52nd Street Themes

{{Use mdy dates|date=May 2025}}

{{Infobox album|

| name = 52nd Street Themes

| type = studio

| artist = Joe Lovano

| cover = 52nd Street Themes - album cover.jpg

| alt =

| released = {{Start date|2000|4|25}}

| recorded = November 3–4, 1999

| venue =

| studio = Avatar, New York City

| genre = Jazz

| length = {{Duration|m=67|s=32}}

| label = Blue Note

| producer = Joe Lovano

| chronology = Joe Lovano

| prev_title = Trio Fascination: Edition One

| prev_year = 1998

| next_title = Flights of Fancy: Trio Fascination Edition Two

| next_year = 2001

}}

{{Music ratings

| rev1 = AllMusic

| rev1Score = {{rating|4|5}}{{cite web|last1=Wolff|first1=Carlo|title=Joe Lovano: 52nd Street Themes|url=http://www.allmusic.com/album/52nd-street-themes-mw0000605248|publisher=allmusic.com|access-date=28 March 2016}}

| rev2 = The Globe and Mail

| rev2score = {{rating|3|5}}{{cite web |last1=Miller |first1=Mark |title=52ND STREET THEMES |url=https://www.theglobeandmail.com/arts/52nd-street-themes/article1339982/ |website=The Globe and Mail |access-date=11 May 2024 |language=en-CA |date=4 May 2000}}

| rev3 = Los Angeles Times

| rev3score = {{rating|3|4}}{{cite web |last1=Heckman |first1=Don |title=Four From the Wide Spectrum That Is Jazz |url=https://www.latimes.com/archives/la-xpm-2000-may-04-ca-26297-story.html |website=Los Angeles Times |access-date=23 November 2018 |date=May 4, 2000}}

| rev4 = Tom Hull

| rev4score = B+{{cite web |title=Tom Hull: Grade List: Joe Lovano |url=http://tomhull.com/ocston/nm/get_gl.php?n=Joe+Lovano | publisher=Tom Hull |access-date=10 July 2020}}

}}

52nd Street Themes is a studio album by the American jazz saxophonist Joe Lovano.{{cite journal |title=Must Hear |journal=CMJ New Music Report |date=8 May 2000 |volume=62 No.7 |issue=665 |url=https://books.google.com/books?id=03sgkLDeZVcC&q=52nd+Street+Themes+joe+lovano&pg=PA33 |access-date=29 March 2021 |publisher=CMJ Network, Inc. |language=en}}{{cite web|last1=Pekar|first1=Harvey|title=Joe Lovano: 52nd Street Themes (Blue Note)|url=http://www.clevescene.com/cleveland/joe-lovano/Content?oid=1474370|publisher=clevescene.com|access-date=28 March 2016|date=1 June 2000}} It was recorded in early November 1999 and released by the Blue Note label on April 25, 2000.{{cite web|title=Joe Lovano Nonet: 52nd Street Themes|url=https://www.discogs.com/Joe-Lovano-Nonet-52nd-Street-Themes/release/2635314|website=Discogs|publisher=discogs.com|access-date=28 March 2016}}{{cite web|last1=Margolis|first1=Bob|title=Joe Lovano Dips Into History for 52nd Street Themes|url=http://www.mtv.com/news/821390/joe-lovano-dips-into-history-for-52nd-street-theme/|archive-url=https://web.archive.org/web/20160410094445/http://www.mtv.com/news/821390/joe-lovano-dips-into-history-for-52nd-street-theme/|url-status=dead|archive-date=April 10, 2016|website=MTV|publisher=mtv.com|access-date=28 March 2016|date=24 April 2000}} The album won the Grammy Award for Best Large Jazz Ensemble Album.{{cite web|title=Best Large Jazz Ensemble Album|url=http://www.grammy.com/artist/joe-lovano|publisher=grammy.com|access-date=28 March 2016}} It is named after the jazz standard by Thelonious Monk.{{cite web |last1=Adler |first1=David |title=Joe Lovano Nonet: 52nd Street Themes |url=https://www.allaboutjazz.com/52nd-street-themes-joe-lovano-blue-note-records-review-by-david-adler.php |website=All About Jazz |access-date=11 April 2019 |language=en |date=1 May 2000}}

Background

To record the album, Lovano has assembled a medium-sized band of prominent musicians, inviting trumpeter Tim Hagans, trombonist Conrad Herwig, alto saxophonist Steve Slagle, baritonist Gary Smulyan, pianist John Hicks, bassist Dennis Irwin, drummer Lewis Nash, and tenor saxophonists George Garzone and Ralph Lalama. The record also features Cleveland-based jazz composers and arrangers Tadd Dameron and Willie Smith. Lovano initially met them through his father, Tony Lovano, who was also a saxophonist collaborating with both of them. Later, Lovano and Smith played saxophone together in Jack McDuff's band—for which Smith wrote.{{cite web |last1=Pekar |first1=Harvey |title=Joe Lovano: 52nd Street Themes (Blue Note) |url=https://www.clevescene.com/cleveland/joe-lovano/Content?oid=1474370 |website=Cleveland Scene |access-date=23 November 2018}} On 52nd Street Themes Lovano plays only tenor sax.{{cite web |last1=Hooper |first1=Joseph |title=Sonic Youth, Stereolab Fall Short … Lovano 52nd St. by Way of Cleveland |url=https://observer.com/2000/04/sonic-youth-stereolab-fall-short-lovano-52nd-st-by-way-of-cleveland/ |website=Observer |access-date=11 April 2019 |language=en |date=3 April 2000}}

Reception

Doug Ramsey of Jazz Times stated:

{{Blockquote|text=Lovano’s venture in nostalgia is a visit to the music that he heard when he was growing up and becoming a musician in Cleveland. Fortunately for him, and for the listener, what he heard under the aegis of his father were the great jazz artists of the ’40s and ’50s. The compositions the tenor saxophonist explores were written or played by Tadd Dameron, Thelonious Monk, Charlie Parker, Miles Davis, Ernie Henry, Billy Strayhorn and George Gershwin. Lovano and his father’s friend and colleague Willie “Face” Smith arranged seven of them for a nine-piece band... Lovano hopes to establish his nonet as a working, traveling band. The evidence of this first outing favors that idea.|source={{cite web|last1=Doug|first1=Ramsey|title=Joe Lovano: 52nd Street Themes, Blue Note Records|url=http://jazztimes.com/articles/11417-52nd-street-themes-joe-lovano|website=Jazz Times|publisher=jazztimes.com|access-date=28 March 2016|date=1 September 2000}}}}

David Adler of All About Jazz commented:

{{Blockquote|text=While Joe Lovano has played some decidedly non-mainstream music during his career, this record is a powerful reminder of the tenor giant’s debt to the tradition. Still, the music has that unmistakable Lovano edge. Joined by what is in essence a small big band, Lovano pays tribute to the legendary players and composers of the bebop era, with a concentration on the great Tadd Dameron. Willie "Face" Smith (not to be confused with the famed altoist who died in 1967) wrote the orchestrations.|source={{cite web|last1=Adler|first1=David|title=Joe Lovano Nonet: 52nd Street|url=http://www.allaboutjazz.com/52nd-street-themes-joe-lovano-blue-note-records-review-by-david-adler.php|website=All About Jazz|publisher=allaboutjazz.com|access-date=28 March 2016|date=May 1, 2000}}}}

Track listing

{{Track listing

| all_writing =

| total_length = 1:07:32

| title1 = If You Could See Me Now

| length1 = 3:53

| writer1 = Tadd Dameron, Carl Sigman

| title2 = On a Misty Night

| length2 = 5:03

| writer2 = Dameron

| title3 = Sippin' at Bells

| length3 = 5:11

| writer3 = Miles Davis

| title4 = Passion Flower

| length4 = 5:04

| writer4 = Billy Strayhorn

| title5 = Deal

| length5 = 7:13

| writer5 = Willie "Face" Smith

| title6 = The Scene Is Clean

| length6 = 3:48

| writer6 = Dameron

| title7 = Whatever Possess'd Me

| length7 = 3:58

| writer7 = Dameron

| title8 = Charlie Chan

| length8 = 8:07

| writer8 = Lovano

| title9 = Theme for Ernie

| length9 = 5:52

| writer9 = Fred Lacey

| title10 = Tadd's Delight

| length10 = 7:49

| writer10 = Dameron

| title11 = Abstractions on 52nd Street

| length11 = 2:04

| writer11 = Joe Lovano

| title12 = 52nd Street Theme

| length12 = 4:32

| writer12 = Thelonious Monk

| title13 = Embraceable You

| length13 = 4:58

| writer13 = George Gershwin, Ira Gershwin

}}

Personnel

References

{{Reflist}}