codpiece

From the ancient world there are extant depictions of articles of clothing designed to cover just the male genitalia; for example, archaeological recovery at Minoan Knossos on Crete has yielded figurines, some of whom wear only a garment covering the male genitalia.{{Cite web|url=http://www.themodernantiquarian.com/site/10854/knossos.html|title=Knossos Fieldnotes|last=Hogan|first=C. Michael|date=22 December 2007|website=The Modern Antiquatarian|language=en|archive-url=https://web.archive.org/web/20160409225800/http://www.themodernantiquarian.com/site/10854/knossos.html#fieldnotes|archive-date=9 April 2016|access-date=14 October 2018}} However, the codpiece, per se, appeared in everyday European fashion for men only many centuries later, associated with hose and trousers.

File:Tizian 025 detail.jpg

In 14th century European fashions, men's hose were two separate legs worn over linen drawers, leaving a man's genitals covered only by a layer of the linen drawers. As the century wore on and men's hemline fashion rose, the hose became longer and joined at the centre back, there rising to the waist, but remaining open at the centre front. Further shortening of the cote or doublet fashion resulted in more prominence of the genitals; this area would then be covered with a triangular material called a codpiece.{{Cite book |last=Ridley |first=Jasper Godwin |url=http://archive.org/details/tudorage00jasp |title=Tudor age |date=1996 |publisher=Woodstock: Overlook |via=Internet Archive |isbn=978-0-87951-684-0 |pages=163}} Most of what is known about the cut, fit, and materials used for Renaissance codpieces is through portraits, clothing inventories, receipts for payments and tailor cutting guides.

As time passed, codpieces became shaped and padded to emphasize rather than to conceal the penis.

Such excessive codpieces became an object of derision showered on outlandish fashions. The Renaissance author François Rabelais refers satirically to a book entitled On the Dignity of Codpieces in the foreword to his 1532 book The Histories of Gargantua and Pantagruel.{{cite web|url=http://www.albertrabil.com/projects2000/mcardle/PROLOGUE.html |title=Worlds of the Renaissance 2000 - Dina McArdle Project |publisher=Albertrabil.com |access-date=2012-01-19 |archive-url=https://web.archive.org/web/20040121071315/http://www.albertrabil.com/projects2000/mcardle/PROLOGUE.html|archive-date=2004-01-21}}

This fashion reached its peak of size and decoration in the 1540s before falling out of use by the 1590s.Image:Cod-Piece by Wendelin Boeheim.jpgSuits of armor of the 16th century followed civilian fashion, and for a time, codpieces were a prominent addition to the full suits of armor.

A few examples of full suits of armor with codpieces are on display in museums today. The Metropolitan Museum of Art in New York City has one. The Higgins ArmoryJohn Grabenstein, {{cite web |url=http://www.higgins.org |title=Archived copy |access-date=2005-09-17 |url-status=dead |archive-url=https://web.archive.org/web/20161012145403/http://www.higgins.org/ |archive-date=2016-10-12 }}. in Worcester, Massachusetts, also had an example on display until its close. The armor of Henry VIII displayed in the Tower of London has a codpiece as well.{{cite book|last1=Paddock|first2=David |last2=Edge |first1=John Miles|title=Arms & armor of the medieval knight: an illustrated history of weaponry in the Middle Ages|date=1995|publisher=Crescent Books|location=New York|isbn=978-0517103197|edition=reprinted}}

Examples of metal parts of such armor are depicted by Wendelin Boeheim in his 1890 publication on the history of weapons, {{Lang|de|Handbuch der Waffenkunde}}, which was published in Leipzig, Germany.

File:Giovanni Battista Moroni 009.jpg|Portrait of Antonio Navagero (1565) with an accentuated codpiece, oil on canvas by Giovanni Battista Moroni, Pinacoteca di Brera, Milan

File:Tizian 081FXD.jpg|Charles V, Holy Roman Emperor, by Titian, 1533, shown wearing a codpiece with short doublet, {{Lang|es|Museo del Prado|italic=no}}

File:Armor of Emperor Ferdinand I (1503–1564) MET DT773.jpg|Armor of Ferdinand I, Holy Roman Emperor (1549), Metropolitan Museum of Art

• Jockstrap
• Koteka, penis sheath used in Papua New Guinea
• Kynodesme
• Willy warmer
• 1500–1550 in fashion
• 1550–1600 in fashion

Notes

{{reflist}}

Further reading

• Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. {{ISBN|0-8109-6317-5}}.
• Ashelford, Jane. The Visual History of Costume: The Sixteenth Century. 1983 edition ({{ISBN|0-89676-076-6}}), 1994 reprint ({{ISBN|0-7134-6828-9}}).
• Edge, David: Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages.
• Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530–1630. New York: Rizzoli, 1995. {{ISBN|0-8478-1940-X}}.
• Bodemer, Brett: "[http://works.bepress.com/bbodemer/1/ Pantagruel's Seventh Chapter:The Title as Suspect Codpiece] {{Webarchive|url=https://web.archive.org/web/20110629195032/http://works.bepress.com/bbodemer/1/ |date=2011-06-29 }}."

• {{Commons category-inline|Codpieces}}
• [https://www.theguardian.com/artanddesign/2014/aug/28/top-10-codpieces-in-art Codpieces in art from The Guardian]
• [https://www.nytimes.com/2012/06/14/fashion/prop-maker-doug-wright-and-tom-cruises-codpiece.html New York Times interview with a codpiece maker]

{{Historical clothing}}

{{Elements of Medieval armor}}

{{Men's undergarments}}

Category:16th-century fashion

Category:Western plate armour

Category:Medieval European costume

Category:Trousers and shorts

Category:Men's underwear