Tadd Dameron

{{Short description|American jazz composer and pianist (1917–1965)}}

{{Infobox musical artist

|name = Tadd Dameron

|image = Tadd Dameron, ca. 1946-1948.jpg

|caption = Dameron, New York, between 1946 and 1948
Photograph by William P. Gottlieb.

|background = non_vocal_instrumentalist

|birth_name = Tadley Ewing Peake Dameron

|birth_date = {{birth date|1917|2|21}}

|birth_place = Cleveland, Ohio, U.S.

|death_date = {{death date and age|1965|3|8|1917|2|21}}

|death_place = New York City, U.S.

|genre = Jazz

|occupation = Musician, composer, arranger

|instrument = Piano

|years_active = 1940s–1960s

|label =

}}

Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist.

Biography

File:Tadd Dameron, Mary Lou Williams and Dizzy Gillespie. (Gottlieb).jpg, and Dizzy Gillespie in Williams's apartment, c. June 1946
Photograph by William P. Gottlieb.]]

Born in Cleveland, Ohio,{{Cite news|url=https://www.britannica.com/biography/Tadd-Dameron|title=Tadd Dameron {{!}} American musician and composer|work=Encyclopedia Britannica|access-date=2017-05-15|language=en}} Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players.{{Cite book|url=https://books.google.com/books?id=3JjWAAAAMAAJ&q=tadd+dameron+%22most+influential+arranger%22|title=Jazz: The Essential Album Guide|last=Hound|first=Music|date=1998-01-01|publisher=Music Sales Corporation|isbn=9780825672538|language=en}} The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940–41, Dameron was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote "If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs.{{cite web|url=http://www.jazzstandards.com/compositions-1/ifyoucouldseemenow.htm|title=Jazz Standards Songs and Instrumentals (If You Could See Me Now)|website=www.jazzstandards.com|access-date=2017-05-15}}{{Cite book|url=https://books.google.com/books?id=J9G50L3c14QC&pg=PT214|title=The History of Jazz|last=Gioia|first=Ted|date=2011-05-09|publisher=Oxford University Press|isbn=9780199831876|language=en}}{{Cite news|url=https://www.pbs.org/wnet/americanmasters/sarah-vaughan-about-sarah-vaughan/723/|title=Sarah Vaughan {{!}} About Sarah Vaughan {{!}} American Masters {{!}} PBS|date=2005-10-08|work=American Masters|access-date=2017-05-15|language=en-US}} According to the composer, his greatest influences were George Gershwin and Duke Ellington.{{cite book|last= Rosenthal| first= David, H.|title= Hard Bop: Jazz and Black Music 1955-1965| year= 1992| publisher= Oxford University Press| location= New York| isbn= 0-19-505869-0}}

In the late 1940s, Dameron wrote arrangements for the big band of Dizzy Gillespie, who gave the première of his large-scale orchestral piece Soulphony in Three Hearts at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included Fats Navarro; the following year, Dameron was at the Paris Jazz Festival with Miles Davis. From 1961, he scored for recordings by Milt Jackson, Sonny Stitt, and Blue Mitchell.Harrison, Max. "Dameron, Tadd." [http://www.oxfordmusiconline.com/subscriber/article/grove/music/07122 Grove Music Online]. Oxford Music Online. April 2, 2011.

Dameron additionally arranged and played for rhythm and blues musician Bull Moose Jackson. Playing for Jackson at that same time was Benny Golson, who was to become a jazz composer in his own right. Golson has said that Dameron was the most important influence on his writing.

Dameron composed several bop and swing standards, including "Hot House", "If You Could See Me Now", "Our Delight", "Good Bait" (composed for Count Basie) and "Lady Bird". Dameron's bands from the late 1940s and early 1950s featured leading players such as Fats Navarro, Miles Davis, Dexter Gordon, Sonny Rollins, Wardell Gray, and Clifford Brown. In 1956, he led two sessions based on his compositions, released as the 1956 album "Fontainebleau" and the 1957 album "Mating Call". The latter featured John Coltrane. Dameron developed an addiction to narcotics toward the end of his career. He was arrested on drug charges in 1957 and 1958, and served time (1959–60) in a federal prison hospital in Lexington, Kentucky. After his release, Dameron recorded a single notable project as a leader, The Magic Touch, but was sidelined by health problems; he had several heart attacks before dying of cancer in 1965, at the age of 48. He was buried at Ferncliff Cemetery in Hartsdale, New York.{{cite web|url=https://www.newspapers.com/newspage/117063856/|title=Funeral Rites for Jazz Arranger Feature His Own Compositions|date=March 12, 1965|website=newspapers.com|publisher=The Arizona Republic|access-date=March 2, 2018}}

Tributes

  • In the 1980s, drummer Philly Joe Jones and trumpeter Don Sickler founded Dameronia, a band that performed the music of Tadd Dameron.{{cite book |last1=Carr |first1=Ian |author-link=Ian Carr|author2=Digby Fairweather |author2-link=Digby Fairweather|author3=Brian Priestley |author3-link=Brian Priestley|title=The Rough Guide to Jazz |url=https://books.google.com/books?id=I5wrGL-a-Q8C&pg=RA5-PT23E |access-date=22 March 2020 |year=2004 |publisher=Rough Guides |isbn=978-1-84353-256-9 |pages=5–}}
  • Saxophonist Dexter Gordon called him the "romanticist" of the bop movement.{{cite book |last1=Nisenson |first1=Eric |title='Round About Midnight: A Portrait of Miles Davis |url=https://archive.org/details/roundaboutmidnig0000nise/page/65 |via=archive.org |year=1996 |publisher=Hachette Books |isbn=9780306806841 |access-date=22 March 2020}}
  • Music critic Scott Yanow called Dameron the "definitive arranger/composer of the bop era".{{cite web |last1=Yanow |first1=Scott |title=Tadd Dameron |url=https://www.allmusic.com/artist/tadd-dameron-mn0000016759/biography |website=AllMusic |access-date=22 March 2020}}
  • Saxophonist Joe Lovano included five Dameron tunes on his 2000 album 52nd Street Themes.{{cite web |url=https://www.allmusic.com/album/52nd-street-themes-mw0000605248 |title=Joe Lovano: 52nd Street Themes |last=Wolff |first=Carlo |website=AllMusic |access-date=January 3, 2022}}
  • In 2006, trumpeter Peter Welker released Duke, Billy And Tadd as a tribute to Duke Ellington, Billy Strayhorn, and Dameron.{{cite web |url=https://www.allaboutjazz.com/duke-billy-and-tadd-peter-welker-peachy-productions-review-by-jack-bowers |title=Peter Welker: Duke, Billy And Tadd |last=Bowers |first=Jack |date=May 14, 2006 |website=All About Jazz |access-date=January 3, 2022}}
  • Turkish drummer Ferit Odman released Dameronia with Strings, an album featuring eight Dameron tunes, in 2015.{{cite web |url=https://www.allmusic.com/album/dameronia-with-strings-mw0002913606 |title=Ferit Odman: Dameronia with Strings |website=AllMusic |access-date=January 3, 2022}}
  • Trumpeter Joe Magnarelli's 2019 album If You Could See Me Now is a tribute to Dameron.{{cite web |url=https://downbeat.com/?/reviews/detail/if-you-could-see-me-now |title=Joe Magnarelli Quintet: If You Could See Me Now |last=Sinnenberg |first=Jackson |date=March 2019 |website=DownBeat |access-date=January 3, 2022}}
  • In 2019, singer Vanessa Rubin released an album titled The Dream Is You: Vanessa Rubin Sings Tadd Dameron.{{cite web |url=https://downbeat.com/reviews/detail/the-dream-is-you-vanessa-rubin-sings-tadd-dameron |title=The Dream Is You: Vanessa Rubin Sings Tadd Dameron |last=McDowall |first=Kerilie |date=April 2019 |website=DownBeat |access-date=January 3, 2022}}

Discography

=As leader/co-leader=

class="wikitable sortable"
Recorded

!Released

!Title

!Label

!Notes

1948?

|

|The Dameron Band (Featuring Fats Navarro)

|Blue Note

|

1949?

|1972

|Anthropology

|Spotlite

|

1949?

|

|Cool Boppin'

|

|

1949

|1977

|The Miles Davis/Tadd Dameron Quintet In Paris Festival International De Jazz May, 1949

|Columbia

|With Miles Davis (trumpet), James Moody (tenor saxophone), Barney Spieler (bass), Kenny Clarke (drums)

1953

|1953

|A Study in Dameronia

|Prestige

|With Clifford Brown (trumpet), Benny Golson (tenor sax), Idrees Sulieman (trumpet), Gigi Gryce (alto sax), Herb Mullins (trombone), Oscar Estell (baritone sax), Percy Heath (bass), Philly Joe Jones (drums); most tracks also issued on Memorial

1956

|1956

|Fontainebleau

|Prestige

|With Kenny Dorham (trumpet), Henry Coker (trombone), Cecil Payne (baritone sax), Sahib Shihab (alto sax), Joe Alexander tenor sax), John Simmons (bass), Shadow Wilson (drums)

1956

|1957

|Mating Call

|Prestige

|Quartet, with John Coltrane (tenor sax), John Simmons (bass), Philly Joe Jones (drums)

1962

|1962

|The Magic Touch

|Riverside

|With Clark Terry, Ernie Royal Charlie Shavers and Joe Wilder (trumpet), Jimmy Cleveland and Britt Woodman (trombone), Julius Watkins (French horn), Jerry Dodgion and Leo Wright (alto sax, flute), Jerome Richardson (tenor sax, flute), Johnny Griffin (tenor sax), Tate Houston (baritone sax), Bill Evans (piano), Ron Carter and George Duvivier (bass), Philly Joe Jones (drums); Barbara Winfield (vocals) added on two tracks

|1962

|The Tadd Dameron Band

|Jazzland

|

=As sideman=

With John Coltrane

  • John Coltrane Plays for Lovers (Prestige, 1966)
  • Trane's Blues (Giants of Jazz, 1990)

With Miles Davis

  • At Birdland (Durium, 1976)
  • The Early Days Vol. 1 (Giants of Jazz, 1985)
  • Birdland Days (Fresh Sound, 1990)

With Dexter Gordon

  • New Trends of Jazz Volume 3 (Savoy, 1952)
  • Long Tall Dexter (Savoy, 1976)
  • Dexter Rides Again (Savoy, 1985)

With Fats Navarro

  • Memorial Album (Blue Note, 1951)
  • New Trends of Jazz Vol. 5 (Savoy, 1952)
  • Fats Bud-Klook-Sonny-Kinney (Savoy, 1955)
  • Fats Navarro Memorial Theodore "Fats" Navarro 1923–1950 Volume I (London, 1956)
  • The Fabulous Fats Navarro, Vol. 1 (Blue Note, 1957)
  • The Fabulous Fats Navarro, Vol. 2 (Blue Note, 1957)
  • Fats Navarro Featured with the Tadd Dameron Quintet (Jazzland, 1961)
  • Fats Navarro Memorial Volume 1 (CBS, 1964)
  • Prime Source (Blue Note, 1975)
  • Fat Girl (Savoy, 1977)
  • Featured with the Tadd Dameron Band (Milestone, 1977)
  • At Royal Roost Volume 1 (Jazz View, 1991)
  • Fats Blows 1946–1949 (Giants of Jazz, 1991)
  • Royal Roost Sessions 1948 (Fresh Sound, 1991)

With Charlie Parker

  • Bird Lives (Continental, 1962)
  • Pensive Bird (Ember, 1969)
  • Broadcast Performances Vol. 2 (ESP Disk, 1973)

References

{{reflist}}

Further reading

  • Combs, Paul. (2012). Dameronia: The Life and Music of Tadd Dameron (Jazz Perspectives). University of Michigan Press. {{ISBN|978-0472114139}}.