:Roger Deakins

{{short description|British cinematographer}}

{{for|the English writer, documentary-maker and environmentalist|Roger Deakin}}

{{EngvarB|date=August 2014}}

{{Use dmy dates|date=August 2020}}

{{Infobox person

| honorific_prefix = Sir

| name = Roger Deakins

| post-nominals = {{post-nominals|country=GBR|size=100|CBE}}

| image = RogDeakinsBFI120921 (16 of 17) (51473086144) (cropped).jpg

| caption = Deakins in 2021

| alt =

| birth_name = Roger Alexander Deakins

| birth_date = {{birth date and age|df=yes|1949|5|24}}

| birth_place = Torquay, Devon, England

| death_date =

| death_place =

| education =

| alma_mater =

| occupation = Cinematographer

| years_active = 1974–present

| organization = British Society of Cinematographers
American Society of Cinematographers

| predecessor =

| successor =

| boards =

| spouse = {{marriage|Isabella James Purefoy Ellis|1991}}

| partner =

| children =

| parents =

| relations =

| awards = Full list

| website = {{url|rogerdeakins.com/}}

| footnotes =

}}

Sir Roger Alexander Deakins {{small|ASC}}, {{small|BSC}} (born 24 May 1949) is an English cinematographer. He is the recipient of five BAFTA Awards for Best Cinematography, and two Academy Awards for Best Cinematography from sixteen nominations. He has collaborated multiple times with directors such as the Coen brothers, Sam Mendes, and Denis Villeneuve. His best-known works include The Shawshank Redemption (1994), Fargo (1996), O Brother, Where Art Thou? (2000), A Beautiful Mind (2001), Skyfall (2012), Sicario (2015), Blade Runner 2049 (2017), and 1917 (2019), the last two of which earned him Academy Awards. He is often regarded as one of the greatest and most influential cinematographers in mainstream cinema.

An alumnus of the National Film and Television School, Deakins was named and serves as an Honorary Fellow of the school in recognition of his "outstanding contribution[s] to ... British film". He is a member of the British Society of Cinematographers and the American Society of Cinematographers, and in 2011 received a Lifetime Achievement Award from the latter organization. Deakins was bestowed a CBE by the Palace for his services to film in 2013, and was knighted as a Knight Bachelor in the 2021 New Year Honours.

Early life

Deakins was born in Torquay in the English county of Devon.{{cite web |url=https://www.theparisreview.org/blog/2017/05/09/master-light/ |title=Master of Light |website=The Paris Review |first=Noah |last=Gallagher Shannon |date=9 May 2017 |access-date=18 November 2019}} His father ran a construction company, while his mother was an actress and amateur painter.{{cite web |url=https://theasc.com/ac_magazine/January2011/RogerDeakinsASCBSC/page1.html |title=A League of His Own |website=American Cinematographer |first=Patricia |last=Thomson |date=January 2011 |access-date=18 November 2019}} Deakins attended Torquay Boys' Grammar School.{{cite web |url=https://www.devonlive.com/news/devon-news/devon-man-roger-deakins-wins-1231363 |title=Devon man Roger Deakins wins at BAFTAs - but will he finally get his Oscar? |website=Devon Live |first=Richard |last=Booth |date=9 May 2017 |access-date=18 November 2019}} He took up painting from a young age, and subsequently enrolled in the Bath Academy of Art in Bath, Somerset, where he studied graphic design. While studying in Bath, Deakins developed a passion for photography; he cited the photographer Roger Mayne, a guest lecturer at the academy, as a major source of inspiration.{{cite web |url=https://www.theguardian.com/film/2015/oct/08/sicario-roger-deakins-oscar-coen-brothers-hollywood |title=Roger Deakins: 'the opposite of a Hollywood person' ... with 12 Oscar nominations to his name |website=The Guardian |first=Henry |last=Barnes |date=8 October 2015 |access-date=18 November 2019}}

After college, Deakins applied to the newly opened National Film School, but was denied admission as his photography was considered not "filmic" enough. He spent the following year wandering the countryside, photographing rural life in North Devon, before finally being admitted to the National Film School in 1972. Director Michael Radford was one of Deakins's schoolmates.

Career

=Early career=

After graduating, Deakins found work as a cameraman, assisting in the production of projects for about seven years. An early project of his involved filming a nine-month trip on a yacht as an entrant in the Whitbread Round the World Race, titled Around the World with Ridgeway.{{cite web |url=https://www.indiewire.com/2016/02/interview-roger-deakins-talks-sicario-partnership-with-denis-villeneuve-blade-runner-2-digital-vs-film-more-272584/ |title=Interview: Roger Deakins Talks 'Sicario,' Partnership With Denis Villeneuve, 'Blade Runner 2,' Digital Vs. Film & More |website=IndieWire |first=Charlie |last=Schmidlin |date=9 February 2016 |access-date=18 November 2019}} Deakins was hired to film two documentaries in Africa. His first, Zimbabwe, was a clandestine documentation of the Rhodesian Bush War, while his second, Eritrea – Behind Enemy Lines, depicted the Eritrean War of Independence.{{Cite book|last=Kiste |first=John |title=Devonshire's Own |url=https://books.google.com/books?id=DNcTDQAAQBAJ&q=roger+deakins+Eritrea+%E2%80%93+Behind+Enemy+Lines&pg=PT99 |date=2007 |publisher=The History Press |isbn=9780752493664 |access-date=18 November 2019 }} He also shot anthropological documentaries in India and Sudan.

During the late 1970s and early 1980s, Deakins was involved in a number of music-related projects, including Blue Suede Shoes, a music documentary about the British rockabilly scene, the concert film Van Morrison in Ireland, and the Ray Davies musical film Return to Waterloo. He also made short music videos for Herbie Hancock, Eric Clapton, Marvin Gaye, Tracey Ullman, Madness, Level 42 and Meat Loaf.

=Feature films=

File:Roger Deakins Feb-2011 02 (cropped).jpg in February 2011]]

Deakins's first dramatic project was a miniseries titled Wolcott, about a black detective working in the East End of London. The camerawork of the miniseries impressed his former schoolmate and frequent collaborator Michael Radford, who enlisted Deakins for their first dramatic feature, the 1983 film Another Time, Another Place.{{Cite book|last=Rogers |first=Pauline B. |title=Contemporary Cinematographers on Their Art |url=https://archive.org/details/contemporarycine00roge |url-access=registration |page=[https://archive.org/details/contemporarycine00roge/page/73 73] |quote=roger deakins Wolcott. |date=1998 |publisher=CRC Press |isbn=9781136045783 |access-date=18 November 2019}} The film screened at the Cannes Film Festival and was well-received; subsequently, Deakins and Radford teamed up again on Nineteen Eighty-Four (1984), based upon George Orwell's novel of the same name. The film was praised for its bold, unusual palette, which Deakins achieved through a process known as bleach bypass, where the silver is retained in the print, creating a washed-out look that reflected Orwell's bleak vision. Deakins was the first Western cinematographer to use the technique, which has since become highly influential and can be seen in films such as Seven (1995) and Saving Private Ryan (1998). Throughout the 1980s, Deakins continued working in Britain, serving as cinematographer for films including Defence of the Realm (1986), Sid and Nancy (1986), White Mischief (1987; his third feature film with Radford), Stormy Monday (1988) and Pascali's Island (1988).

In 1991, Deakins began his long-term collaboration with the Coen brothers, starting with the film Barton Fink. The Coens had been impressed with Deakins's work, and reached out to him after their previous collaborator Barry Sonnenfeld left to pursue a career in directing. The film won the Coens' the Festival de Cannes 1991 Palme d'Or and Best Director awards (and John Turturro the award for Best Actor),{{cite web| author = Festival de Cannes Personnel | url=http://www.festival-cannes.com/en/archives/1991/awardCompetition.html |title=Festival archives—Awards—Competition—Awards 1991 |date=1991 |work=Festival-Cannes.com |access-date=9 December 2008 |url-status=dead |archive-url=https://archive.today/20130102141135/http://www.festival-cannes.com/en/archives/1991/awardCompetition.html |archive-date=2 January 2013| location = Paris, FR | publisher = Festival de Cannes}} and earned Deakins best cinematography awards from New York, Chicago and Los Angeles film critics circles.{{citation needed|date = February 2020}} In 1994, the year Deakins was admitted to the American Society of Cinematographers, he served as cinematographer for The Shawshank Redemption, which earned him his first Academy Award nomination for Best Cinematography, and his first American Society of Cinematographers Award. He received two further Academy Award nominations in that decade, for Fargo (1996) and Kundun (1997).

For the Coen brothers film O Brother, Where Art Thou? (2000), Deakins spent some two months fine-tuning the look, turning the lush green Mississippi landscape into a burnt, autumnal yellow and desaturating the overall image. This feat made O Brother the first ever feature film to be digitally color-corrected in its entirety,{{cite journal| last=Robertson| first=Barbara| title=CGSociety – The Colorists| journal=The Colorists| date=1 May 2006| url=http://features.cgsociety.org/story_custom.php?story_id=3549| access-date=24 October 2007| page=3| archive-url=https://web.archive.org/web/20120122201815/http://www.cgsociety.org/index.php/CGSFeatures/CGSFeatureSpecial/the_colorists| archive-date=22 January 2012| url-status=dead}} and earned Deakins his fourth Academy Award nomination.{{cite web |author1=Kiang, Jessica |author2=Lyttelton, Oliver |author3=Taylor, Drew | url=https://www.indiewire.com/2015/09/the-essentials-the-15-best-shot-roger-deakins-films-259776/ |title=The Essentials: The 15 Best-Shot Roger Deakins Films |website=IndieWire |date=17 September 2015 |access-date=28 February 2020}} The following year, for his work in the Coen brothers' The Man Who Wasn't There (2001), Deakins received his fifth Oscar nomination{{cite web |author = Dowell, Pat | url=https://www.npr.org/templates/story/story.php?storyId=3874296 |title='The Man Who Wasn't There' |work=NPR |date=27 August 2004 |access-date=28 February 2020}} and won his first BAFTA Award for Best Cinematography.{{cite news |url=https://www.independent.co.uk/arts-entertainment/films/features/the-unsung-heroes-of-bafta-782185.html |title=The unsung heroes of Bafta |first=Elisa |last=Bray |website=The Independent |date=15 February 2008 |access-date=18 November 2019}}

In 2008, Deakins received dual Oscar nominations—his sixth and seventh—for The Assassination of Jesse James by the Coward Robert Ford (2007) and No Country for Old Men (2007). He was the first cinematographer to achieve such a feat since Robert Surtees, who was nominated for The Last Picture Show and Summer of '42 in 1972.{{cite web |url=https://www.reuters.com/article/people-oscars-deakins-dc-idUSN2356285920080125 |title=Rare double feature for cinematographer Deakins |first=Carolyn |last=Giardina |website=Reuters |date=24 January 2008 |access-date=18 November 2019}} Deakins served as director of photography for Stephen Daldry's The Reader (2008) but left mid-production due to delays and previous commitments, and was replaced by Chris Menges. The two cinematographers received a shared nomination for Best Cinematography at the 81st Academy Awards.{{cite web |url=https://theasc.com/ac_magazine/February2010/ChrisMenges/page1.html |title=Artistry and Conscience |website=American Cinematographer |first=Mark |last=Hope-Jones |date=February 2010 |access-date=18 November 2019}}

File:Goldfinch 04 (48810058686).jpg for the premiere of The Goldfinch]]

Deakins worked with the Coens on the 2010 western True Grit—their eleventh collaboration—for which he received his ninth Oscar nomination.{{cite web | first = Rebecca | last = Keegan | url = https://www.latimes.com/entertainment/la-xpm-2011-feb-15-la-en-deakins-20110215-story.html | title = Roger Deakins is a 'True Grit' sure shot | date = 15 February 2011 | access-date = 20 November 2019 | website = Los Angeles Times | archive-date = 20 November 2019 | archive-url = https://web.archive.org/web/20191120174023/https://www.latimes.com/entertainment/la-xpm-2011-feb-15-la-en-deakins-20110215-story.html | url-status=live}} Deakins signed on as cinematographer for Skyfall (2012), having previously worked with director Sam Mendes on Jarhead (2005) and Revolutionary Road (2008).{{cite web|last=Heuring|first=David|title='Skyfall:' Double Agents, Data Recording, Roger Deakins|url=http://www.creativeplanetnetwork.com/dv/feature/skyfall-double-agents-data-recording-roger-deakins/60751|publisher=NewBay Media|access-date=8 January 2013|date=25 October 2010|archive-url=https://web.archive.org/web/20130119171540/http://www.creativeplanetnetwork.com/dv/feature/skyfall-double-agents-data-recording-roger-deakins/60751|archive-date=19 January 2013|url-status=dead}} For his work, Deakins received another Academy Award nomination for Best Cinematography, eventually losing to Claudio Miranda of Life of Pi—his 10th nomination without securing a win.{{cite web |url=https://www.huffpost.com/entry/roger-deakins-oscar_n_2712910 |title=Roger Deakins & Oscar: 'Skyfall' Cinematography Loses Academy Award Again |website=HuffPost |first=Christopher |last=Rosen |date=24 February 2013 |access-date=20 November 2019}} In addition to his live-action work, Deakins served as both cinematographer and visual consultant on the 2011 animated film Rango (2011), and also served as a visual consultant on animated features, including WALL-E (2008), Puss in Boots (2011), Rise of the Guardians (2012), The Croods (2013), the How to Train Your Dragon trilogy (2010, 2014 and 2019).{{cite web |url=https://www.indiewire.com/2014/01/famed-cinematographer-roger-deakins-talks-coens-storytelling-prisoners-194193/ |title=Famed Cinematographer Roger Deakins Talks Coens, Storytelling, 'Prisoners' |website=IndieWire |first=Anne |last=Thompson |date=13 January 2014 |access-date=20 November 2019}} and Vivo (2021).{{cite web|first=John|last=Hopewell|title=Sony Pictures Animation Links To Tencent, Sets 'Boondocks,' Tartakovsky Duo|url=https://variety.com/2019/film/news/sony-pictures-animation-tencent-boondocks-tartakovsky-annecy-animation-festival-2019-1203240529/|date=12 June 2019|website=Variety|access-date=15 July 2019}}

Starting with Prisoners (2013), Deakins began working with director Denis Villeneuve. The two proceeded to collaborate on Sicario (2015) and Blade Runner 2049 (2017), with Deakins earning Oscar nominations for all three films.{{cite web |url=https://www.indiewire.com/2018/12/dune-denis-villeneuve-roger-deakins-part-ways-greig-fraser-cinematographer-1202025557/ |title=Roger Deakins Won't Be Working on Denis Villeneuve's 'Dune,' Greig Fraser to Shoot |website=IndieWire |first=Zack |last=Sharf |date=6 December 2018|access-date=20 November 2019}} For his work on Blade Runner 2049, Deakins received his first Academy Award for Best Cinematography on his 14th nomination.{{cite web | author = BBC Staff | date = 5 March 2018 | title=Roger Deakins finally wins his Oscar on 14th attempt | work=BBC | url=https://www.bbc.com/news/entertainment-arts-43285805 |access-date=28 February 2020}} Deakins reunited with Sam Mendes on the 2019 war film 1917, filmed and edited to appear as two continuous shots, for which he received his second Academy Award on his 15th nomination.{{cite web |last=Giardina |first=Carolyn |date=9 February 2020 |title=Oscars: Roger Deakins Claims Second Cinematography Win for '1917' |url=https://www.hollywoodreporter.com/behind-screen/oscars-roger-deakins-wins-cinematography-oscar-1917-1275239 |newspaper=The Hollywood Reporter |access-date=9 February 2020}}

Personal life

Deakins married Isabella James Purefoy Ellis (b. January 1954,{{cite web|url=https://beta.companieshouse.gov.uk/company/01531541/officers |title=INVERDART MANAGEMENT COMPANY LIMITED - Officers (free information from Companies House) |publisher=Companies House |access-date=2020-02-29}} professionally known as James Ellis Deakins and often referred to simply as James) on 11 December 1991.{{Cite web|url=https://www.imdb.com/name/nm0254885/bio|title=James Ellis Deakins - Biography - IMDb|website=IMDb }} They had met in 1991 in Los Angeles on the set of David Mamet's Homicide, where she was working as the script supervisor.{{cite news | author=Salter, Jessica |date=10 June 2011 |title=World of Roger Deakins, Cinematographer | work=The Daily Telegraph | url=https://www.telegraph.co.uk/culture/film/8569091/World-of-Roger-Deakins-cinematographer.html |archive-url=https://ghostarchive.org/archive/20220112/https://www.telegraph.co.uk/culture/film/8569091/World-of-Roger-Deakins-cinematographer.html |archive-date=12 January 2022 |url-access=subscription |url-status=live |access-date=28 February 2020}}{{cbignore}} The two began dating after the Homicide production finished and were married within about six months. Since then, James Ellis has "ovesee[n] the digital workflow of... film[s]", and they have worked together on various projects, including The Goldfinch and 1917.{{cite web |url=https://ascmag.com/articles/lives-under-siege-the-goldfinch-and-1917 |title=Lives Under Siege: The Goldfinch and 1917 |website=American Cinematographer |first=Rachael |last=Bosley |date=13 January 2020 |access-date=9 February 2020}} As of February 2020, they reside in Kingswear, Devon, and Santa Monica, California.{{cite news|author = Abdelhamid, Hesham | date = 17 February 2020 | title=We interview Roger Deakins: Devon's movie maestro | work = Devon Life | location = Exeter, UK | publisher=Archant Community Media Ltd|url=http://www.devonlife.co.uk/people/roger-deakins-devon-s-movie-maestro-1-5089292 | access-date=28 February 2020}}

Deakins has kept a boat since beginning such activities with his father as a child—with him, first a sailboat, then a motorboat—and he currently keeps one in Torquay, his hometown, to which he often goes (and from which he fishes) when in Britain.

When in Devon he enjoys running, and has maintained a passion for still photography. In 2021, Deakins released a book of his black-and-white still photographs, Byways.{{cite web |title=Byways - a book of still photography from Roger Deakins |url=https://www.rogerdeakins.com/byways/ |access-date=22 August 2021}}

Since 2005, Deakins has maintained a website through which he frequently communicates with admirers and other industry practitioners. His correspondence includes answering fan questions and offering cinematography tips. Since April 2020 he and his wife have hosted the Team Deakins podcast, whose guests have included Sam Mendes, John Crowley, and Denis Villeneuve.{{Cite web|date=2020-05-05|title=Roger Deakins Just Started a Filmmaking Podcast. This is Not a Drill|url=https://nofilmschool.com/roger-deakins-filmmaking-podcast|access-date=2020-07-21|website=No Film School|language=en}}{{Cite web|title=Team Deakins|url=https://teamdeakins.libsyn.com/|access-date=2020-07-21|website=teamdeakins.libsyn.com|language=en}}

Filmography

=Film=

class="wikitable"
Year

! Title

! Director

! Notes

1977

| Cruel Passion

| Chris Boger

|

1983

| Another Time, Another Place

|rowspan=2|Michael Radford

|

1984

| Nineteen Eighty-Four

|

rowspan=3|1985

| The Innocent

| John Mackenzie

|

Shadey

| Philip Saville

|

Defence of the Realm

| David Drury

|

1986

| Sid and Nancy

| Alex Cox

|

rowspan=3|1987

| Personal Services

| Terry Jones

|

The Kitchen Toto

| Harry Hook

|

White Mischief

| Michael Radford

|

rowspan=3|1988

| Stormy Monday

| Mike Figgis

|

Pascali's Island

| James Dearden

|

Young Distance

| Vito Zagarrio

| With Luigi Verga

rowspan=3|1990

| Mountains of the Moon

| Bob Rafelson

|

Air America

| Roger Spottiswoode

|

The Long Walk Home

| Richard Pearce

|

rowspan=2|1991

| Barton Fink

| Coen Brothers

| 1st collaboration with the Coen Brothers

Homicide

| David Mamet

|

rowspan=2|1992

| Thunderheart

| Michael Apted

|

Passion Fish

| John Sayles

|

1993

| The Secret Garden

| Agnieszka Holland

|

rowspan=2|1994

| The Hudsucker Proxy

| Coen Brothers

|

The Shawshank Redemption

| Frank Darabont

|

1995

| Dead Man Walking

| Tim Robbins

|

rowspan=2|1996

| Fargo

| Coen Brothers

|

Courage Under Fire

| Edward Zwick

|

1997

| Kundun

| Martin Scorsese

|

rowspan=2|1998

| The Big Lebowski

| Coen Brothers

|

The Siege

| Edward Zwick

|

rowspan=2|1999

| Anywhere but Here

| Wayne Wang

|

The Hurricane

| Norman Jewison

|

2000

| O Brother, Where Art Thou?

|rowspan=2|Coen Brothers

|

rowspan=2|2001

| The Man Who Wasn't There

|

A Beautiful Mind

| Ron Howard

|

rowspan=3|2003

| Levity

| Ed Solomon

|

Intolerable Cruelty

| Coen Brothers

|

House of Sand and Fog

| Vadim Perelman

|

rowspan=2|2004

| The Ladykillers

| Coen Brothers

|

The Village

| M. Night Shyamalan

|

2005

| Jarhead

| Sam Mendes

| 1st collaboration with Mendes

rowspan=3|2007

| No Country for Old Men

| Coen Brothers

|

In the Valley of Elah

| Paul Haggis

|

The Assassination of Jesse James
by the Coward Robert Ford

| Andrew Dominik

|

rowspan=3|2008

| Doubt

| John Patrick Shanley

|

The Reader

| Stephen Daldry

| With Chris Menges

Revolutionary Road

| Sam Mendes

|

2009

| A Serious Man

| Coen Brothers

|

rowspan=2|2010

| The Company Men

| John Wells

|

True Grit

| Coen Brothers

|

2011

| In Time

| Andrew Niccol

|

2012

| Skyfall

| Sam Mendes

|

2013

| Prisoners

| Denis Villeneuve

|

2014

| Unbroken

| Angelina Jolie

|

2015

| Sicario

| Denis Villeneuve

|

2016

| Hail, Caesar!

| Coen Brothers

|

2017

| Blade Runner 2049

| Denis Villeneuve

|

rowspan=2|2019

| The Goldfinch

| John Crowley

|

1917

|rowspan=2|Sam Mendes

|

2022

| Empire of Light

|

Documentary film

class="wikitable"
Year

! Title

! Director

! Notes

1976

| Welcome to Britain

| Ben Lewin

|

1977

| Before Hindsight

| Jonathan Lewis

|

1978

| Chimurenga - The War in Zimbabwe

| Antonia Caccia

|

1980

| Blue Suede Shoes

| Curtis Clark

|

1979

| Van Morrison in Ireland

| Michael Radford

| With Jeff Baynes, Bill Marshall and Chris Morphet

1983

| Alan Bush: A Life

|rowspan=2|Anna Ambrose

| With Dick Pope

1984

| The Cinema of Stephen Dwoskin

|

=Television=

Miniseries

class="wikitable"
Year

! Title

! Director

1981

| Wolcott

| Colin Bucksey

TV movies

class="wikitable"
Year

! Title

! Director

rowspan=2|1984

| The House

| Mike Figgis

Return to Waterloo

| Ray Davies

2001

| Dinner with Friends

| Norman Jewison

Critical reception

Deakins is often cited as one of the greatest and most influential cinematographers of all time.{{cite web |url=https://www.indiewire.com/gallery/roger-deakins-best-shots-films-blade-runner-fargo/ |title=Roger Deakins' Iconic Career in 20 Legendary Shots |website=IndieWire |date=5 October 2017 |access-date=20 November 2019}}{{cite web |url=https://www.hollywoodreporter.com/behind-screen/blade-runner-2049-wins-2018-best-cinematographer-oscar-1086267 |title=Legendary Cinematographer Roger Deakins Wins First Oscar for 'Blade Runner 2049' |website=The Hollywood Reporter |first=Carolyn |last=Giardina |date=4 March 2018 |access-date=20 November 2019}}{{cite web |url=https://www.businessinsider.com/roger-deakins-wins-oscar-for-best-cinematography-after-14-nominations-2018-3 |title=Roger Deakins finally won an Oscar for best cinematography after 14 nominations – here's a look through his epic work |website=Business Insider |first=Carrie |last=Wittmer |date=5 March 2018 |access-date=20 November 2019}} His consistent output led fellow cinematographer Robert Elswit to jokingly suggest that the American Society of Cinematographers should establish a special award for "films shot by Roger Deakins." Deakins received 13 Academy Awards nominations without a win, a fact often lamented by journalists and film critics.{{cite news |url=https://www.nytimes.com/2018/01/05/movies/the-bright-and-dark-side-of-roger-deakins.html |title=The Bright (and Dark) Side of Roger Deakins |website=The New York Times |first=Mekado |last=Murphy |date=5 January 2018 |access-date=20 November 2019}}{{cite web |url=https://www.indiewire.com/2018/02/roger-deakins-cinematography-oscars-blade-runner-2049-interview-1201931959/ |title=Roger Deakins' Legacy is Bigger Than an Oscar: A Frank Conversation With the Cinematography Legend |website=IndieWire |first=Chris |last=O'Falt |date=23 February 2018 |access-date=20 November 2019}}{{cite web |url=https://www.vanityfair.com/hollywood/2017/12/legendary-cinematographer-roger-deakins-gets-his-oscar |title=Is This the Year Legendary Cinematographer Roger Deakins Gets His Oscar? |website=Vanity Fair |first=Rebecca |last=Keegan |date=7 December 2017 |access-date=20 November 2019}} His first Oscar win (on his 14th nomination) for Blade Runner 2049{{Cite web|url=https://www.youtube.com/watch?v=5Gt-mHvv-yw|title="Blade Runner 2049" wins Best Cinematography - YouTube|website=YouTube }} at the 90th Academy Awards was widely reported and met with great enthusiasm.

Deakins is among the most respected and sought-after cinematographers in the film business. His involvement in a film could secure the casting of established stars—a distinction usually reserved for auteur directors. He was hired to shoot The Shawshank Redemption at the insistence of Tim Robbins, who had previously worked with him on the Coen brothers film The Hudsucker Proxy.{{cite web | first = Margaret | last = Heiderny | url = http://www.vanityfair.com/hollywood/2014/09/shawshank-redemption-anniversary-story | title = The Little-Known Story of How The Shawshank Redemption Became One of the Most Beloved Films of All Time | date = 22 September 2014 | access-date = 5 March 2017 | website = Vanity Fair | archive-date = 10 September 2017 | archive-url = https://archive.today/20170910201902/https://www.vanityfair.com/hollywood/2014/09/shawshank-redemption-anniversary-story | url-status=live}} Josh Brolin agreed to join the cast of Sicario only after hearing of Deakins's involvement. When Ryan Gosling accepted his role in Blade Runner 2049, he cited the involvement of Deakins as a factor for his decision.{{citation | author=Goldberg, Matt | title=Ryan Gosling Confirms He's in 'Blade Runner 2'; Talks Shane Black's 'The Nice Guys' | work=Collider | date=16 November 2015 | url=http://collider.com/ryan-gosling-blade-runner-2-nice-guys/ | access-date=16 November 2015 | url-status=live | archive-url=https://web.archive.org/web/20151117145759/http://collider.com/ryan-gosling-blade-runner-2-nice-guys/ | archive-date=17 November 2015}}

Awards and recognition

{{main|List of awards and nominations received by Roger Deakins}}

He has been nominated for sixteen Academy Awards, winning the Academy Award for Best Cinematography twice—on his fourteenth and fifteenth nominations—for Blade Runner 2049 (2017){{Cite web|url=https://www.oscars.org/oscars/ceremonies/2018|title=2018 | Oscars.org | Academy of Motion Picture Arts and Sciences}} and 1917 (2019).{{Cite web|url=https://www.oscars.org/oscars/ceremonies/2020|title=2020 | Oscars.org | Academy of Motion Picture Arts and Sciences}}{{Cite web|url=https://www.youtube.com/watch?v=qi78h-kwhKo|title="1917" wins Best Cinematography - YouTube|website=YouTube }} He has been named as an Honorary Fellow of his alma mater, the National Film and Television School in Beaconsfield, Buckinghamshire, an honour which recognises "outstanding contribution to the British film and television industry" On 28 February 2020.{{cite web| author = NTFS Staff | date = 28 February 2020 | title = Honorary Fellows | work = NTFS.co.uk | url=https://nfts.co.uk/who-we-are/honorary-fellows | location = Beaconsfield, UK | publisher=National Film and Television School (NTFS) |access-date=28 February 2020}}

Deakins is the recipient of five BAFTA Awards for Best Cinematography,{{cite web|url=http://awards.bafta.org/keyword-search?keywords=Deakins |title=BAFTA Awards Search | BAFTA Awards |publisher=Awards.bafta.org |access-date=2020-02-29}} for The Man Who Wasn't There (2001), No Country for Old Men (2007), True Grit (2010),{{Cite web|url=http://www.bafta.org/media-centre/press-releases/film-awards-2011-winners-list|title=Film Awards 2011: Winners List | BAFTA|date=13 February 2011 }} Blade Runner 2049 (2017), 1917 (2019),{{cite journal | author = ASC Staff | date = 3 February 2020 | title = Rodger Deakins, ASC, BSC Wins BAFTA for 1917 | website = ASC.com | location = Hollywood, CA | publisher = The American Society of Cinematographers (ASC) | url = https://theasc.com/news/rodger-deakins-asc-bsc-wins-bafta-for-1917 | access-date = 28 February 2020}} each in the year following their release. As well, two films that he shot, Fargo (1996),{{cite web| author = Puig, Claudia | date = 10 January 1997 | title = 'Fargo' Is Leader in Spirit Award Nominations | work = LATimes.com | url=https://www.latimes.com/archives/la-xpm-1997-01-10-ca-17041-story.html | access-date=28 February 2020}}{{cite web| author = Dretzka, Gary | date = 24 March 1997 | title = 'Fargo' Big Winner Among Independents | work = ChicagoTribune.com | url=https://www.chicagotribune.com/news/ct-xpm-1997-03-24-9703240054-story.html|access-date=28 February 2020}} and A Serious Man (2009),{{cite web| author = King, Susan | date = 6 March 2010 | title = 'Precious' wins big at Independent Spirit Awards | work = LATimes.com | url=https://www.latimes.com/entertainment/la-etw-spirits6-2010mar06-story.html|access-date=28 February 2020}} Note, the article now bears a date of 7 March 2014, perhaps indicative of a corrective edit to the earlier story. won Independent Spirit Awards for Best Cinematography in the year after their release.

He received the Royal Photographic Society's Lumière Award for major achievement in cinematography, video or animation in 2009.RPS Lumière Award. https://rps.org/about/awards/history-and-recipients/lumiere-award/ Retrieved 31 December 2020.

The National Board of Review, a group of New York-based reviewers whose organization dates to 1909, honoured Deakins in 2007 with its award for Career Achievement in Cinematography.{{cite web |url=http://www.nationalboardofreview.org/award-years/2007/ |title=2007 Award Winners: 2007 Awards Gala |author= NBR Staff |date=2007 |location = New York, NY | publisher=National Board of Review |access-date=28 October 2016}} See also "About" section at this web location. Deakins went on to receive the American Society of Cinematographers and the British Society of Cinematographers Lifetime Achievement Award in 2011 and 2015 respectively.{{cite web |last=Giardina |first=Carolyn |date=13 February 2011 |title='Inception' Cinematographer Wally Pfister Wins ASC Film Award |url=https://www.hollywoodreporter.com/news/american-society-cinematographers-awards-99163 |newspaper=The Hollywood Reporter |access-date=3 March 2020}}{{Cite web|url=https://bscine.com/awards|title=Awards {{!}} British Society of Cinematographers|website=bscine.com|access-date=2020-04-17}}

Deakins was appointed Commander of the Order of the British Empire (CBE) in the 2013 Birthday Honours for services to film.{{cite journal | author = Palace and Gazette Staff | date=15 June 2013 | title = Birthday Honours List—United Kingdom, 14 June 2013 | journal = London Gazette | issue = 60534, Suppl. No. 1 | page = 7}} He was knighted in the 2021 New Year Honours, also for services to film.{{London Gazette|issue=63218|supp=y|page=N2|date=31 December 2020}}{{Cite web|date=2020-12-30|title=The New Year Honours 2021|url=https://www.gov.uk/government/collections/the-new-year-honours-2021|access-date=2020-12-31|website=GOV.UK|language=en}}{{Cite web|date=2020-12-30|title=The New Year Honours list 2021|url=https://www.thegazette.co.uk/awards-and-accreditation/content/103866|access-date=2020-12-31|website=www.thegazette.co.uk|language=en}}

See also

References

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