dropped line
{{Short description|Technique in typesetting poetry}}
In poetry, a dropped line is a line which is broken into two lines, but where the second part is indented to the horizontal position it would have had as an unbroken line.
For example, in the poem "The Other Side of the River" by Charles Wright, the first and second lines form a dropped line, as do the fourth and fifth lines:{{Citation
| last1 = Parini
| first1 = Jay
| author-link = Jay Parini
| last2 = Millier
| first2 = Brett Candlish
| title = The Columbia History of American Poetry
| place = New York
| publisher = Columbia University Press
| year = 1999
| page = 799}}
{{Quotation|It's linkage I'm talking about,
::::::::and harmonies and structures,
And all the various things that lock our wrists to the past.
Something infinite behind everything appears,
:::::::::::::and then disappears.|Charles Wright|The Other Side of the River}}
Use in modern poetry
Dropped lines have a variety of functions and uses. In Robert Denham's words, a dropped line is "a spatial as well as temporal feature, affecting both the eye and ear."{{Quote without source}} It may be used to determine the visual appearance of the line as a whole. Wright, for example, uses dropped lines to reference landscape paintings, especially by Paul Cézanne and Giorgio Morandi, explaining why his use of dropped line "can be seen as imitating the sense of horizontal rhythm prevalent in paintings by Cézanne."{{Citation
| last = Moffett
| first = Joe
| title = Understanding Charles Wright
| place = Columbia, SC
| publisher = University of South Carolina Press
| year = 2008
| page = 8}} Modern poets who are known for using dropped lines include Wright, Carl Phillips, and Edward Hirsch.{{cite web |url=http://awayofhappening.blogspot.com/2010/11/carl-phillips-review-and-interview.html |title=A Way of Happening: Carl Phillips: A Review and an Interview |last1=Hankins |first1=Luke |date=4 November 2010 |work=A Way of Happening |access-date=20 January 2011}}{{cite web |url=http://www.randomhouse.com/knopf/authors/hirsch/poetsonpoetry.html |title=Borzoi Reader |last1=Hirsch |first1=Edward |date=April 2000 |access-date=20 January 2011}}
Use in dramatic texts
Lines which are broken between two voices, as in the first two lines in the following scene in Hamlet, may also be called dropped lines. In this case, the line is broken to reflect a change in character while preserving a steady iambic pentameter across the entire line. In classical tragedy this technique of dividing a single verse line between two or more characters is called antilabe and functions "as a means of heightening dramatic tension."Eggenberger, David. McGraw-Hill Encyclopedia of World Drama. Volume 1. 1972, p. 219. It was "frequently utilized by Renaissance dramatists"Eggenberger, p. 219. such as Shakespeare:
{{Quotation|HAMLET
:Did you not speak to it?
MARCELLUS
::::::::My lord, I did;
:But answer made it none: yet once methought
:It lifted up its head and did address
:Itself to motion, like as it would speak;|William Shakespeare|Hamlet, Act I, Scene II}}