jangle pop

{{Short description|Music genre}}

{{Use American English|date=July 2016}}

{{Use mdy dates|date=July 2016}}

{{Infobox music genre

| name = Jangle pop

| image = 1967 Rickenbacker 360-12 12 string electric guitar owned and photographed by Greg Field.jpg

| caption = A Rickenbacker 360/12, the model widely known for its "jangly" guitar sound.

| etymology = Jangle

| stylistic_origins = {{hlist|Pop rock|college rock|post-punk|folk rock}}

| cultural_origins = Late 1970s to mid-1980s, United States, United Kingdom and New Zealand

| instruments = 12-string electric guitar

| derivatives = * Indie pop

| subgenres = * Paisley Underground

  • dolewave{{cite web|url=https://www.theguardian.com/music/australia-culture-blog/2014/mar/28/dolewave-australian-indie-music|title=How dolewave put Australia's music writers to work|author-last1=True|author-first1=Everett|author-link=Everett True|date=28 March 2014|work=The Guardian}}

| other_topics =

}}

Jangle pop is a subgenre of pop rock and college rock that emphasizes jangly guitars and 1960s-style pop melodies. The "jangly" guitar sound is characterized by its clean, shimmering and arpeggiated tone, often created using 12-string electric guitars. The term is usually applied to late 1970s/early 1980s bands emerging from the post-punk scene, often influenced by 1960s groups such as the Byrds. Notable acts include Big Star, R.E.M. and the Smiths.

Etymology and characteristics

{{Main|Jangle}}

In the late 1970s and 1980s, prominent early jangle pop groups included Big Star, R.E.M., the dB's,{{Cite web |date=2023-07-13 |title=Chris Stamey: The Great Escape |url=https://spectrumculture.com/2023/07/12/chris-stamey-the-great-escape/ |access-date=2023-11-02 |website=Spectrum Culture |language=en-US}} 10,000 Maniacs,{{cite web|url=https://www.allmusic.com/artist/10000-maniacs-mn0000501081|title=10,000 Maniacs|first=Stephen Thomas|last=Erlewine|publisher=AllMusic|date=2023|access-date=15 December 2023}} and the Smiths.{{cite book|title=White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock|url=https://books.google.com/books?id=Lt2hAgAAQBAJ|year=2013|publisher=Ashgate Publishing, Ltd.|isbn=978-1-4094-9374-7|pages=71–72, 87, 124–125|author=Matthew Bannister}} In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground subgenre, which incorporated psychedelic influences.{{cite web|url=http://www.allmusic.com/style/jangle-pop-ma0000012349|title=Jangle Pop|website=AllMusic|accessdate=March 8, 2017}}

History

In 1979, the Athens, Georgia, group Pylon debuted with an "angular, propulsive jangle pop sound" that would influence fellow members of the Athens, Georgia music scene.{{cite web |url=https://www.allmusic.com/artist/pylon-mn0000315118/biography |website=AllMusic |last=Ankeny |first=Jason |title=Pylon Biography, Songs, & Albums}} An AllMusic summary of modern jangle pop describes it as a "pop-based format", but not mainstream, as the lyrics could often be "deliberately cryptic", and the sound "raw and amateurish" with DIY production.

Subsequent jangle-pop bands that arose in the 80s were hugely influenced by the 60's folk rock bands such as the Byrds, Richie Unterberger writes "The whole school of 1980s alternative jangle-pop bands, led by R.E.M., owed much to the Byrds in their ringing guitars. Around 1987 it seemed that every other week saw another album by R.E.M. imitators who might have been imitating the Byrds' 12-string guitars without ever having even heard the Byrds."{{cite book |last=Unterberger |first=Richie |author-link=Richie Unterberger |title=Eight Miles High: Folk-rock's Flight from Haight-Ashbury to Woodstock |url=https://books.google.com/books?id=aw6kSkR3eXgC&pg=PA293|year=2003|publisher=Backbeat Books|isbn=978-0-87930-743-1 |pages=293–}}

New Zealand's Dunedin sound was a key scene of jangle pop. Bands such as the Chills, the Clean, the Verlaines, the Bats and Straitjacket Fits synthesised 1970s alternative rock and post-punk with jangle,{{Cite web |title=Dunedin Sound - the sound of honesty? - Article {{!}} AudioCulture |url=https://www.audioculture.co.nz/articles/dunedin-sound-the-sound-of-honesty |access-date=2023-09-24 |website=www.audioculture.co.nz |language=en}} and the scene soon spread to Auckland and other New Zealand cities.

Between 1983 and 1987, "Southern-pop bands like R.E.M. and Let's Active and a California-originated subgenre named Paisley Underground incorporated psychedelic influences. An article in Blogcritics magazine claims that, besides R.E.M., the "only other jangle-pop band to enjoy large sales in America were the Bangles, from Los Angeles. While better known for their glossy hits like 'Manic Monday', their first album and EP were organic, real jangle-pop efforts in a Byrds/Big Star vein, spiced with a dash of psychedelia on their debut."{{cite web|url=http://blogcritics.org/archives/2005/07/24/175801.php |title=Sunday Morning Playlist: Jangle Pop - Blogcritics Music |publisher=Blogcritics.org |date= |accessdate=August 10, 2011 |url-status=dead|archiveurl=https://web.archive.org/web/20080917232530/http://blogcritics.org/archives/2005/07/24/175801.php |archivedate=September 17, 2008 }}

Jangle pop influenced college rock during the early 1980s.{{cite web |url=http://www.allmusic.com/explore/essay/jangle-pop-t730 |last=Sullivan |first=Denise |title=Jangle-Pop |author-link=Denise Sullivan |archive-url=https://web.archive.org/web/20110311203739/http://www.allmusic.com/explore/essay/jangle-pop-t730 |archive-date=March 11, 2011 |website=AllMusic |accessdate=July 28, 2011 |url-status=dead}} In Austin, Texas, the term New Sincerity was loosely used for a similar group of bands, led by the Reivers, Wild Seeds and True Believers.{{cite web |url=https://www.popmatters.com/180466-spindizzy-jangle-the-reivers-in-your-eyes-2495671650.html |last=Caldwell |first=Rob |title=Spindizzy Jangle: The Reivers' "In Your Eyes" |date=June 2, 2014 |website=PopMatters}}

See also

References