Zhu Zaiyu
{{Short description|Chinese prince, mathematician, physicist and music theorist (1536–1611)}}
{{family name hatnote|Zhu|lang=Chinese}}
{{Use dmy dates|date=September 2020}}
{{Infobox royalty
|name=Zhu Zaiyu
|image=
|caption=
|title=Hereditary Prince of Zheng ({{lang|zh|鄭世子}})
|posthumous name = Hereditary Prince Duanqing ({{lang|zh|端清世子}})
|reign=1593–1611
|reign-type=Tenure
|successor=
|full name =Zhu Zaiyu (朱載堉)
|birth_date=1536
|death_date=19 May 1611
|father=Zhu Houwan, Prince Gong of Zheng
|mother=
|occupation = Astronomer, historian, physicist, mathematician, choreographer, music theorist
|house= Zhu
| issue = {{plainlist|
- Zhu Yixi
- Zhu Yitai}}
}}
File:Zhu zahiyu flagdance2.gif
Zhu Zaiyu ({{zh|t=朱載堉}}; 1536 – 19 May 1611) was a Chinese scholar, mathematician and music theorist.{{cite encyclopedia |last=Lam |first=Joseph S.C. |year=2001 |encyclopedia=Grove Music Online |title=Zhu Zaiyu |publisher=Oxford University Press |location=Oxford |doi=10.1093/gmo/9781561592630.article.49365 |url-access=subscription |url=https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000049365 }} {{Grove Music subscription}} He was a prince of the Chinese Ming dynasty. In 1584, Zhu innovatively described the equal temperament via accurate mathematical calculation.Hermann von Helmholtz,Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik . p 258, 3rd edition, Longmans, Green and Co, London, 1895
Biography
Zhu was born in Qinyang, Henan Province to an aristocratic family, the sixth-generation descendant of the Hongxi Emperor, the fourth emperor of the Ming Dynasty. Zhu inherited the title the Prince of Zheng in 1593, but quickly resigned it to his cousin. On the emperor's order, he was granted a new princely title in 1606, the year he delivered a set of ten musicological treatises to the court, establishing his scholarly merit. His posthumous name was [http://www.gmw.cn/images/2004-05/17/xin_09fec59ab3344442a984ae512a753cd0_DSC05375-.jpg 鄭端靖世子] ("His Excellency The Dauphin of Zheng").
Zhu wrote on music theory and temperament (five treatises survive), music history (two treatises survive), dance and dance music (five treatises survive), and several other works. Three music theory works in particular are associated with the ideas of equal temperament, the Lü Xue Xin Shuo「律學新說」 ("on the equal temperament", 1584), Lü Lü Zheng Yi「律呂精義」("A clear explanation of that which concerns the equal temperament", 1595/96), and Suan Xue Xin Shuo「算學新說」("Reflection on mathematics", 1603). His work has been described as "the crowning achievement of two millennia of acoustical experiment and research" (Robinson 1962:224)Robinson, Kenneth. A critical study of Chu Tsai-yü's contribution to the theory of equal temperament in Chinese music. Wiesbaden : F. Steiner, 1980. and he is described as "one of the most important historians of his nation's music".Fritz A. Kuttner. "Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory", p. 163, Ethnomusicology, Vol. 19, No. 2 (May 1975), pp. 163–206.
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File:乐律全书全-121.jpg|Zhu Zaiyu's equal temperament ratio in Yue Lü Quan Shu「樂律全書」
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Zhu also wrote treatises (three survive) on astronomy, physics, mathematics and calendrics, calculated the magnetic declination of Peking, the mass density of mercury and accurately described the duration of one tropical year to correct the Ming calendar.
Zhu's work on equal temperament did not get any official recognition during his lifetime nor during the Qing dynasty. This was due to the Ming and Qing emphasis on classical scholarship and discouragement of ideas based on empirical observation rather than textual interpretations.{{Cite book|title=China: A Cultural and Historical Dictionary|publisher=Curzon|year=1998|isbn=0-7007-0439-6|editor-last=Dillon|editor-first=Michael|location=London|pages=[https://archive.org/details/chinahistoricalc0000unse/page/388 388]|url=https://archive.org/details/chinahistoricalc0000unse/page/388}}
See also
{{commons category|Zhu Zaiyu}}
References
{{Reflist}}
Further reading
- Cho, Gene J. The discovery of musical equal temperament in China and Europe in the sixteenth century. Lewiston, N.Y. : Edwin Mellen Press, 2003.
- {{cite web|url=https://rucore.libraries.rutgers.edu/rutgers-lib/52285/PDF/1/play/|title=The Ceremonial Music of Zhu Zaiyu - A dissertation submitted to the Graduate School-New Brunswick|date=January 2017|author=Woo Shingkwan|editor1=Floyd K. Grave|editor2= Nancy Y. Rao|location=New Brunswick, New Jersey, Rutgers, The State University of New Jersey}}
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Category:16th-century Chinese artists
Category:17th-century Chinese astronomers
Category:Chinese choreographers
Category:Chinese musical instrument makers
Category:Heirs apparent who never acceded
Category:Historians from Henan
Category:Physicists from Henan
Category:Ming dynasty imperial princes
Category:Mathematicians from Henan
Category:17th-century Chinese mathematicians
Category:16th-century Chinese mathematicians
Category:16th-century Chinese astronomers
Category:16th-century Chinese musicians