:Fairuz

File:Fayrouz LB.jpg

Nouhad Haddad was born on November 20, 1934 or 1935, in Beirut into a Syriac Orthodox and Maronite Christian family.FatmaAydemir, Sami Rustom: [http://www.taz.de/Libanesische-Saengerin-Fairouz/!149817/ Libanesische Sängerin Fairouz: Die fremde Stimme], taz.de, 20. November 2014 (German){{cite book|url=https://books.google.com/books?id=gyiTOcnb2yYC&q=fairuz+christian&pg=PA393|title=World music: the rough guide. Africa, Europe and the Middle East, Volume 1|publisher=Rough Guides|year=1999|isbn=9781858286358|editor1=Simon Broughton|page=393|editor2=Mark Ellingham|editor3=Richard Trillo}}{{cite news|date=February 8, 2009|title=Mansour Rahbani: Obituary|newspaper=The Telegraph|url=https://www.telegraph.co.uk/news/obituaries/4561001/Mansour-Rahbani.html}} Her father, Wadie, was an Assyrian born in Mardin, then in Ottoman Syria, who moved to Lebanon to flee the Assyrian genocide.{{cite news | url=http://www.annahar.com/newspaper/1066312-سبعون-بنت-سريانيةالتي-جاءت-من-ماردين | title="سبعون" البنت السريانية التي جاءت من ماردين | date=30 November 2005 | agency=An-Nahar | access-date=December 28, 2012 | last=Atallah | first=Samir | author-link=Samir Atallah | url-status=dead | archive-url=https://web.archive.org/web/20130509111644/http://www.annahar.com/newspaper/1066312-%D8%B3%D8%A8%D8%B9%D9%88%D9%86-%D8%A8%D9%86%D8%AA-%D8%B3%D8%B1%D9%8A%D8%A7%D9%86%D9%8A%D8%A9%D8%A7%D9%84%D8%AA%D9%8A-%D8%AC%D8%A7%D8%A1%D8%AA-%D9%85%D9%86-%D9%85%D8%A7%D8%B1%D8%AF%D9%8A%D9%86 | archive-date=9 May 2013 }}{{Citation

| first = صقر | last = أبو فخر

| title = الدين والدهماء والدم: العرب وإستعصاء الحداثة

| place = Beirut

| publisher = المؤسسة العربية للنشر والدراسات

| year = 2007

| page = 274

| url = https://books.google.com/books?id=kWZgujJL_F8C&q=%D9%81%D9%8A%D8%B1%D9%88%D8%B2+&pg=PT275

| isbn = 978-9953-36-946-4 }} He worked as a typesetter in a print shop.{{cite news|title=This Pop Diva Wows Them in Arabic|author=Neil Macfarquhar|work=The New York Times|url=https://query.nytimes.com/gst/fullpage.html?res=980DE4D9153EF93BA25756C0A96F958260&sec=&spon=&pagewanted=|date=18 May 1999|access-date=2 May 2010|author-link=Neil Macfarquhar}} Her mother, Lisa al-Boustani, was born in the village of Dibbiyeh, Mount Lebanon.{{Cite web |title=Centennial of Assi al-Rahbani shines light on his cherished musical legacy |url=https://en.majalla.com/node/290646 |access-date=2023-12-26 |website=en.majalla.com |language=en}}{{Cite web |date=2020-11-30 |title=History {{!}} Boustani Congress |url=http://boustanicongress.com/history |access-date=2023-12-26 |archive-url=https://web.archive.org/web/20201130131410/http://boustanicongress.com/history |archive-date=November 30, 2020 }}{{Cite web |title=Fairouz: a Voice, a Star, a Mystery {{!}} Al Jadid |url=https://aljadid.com/content/fairouz-voice-star-mystery |access-date=2024-02-11 |website=aljadid.com}} The family later moved to Zuqaq al-Blat,{{Cite web |date=2016-12-12 |title=بالصور.. هذا منزل فيروز المهجور في بيروت |url=https://www.alarabiya.net/culture-and-art/2016/12/12/%D9%87%D8%B0%D8%A7-%D9%85%D8%A7-%D8%B3%D9%8A%D8%AD%D9%84-%D8%A8%D9%85%D9%86%D8%B2%D9%84-%D9%81%D9%8A%D8%B1%D9%88%D8%B2-%D8%A7%D9%84%D9%85%D9%87%D8%AC%D9%88%D8%B1-%D9%81%D9%8A-%D8%A8%D9%8A%D8%B1%D9%88%D8%AA |access-date=2025-02-26 |website=العربية |language=ar}} a neighborhood in Beirut, where they lived in a single-room house facing the Greek Orthodox Patriarchate school and shared a kitchen with their neighbors.{{citation needed|date=January 2025}}

By the age of ten, Nouhad had become well-known at school for her unusual singing voice. She would regularly sing during school shows and on holidays. This brought her to the attention of Mohammed Flayfel, a well-known musician and a teacher at the Lebanese Conservatory, who happened to attend one of the school's shows in February 1950. Impressed by her voice and performance, he advised her to enroll in the conservatory, which she did. At first, Nouhad's conservative father was reluctant to send her to the conservatory. At the persuasion of his brother, Nouhad's uncle, he eventually agreed to let her go on the condition that her brother accompany her.{{Cite web|title=Fairuz {{!}} Biography & History|url=https://www.allmusic.com/artist/fairuz-mn0000163342/biography|access-date=2020-12-13|website=AllMusic|language=en-us}}

Mohammed Flayfel took a close interest in Nouhad's talent. He started training her in control of intonation and poetic form,{{Cite web|title=Fairuz {{!}} Biography & History|url=https://www.allmusic.com/artist/fairuz-mn0000163342/biography|access-date=2020-12-14|website=AllMusic|language=en-us}} and in an audition, Nouhad was heard singing by Halim el Roumi, head of the Lebanese radio station established in 1938, one of the oldest stations in the Arab world. Roumi was impressed by her voice and noticed that it was flexible, allowing her to sing in both Arabic and Western modes. At Nouhad's request, El Roumi appointed her as a chorus singer at the radio station in Beirut, where she was paid twenty-one U.S dollars every month, which, adjusted for inflation, in 2020 would amount to one hundred ninety-five dollars. He also went on to compose several songs for her and chose for her the stage name Fairuz, which is the Arabic word for turquoise{{Cite book|last=Stone|first=Christopher|url=http://dx.doi.org/10.4324/9780203939321|title=Popular Culture and Nationalism in Lebanon|date=2007-09-12|publisher=Routledge|doi=10.4324/9780203939321|isbn=978-0-203-93932-1}} and had been adopted as a stage name by Syrian singer Fayrouz Al Halabiya.Amnon Shiloh, [https://in.bgu.ac.il/bgi/iyunim/music/amnon-Shiloah.pdf#page מוזיקה רבת־פנים וזהויות], p. 484-485, Ben-Gurion University of the Negev – Studies, Multidisciplinary Journal of Israel Research, 2016

A short while later, Fairuz was introduced to the Rahbani brothers, Assi and Mansour, who also worked at the radio station as musicians. Their chemistry was instant, and soon after, Assi started to compose songs for Fairuz. One of these songs was "Itab" (the third song he composed for her), which was an immediate success in the Arab world. It established Fairuz as one of the most prominent Arab singers at that time.{{Cite web|title=Fairuz - her music|url=https://almashriq.hiof.no/lebanon/700/780/fairuz/legend/music.html|access-date=2020-12-13|website=almashriq.hiof.no}}

Fairuz rose to fame during the golden era of Arabic music and is one of the last figures and contributors of that time alive today.{{Cite web|date=2017-11-23|title=9 facts about legendary Lebanese singer Fayrouz|url=https://www.egypttoday.com/Article/4/33908/9-facts-about-legendary-Lebanese-singer-Fayrouz|access-date=2020-12-13|website=EgyptToday}} Her voice represented the 20th century's Lebanese pop culture.{{Cite web|title=Vocal Performance - Fairuz|url=https://sonicdictionary.duke.edu/exhibits-pages/vocal-performance-fairuz|access-date=2020-12-13|website=sonicdictionary.duke.edu|language=en|archive-date=October 22, 2020|archive-url=https://web.archive.org/web/20201022125403/https://sonicdictionary.duke.edu/exhibits-pages/vocal-performance-fairuz|url-status=dead}} Throughout her career, she has established a style of universality and relatability as she made music that tackled issues ranging from adolescence and love to political plight and patriotism, even "snappy Christmas carols", which made her work accessible to all.{{Cite news|last=MacFarquhar|first=Neil|date=1999-05-18|title=This Pop Diva Wows 'Em In Arabic (Published 1999)|language=en-US|work=The New York Times|url=https://www.nytimes.com/1999/05/18/arts/this-pop-diva-wows-em-in-arabic.html|access-date=2020-12-13|issn=0362-4331}} Fairuz is known for her particularly forlorn style of music, which is a fusion of western and Arab sounds. Her music is set apart by its melancholic and nostalgic humor, along with Fairuz's stoic image as well as yearning voice, that is almost prayer-like, often described by experts as airy, clear, and flexible, different from the common ornamentation style commonly found in Arab music.{{Cite web|title=Fairuz: Lebanon's Voice Of Hope|url=https://www.npr.org/2010/07/12/128431817/fairuz-lebanons-voice-of-hope|access-date=2020-12-13|website=NPR.org|language=en}}{{Cite web|last=Longley|first=Martin|date=2020-07-09|title=Fairuz and Her Family Fusions|url=https://brooklynrail.org/2020/07/music/Fairuz-And-Her-Family-Fusions|access-date=2020-12-13|website=The Brooklyn Rail|language=en-US}}

Fairuz's first large-scale concert was in 1957, as part of the Baalbeck International Festival which took place under the patronage of Lebanese President Camille Chamoun. She performed in the Folkloric section of the festival representing "The Lebanese Nights". Fairuz was paid one Lebanese pound for that show, but she and the Rahbani brothers would become staples of the festival and featured most years until the civil war in Lebanon. The trio's performances at first were just small skits, but eventually they became full-blown musical operettas, and concerts followed for many years. Fairuz amassed more fame as she and other contemporaneous Arab artists were vocal about the Palestinian cause in their conflict with Israel and produced a number of militaristic and patriotically somber songs for them.{{Cite web|title=Fairuz|url=https://www.aub.edu.lb/doctorates/recipients/Pages/fairuz-profile.aspx|access-date=2020-12-13|website=www.aub.edu.lb}}

File:Fairuz performing in her a concert - 1971.jpg

Fairuz and the Rahbani brothers started to garner more attention with their innovative ventures and went on to revolutionize the blueprint for Lebanese music. It started with incorporating western sounds into their music and eventually shaping the Lebanese style of music, since the music had to fit into a certain mold before. This mold was the dominant Egyptian style of music, in the Egyptian dialect that would typically have a duration of thirty minutes. The trio started working with their own prototype, which was shorter three-minute songs in the Lebanese dialect that would tell a story. This change was received as well as it was due to growing discontent for traditional and indigenous music. Beirut at this time was undergoing rapid modernization and cultural expansion. Some of those who lived in the city were not of Arab background, making it harder to relate to the musical forms of the time.{{Cite web|title=Fairuz - Biography|url=https://almashriq.hiof.no/lebanon/700/780/fairuz/legend/biography.html|access-date=2020-12-13|website=almashriq.hiof.no}} So when Fairuz and the Rahbani brothers introduced a more modern yet still traditional form of music, they drew in mass appeal. This helped reshape the modern Lebanese identity especially in music and would go on to make significant contributions to the history of oriental music. These songs would also customarily included commentary and themes of local and regional socio-political and historical issues.^[33] As the 1960s wore on, Fairuz became known as the "First Lady of Lebanese singing", as Halim Roumi dubbed her. During this period, the Rahbani brothers wrote and composed for her hundreds of famous songs, most of their operettas, and three motion pictures. In those productions, they also chose to abandon the popular improvisatory nature of Arab performances in favour of more well-rehearsed and produced ones.{{Cite web|title=Fairuz - her music|url=https://almashriq.hiof.no/lebanon/700/780/fairuz/legend/music.html|access-date=2020-12-14|website=almashriq.hiof.no}}

In 1971, Fairuz's fame became international after her major North American tour, which was received with much excitement by the Arab-American and American communities and yielded positive reviews of the concerts. To date, Fairuz has performed in many countries around the globe, including Syria, Jordan, Iraq, Kuwait, United Arab Emirates, Qatar, Bahrain, Egypt, Tunisia, Algeria, Morocco, France, United Kingdom, Switzerland, Netherlands, Greece, Canada, United States, Mexico, Brazil, Argentina, Australia, Belgium, Italy, and her home country, Lebanon.{{Cite web|title=Fairuz / فيروز|url=https://www.antiwarsongs.org/artista.php?id=1523&lang=en&short=1|access-date=2020-12-13|website=www.antiwarsongs.org}}

On September 22, 1972, Assi suffered a brain hemorrhage and was rushed to the hospital. Fans crowded outside the hospital, praying for him and lighting candles. After three surgeries, Assi's brain hemorrhage was halted. Ziad Rahbani, the eldest son of Fairuz and Assi, at age 17, gave his mother the music of one of his unreleased songs, "Akhadou el Helween" (that he had composed to be sung by Marwan Mahfouz in "Sahriyyi" Ziad's first play). His uncle Mansour Rahbani re-wrote new lyrics for it to be called "Saalouni n'Nass" ("The People Asked Me") which talked about Fairuz being on stage for the first time without Assi. Three months after suffering the hemorrhage, Assi attended the premiere performance of that musical, Al Mahatta, in Piccadilly Theatre on Hamra Street. Elias Rahbani, Assi's younger brother, took over the orchestration and musical arrangement for the performance.File:Fairuz playing the guitar.jpg

In 1978, the trio toured Europe and the Persian Gulf nations, including a concert at the Paris Olympia. As a result of this busy schedule, Assi's medical and mental health began to deteriorate. Assi Rahbani eventually died in 1986, no longer married to Fairuz, but due to the influence his family and Fairuz had in Lebanon, the factions in Beirut had a cease-fire allowing the funeral procession to travel from the Muslim side of the city to where Assi would be buried on the Christian side. Fairuz then began to work almost exclusively with Ziad Rahbani, her son on producing her music.

Amid the Lebanese Civil War, Fairuz's fame catapulted. Unlike many of her famous peers, she never left Lebanon to live abroad. She did not hold any concerts there with the exception of the stage performance of the operetta Petra, which was performed in both the western and eastern parts of the then-divided Beirut in 1978. The war lasted fifteen years (1975–1990), took 150,000 lives, and fostered a divided nation.{{Britannica|id=334139|title=Lebanese Civil War|author=Paul Kingston, William L. Ochsenwald|access-date=2020-12-13}}. This was the period where her role as a prominent Lebanese figure would be cemented. She and the Rahbani brothers would frequently express their dissent for the war in their music, and their refusal to take sides and non-partisan stances helped them appeal to all of Lebanon, which then allowed Fairuz to become a voice of reason and unification for the Lebanese people. This was especially important because the war itself was so multifaceted and involved many conflicting opinions between the state and different militias. To the Lebanese, she became a lot more than just an entertainer. She became a representation of Lebanon, as well as stability in a time of insecurity and uncertainty.

After the artistic divorce between Fairuz and the Rahbani brothers in 1979, Fairuz carried on with her son, composer Ziad Rahbani, his friend the lyricist Joseph Harb, and composer Philemon Wahbi. Ziad Rahbani was a constant driving force in the evolution of Fairuz's music style, as he worked to break away from what his parents had previously established. The songs he went on to compose for Fairuz would stray from the nostalgic nationalism that showcased the folkloric style Fairuz and the Rahbani brothers were known for; instead, he and Fairuz would go on to delve into a more modern sound in the form of jazz and funk.{{Cite journal|last=Haugbolle|first=Sune|title=The Leftist, the Liberal, and the Space in Between: Ziad Rahbani and Everyday Ideology|date=2016|url=https://www.jstor.org/stable/44746851|journal=The Arab Studies Journal|volume=24|issue=1|pages=168–190|jstor=44746851|issn=1083-4753}}

Fairuz made a second and final European Television appearance on French TV on October 13, 1988, in a show called Du côté de chez Fred. Fairuz, who had scheduled a concert at the POPB of Paris Bercy concert hall three days later on October 16, was the main guest of French TV presenter Frédéric Mitterrand. The program features footage of her rehearsals for her concert at Bercy in addition to the ceremony featuring then French Minister of Culture Jack Lang awarding Fairuz the medal of Commandeur des Arts et des Lettres. It also includes a video montage of her previous movies and concerts. In that show, Fairuz also sang the three songs "Ya hourrié", "Yara" and "Zaali tawwal".

Her first CD, The Very Best of Fairuz, was published in 1987 and contained the emblematic song "Aatini al Nay wa ghanni" (Give me the flute and sing),{{Cite web|url=https://lyricstranslate.com/fr/aatini-al-nay-wa-ghanni-give-me-flute-nay-and-sing.html|title=Fairuz - Paroles de " Atini Alnay Wa Ghanny- أعطني الناي و غن " + traduction en anglais|website=Lyricstranslate.com}} based on a poem in "The Procession"{{Cite book|url=https://books.google.com/books?id=vr_5C88-H5wC&pg=P223|title=A Treasury of Kahlil Gibran|first=Kahlil|last=Gibran|date=December 20, 2011|publisher=Open Road Media|isbn=9781453235546|via=Google Books}} by Khalil Gibran. It was first sung at the end of the sixties.{{Cite web|url=http://www.fairouz.com/fairouz/articles/arvb.html|archive-url=https://web.archive.org/web/20081220204632/http://www.fairouz.com/fairouz/articles/arvb.html|url-status=dead|archive-date=December 20, 2008|title=Album Reviews: The Very Best of Fairuz|date=December 20, 2008}}

In the 1990s, Fairuz produced six albums (two Philemon Wahbi tributes with unreleased tracks included, a Zaki Nassif album, three Ziad Rahbani albums, and a tribute album to Assi Rahbani orchestrated by Ziad) and held a number of large-scale concerts, most notably the historic concert held at Beirut's Martyr's Square in September 1994 to launch the rebirth of the downtown district that was ravaged by the civil war. She appeared at the Baalbeck International Festival in 1998 after 25 years of self-imposed absence where she performed the highlights of three very successful plays that were presented in the 1960s and 1970s.

In 1992, Madonna used some parts of Fairuz's songs in her album without permission; the singers settled the matter outside of court, but Madonna's album and single were prohibited in Lebanon.{{Cite web|date=2019-11-21|title=Happy Birthday Fairouz! Here Are 7 Facts About the Legendary Singer|url=https://en.vogue.me/culture/fairouz-facts-singer-birthday/|access-date=2020-09-21|website=Vogue Arabia|language=en-GB}}

She also performed a concert in Las Vegas at the MGM Grand Arena in 1999 which was attended by over 16,000 spectators, mostly Arabs. Ever since, Fairuz has held sold-out concerts at the Beiteddine International Festival (Lebanon) from 2000 to 2003, Kuwait (2001), Paris (2002), the United States (2003), Amman (2004), Montreal (2005), Dubai, Abu Dhabi, Baalbeck, BIEL (2006), Athens,{{cite news |title= Haunted by her songs of love, peace |author= Raed Rafei |newspaper= Los Angeles Times |date= 15 July 2007 |url= https://www.latimes.com/archives/la-xpm-2007-jul-15-ca-fairuz15-story.html |access-date= 14 January 2010}} Amman (2007) Damascus, and Bahrain (2008).

Her first album in the new millennium, Wala Keef, was released in 2002.{{Citation|title=Wala Keef by Fairouz|date=January 2002|url=https://music.apple.com/lb/album/wala-keef/723943370|language=en-gb|access-date=2020-12-13}}

On January 28, 2008, Fairuz performed at the Damascus Opera House in an emotional return to the Syrian capital, where she played the lead role in the musical Sah el-Nom (Good Morning), after more than two decades of absence from the country, in one of a series of events highlighting UNESCO's designation of Damascus as the Capital of Arab Culture that year. Commenting on the event, the BBC wrote: "Every day the sun rises over Syria you hear one voice across the country—Fairuz, the legendary Lebanese singer and greatest living Arab diva". Syrian historian, Sami Moubayed, said that the Syrians were thrilled about the performance and that Fairuz reminded them of the "good old days". People from all ages attended the concert and the auditorium was packed with listeners. Fairuz said that she had never seen such an audience in her life. However, her decision to perform there drew criticism from Lebanese politicians who considered Syria to be a hostile nation.{{cite web | url=http://news.bbc.co.uk/2/hi/middle_east/7233601.stm | title=Lebanese diva opens Syrian hearts | publisher=BBC | date=7 February 2008 | access-date=31 January 2015 | author=Sinjab, Lina}}{{cite news | url=http://www.csmonitor.com/World/Middle-East/2008/0128/p04s02-wome.html | title=Fairouz fans angry over the diva's concert in Syria | newspaper=The Christian Science Monitor | date=28 January 2008 | access-date=31 January 2015 | author=Blanford, Nicholas}}

Fairuz's new album entitled Eh... Fi Amal was released on October 7, 2010, produced by Fairuz productions and written entirely by her son Ziad Rahbani. Two concerts took place at BIEL Center in Beirut, Lebanon, on October 7 and 8.{{Cite web|title=Fairouz {{!}} Aghanyna|url=https://www.aghanyna.net/english/artists/fairouz/|access-date=2020-12-13|archive-date=November 16, 2017|archive-url=https://web.archive.org/web/20171116125741/http://www.aghanyna.net/english/artists/fairouz/|url-status=dead}}

Fairuz released her first album in seven years titled Bebalee on September 22, 2017.{{Citation|title=Bebalee|date=September 22, 2017|url=https://open.spotify.com/album/4T6EqkQDz1DYBlvaUUPVOM|language=en|access-date=2020-12-13}} On June 21, 2017, her daughter Rima Rahbani (or Reema Rahbany) released the first single from the album "Lameen". The song is a tribute for Fairuz's late husband Assi Rahbani and was released in commemoration of his anniversary. Lameen is inspired by the French song "Pour qui veille l'étoile" and was adapted into Arabic by Rima Rahbani.{{cite web|url=http://www.euronews.com/2017/06/21/lebanese-icon-fayrouz-new-album-release|title=Fayrouz gives glimpse of upcoming album|date=21 June 2017|website=Euronews|access-date=10 July 2017}}{{cite web|url=http://english.ahram.org.eg/NewsContent/5/33/271349/Arts--Culture/Music/Lebanese-icon-Fayrouz-announces-release-of-new-sin.aspx|title=Lebanese icon Fayrouz announces release of new single 'Lameen' – Music – Arts & Culture|website=Al-Ahram|access-date=10 July 2017}}{{cite web|url=https://www.the961.com/lameen-fairouz-released-new-song/|archive-url=https://web.archive.org/web/20200820223626/https://www.the961.com/lameen-fairouz-released-new-song/|url-status=dead|archive-date=20 August 2020|title=Fairouz Just Released A New Song!|date=22 June 2017|publisher=The961|access-date=10 July 2017}}

On 1 September 2020, French president Emmanuel Macron visited Fairuz in her house during his trip to Lebanon after the Beirut explosion.{{Cite news |date=2020-08-31 |title=Macron reassures protesters after meeting Lebanon's symbol of unity, singer Fairouz |language=en |work=Reuters |url=https://www.reuters.com/article/us-lebanon-crisis-france-idUSKBN25R27M |access-date=2022-11-10}}

The 2008 concert in Damascus angered some of her fans and several Lebanese politicians who described Syria as "enemy territory in the grip of a brutal secret police force". Walid Jumblatt, leader of the Druze Progressive Socialist Party, accused Fairuz of "playing into the hands of Syrian intelligence services", while fellow party member Akram Chehayeb said that "those who love Lebanon do not sing for its jailers", in reference to the three-decades-long Syrian occupation of Lebanon. Even some Syrian opposition activists called on her to boycott the event as just three years prior Syria had been accused of carrying out a series of assassinations on the Lebanese.{{Cite news|date=2008-01-28|title=Fairouz fans angry over the diva's concert in Syria|work=The Christian Science Monitor|url=https://www.csmonitor.com/World/Middle-East/2008/0128/p04s02-wome.html|access-date=2020-12-14|issn=0882-7729}} This came amid a political crisis in Lebanon between pro- and anti-Syria factions. As well as a renewed Syrian government crackdown on dissent that same day during which several people were arrested, including opposition figure Riad Seif and twelve other activists of the anti-government Damascus Declaration.{{Cite web|title=Royalty Dispute May Silence Fairouz|url=https://www.npr.org/sections/therecord/2010/07/30/128877303/how-a-royalty-dispute-may-silence-lebanese-star-fairouz|access-date=2020-12-13|website=NPR.org|date=July 30, 2010|language=en|last1=Ganz|first1=Jacob}}

A poll conducted a week before the concert by NOW Lebanon, a Lebanese web portal sympathetic to the anti-Syria March 14 Alliance, showed that 67% of the respondents were opposed to Fairuz's appearance in Damascus, with one of the website's editorials saying that "this was not the moment for a musical love-in". Supporters of Fairuz counterclaimed that she has always been above politics. Fairuz refrained from commenting on the controversy. However, in a letter to the event's organizers, she said that the concert should be viewed from a cultural perspective, and wrote: "Damascus is not a cultural capital for this year only, but will remain a role model of art, culture and authenticity for the coming generations." She also told the head of the organizers that she felt it was a return to her second home. Syrian commentator Ayman Abdelnour said that Fairuz was performing to the Syrian people, not their rulers. Her brother-in-law and her former partner Mansour Rahbani also defended her decision to perform there, saying it was "a message of love and peace from Lebanon to Syria".{{cite news | url=https://www.reuters.com/article/us-syria-lebanon-diva-idUSL2874028520080128 | title=Lebanese diva arouses emotion, controversy in Syria | work=Reuters | date=28 January 2008 | access-date=31 January 2015 | author=Oweis, Khaled Y.}}

In 1969, Fairuz's songs were banned from radio stations in Lebanon for six months because she refused to sing at a private concert in honour of Algerian president Houari Boumedienne. The incident only served to increase her popularity.{{citation needed|date=March 2022}} Fairuz said that while always willing to sing to the public and to various countries and regions, she would never sing to any individual.{{cite web|last=Al Yafai|first=Faisal|date=7 August 2010|title=Fairuz: Lebanon's quavering voice|url=https://www.thenational.ae/uae/fairuz-lebanon-s-quavering-voice-1.529754|access-date=9 October 2020|work=The National|quote=1969: Banned from radio stations for six months after refusing to perform a private concert for the president of Algeria}}

Since many of the Rahbanis' works were co-written by Assi's brother Mansour, in June 2010, a year after Mansour's death in January 2009, a Lebanese court banned Fairuz from singing material that involved his contributions. The issue began when Mansour's children filed a lawsuit against Fairuz when she was set to perform the song "Ya'ish Ya'ish" at the Casino du Liban. As a result, Fairuz could not perform such works without Mansour's children's permission. The court's decision led to protests around the world in response to what her fans perceived as an act of "silencing". Hundreds gathered in front of the National Museum of Beirut, led by a number of Arab artists, including Egyptian actress Ilham Chahine who flew to Lebanon in order to join the sit-in. "She is a great artistic personality who has entertained millions for decades. We cannot keep silent over this humiliating attitude to her and to art and artists in general. Fairuz to me is above all laws. She is like the mother whom, even when she errs, we are eager to forgive," Chahine added. Ian Black wrote on The Guardian: "Outrage over her silencing has been a reminder of the extraordinary loyalty she still inspires across the region". Other reactions included a protest concert in Egypt, and a "Shame!" headline displayed by Emirati newspaper Al-Ittihad.{{cite web | url=https://www.npr.org/blogs/therecord/2010/07/30/128877303/how-a-royalty-dispute-may-silence-lebanese-star-fairouz | title=Royalty Dispute May Silence Fairouz | publisher=NPR | date=30 July 2010 | access-date=31 January 2015 | author=Ganz, Jacob}}

Fairuz's son, Ziad Rahbani, sparked controversy in December 2013 during an interview with the Al-Ahed website when asked whether his mother shared his supportive stance on the political vision of Hassan Nasrallah, the leader of Hezbollah, a dominant but highly controversial political and military force in Lebanon. Ziad replied: "Fairuz is very fond of Sayyed Hassan [Nasrallah], although she will be displeased with me, as she was after my last television interview when I revealed some personal information and she quickly interrupted me".{{cite web | url=http://www.al-monitor.com/pulse/originals/2013/12/lebanon-fairouz-statement-hezbollah-nasrallah-controversy.html# | title=Famous diva's 'fondness' for Nasrallah stirs controversy | publisher=Al-Monitor | date=27 December 2013 | access-date=31 January 2015 | author=Aziz, Jean}} There were strong reactions to this statement, which went viral on social media,{{cite news | url=http://www.dailystar.com.lb/News/Lebanon-News/2013/Dec-21/241895-nasrallah-and-jumblatt-weigh-in-on-fairouz-fallout.ashx | title=Nasrallah and Jumblatt weigh in on Fairouz fallout | newspaper=The Daily Star | date=21 December 2013 | access-date=1 February 2015}} and the country's different media outlets did not deviate from their political stances when reacting to Ziad's words.{{cite news | url=https://www.latimes.com/world/worldnow/la-fg-wn-lebanese-singer-hezbollah-chief-20131220-story.html | title=Lebanese singer stirs controversy with 'love' of Hezbollah chief | newspaper=The Los Angeles Times | date=20 December 2013 | access-date=1 February 2015 | author=Bulos, Nabih}} Politicians and celebrities stepped in as well, some of whom objected to affiliating Fairuz to one side of Lebanon's political divide over another, including Druze leader Walid Jumblatt who said: "Fairuz is too great to be criticized, and at the same time too great to be classified as belonging to this or that political camp". "Let us keep her in her supreme position, and not push her to something she has nothing to do with," Jumblatt added.{{cite web | url=http://english.alarabiya.net/en/life-style/entertainment/2013/12/27/Uproar-over-legendary-Fairuz-s-love-of-Hezbollah-chief.html | title=Uproar over legendary Fairuz's 'love' of Hezbollah chief | publisher=Al Arabiya | date=27 December 2013 | access-date=1 February 2015 | author=McNamara, Whitney}} Ziad, who claims to speak on his mother's behalf "because she prefers to remain silent", responded to his critics by saying: "Apparently it isn’t allowed in the age of strife for the princess of classy Arab art to voice love for the master of resistance". Nasrallah, commenting on the issue during a speech, stated: "An educated highly respected thinker and artist, who may be espoused different ideologies, might disagree with you on political matters, but personally have [a] fondness for you, because of your character, conduct, sacrifices and so on. If such a person were to say that he or she liked someone, then all hell would break loose".

Fairuz has performed in many countries around the globe including Syria, Jordan, Iraq, Kuwait, United Arab Emirates, Qatar, Bahrain, Egypt, Tunisia, Algeria, Morocco, France, United Kingdom, Switzerland, Netherlands,{{cite news|last=Blok|first=Arthur|title=Fairuz wows Amsterdam|url=http://www.nowlebanon.com/NewsArticleDetails.aspx?ID=286152&MID=123&PID=2|access-date=30 June 2011|newspaper=NOW Lebanon|date=27 June 2011|quote=Holland Festival organizers were literally glowing with pride as legendary singer Fairuz stepped on stage on Sunday night at Amsterdam’s Royal Theater Carré.|archive-url=https://web.archive.org/web/20110628014546/http://www.nowlebanon.com/NewsArticleDetails.aspx?ID=286152&MID=123&PID=2|archive-date=June 28, 2011|url-status=dead|df=mdy-all}} Greece, Canada, United States, Mexico, Brazil, Argentina, Australia, Belgium, Italy, and her home country Lebanon.

During her performances, Fairuz is known to take on a very rigid and cold stance, due to her stage fright. She claims that the hierarchic nature of her performances is because she is singing as if she were praying. She is also described as being incredibly reserved and modest in the way a mother would be, and embodies the Lebanese woman at home.

File:Fairuz19.jpg

Very little is known about Fairuz's personal life and affairs, as she is described as having a {{linktext|hermetic}} nature and separates her private life as Nouhad from her public persona of Fairuz.

Born to a Syriac Orthodox and Maronite Christian family, Fairuz converted to Greek Orthodoxy when she married Assi Rahbani (1923–1986),{{Cite web |date=2015-11-22 |title=Fairouz: Still going strong at 80 |url=https://www.arabnews.com/offbeat/news/839486 |access-date=2020-12-13 |website=Arab News |language=en}} one of the Rahbani brothers who helped shape her singing career, on January 23, 1955. The ceremony took place at the Greek-Orthodox Annunciation Church of Beirut. The couple had four children: Ziad (born 1956), a composer, playwright and pianist; Hali (born 1958, paralyzed since early childhood after meningitis); Layal (born 1960, died in 1988 of a stroke), also a composer; and Rima (born 1965), a photographer and film director.

{{Rahbani family}}

Most of the works of the Rahbani Trio (Fairuz, Assi, and Mansour) consisted of musical plays or operettas. The Rahbani Brothers produced 25 popular musical plays (20 with Fairuz) over more than 30 years, and are credited as having been one of—if not the very first—to produce world-class Arabic musical theatre.

The musicals combined storyline, lyrics and dialogue, musical composition varying widely from Lebanese folkloric and rhythmic modes to classical, westernized, and oriental songs, orchestration, and the voice and acting of Fairuz. She played the lead roles alongside singers/actors Nasri Shamseddine, Wadih El Safi, Antoine Kerbaje, Elie Shouayri (Chouayri), Hoda (Fairuz's younger sister), William Haswani, Raja Badr, Siham Chammas (Shammas), Georgette Sayegh, and many others.{{Cite web|title=Fairuz {{!}} Album Discography|url=https://www.allmusic.com/artist/fairuz-mn0000163342/discography|access-date=2020-12-13|website=AllMusic|language=en-us}}

The Rahbani plays expressed patriotism, unrequited love and nostalgia for village life, comedy, drama, philosophy, and contemporary politics. The songs performed by Fairuz as part of the plays have become immensely popular among the Lebanese and Arabs around the world.

The Fairuz-Rahbani collaboration produced the following musicals (in chronological order):

• Ayyam al Hassad (Days of Harvest – 1957)
• Al 'Urs fi l’Qarya (The Wedding in the Village – 1959)
• Al Ba'albakiya (The Girl from Baalbek) – 1961)
• Jisr el Amar (Bridge of the Moon – 1962)
• Awdet el 'Askar (The Return of the Soldiers – 1962)
• Al Layl wal Qandil (The Night and the Lantern – 1963)
• Biyya'el Khawatem (Ring Salesman – 1964)
• Ayyam Fakhreddine (The Days of Fakhreddine – 1966)
• Hala wal Malik (Hala and the King – 1967)
• Ach Chakhs (The Person – 1968–1969)
• Jibal Al Sawwan (Sawwan Mountains – 1969)
• Ya'ich Ya'ich (Long Live, Long Live – 1970)
• Sah Ennawm (Did you sleep well? – 1970–1971 – 2006–2008)
• Nass min Wara' (People Made out of Paper – 1971–1972)
• Natourit al Mafatih (The Guardian of the Keys – 1972)
• Al Mahatta (The Station – 1973)
• Loulou – 1974
• Mais el Reem (The Deer's Meadow – 1975)
• Petra – 1977–1978

Most of the musical plays were recorded and video-taped. Eighteen of them have been officially released on audio CD, two on DVD (Mais el Reem and Loulou). An unauthorized version of Petra and one such live version of Mais el Reem in black and white exist. Ayyam al Hassad (Days of Harvest) was never recorded and Al 'Urs fi l’Qarya (The Marriage in the Village) has not yet been released (yet an unofficial audio record is available).{{Page needed|date=October 2022}}

{{see also|List of awards received by Fairuz}}

For decades, most radio stations in the Arab world have started their morning broadcast with a Fairuz song, and her songs were wildly popular during the Lebanese Civil War, as the people could expect to hear a patriotic melody of peace and love.{{Cite web|date=2020-09-01|title=Macron's visit to Fairuz signifies French esteem for Lebanon's No. 1 diva|url=https://arab.news/bw6u3|access-date=2020-12-12|website=Arab News|language=en}}{{cite web|url=http://www.albawaba.com/entertainment/iconic-fairouz-remains-most-listened-arab-singer-she-turns-80-771638|title=Iconic Fairouz remains most listened-to Arab singer as she turns 80|date=22 November 2015}} The Guardian stated that "she sang the story of a Lebanon that never really existed" and "essentially helped build the identity of Lebanon, just 14 years after it became an independent country."{{cite news|url=https://www.theguardian.com/cities/2016/jan/04/insider-cultural-guide-beirut-beautiful-rowdy-intoxicated-mess|title=An insider's cultural guide to Beirut: 'a beautiful, rowdy, intoxicated mess'|first=Nasri|last=Atallah|date=4 January 2016|newspaper=The Guardian}} Fairuz is held in high regard in Lebanese culture because, in a region divided by many conflicts and opinions, she acts as a symbol of unity.{{cite web|date=31 August 2020|title=Macron reassures protesters after meeting Lebanon's symbol of unity, singer Fairouz|url=https://www.reuters.com/article/us-lebanon-crisis-france/macron-reassures-protesters-after-meeting-lebanons-symbol-of-unity-singer-fairouz-idUSKBN25R27M|website=Reuters}}

In 1997, Billboard stated "even after five decades at the top, [Fairuz] remains the supreme Diva of Lebanon".goo.gl/376cJk {{dead link|date=August 2017}} In 1999, The New York Times described her as "a living icon without equal" and stated that her emergence as a singer paralleled Lebanon's transformation from a backwater to the vibrant financial and cultural heart of the Arab world.{{cite web|url=https://www.nytimes.com/1999/05/18/arts/this-pop-diva-wows-em-in-arabic.html|title=This Pop Diva Wows 'Em In Arabic|first=Neil|last=Macfarquhar|date=18 May 1999|work=The New York Times}}

In a 2008 article, BBC described her as "the legendary Lebanese singer and greatest living Arab diva".{{cite news|url=http://news.bbc.co.uk/2/hi/middle_east/7233601.stm|title=BBC News – Middle East – Lebanese diva opens Syrian hearts|website=News.bbc.co.uk|date=February 7, 2008}} In an article about world music, The Independent stated, "All young female singers in this region seem to be clones of her" and that "she's such an important artist that you have to get to grips with her".{{cite web|url=https://www.independent.co.uk/arts-entertainment/music/features/the-beginners-guide-to-world-music-5329928.html|title=The beginner's guide to world music|website=Independent.co.uk|date=27 July 2006}}

Fairuz has received multiple awards and tokens of recognition throughout her career, including the Key to the Holy City (by the Jerusalem Cultural Committee in 1973), the Jordanian Medal of Honor (by King Hussein in 1975), the Jerusalem Award (by the Palestinian Authority) and the Highest Artistic Distinction (by Tunisian president Zine El Abidine Ben Ali in 1998), as well as being nominated Knight of the National Order of the Cedar, Commander of Arts and Letters (by French president François Mitterrand in 1988) and Knight of the Legion of Honor (by French president Jacques Chirac in 1998).{{Cite web|title=Fairuz|url=https://www.aub.edu.lb/doctorates/recipients/Pages/fairuz-profile.aspx|access-date=2020-12-14|website=aub.edu.lb|publisher=American University of Beirut}}

Lebanese Television has featured appearances by Fairuz in the following television programmes:{{Cite web |title=Fairuz Online: Fairuz, Fairouz, Fayrouz Feyrouz Feiruz |url=https://fairuzonline.com/fairuzhistory_screen.htm |access-date=2022-11-10 |website=fairuzonline.com}}

• Al Iswara (The Bracelet)
• Day'it El Aghani (Village of Songs)
• Layali As'Saad (Nights of Happiness)
• Al Quds fil Bal (Jerusalem in my Mind)
• Dafater El Layl (Night Memoirs)
• Maa Al Hikayat (With Stories)
• Sahret Hobb (Romantic Evening)
• Qasidat Hobb (A Love Poem), also presented as a musical show in Baalbeck in 1973

{{Main|Fairuz discography}}

Fairuz possesses a relatively large musical repertoire. Though sources disagree on the exact number, she is generally credited with between fifteen hundred and three thousand songs.{{Cite web|last=Welle (www.dw.com)|first=Deutsche|title=Fairuz: Celebrated Lebanese singer turns 85 {{!}} DW {{!}} 20.11.2020|url=https://www.dw.com/en/fairuz-celebrated-lebanese-singer-turns-85/a-55673117|access-date=2020-12-14|website=DW.COM|language=en-GB}}

Around 85 Fairuz CDs, various vinyl formats, and cassettes have been officially released. Most of the songs that are featured on these albums were composed by the Rahbani brothers. Also featured are songs by Philemon Wehbe, Ziad Rahbani, Zaki Nassif, Mohamed Abd El Wahab, Najib Hankash, and Mohamed Mohsen.

Many of Fairuz's numerous unreleased works date back to the 1950s and 1960s, and were composed by the Rahbani Brothers (certain unreleased songs, the oldest of all, are by Halim el Roumi). A Fairuz album composed by Egyptian musician Riad Al Sunbati (who has worked with Umm Kulthum) was produced in 1980 but is unlikely to be released. There are also fifteen unreleased songs composed by Philemon Wehbe and 24 unreleased songs composed by Ziad Rahbani in the 1980s.

Fairuz has also released a live album on Folkways Records in 1994, entitled Lebanon: The Baalbek Folk Festival.{{cite web|url=https://folkways.si.edu/fairuz/lebanon-the-baalbek-folk-festival/islamica-world/music/album/smithsonian|title=Lebanon: The Baalbek Folk Festival|work=Folkways Records|access-date=February 13, 2021}}

== Popular culture ==

The character in Yasmine El Rashidi's novel Chronicle of a Last Summer listens to Fairuz's song "Shat Iskandaria", a song about love and longing for the coastal city of Alexandria that is noted for its melodic style influenced by Balkan folk music.{{cite web |title=A Love Song Still Divides a Region |url=https://newlinesmag.com/essays/a-love-song-still-divides-a-region/ |website=New Lines Magazine}}

{{Portal|Lebanon|Biography}}

• Rahbani brothers
• Wadih El Safi
• Zahrat al-Mada'en
• Ziad Rahbani
• Julia Boutros, "The Lioness of Lebanon"

{{Notelist}}

{{Reflist|30em}}

{{Wikiquote}}

{{Commons category}}

• {{official website|http://www.fairouz.com}}
• [https://fairouziyat.com/ Fairuz songs' lyrics, with information on musicians/lyricists (Arabic)]
• [https://www.nytimes.com/2006/12/03/world/middleeast/03beirut.html A Diva Brightens a Dark Time in Beirut] (2006 article in The New York Times)
• {{Discogs artist|Fairuz}}
• {{IMDb name|id=0265655}}

{{Fairuz}}

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