William Savage
{{Short description|English composer, organist and singer (1720–1789)}}
{{other people}}
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William Savage (1720 – 27 July 1789) was an English composer, organist, and singer of the 18th century. He sang as a boy treble and alto, a countertenor, and as a bass. He is best remembered for his association with the composer George Frideric Handel, in whose oratorios Savage sang.
Life and career
Savage married Mary Bolt (1718–1788), and together they had three children. William died young in the West Indies, and Rev. George Savage died in 1816. Their daughter Jane Savage was also a composer. Mary published two volumes of Poems on Various Subjects and Occasions in 1777.
=Singer=
Image:Haendel.jpg, who composed many different roles in his operas and oratorios for Savage (1733)]]
Savage first came to prominence as a boy treble in 1735, singing in a revival of Handel's Athalia and in Alcina during the composer's Covent Garden season. The role of Oberto in Alcina was specially composed with his voice in mind and was added to the score at a later time in order just to cast him.{{in lang|it}} Parvopassu, Clelia, Alcina, in Gelli, Piero & Poletti, Filippo (ed), Dizionario dell'opera 2008, Milan, Baldini Castoldi Dalai, 2007, p. 41, {{ISBN|978-88-6073-184-5}} (reproduced online at [http://www.operamanager.com/cgi-bin/process.cgi?azione=ricerca&tipo=OP&id=147 Opera Manager]). After his voice had broken, he initially continued his career singing as an alto (countertenor), and later turned into a bass. As a countertenor he performed possibly the small roles of La Fortuna and Childerico in Handel's operas, Giustino (1737) and Faramondo (1738),Grove. Savage's countertenor performing the role of Childerico is also stated by Hogwood (p. 146). According to the English conductor, "the countertenor voice was not typical of opera seria and Savage perhaps took the small soprano part of Childerico because of the problems
In 1740 Savage was elected organist of Finchley Church; in 1744 he became a bass (gentleman-in-ordinary) in the Chapel Royal's choir and in 1748 he was appointed Vicar Choral, Almoner and Master of the Choristers at St Paul's Cathedral,Argent, Mark (ed), Recollections of R. J. S. Stevens: An Organist in Georgian London, Carbondale, Southern Illinois University Press, 1992, p. 300. where he influenced many of the following generation of high-class musicians. In 1777 he retired to Kent. He returned to London in 1780 to teach music but was not as successful as in previous years. He remained in London until his death there.
Some music in Savage's collection was given to the Royal Academy of Music upon the death of his student, R. J. S. Stevens, in 1837. The collection included Gloria, a composition identified as Handel's work only in 2001.[http://gfhandel.org/gloria.htm Gloria in excelsis Deo, "The Newly Discovered Musical Composition by Handel."] {{Webarchive|url=https://web.archive.org/web/20120206025813/http://gfhandel.org/gloria.htm |date=6 February 2012 }} See also [http://www.kwella.co.uk/gloria.htm this 2001 preface by Clifford Bartlett.] {{Webarchive|url=https://web.archive.org/web/20071008172049/http://www.kwella.co.uk/gloria.htm |date=8 October 2007 }}{{Cite journal |last1=Bartlett |first1=Clifford |last2=Hicks |first2=Anthony |last3=Marx |first3=Hans Joachim |last4=Talbot |first4=Michael |date=2002 |title=The 'Handel' Gloria Reconsidered |url=https://www.jstor.org/stable/3519246 |journal=Early Music |volume=30 |issue=2 |pages=253–262 |doi=10.1093/em/XXX.2.253 |jstor=3519246 |issn=0306-1078}}
=Composer=
Savage was also a moderately prolific composer. He composed many anthems and other church music. His anthem "O Lord my God" is his most ambitious work and is written for accompaniment by string orchestra. He also composed music for solo violin and various canons, catches and rounds, composed for the Noblemen and Gentlemen's Catch Club, of which Savage was a member. A more idiosyncratic piece was his "On the very first of May", set to nonsense poetry written by his wife.
Notes
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References
- Donald Burrows: "Savage, William", in Grove Music Online ed L. Macy (accessed 5 January 2007) grovemusic.com, subscription access.
- Hogwood, Christopher (2007). Handel (Revised edition), Thames and Hudson, {{ISBN|978-0-500-28681-4}}.
- Stevens, R.J.S. and Henry George Farmer: "A Forgotten Composer of Anthems: William Savage (1720–89)" in Music & Letters, Vol. 17, No. 3 (Jul. 1936), pp. 188–99.
External links
- {{IMSLP|id=Savage, William}}
{{s-start}}
{{s-culture}}
{{s-bef|before=Charles King}}
{{s-ttl|title=Almoner and Master of the Choristers of St Paul's Cathedral
|years=1748–1773}}
{{s-aft|after=Robert Hudson}}
{{end}}
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{{DEFAULTSORT:Savage, William}}
Category:English Classical-period composers
Category:English classical organists
Category:English Baroque composers
Category:English opera singers
Category:Operatic countertenors
Category:Gentlemen of the Chapel Royal
Category:18th-century English classical composers
Category:18th-century English male musicians