{{indent|5}}589.12-589.19 - Stanton Warren - "...and the band played on"
Chapter 17 (pp. 593–628)
{{indent|5}}593 - Adrian DiMatteo
{{indent|5}}594.01-595.29 - Rich Chapman
{{indent|5}}595.30-596.33 - watercodes
{{indent|5}}596.34-597.23 - Epiphany Now
{{indent|5}}597.24-598.27 - Hayden Chisholm
{{indent|5}}598.17-600.04 - Mariana Lanari and Sjoerd Leijten - "Supernoctural"
{{indent|5}}598.28-599.24 - Les orages de janvier - "Sable Rampant"
{{indent|5}}601.21-602.08 - Cathal O' Leary
{{indent|5}}602.09-603.33 - Mark Sheeky - "Finnegan's Judgement"
{{indent|5}}603.34-604.22 - Kaia Jackson
{{indent|5}}604.22-606.12 - Gerry Smyth
{{indent|5}}606.13-607.16 - Doug Eisenstark
{{indent|5}}607.17-607.36 - John Shakespear - "High Tigh Tigh"
{{indent|5}}608.01-608.36 - Asha Passalacqua
{{indent|5}}609.01-609.36 - Ken Davidson
{{indent|5}}610-611.02 - The Most Ever Company - "Muta & Juva"
{{indent|5}}613.01-615.11 - Peter Quadrino - "Vicocyclometer"
{{indent|5}}615.12-619.16 - Kamil Szuszkiewicz featuring Pictorial Candi - "Pollabella"
{{indent|5}}627.34-003.18 - Steve Gregoropoulos - "Recirculation"
Reception
The Opendoor Edition's music received generally positive reviews, including a 7.8 rating from Paste.{{cite web|author=Jay Horton |url=https://www.pastemagazine.com/articles/2017/05/various-artists-waywords-and-meansigns---recreatin.html |title=Various Artists: Waywords and Meansigns - Recreating Finnegans Wake [in its whole wholume] Review |date=12 May 2017}} Open Culture's Josh Jones deemed the Opendoor Edition "one of the most appropriate responses to the novel in the 78 years since its publication."{{cite web| url=http://www.openculture.com/2017/05/hear-james-joyces-finnegans-wake-set-to-music-features-100-musicians-including-pioneering-punk-bassist-mike-watt.html |title=Hear a Reading of James Joyce's Finnegans Wake Set to Music: Features 100+ Musicians and Readers from Across the World |website=Open Culture|date=4 May 2017}} Other writers did not review the music but focused primarily on the project's ambitious and unusual nature.{{cite web|author=Christian Sanoudou |url=http://www.kathimerini.gr/904299/article/politismos/vivlio/ena-soyrealistiko-kolaz-apo-le3eis-toy-tzois-kai-notes |title=Ενα σουρεαλιστικό "κολάζ" από λέξεις του Τζόις και νότες |website=Kathimerini|date=4 April 2017}}{{cite web|author=Alberto del Castillo |url=http://www.playgroundmag.net/cultura/books/centenar-personas-creado-audiolibros-historia_0_1951604840.html |title=Un centenar de personas ha creado uno de los audiolibros más locos de la historia|website=Playground Mag |date=7 April 2017}}
In her PopMatters review, Maria Schurr wrote: "The well of inspiration springing from Joyce's words is thrillingly infinite."{{cite web|author=Maria Schurr |url=http://www.popmatters.com/post/waywords-and-meansigns-recreating-finnegans-wake-premiere/ |title=Waywords and Meansigns - Recreating Finnegans Wake (premiere) |website=PopMatters|date=5 May 2017}} Paste's Jay Horton wrote of the third edition: "It's soon enough made clear that there are as many varieties of musical renderings as there are interpretations of its prose, which sparks the likely-unavoidable problem concerning the songs and the book they're taken from and the ideas it (barely) contains – there's just too damn many."{{cite web|author=Jay Horton |url=https://www.pastemagazine.com/articles/2017/05/various-artists-waywords-and-meansigns---recreatin.html |title=Various Artists: Waywords and Meansigns - Recreating Finnegans Wake [in its whole wholume] Review |date=12 May 2017}} Culture.pl described listeners as "wallowing in the infinite possible meanings that Finnegans Wake inspires."{{cite web|author=KA |url=http://culture.pl/en/article/polish-musicians-look-for-meaning-in-finnegans-wake |title=Polish Musicians Look for Meaning in Finnegans Wake |date=27 May 2017}}
See also
References
{{reflist}}
External links
- [http://www.waywordsandmeansigns.com/listen/opendoor-edition Waywords and Meansigns Opendoor Edition online]
{{James Joyce}}
{{Finnegans Wake}}
Category:Music based on works by James Joyce