When Dream and Day Unite

The band was originally formed in 1985 by Berklee College of Music students John Myung (bass), Mike Portnoy (drums), and John Petrucci (guitar) under the name Majesty, which was inspired by Portnoy's commentary on the ending of "Bastille Day" by Rush. After the band found a keyboardist in Petrucci's childhood friend Kevin Moore, the band hosted auditions and settled on Chris Collins as the lead vocalist.

Majesty recorded The Majesty Demos between 1985 and 1986 but, shortly thereafter, were forced to change their name after another band threatened to take legal action. While touring around New York, Collins left the band, and the band went through many lead singers before settling in with experienced vocalist Charlie Dominici. Still trying to come up with ideas to rename their band, Portnoy's father suggested the name Dream Theater, which was the name of a nearby movie theater. They accepted the name, and eventually signed their first recording contract with Mechanic/MCA. The album was then recorded in mid-1988 at Kajem/Victory Studios in Gladwyne, Pennsylvania, notable for the recording of Operation: Mindcrime by Queensrÿche, and the whole process took three weeks.

With the relatively warm reception of their original demos, the band expected their debut album to be received with much fanfare and buzz, but the album went largely unnoticed by the music industry, and eventually led to Mechanic/MCA cutting their contract ties with the band, resulting in a small club tour for the album exclusively in the New York area. They also produced two promotional singles, "Status Seeker" and "Afterlife", whose remixes and single edits for radio were done by Terry Brown of Rush production fame.{{cite AV media notes |title=Status Seeker |year=1989 |type=CD single sleeve |publisher=Mechanic Records |id=CD 45-17783 |location=New York }}{{cite AV media notes |title=Afterlife |year=1989 |type=CD single sleeve |publisher=Mechanic Records |id=CD 45-17784 |location=New York }} Due to tensions within the band and creative differences, Dominici was fired from the band, and they were without a lead singer until late 1990.{{cite web |url=http://www.mikeportnoy.com/aboutmike/faq/answers/27.aspx |archive-url=https://archive.today/20131127154057/http://www.mikeportnoy.com/aboutmike/faq/answers/27.aspx |url-status=dead |archive-date=November 27, 2013 |title=Dream Theater - When Dream and Day Unite review |publisher=Mike Portnoy.com |access-date=January 25, 2017 }}

On the 15th anniversary of the album, the band performed it in its entirety in Los Angeles. Furthermore, during two additional songs in the encore, special guests Dominici and Derek Sherinian (both now former Dream Theater members) performed along with the rest of the band; however, original keyboardist Kevin Moore did not appear. The entire performance was recorded live and first released on CD and DVD under the title When Dream and Day Reunite through Portnoy's independent label YtseJam Records and later reissued officially via InsideOut as part of Dream Theater's Lost Not Forgotten Archives series. The album also featured a live version of "Metropolis—Part I", which was originally from the band's 1992 album Images and Words, and a performance of a B-side from Awake called "To Live Forever", both originally written shortly after the release of When Dream and Day Unite, and played live on the tour for the album.{{cite web| url = http://mikeportnoy.com/dates/MPTourography/ShowInfo.aspx?showId=27| archive-url = https://web.archive.org/web/20160304083946/http://mikeportnoy.com/dates/MPTourography/ShowInfo.aspx?showId=27| url-status = dead| archive-date = March 4, 2016| title = Dream Theater Tourography: When Dream and Tour Unite 10/14/1989 Bay Shore, Long Island, N.Y., USA| publisher = Mike Portnoy.com| access-date = February 28, 2016}}{{Cite web| url = http://mikeportnoy.com/dates/MPTourography/ShowInfo.aspx?showId=28| archive-url = https://web.archive.org/web/20160304083948/http://mikeportnoy.com/dates/MPTourography/ShowInfo.aspx?showId=28| url-status = dead| archive-date = March 4, 2016| title = Dream Theater Tourography: When Dream and Tour Unite 11/14/1989 New York City, N.Y., USA| publisher = Mike Portnoy.com| access-date = February 28, 2016}}

{{Album ratings

| rev1 = AllMusic

| rev1score = {{Rating|3|5}}{{cite web |url=http://www.allmusic.com/album/when-dream-day-unite-mw0000199294 |title=Dream Theater - When Dream and Day Unite review |last=Taylor |first=Robert |work=AllMusic |publisher=All Media Network |access-date=January 25, 2017 }}

| rev2 = Collector's Guide to Heavy Metal

| rev2Score = 7/10{{cite book | last1 = Popoff | first1 = Martin | author-link1 = Martin Popoff | title = The Collector's Guide to Heavy Metal: Volume 2: The Eighties | publisher = Collector's Guide Publishing | date = November 1, 2005 | location = Burlington, Ontario, Canada | isbn = 978-1894959315 | page= 102}}

}}

When Dream and Day Unite did not receive much attention upon release. The Colorado Springs Gazette-Telegraph concluded that the music "is well-intentioned, but so overplayed that it leaves the listener guessing which odd-time signature or tempo change will bolt out of the darkness next."{{cite news |last1=Caudle |first1=Todd |title=Odd tempo changes ruin album by Dream Theater |work=Colorado Springs Gazette-Telegraph |date=May 5, 1989 |department=Scene |page=3}}

Due to the commercial success of Images and Words, the album later received critical reviews and criticism from many resources. Robert Taylor of AllMusic remarked an obvious Queensrÿche influence in the band's "progressive metal" music and defined Petrucci and Portnoy "competent musicians", whose "individual styles were not yet refined"; he criticized the "subpar singing, too many metal clichés, and poor production", but added that the album has "enough interesting playing to make it a worthwhile listen for fans of this genre." Canadian journalist Martin Popoff positively reviewed the album which contained "startingly progressive yet very heavy and explosive prog metal", but criticized the "clattery, thin production of Terry Date" and the sound of keyboards and drums.

It is the only Dream Theater album that failed to chart on the Billboard 200.{{cite web|url={{BillboardURLbyName|artist=dream theater|chart=all}}|title= Artist Chart History - Dream Theater > Albums|work=Billboard|publisher=Nielsen Business Media|access-date=June 23, 2016}}

{{Track listing

| all_music = Dream Theater, except where noted

| title1 = A Fortune in Lies

| length1 = 5:12

| lyrics1 = John Petrucci

| title2 = Status Seeker

| length2 = 4:17

| lyrics2 = Charlie Dominici, Petrucci

| title3 = The Ytse Jam

| note3 = music: Petrucci, John Myung, Kevin Moore, Mike Portnoy

| length3 = 5:46

| lyrics3 = (instrumental)

| title4 = The Killing Hand"

• "I The Observance"
• "II Ancient Renewal"
• "III The Stray Seed"
• "IV Thorns"
• "V Exodus

| length4 = 8:41

| lyrics4 = Petrucci

| title5 = Light Fuse and Get Away

| length5 = 7:23

| lyrics5 = Moore

| title6 = Afterlife

| length6 = 5:26

| lyrics6 = Dominici

| title7 = The Ones Who Help to Set the Sun

| length7 = 8:05

| lyrics7 = Petrucci

| title8 = Only a Matter of Time

| length8 = 6:35

| lyrics8 = Moore

| total_length = 51:25

}}

Dream Theater

• Charlie Dominici – vocals
• Kevin Moore – keyboards
• John Myung – bass
• John Petrucci – guitars
• Mike Portnoy – drums, percussion

Production

• Dream Theater – producers
• Terry Date – producer, engineer, mixing
• Joe Alexander – engineer, mixing
• Brian Stover, Trish Finnegan – assistant engineers
• Steve Sinclair – executive producer
• Amy Guip – cover art

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Category:Dream Theater albums

Category:1989 debut albums

Category:Albums produced by Terry Date

Category:MCA Records albums